St Agnes to Cligga SUP Tour - North Cornwall Coast Experience
'3 hours of paddling into 4 minutes'
St Agnes to Cligga, North Cornwall is an exposed and dramatic stretch of coastline with far reaching views. It is known for the visible mine workings and mineral deposits seeping through rock, far reaching views, seals, sea birds and caves including the Prison a collapsed cave.
A Stand Up Paddleboard adventure - St Agnes to Cligga is only possible on the calmest of days and and is only advised for well equipped, experienced paddlers or with a Guide.
This video is filmed over 2 adventures over the winter.
SUP in a Bag -Corwall #GoAnywhere Stand Up Paddleboard Guided Tours suitable for all abilities.
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St Agnes to Perranporth - Stand Up Paddleboard Adventure
Paddling through caves, spotting seals and their tracks, exploring the Prison (a collapsed sea cave), admiring the art created by minerals in the rock and stopping for a hot Choc.
A taste of one of our magical SUP's on an unusually calm winter's day on the dramatic North Coast of Cornwall.
SUP in a Bag specialises in exploring the coastline and waterways by Stand Up Paddleboard, with experiences to suit your ability and interests. Learn to SUP and explore, from flat clear water beginner sessions on the Gannel, Crantock to more challenging coastal adventures on the north coast, the Roseland or the Lizard.
More information, videos and photos on SUPinaBag.co.uk
Stand up paddle boarding St Ives Cornwall
SUP from Carlyon Bay to Charlestown Cornwall
Stand up paddle board river trips in Cornwall
A must do adventure out on the beautiful backwaters and creeks of west Cornwall
SUP The Helford
Conger SUP (SUP ATX distributor for the UK) visit the Helford River in Cornwall.
Porthpean Charlestown Paddleboard - Cornwall life
Porthpean Charlestown SUP - Cornwall life
Lush SUP from Carlyon Bay to Porthpean and Charlestown. This video was meant to be a tad longer but whilst editing I lost a few clips due to me being an idiot and deleting them accidentally, but I think the video generally shows the vibe of the day...Lush!
Music by bensound.com
Lifestyle - SUP down the river Lynher Cornwall
Rilla of Ingleside Audiobook by Lucy Maud Montgomery | Audiobook with Subtitles
Rilla of Ingleside by Lucy Maud Montgomery Audiobook read by Karen Savage. Genre(s): Children's Fiction.
Written in 1921, this is the final book in L. M. Montgomery's Anne of Green Gables series. Set during World War I, it shows the courage and endurance of the sisters, mothers and wives (and brothers and fathers) left to tend the home front. The main focus of the book is on Anne and Gilbert’s youngest daughter, Rilla. (Summary by Karen Savage)
Genre(s): Children's Fiction
Chapters:
0:18 | Chapter 1 – Glen Notes and Other Matters
19:08 | Chapter 2 – Dew of Morning
29:04 | Chapter 3 – Moonlit Mirth
50:17 | Chapter 4 – The Piper Pipes
1:10:41 | Chapter 5 – The Sound of a Going
1:33:46 | Chapter 6 – Susan, Rilla, and Dog Monday Make a Resolution
1:46:37 | Chapter 7 – A War-baby and a Soup Tureen
2:02:19 | Chapter 8 – Rilla Decides
2:15:48 | Chapter 9 – Doc Has a Misadventure
2:25:37 | Chapter 10 – The Troubles of Rilla
2:44:23 | Chapter 11 – Dark and Bright
3:02:10 | Chapter 12 – In the Days of Langemark
3:13:44 | Chapter 13 – A Slice of Humble Pie
3:29:18 | Chapter 14 – The Valley of Decision
3:43:31 | Chapter 15 – Until the Daybreak
3:56:05 | Chapter 16 – Realism and Romance
4:16:54 | Chapter 17 – The Weeks Wear By
4:40:35 | Chapter 18 – A War-Wedding
5:01:52 | Chapter 19 – They Shall Not Pass
5:17:35 | Chapter 20 – Norman Douglas Speaks Out in Meeting
5:28:52 | Chapter 21 – Love Affairs Are Horrible
5:39:05 | Chapter 22 – Little Dog Monday Knows
5:52:11 | Chapter 23 – And So, Goodnight
6:03:16 | Chapter 24 – Mary Is Just in Time
6:21:03 | Chapter 25 – Shirley Goes
6:35:17 | Chapter 26 – Susan Has a Proposal of Marriage
6:54:18 | Chapter 27 – Waiting
7:19:56 | Chapter 28 – Black Sunday; Ch 29 – Wounded and Missing; Ch 30 – The Turning of the Tide
7:44:50 | Chapter 31 – Mrs Matilda Pitman
8:03:31 | Chapter 32 – News From Jem
8:16:35 | Chapter 33 – Victory!; Ch 34 – Mr Hyde Goes to His Own Place and Susan Takes a Honeymoon
8:28:01 | Chapter 35 – Rilla-my-Rilla
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----------------------------------------------------------------------------------------------------- Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
The Hunchback of Notre Dame Audiobook by Victor Hugo | Audiobook with Subtitles | Part 1
The Hunchback of Notre Dame
Victor HUGO , translated by Isabel Florence HAPGOOD
One of the great literary tragedies of all time, The Hunchback of Notre Dame features some of the most well-known characters in all of fiction - Quasimodo, the hideously deformed bellringer of Notre-Dame de Paris, his master the evil priest Claude Frollo, and Esmeralda, the beautiful gypsy condemned for a crime she did not commit. (Summary by Mark Nelson)
Genre(s): Literary Fiction
Chapters:
00:00:30 | 1. Preface and Book 1: I - The Grand Hall
00:39:41 | 2. Book 1: II - Pierre Gringoire
01:03:14 | 3. Book 1: III - Monsieur the Cardinal
01:20:56 | 4. Book 1: IV - Master Jacques Coppenole
01:44:03 | 5. Book 1: V - Quasimodo
02:01:39 | 6. Book 1: VI - Esmeralda
02:07:15 | 7. Book 2: I - From Charybdis to Scylla
02:14:16 | 8. Book 2: II - The Place de Grave
02:20:34 | 9. Book 2: III - Kisses for Blows
02:46:46 | 10. Book 2: IV - The Inconvenience of Following a Pretty Woman through the Streets in the Evening
02:58:04 | 11. Book 2: V - Result of the Dangers
03:03:43 | 12. Book 2: VI - The Broken Jug
03:51:55 | 13. Book 2: VII - A Bridal Night
04:15:40 | 14. Book 3: I - Notre-Dame
04:38:32 | 15. Book 3: II - A Bird's-eye View of Paris
05:45:06 | 16. Book 4: I - Good Souls
05:54:18 | 17. Book 4: II - Claude Frollo
06:07:46 | 18. Book 4: III - Immanis Pecoris Custos, Immanior Ipse
06:28:26 | 19. Book 4: IV - The Dog and his Master
06:31:52 | 20. Book 4: V - More about Claude Frollo
06:47:48 | 21. Book 4: VI - Unpopularity
06:50:08 | 22. Book 5: I - Abbas Beati Martini
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Transformers: The Last Knight
From Director Michael Bay and Executive Producer Steven Spielberg comes the best Transformers yet (The Telegraph). Our world's greatest hero becomes our fiercest enemy when Optimus Prime launches a mission to save Cybertron by destroying Earth. Now Bumblebee and Cade Yeager (Mark Wahlberg) must lead the Autobots against their former ally in the ultimate battle to save mankind from annihilation.
Suspense: The 13th Sound / Always Room at the Top / Three Faces at Midnight
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The Great Gildersleeve: Gildy the Athlete / Dinner with Peavey / Gildy Raises Christmas Money
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Suspense: After Dinner Story / Statement of Employee Henry Wilson / Cabin B-13
In the earliest years, the program was hosted by The Man in Black (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr.
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Our Miss Brooks: Connie the Work Horse / Babysitting for Three / Model School Teacher
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Suspense: Mister Markham, Antique Dealer / The ABC Murders / Sorry, Wrong Number - East Coast
One of the premier drama programs of the Golden Age of Radio, was subtitled radio's outstanding theater of thrills and focused on suspense thriller-type scripts, usually featuring leading Hollywood actors of the era. Approximately 945 episodes were broadcast during its long run, and more than 900 are extant.
Suspense went through several major phases, characterized by different hosts, sponsors, and director/producers. Formula plot devices were followed for all but a handful of episodes: the protagonist was usually a normal person suddenly dropped into a threatening or bizarre situation; solutions were withheld until the last possible second; and evildoers were usually punished in the end.
In its early years, the program made only occasional forays into science fiction and fantasy. Notable exceptions include adaptations of Curt Siodmak's Donovan's Brain and H. P. Lovecraft's The Dunwich Horror, but by the late 1950s, such material was regularly featured.
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