Church of San Fedele Chiesa di San Fedele Milan Italy
Church of San Fedele
Chiesa di San Fedele
Alessandro Manzoni's statue
Milan Italy
Il San Fedele di Milano: arte, giustizia e spiritualità
ITALY - Italia - Milan - Bergamo - Lecco - Lake Lago Como
1 Milan - Milán - Milano
Square - Plaza - Piazza San Babila
Church - Iglesia - Duomo di Milano
Square - Plaza - Piazza Duomo
Gallery - Galería Vittorio Emanuele II
Peace Arch - Arco de la Paz
Park - Parque - Parco Sempione
Castle - Castillo - Castello Sforzesco
Door - Perta - Porta Garibaldi
Vertical Wood - Bosque Vertical - Bosco Verticale
Square - Plaza - Piazza Gae Aulenti
2 - Bergamo
High City - Ciudad Alta - Città Alta
Centro Piacentiniano
Tower of the Fallen - Torre de los Caidos
Church - Iglesia - Chiesa di San Marco
Door - Puerta - Porta San Giacomo
Entrance to the Upper City - Entrada a la Ciudad Alta
Palace - Palacio - Palazzo del Podestà
Square - Plaza - Piazza Vecchia
Palace - Palacio - Palazzo della Ragione
Church - Iglesia - Basilica di Santa Maria Maggiore
3 - Lecco
Lake - Lago Como
Harbor - Puerto
Basilica di San Nicolò
Square - Plaza XX September - Septiembre
Sanctuary - Santuario di Nostra Signora della Vittoria
4- Lake Lago Como
Villa Olmo
Tempio Voltiano
Piazza Cavour - Square - Plaza
Duomo di Como - Cathedral - Catedral
Piazza San Fedele
Basilica di San Fedele
Piazza del Duomo - Square - Plaza
Chiesa di San Giacomo
La chiesa di San Fedele
Dietro palazzo Marino, a due passi dalla Scala, ecco la chiesa di San Fedele, un vero e proprio gioiello in pieno centro
Chiesa e Museo San Fedele Milano
Milano: Piazza San Fedele
Piazza San Fedele, situata all'interno dell'area pedonale nel pieno centro di Milano, prende il suo nome dalla cinquecentesca chiesa di San Fedele che si affaccia su di essa. La piazzetta, sotto la facciata posteriore di Palazzo Marino, conserva al centro un monumento ad Alessandro Manzoni, la cui casa di famiglia è situata nella vicina piazza Belgiojoso. Alle spalle della piazza, nella viuzza che taglia verso Palazzo Belgiojoso, è situata la Casa degli Omenoni, famosa per gli otto telamoni scolpiti nella sua facciata.
ITALY - Italia - VENICE - VENECIA - Milan - Bergamo - Lecco - Lake Lago Como
1 - Venice - Venecia
Bridge that links Mestre with Venice Island
Puente que une Mestre con la isla de Venecia
Train Station - Estación de tren - Santa Lucia
Bridge - Puente - Ponte degli Scalzi
Church - Iglesia - Chiesa di San Nicola da Tolentino
Church - Iglesia - Chiesa dei Santi Apostoli
Bridge - Puente - Ponte della Costituzione
Church - Iglesia - Chiesa di San Felice
Church - Igesia - Chiesa di Santa Maria di Nazareth
La Maddalena
Bridge - Puente - Ponte di Rialto
Square - Plaza - Piazza San Marco
Church - Iglesia - San Marcos
Baell Tower - Campanario - San Marcos
Palace - Palacio - Palazzo Ducale
Church - Iglesia - Chiesa di San Giorgio Maggiore
Island - Isla - San Giorgio Maggiore
2 Milan - Milán - Milano
Square - Plaza - Piazza San Babila
Church - Iglesia - Duomo di Milano
Square - Plaza - Piazza Duomo
Gallery - Galería Vittorio Emanuele II
Peace Arch - Arco de la Paz
Park - Parque - Parco Sempione
Castle - Castillo - Castello Sforzesco
Door - Perta - Porta Garibaldi
Vertical Wood - Bosque Vertical - Bosco Verticale
Square - Plaza - Piazza Gae Aulenti
3 - Bergamo
High City - Ciudad Alta - Città Alta
Centro Piacentiniano
Tower of the Fallen - Torre de los Caidos
Church - Iglesia - Chiesa di San Marco
Door - Puerta - Porta San Giacomo
Entrance to the Upper City - Entrada a la Ciudad Alta
Palace - Palacio - Palazzo del Podestà
Square - Plaza - Piazza Vecchia
Palace - Palacio - Palazzo della Ragione
Church - Iglesia - Basilica di Santa Maria Maggiore
4 - Lecco
Lake - Lago Como
Harbor - Puerto
Basilica di San Nicolò
Square - Plaza XX September - Septiembre
Sanctuary - Santuario di Nostra Signora della Vittoria
5 - Lake Lago Como
Villa Olmo
Tempio Voltiano
Piazza Cavour - Square - Plaza
Duomo di Como - Cathedral - Catedral
Piazza San Fedele
Basilica di San Fedele
Piazza del Duomo - Square - Plaza
Chiesa di San Giacomo
( discovering Milan 8 ) Santa Maria della Scala (the church and the famous opera house )
Everybody knows the Scala of Milan, but few people know the origin of its name and the building that once stood at its place. It was a church and this video for yesmilano.com will allow you to have a look at it.
During the Carnival of 1776, a theatre built in the courtyard of the Royal Palace in Milan was destroyed by a fire. Maria Theresa of Habsburg, urged by the Milanese bourgeoisie, ordered the construction of a new theatre in place of an old church: Santa Maria della Scala.
The church had been built in 1381 by the wish of Beatrice della Scala, wife of Bernabò Visconti. It rose where the houses of the Della Torre family once stood, razed to the ground in 1311 by the Viscontis. It was named Santa Maria della Scala in honour of the family of Beatrice, whose coat of arms showed a ladder (“scala” in Italian).
The church, built in Lombard Gothic style, had three naves and five bays, separated by stone columns. The lower part of the façade was made of marble and the upper one of bricks: it was vertically punctuated by four lesenes, surmounted by pinnacles.
In the centre of the façade, a large white marble rosette illuminated the main nave. The church had a large niche portal flanked by columns and surmounted by a lunette with a relief of the Virgin. On the left side of the church rose an octagonal bell tower.
Inside the church there were frescoes, paintings, funerary monuments and a large wooden choir, added in 1560. The choir is today in the church of San Fedele, together with other works of art that belonged to the old church.
The Duke of Milan had the right of giuspatronato on Santa Maria della Scala, which had the privilege of being a “Ducal Chapel”, reserved for the functions and ceremonies of the Court. It became the church of the civil government; many canons belonged to noble and wealthy families and defended their independence from the bishop's authority. After the suppression of the Society of Jesus, in 1773 the chapter of Santa Maria della Scala was transferred to the church of San Fedele, together with part of the furniture. The foundations of the old church had been compromised by a small stream that ran alongside it. Therefore Santa Maria della Scala was abandoned in ruins.
That’s why the place was chosen by the Austrian administration to build a new theatre, officially named “Nuovo Regio Ducal Teatro”, but soon known as “Teatro alla Scala”. Over the years it became the world’s most famous opera house.
Villa San Fedele *** Hotel Review 2017 HD, San Fedele Intelvi, Italy
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Property Location
With a stay at Villa San Fedele in San Fedele Intelvi, you'll be next to a golf course and minutes from Church of St Anthony, and close to Church of Castiglione d'Intelvi. This hotel is within close proximity of Lanzo Golf Club and Tower of Osteno-Claino.
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Stay in one of 23 guestrooms featuring flat-screen televisions. Complimentary wireless Internet access is available to keep you connected. Private bathrooms with showers feature complimentary toiletries and bidets. C...
Chiesa di San Fedele Milano
Situata nel cuore di Milano, fra palazzo Marino e la galleria Vittorio Emanuele II, nell'omonima piazza, la chiesa era un antico edificio di dimensioni ridotte rispetto all'attuale, dedicato a san Fedele, protomartire della diocesi di Como. La chiesa antica era con tutta probabilità già stata edificata su un edificio sacro preesistente che aveva nome di chiesa di Santa Maria in Solariolo o Solario, perché sorgeva proprio a fianco di un edificio medievale che aveva la caratteristica lombarda dei portici nel piano inferiore e una sala con funzioni pubbliche al piano superiore. La chiesa viene citata in una bolla di papa Eugenio III del 1147col quale la Santa Sede confermava il possesso dell'edificio ai monaci di San Dionigi.
La struttura venne affidata ai Gesuiti nel 1567, poco dopo il loro arrivo nel capoluogo lombardo nel 1563, per i quali si resero subito necessari alcuni lavori di restauro ed ingrandimento.
La realizzazione dell'edificio, prima casa dei Gesuiti a Milano, si inseriva nel programma di riordino della diocesi voluto da Carlo Borromeo, che incaricò del progetto Pellegrino Tibaldi(1569). L'artista si attenne alle esigenze liturgiche stabilite dal Concilio di Trento e fatte proprie dall'ordine, prevedendo un edificio a navata unica, che esaltasse la centralità dell'altare per la celebrazione eucaristica e prevedesse un pulpito laterale per facilitare la predicazione. Il Tibaldi assicurò fasto e monumentalità architettonica al complesso strutturando l'ambiente in due grandi campate, coperte da volte a tazza, poggianti su sei grandi colonne corinzie addossate alle pareti e poggianti su alti plinti. Un grande arco trionfale separa l'aula dal presbiterio. La chiesa venne in gran parte completata nel 1579 quando lo stesso san Carlo Borromeo volle celebrarvi la messa di consacrazione.
La costruzione delle parti restanti dell'edificio venne portata avanti nei secoli successivi da altri insigni architetti come Martino Bassi, subentrato al Tibaldi nel 1586, e Francesco Maria Richini (1629). Sotto la direzione di quest'ultimo architetto ebbero inizio e fine i lavori nel coro che venne portato a compimento nel 1684. L'architetto Andrea Biffi, nel 1684, iniziò i lavori per l'erezione della cupola.
Dopo la soppressione dell'ordine dei Gesuiti nel 1773, la chiesa fu affidata ai canonici provenienti dalla vicina chiesa trecentesca di Santa Maria alla Scala, abbattuta (nel 1776) per far posto al Teatro alla Scala. La chiesa assunse allora il titolo di Santa Maria della Scala in San Fedele e si arricchì di molti degli addobbi e delle opere d'arte provenienti dal distrutto edificio. L'elegante facciata fu completata solo nel 1835 sotto la direzione di Pietro Pestagalli, sempre però rispettando i disegni del Tibaldi; il frontone triangolare della facciata, adorno di un pregevole bassorilievo rappresentante l'Assunzione è opera delGaetano Matteo Monti di Ravenna.
La notte del 16 aprile 1943 un bombardamento distrusse la Questura che sorgeva presso il contiguo ex convento dei Gesuiti e danneggiò gravemente la chiesa di San Fedele contigua.L'edificio tornò a essere gestito dai Gesuiti nel 1945.
Chiesa di Santa Maria al Carmine, Milan, Lombardy, Italy, Europe
In 1268, the carmelites obtained a seta near the Castello Sforzesco: here, starting from the 14th century, they built a convent with an annexed church. The latter was however destroyed in a fire in 1330. The rebuilt church fell also in abandon before the end of the century, after the friars moved to another convent. The new church was built from 1400, under the design of friar Bernardo da Venezia. Works were completed in 1446. The vault crumbled down three years after the completion, and a restoration was necessary. In the mid-15th century, the church became a favourite destination for aristocratic burials, as testified by the numerous noble tombs in the chapels and niches. In the 17th century, the presbytery was remade in Baroque style. The current façade was designed by Carlo Maciachini and completed in 1880. The interior has a nave and two aisles. They are covered by crossed vault ceilings and separated by large circular pillars in cotto or simple stone. In the naves and transepts are several artworks, including works by Camillo Procaccini depicting St Charles Borromeo Praying (1585) and other works by the painter in the Chapel of Madonna del Carmine, as well as a Madonna statue at the altar. The high altar features a small temple inspired to that in the Milan Cathedral.
San Fedele Church with Alessandro Manzoni Statue timelapse hyperlapse
San Fedele Church with Alessandro Manzoni Statue timelapse hyperlapse, important Italian writer and poet of the nineteenth century, Milan city center, Italy. Blue sky at summer day
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Milano Basilica S. Stefano Maggiore e chiesa S. Bernardino Alle Ossa (webcam)
I created this video with the YouTube Video Editor (
Il Duomo of Milan Italy
If you like art and history and religion you can not miss the Duomo cathedral of Milan Italy, its a must sight see for the enthusiats, you can even take a tour to the top for a great city view of the city. The setting of the blue sky against the white stone is very vivid and kind to thr camera, brilliant blue Italian sky that sorry to say here the England have lacked in recent years, I wont mention why.
The Duomo is located on Piazza del Duomo in the city center and is one of the largest churches in the Christian World second only to St Peter's Basilica in Rome and Seville Cathedral in Spain. This magnificent building was begun in the 14th century but was completed after 500 years.
The Gothic Cathedral is striking with its size and unusual roof. 135 spires and 3,500 statues adorn the cathedral, including the symbol of Milan, the golden statue of the Madonnina. The Madonnina spire was erected in 1762 and is 108.5 m high. It was designed by Francesco Croce.
Inside, the Duomo is astonishing. The nave has 5 isles, crossed by a transept. The nave is 45 meters high one of the highest in a Gothic church. The five naves are divided by 52 pillars and the remarkable stained glass windows light the cathedral from all sides.
The most cherished relic of the cathedral, a nail from the Christ`s cross, is placed on a grandiose crucifix above the chancel. The ruins of the early Christian baptistery, Battistero Paleocristiano, stand to the left of the main entrance. In 387 AD, St Ambrose had baptised St Augustine at this holly place.
A tour of the cathedral roof is available. It is a perfect opportunity to explore the spires and sculptures, placed upon delicate flying buttresses and to have a panoramic view of the center of Milan.
Milan Cathedral (Italian: Duomo di Milano; Milanese: Domm de Milan) is the cathedral church of Milan in Lombardy, northern Italy. It is the seat of the Archbishop of Milan, currently Cardinal Dionigi Tettamanzi.
The Gothic cathedral took five centuries to complete and is the fourth-largest church in the world.
In 1386, Archbishop Antonio da Saluzzo began construction in a rayonnant Late Gothic style more typically French than Italian. Construction coincided with the accession to power in Milan of the archbishop's cousin Gian Galeazzo Visconti, and was meant as a reward to the noble and working classes which had been suppressed by his tyrannical Visconti predecessor Barnabò.
Il Duomo è per molti il simbolo di Milano, ma per i milanesi è anche l'anima della città in quanto sorge proprio nel suo centro. I lavori di costruzione iniziarono 1386 per volere dell'arcivescovo Antonio da Saluzzo e di Gian Galeazzo Visconti, all'epoca signore della città. Sorse nell'area precedentemente occupata dalla Chiesa di Santa Maria Maggiore. La sua elaborazione fu assai lenta e comprese un arco di tempo lunghissimo di ben sei secoli, seppe però rimanere fedele ai principi originali dell'arte gotica. Nel 1418 venne consacrato l'altare maggiore da papa Martino V. I lavori di costruzione proseguirono sotto la direzione di vari architetti, tra cui ricordiamo anche Leonardo, e nel 1572 San Carlo riconsacrò il Duomo.
ITALY - Italia - Bergamo - Lecco - Lake Lago Como - Portofino - Cinque Terra
1 - Bergamo
High City - Ciudad Alta - Città Alta
Centro Piacentiniano
Tower of the Fallen - Torre de los Caidos
Church - Iglesia - Chiesa di San Marco
Door - Puerta - Porta San Giacomo
Entrance to the Upper City - Entrada a la Ciudad Alta
Palace - Palacio - Palazzo del Podestà
Square - Plaza - Piazza Vecchia
Palace - Palacio - Palazzo della Ragione
Church - Iglesia - Basilica di Santa Maria Maggiore
2 - Lecco
Lake - Lago Como
Harbor - Puerto
Basilica di San Nicolò
Square - Plaza XX September - Septiembre
Sanctuary - Santuario di Nostra Signora della Vittoria
3 - Lake Lago Como
Villa Olmo
Tempio Voltiano
Piazza Cavour - Square - Plaza
Duomo di Como - Cathedral - Catedral
Piazza San Fedele
Basilica di San Fedele
Piazza del Duomo - Square - Plaza
Chiesa di San Giacomo
4 - Portofino
Portofino is 39 km southwest of Genoa
Portofino esta 39 km al sudoeste de Genova
You can get by train to Santa Margherita Ligure
and then by bus to Portofino
Se puede llegar en tren hasta Santa Margherita Ligure
y luego en bus hasta Portofino
5 - Cinque Terra
Cinque Terre is called to the five villages
Monterosso al Mare, Vernazza, Corniglia, Manarola and Riomaggiore
Cinque Terre se le llama a los cinco pueblos
Monterosso al Mare, Vernazza, Corniglia, Manarola y Riomaggiore
Walking to the next town Corniglia
Caminando hacia el próximo pueblo Corniglia
View of Corniglia and Manarola
Vista de Corniglia y Manarola
Going Medieval in San Michele Maggiore | Pavia | Italy
Be transported to Medieval Times in this amazing church!
February 3rd, 2019
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La Madonnina (Parrocchia San Fedele Martire) | Italy
How high is too high for a Cinewhoop? I spotted Parrocchia San Fedele Martire in Calusco d'Adda (Italy) and wanted to cover as much ground as possible with the Cinewhoop. I'm pretty happy with the performance of my custom Cinewhoop, but it does not like strong winds and it's not very good at descending ????.
___ Music ___
Creep (cover) by Daniela Andrade
___ Cinewhoop styled drone ___
Frame: My own prototype
Motors: Hypetrain Brat
Props: HQProp T3x3x3
FC: DALRC F722
ESC: DALRC Rocket 50A
VTX: TBS Unify Pro 5G8 V3
Antenna: Lumenier Micro AXII
RX: TBS Crossfire Nano Receiver
RX antenna: TBS mortal T
Batteries: ACEHE 850mAh 4S
FPV cam: RunCam Micro Sparrow 2
___ Cinematic Drone __
DJI Mavic Pro 2
___ Longrange Quad __
Frame: Armattan Rooster
Motors: TBS Ethix Mr Steele Stout Motor V2
Props: HQProp DP 5x4.8x3 V1S
FC: HelioRC SPRING
ESC: DALRC Rocket 50A
VTX: TBS Unify Pro HV 5G8
Antenna: TBS TRIUMPH SMA
RX: TBS Crossfire Nano Receiver
RX antenna: TBS immortal T
Batteries: DRONE FACTORY 6S 1300mAh
FPV cam: RunCam Eagle 2 Pro at about 35°
HD cam: GoPro Hero 5 Session
Lens protector:
___ Main Quad ___
Frame: Armattan Chameleon 5
Motors: TBS MR STEELE 2345KV SILK
Props: HQProp DP 5x4.8x3 or 5x4.3x3 Durable V1S
FC: Matek F405 AIO
ESC: DYS XSD30A V2 Mini
VTX: TBS Unify Pro HV 5G8
Antenna: TBS TRIUMPH SMA
RX: FrSky X4R-SB
Batteries: ACEHE 1300MAH 4S 95C and 75C
FPV cam: RunCam Eagle 2 Pro
__ Backup Quad ___
Frame: Impulse RC Alien RR5
Motors: TBS MR STEELE 2345KV SILK
Props: HQProp DP 5x4.8x3 or 5x4.3x3 Durable V1S
FC: KISS FC V1.03
ESC: KISS 24A ESC
VTX: TBS Unify Pro HV 5G8
Antenna: TBS TRIUMPH SMA
RX: FrSky X4R-SB
Batteries: ACEHE 1300MAH 4S 95C and 75C
FPV cam: HS1177
HD cam: GoPro Hero 5 Session
Lens protector:
__ HD cams __
GoPro Hero 7 black
GoPro Hero 5 Session
ND filter:
Lens protector:
___ Frankenwhoop (Tiny Whoop) ___
Frame: Cockroach Super-Durable
FC: Furious FPV ACROWHOOP V2
Cam: NewBeeDrone Cam & VTX combo
Props: KINGKONG 31mm Props
Motors: Lumenier RX0615-19 Red 19000KV(Insane)
___ Goggles ___
FATSHARK DOMINATOR HDO
RX: ImmersionRC RapidFIRE
Omni Antenna: ImmersionRC SpiroNet V2 RHCP
Mini Patch: ImmersionRC mini patch
Screen: Eachine 7inch Monitor LCD5802S
___ Gear ___
TX: FrSky Taranis X9D PLUS
Gimbals: FrSky M9 Hall Sensor Gimbal
Backpack: Lowepro QuadGuard BP X3
___ Charging setup ___
12v Power Supply
Charger: ISDT 150W & hobbyking quattro
Chiesa di Sant'Eufemia, Erba, Como, Lombardy, Italy, Europe
The Romanesque church of St. Euphemia of Incino d'Erba is one of the oldest churches plebeian Larian Triangle, the province of Como and the Archdiocese of Milan. The parish of Incino is one of the largest and most ancient churches in the area (in 1285 they were awarded the well 61 churches), the church is located on the ancient road network that connected Aquileia Brescia, Bergamo, Como and also mentioned in Ivrea Tavola Peutingeriana. Incino is mentioned by Pliny the Younger as Licini forum. The church is dedicated to St. Euphemia of Chalcedon, a saint particularly dear to the followers of the Three-Chapter Controversy because the Council of Chalcedon, which was heavily influenced by the schismatics, had done right in the basilica dedicated to this saint. The bishop of Como Agrippino played a particularly active role in the spread of tricapitolino believe and worship the holy, and the dedication of the church of Grass is traced back to this period and these events together with other dedications of the basilica of St. Eufemia in Grado, the church of Santa Eufemia Como (now the church of San Fedele), the basilica of St. Euphemia on the island Comacina, one of Oggiono, Teglio and that of the Castle of Musso. It is likely that, given the presence of older structures, the churches of Como, and the Island of Incino worship is older and goes back directly to SANT'ABBONDIO that the Council of Chalcedon had a starring role. The original construction of the church dates back to the mid-fifth century. In the following centuries it has undergone several expansions and renovations, especially the interior, the latest being in 1574. This work, although sometimes heavy, not canceled altogether primitive physiognomy. The building with masonry pilasters, is rectangular with a single nave with an apse ceiling trusses. The semicircular apse is the oldest part of the church, in its outer wall are still discernible the old windows of the early Christian era clogged at later dates. The building initially with the rearmost front was extended in the sixteenth century in his front until it is close to the bell tower. The campaign of archaeological excavations conducted in 1994 under the direction of professor Sauro Gelichi University of Pisa and Dr. Isabella Noble Museum of Como, has allowed the recovery of the old system of early medieval baptistery dedicated to Saint John the Baptist, as documented by historical sources.
Baptistery stood in front of the church, was a square with a square apse added to the east later and center the circular baptismal font, built over another older form of the same. The imposing bell tower 32.7 meters covering a large part of the entrance façade, was built in the eleventh century with commitment of materials taken from Roman times and has three overlapping orders of single-light, mullioned windows with columns variously ornate and initially was detached from the construction of the church. In medieval times it doubled as a watchtower and defense of the whole parish. At the same time it was built it was also excavated the crypt three apses that was placed under the church. The crypt and baptistery unsafe were demolished in the sixteenth century with the loss of dignity that provost passed in favor of the church of Santa Maria Rising in downtown Grass. In the southern part they huddled body building buildings dating more recent. Among the apse of the baptistry and the construction of the church they were found several graves attesting to the use of the cemetery. There are two testimonies figurative Romanesque: the sculptural fragment depicting Christ inserted above the door and within a valuable marble holy water font with human heads in relief, is engraved the date MCCXII (1212) and the letters PAMEF, the meaning of which is It was interpreted as: Petrus Antonius me fecit. Inside, on the right, a chapel that was set up by the most important local family of Parravicini, preserves an ancient fresco of the Madonna reworked in the last century. In front of the chapel of the Madonna, there is a folksy late medieval fresco, depicting the Virgin and Child with Saints and patrons; To the sides of two paddles of the XVI century depicting The Annunciation, the right and the Virgin and Child with St. John the Baptist, left, of unknown authors. But the most notable work of great artistic value is a large wooden crucifix from the XVI century with painted figure of Christ, Giotto's style. In the boxes, placed in the four end points of the Cross and came to light only during the restoration of 1983, are portrayed: left Our Lady of Sorrows, dressed in black, on the right St. John, in high Christ the Redeemer pointing with his right hand SS Trinity and with his left hand holding the world in the cup bottom picker blood of Christ.
La Cripta di San Sepolcro di Milano
Una visione a 360° della Cripta della Chiesa di San Sepolcro di Milano.
Grazie al lavoro di MilanTourismPoint.
e-QBO Piazza San Fedele Milano
e-QBO, ideato e disegnato da Romolo Stanco, è unʼarchitettura contemporanea fuoriscala, gettata come un dado nel pieno centro urbano, in grado di integrarsi con lʼesistente storico e attuale senza perdere la propria identità. e-QBO accumula energia attraverso fonti rinnovabili, la restituisce sotto forma di servizi alla città: fornisce illuminazione pubblica, informazioni attraverso il videomapping o altri sistemi di comunicazione, offre una rete wifi gratuita, energia per la ricarica di elementi elettrici ed elettronici. Il suo interno può trasformarsi a seconda delle necessità in luogo di ritrovo, connessione, struttura pubblica o privata.