Ueda Castle and TV drama Sanada-maru Ueda-Museum.上田城と真田丸 大河ドラマ館。
この動画は YouTube 動画エディタ（
Mystery of Japanese history - Sanada Yukimura
2017 Japan - Oct 04 - Sanada Shrine, Ueda - Prayer.
We demonstrate the proper method when praying at a shrine.
Sanada Clan Taiko Performance (Warring Period event At Yokohama)
While i was in Japan i ran into this event and thought you guys might enjoy it. I apologize that i did not have a working tripod and tried hard to stabilize it for you guys. It sadly broke earlier in the morning.
Samurai Warriors 4-II is out 9/29/15! Hope you guys enjoy the game :)
Bushi no Jidai #5 : Sanada Yukimura, le démon écarlate
Cinquième épisode de Bushi no Jidai, consacré à un guerrier exceptionnel doublé d'un stratège de génie : Sanada Yukimura (Sanada Nobushige de son véritable nom) surnommé le démon écarlate de la guerre.
En espérant que cette vidéo vous plaira et vous instruira sur un sujet que je trouve passionnant. N'étant pas historien de profession, n'hésitez pas à me signaler d'éventuelles erreurs ou imprécisions dans les commentaires, je saurai les prendre en compte (merci d'avance de rester courtois).
Si la musique vous intéresse, les références sont ici :
- Générique de début : Shunrai de l'ensemble Oedo Sukeroku Taiko, dans l'album Drum of Tokyo
- intro : Midare de Fumie Hihara et Sôzan Chiaki Kariya, dans l'album Japan: Traditional Koto & Shakuhachi
- Clan : Hifumi - Hachigaeshi No Shirabe de Teruhisa Fukuda, dans l'album Shakuhachi Kinko School
- Contexte : Ame de Fumie Hihara et Sôzan Chiaki Kariya; , dans l'album Japan - Traditional Koto and Shakuhachi
- Faits d'arme : Mizo No Hentai, version for voice-koto & koto de Tadao Sawai, dans l'album Koto Music- Tadao Sawai Plays Michio Miyagi
- Faits d'arme 2 : Haru no Umi de Fumie Hihara et Sôzan Chiaki Kariya; , dans l'album Japan - Traditional Koto and Shakuhachi
- Postérité + générique de fin : Sky Travel de Mori Chieko dans l'album Katyou Fuugetsu
- Jingles : Matsuri de l'ensemble Oedo Sukeroku Taiko, dans l'album Drum of Tokyo
- Jingle anecdotes : Edo-Matsuri dans l'album Air Mail Music: Splendor of the Japanese Instruments Disc 1
Et pour la doc, enfin :
- Nouvelle Histoire du Japon, de Pierre-François SOUYRI (éd. Perrin, 2010)
- Samouraïs, de Mitsuo Kure (éd. Philippe Picquier, 2004)
- Articles consultés sur Wikipedia (en anglais) : Sanada Yukimura, Sanada Masayuki, Sanada Nobuyuki, Tokugawa Hidetada, Battle of Sekigahara, Battle of Tenno-Ji.
Sanada family in Sengoku period 真田家門 Capt Jang English 連鎖教育 태평영술2
Samurai Warriors Spirit of the Sanada Epilogue 2/2 The Song
SAKURA 2019/4/16 SUZAKA,NAGANO
Công Viên Garyu,SUZAKA,NAGANO
SW Spirit of Sanada Ch.14-3 Sanada Maru
Third part of the Osaka Winter Campaign, playing blind.
Basically the main event of the story... just Yukimura against everyone else on the map. Very fun stage, will play again.
Tale of the Heike
Learn more about the famous samurai story, the Tale of the Heike and hear Asian Art Museum Storyteller, Leta Bushyhead, tell an excerpt from the tale. This video include artworks from the Asian Art Museum's collection.
Unsere kleine Sengoku Reise: Kai [ENG Sub]
Endlich konnten mein Mann und ich wieder Urlaub machen und ich habe mich dazu entschieden, euch mitzunehmen. Wir haben eine kleine Sengoku Ära bezogene Route geplant - angefangen in Kai, weiter nach Ueda, Sanada und letzendlich nach Sekigahara.
In diesem Video zeige ich euch Kai und alle Gebäude, die mit Takeda Shingen, dem Tiger von Kai, in Verbindung stehen.
Musikalische Untermalung: diverse Tracks aus dem Okami Soundtrack
#Japan #JVlog #Sengoku #Kai
Für etwas Tokyo Feeling auf der Timeline folgt mir gerne auf Twitter:
☆’.･.･:★’.･.･:☆’.･.･:★’.･.･:☆’.･.･:★’.･.･:☆
Our small Sengoku trip: Kai - The Takeda Shingen Trail
Finally I could go on vacation with my husband and I decided to take you all along.
We decided to make a Sengoku related route - starting in Kai, continuing in Ueda and Sanada and finally going to Sekigahara.
In this video I will show you Kai and all building which are connected to Takeda Shingen, the Tiger of Kai.
Music: Tracks from the „Okami“ soundtrack
Feel free to follow me on Twitter for Tokyo feeling on your timeline:
(Tweets in English)
Unsere kleine Sengoku Reise: Sekigahara [ENG Sub]
Unser nächster und letzer Teil der Sengoku Reise führt uns nach Sekigahara. Hier fand am 21. Oktober im Jahre 1600 das große historische Ereignis „die Schlacht von Sekigahara“ statt.
Hier kämpften die Fraktion mit Tokugawa Ieyasu an der Spitze, der hinterher als Sieger der Schlacht hervorgehen sollte, gegen die Gegenfraktion, angeführt von Ishida Mitsunari. Diese Schlacht ist sehr wichtig für die Geschichte Japans gewesen, da man hier oft das Ende der Sengoku Zeit ansiedelt mit dem darauffolgenden Übergang zur Edo-Zeit.
Wir schauen uns die Camps der Daimyo etwas genauer an und ich erzähle euch etwas über die Schlacht und das Städtchen, wie man es heute vorfindet.
Am Ende nehme ich euch noch mit in unser tolles Ryokan am Ende der Welt. Fernab von jeglicher Zivilisation.
Musikalische Untermalung: „Sengoku Basara“ und „Sengoku Musou“ Soundtrack
#Japan #JVlog #Sengoku #Sekigahara #関ヶ原
Für etwas Tokyo Feeling auf der Timeline folgt mir gerne auf Twitter:
☆’.･.･:★’.･.･:☆’.･.･:★’.･.･:☆’.･.･:★’.･.･:☆
Our small Sengoku trip: Sekigahara - On the battlefield
Our next and last part of our travel leads us to Sekigahara. On 21st octobre in 1600 the big historical happening, the battle of Sekigahara, took its place here.
The one faction under Tokuawa Ieyasu, whou should emerge the winner of this battle, against the faction under Ishida Mitsunari. This battle is very important regarding the history of Japan. It’s classified as the end of the Sengoku era with the subsequent Edo era afterwards.
We check out all last encampments of the daimyou and I will tell you about the battle itself and the small town.
At the end of the video I’ll take you to a wunderful ryokan at the end of the world. Somewhere in nowhere.
Music: „Sengoku Basara“ and „Sengoku Musou“ soundtrack
Feel free to follow me on Twitter for Tokyo feeling on your timeline:
(Tweets in English)
DYA717 Japan Kudoyama May 3, 2017
DYA717 May 3, 2017 Kudoyama
6:30 a.m. breakfast at the hotel – cost 1,000-yen extra as this hotel didn’t have a breakfast included package. Caught a train from Izumisano to Tengachaya station, changed to train to Hashimoto and then changed to train for Kudoyama, a total time of 2 hours. Total round trip cost 2,000-yen. I am right in the middle of Golden Week which is one of the busiest tourist activity period in Japan. That’s because the Japanese take that week off enmass and completely dominate tourist hotels, restaurants, airline flights. This makes it difficult but fun and interesting for us foreign tourists. But Kudoyama wasn’t busy as it isn’t in the spotlight of the Golden week Japanese travelers.
Why Kudoyama? The 2016 NHK TV Taiga Drama was a 50-week series called “Sanada Maru”, a historical drama which featured the story of the small Sanada clan during the warring years in the 1500s. During one skirmish the Sanada clan split up with the Dad & younger son Genjiro a.k.a. Yukimura (the star of the show) siding with the Ishida guy and going against Tokugawa Ieyasu while the older son supported Ieyasu. Ieyasu won that skirmish. Sanadas were in their castle in Ueda near Nagano. Their lives were spared and the Sanada Dad and son Genjiro were banished to Kudoyama. So, I was curious what Kudoyama was like. Simple reason yeh? Kekekeke Today was more a FAM-trip (familiarization) as I didn’t know beans about Kudoyama. Population of Kudoyama is around 4,000 -- a small village. Went BURA-BURA around the small narrow lanes. Wisterias were blooming everywhere. Nice fragrance. Finally found the Sanada Museum. No English brochures but they had English explanations with most displays. They had a model of a long barrel rifle used during the Sanada era which you could lift up – it was heavy! Checked into several restaurants but they were really small and had long lines waiting. So I went BURA-BURA some more and was going to catch the train back when I ran into a sign that pointed to a café. So I followed it and came to what looked like a neat old house just a block off the main tourist path. It actually is a restaurant/cafe called Oyatsu No Jikan. No English menu but I managed. One other diner tried to help me out and she explained that they had a buffet of breads/sandwiches which were included in the meals as well as coffee. I wanted something with rice and a beer, no coffee, no bread/sandwiches. So the cook suggested curry rice. Was ONO! I think the menu listed set menus which included a lot of things but the guy charged me some made up prices just for my curry and beer. I couldn’t eat anymore even tho the sandwiches and breads looked really ONO! Then as I was leaving, the cook said something like “Eh, brah, try go upstairs and look around!”. At least I thought he said that. Upstairs, they had a tatami room with a lot of display of dolls. Not girlie dolls but of samurai and stuffs like that. Neat-o! Caught the train back to Izumisano, another 2-hours involving several train transfers. Bought a snack at the train station store and called it a day. I tried my WI-FI and lo and behold it worked today!
Hattori Hanzo
Response to ChosonNinja's video Questions &Answers
He now wants Hattori Hanzo to be Korean.
He has an amzing Uriginal mentality.
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Give us a sign that all are welcome
BY LION CALANDRA
Tuesday, August 14th 2007, 4:00 AM
I'm sorry to say it, but it must be said: My love affair with Flushing is over. It's too bad, really, because I've always been crazy about Flushing. Actually, I love everything about New York City. I was born and raised in New York, and Flushing to me has always embodied the best of what this city is: bustling street life, punctuated by the cacophony of the No. 7 line that signals all roads lead to Main St.
There's great baseball.
Tennis.
A fantastic library.
And it's home to the Unisphere. Who doesn't love the Unisphere?
But the love affair hit the skids recently following a meal of (the most amazing and to-die-for) soup dumplings at Joe's Shanghai. (Another reason to love Flushing.)
After dinner, a friend and I strolled up 37th Ave. As we peeked into store windows, I realized that I couldn't identify any of the businesses. Travel agent? Real estate? Dentist? Card store? One shop seemed to sell housewares, but every sign in the front window was written in Korean. Or was it Chinese?
Sure, business owners can have signs in any language they choose, but why would they want to shut out a huge section of their potential customer base?
Aside from being exclusionary, it's bad economics. Offering signs only in Korean fosters a closed culture; it says, in essence, that If you can't read this, you can't shop here. That's wrong. That's un-American.
I know there have been controversies about this very issue. In 2003, an uproar over a Korean billboard on 162nd St. prompted City Councilman Tony Avella (D-Queens) to call for a crackdown on merchant signs written entirely in foreign languages. Avella urged the enforcement of an obscure state law that requires signs to include some English.
That's not a bad idea.
It cannot be said enough that this country was built by the tireless work ethic of immigrants from everywhere in the world. They come here, huddled masses yearning to breathe free.
They are included. Of course, it's not perfect. There is discrimination. I'm no Pollyanna; I'm well aware of the bias that can permeate this city.
But I've also been witness to the extraordinary good fellowship of people from myriad cultures. Just being here means they were not shut out. I'm grateful for that. It would be nice to know that Flushing's merchants are, too.
Which is why it so outrages me that any group of people would systematically try to shut out other groups. It goes against the principles that attracted them to these shores in the first place.
When I find myself on foreign shores, I don't expect to see signs posted in English. Of course, in many countries there are signs written in multiple languages for the benefit of tourists.
Ninja Fraud and Cult
Sengoku Basara 2 HD - Masamune Date | Story Mode
Now we play as Masamune Date, the character who easily has the most spotlight in this franchise. He is one of the few characters to get 6 stages to play. He gets a new subordinate called Kojuro Katakura who acts as a bodyguard for most of Masamune's stages. Bodyguards appear in story stages and...attempt...to follow the player around. Their AI can have them get hung on a wall or something and you won't see them for the rest of the stage, but they usually follow you around. They also trigger Sengoku Drive the same time you do and can actually be useful at distracting the enemy.
Masamune retains his old S-string and Basara, which is still pretty effective. Still enters Six Sword Mode after using his Basara for a brief power up. He kept a lot of his moves and they all have English names, which is a nice touch. CRAZY STORM is more or less his bread and butter and I don't recommend ever removing it. It lets him combo an enemy for much longer than his S-string would normally allow. DEATH FANG is a launching attack that lets you air combo, so that can be fun. JET-X is sweeping attack good for keeping pressure off by sending enemies flying but it's too weak to really be worth using as an attack. MAGNUM STEP is great for closing the distance on an enemy, and is basically Dante's Stinger, so it's fantastic. PHANTOM DIVE is a very powerful attack that hits a wide range in front of Masamune, at the expense of having a flashing sheathing animation that is guaranteed to kill your combo. WAR DANCE lets him enter Six Swords Mode whenever you want, which can be fun to play around with but sort of impractical since you can't block while it's active.
I hope you read all of those attack names in Masamune's Engrish.
Masamune's first stage is a night time version of Ueda. It's similar to the regular version we played as Keiji, but it's a bit easier and doesn't have split paths. Feels very much like a level 1 stage. It might even be unique to Masamune.
The 2nd stage is Odawara, where we fight Ujimasa. Once we get past the initial group of enemies, an event will trigger where Odawara's big gate will begin to close. You can then mount a horse and attempt to reach the gate before it closes to get a stage bonus. It's pretty easy to do just by mashing Circle and using Basara to boost yourself past enemies. If your horse dies, there's like 2 more placed at checkpoints so there's some margin for error. After that, it's just reaching and defeating Ujimasa, who's still sporting that generic spear moveset from SB1. He doesn't really do anything to threatening as an enemy.
The third stage has us fight Keiji at Hasedo, as he protects the enemy army that's retreating. The game psyches you out by playing your character's victory cutscene once you defeat the poor sap that challenges you at the start. And yes, that is Kanetsugu Naoe. He gets a unique appearance in SB3, but in this game he's just a generic dude. We have to fight Keiji a total of 3 times as we break through gates. Keiji isn't too hard to fight, but he does have access to some powerful charging attacks, so if you see him start to charge for a long time, you either want to run or protect yourself. I've had a fully charged attack from him take off over half a character's HP before.
Masamune's 4th stage is the same Osaka stage we had as Keiji, so there's not much to add here.
Masamune's 5th stage is so unique I forgot he even had it, since I only did it once. Seriously, this game is REALLY GOOD about stage variety. It's honestly kind of shocking. It's a 3-way battle, with you intruding on a Takeda-Uesugi fight at Kawanakajima. There's a TON of enemies to fight and the bonus objective is for defeating all of the officers. Sasuke guards the first gate to get us into the thick of the battle. Kasuga oddly doesn't appear, but we have to defeat both Shingen and Kenshin as they fight each other to win the stage.
Masamune's 6th stage isn't really much of a stage, but more of a straight up duel with Yukimura. I unlocked WAR DANCE just before trying this stage so you'll see me equip it in the prep screen...buuut I cut out the battle I used that because WAR DANCE is kind of awful in boss battles. You can't block and that seriously screws you over on a hard and aggressive enemy, like final boss Yukimura here. I lost my first battle against him cuz of that, but I won the second when I went in with my usual load out.
Takeda ❖
From the NHK taiga Takeda Shingen.
(c) NHK, Japan.
Devil Kings ~Date Masamune: Story~ Part 4
------------{READ THE DESCRIPTION}------------
Devil Kings, known in Japan as Sengoku Basara (戦国BASARA), is a 2005 video game for PlayStation 2, developed and released by Capcom. The original game's theme song is Crosswise by T.M.Revolution. The game was followed by several sequels and an anime series, all of them using the original title and setting of Sengoku Basara only.
Developer(s): Capcom
Publisher(s): Capcom
Director(s): Akitoshi Yokoyama, Makoto Yamamoto
Producer(s): Hiroyuki Kobayashi
Designer(s): Mitsuru Endo
Programmer(s): Yasuyuki Saito
Artist(s): Makoto Tsuchibayashi, Hirokazu Yonezuka, Hideaki Tanaka (visual effects)
Composer(s): Marika Suzuki
Platform(s): PlayStation 2, PlayStation Network
Release date(s): [JP] July 21 2005, [NA] October 12 2005, [EU] February 3 2006
Genre(s): Hack and slash
Language: English
Played on PCSX 1.5.0
Sengoku Basara takes place during the Sengoku period, or Warring States Era, during which Japan was split into many minor states battling over power and land. The game features two historical warlords as the main characters: Sanada Yukimura and Date Masamune.
Devil Kings' main character is the Devil King (Oda Nobunaga in Sengoku Basara).
It is a crowd fighting game, similar in concept to the Dynasty Warriors/Samurai Warriors series by Koei.
Some significant gameplay changes were made to the Western versions of the game. Several of the characters were made non-playable and various weapons were removed or added. The difficulty levels were shifted to make the game more difficult (with Easy becoming the Japanese Normal and Normal becoming Japanese Hard). The fighting system was also modified, adding an element called Priming (one of the characters special attack was made the priming attack, and used that attack to Prime enemies making them more susceptible to damage and allowing for higher combo chains).
El Marino Rainbow Taiko at the North American Taiko Conference 2009
El Marino Language School is a language immersion school located in Culver City, CA. Immersion programs in both Spanish and Japanese are available. Rainbow Taiko is an after-school activity available to all El Marino students.
The North American Taiko Conference is a bi-annual gathering of taiko enthusiasts from all over the world.