???????? Visitando Mdina y Rabat - Octubre 2019
Mdina es la antigua capital de Mala, Rabat, hoy una población distinta, antiguamente era el arrabal de esta ciudad amurallada tan hermosa que te dejará sin aliento. Pequeña pero mágica es una visita corta que merece mucho la pena, acompáñame en mi visita a Mdina y Rabat, espero que os guste.
????Sigue todos los vídeos en éste país aquí:
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???????? Vilhena Gate:
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???? Catedral San Pablo:
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☕️ Barone cafe:
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???? Museo catedral de Mdina:
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???? Capilla de las Carmelitas:
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???? Domus Romana:
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???? Ta’Doni:
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???? St Paul’s Catacombs:
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???? St Agatha’s Catacombs:
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???? Palacio Vilhena:
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???? Cámaras utilizadas:
▶ Canon EOS M5
▶ Samsung Galaxy Note 9
ℹ Redes sociales:
▶ Facebook:
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▶ Búscame en Mapstr como @superpity y agrégame como amigo.
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???? Canal Gameplays:
???? Canal Clan:
Promo Festa Sacro Cuore 2018 - Pachino
Domenica 10 giugno 2018, Pachino festeggia il Sacratissimo Cuore di Gesù. Tra preghiera, devozione, attività ricreative, serate musicali e folklore i festeggiamenti di quest'anno saranno vissuti a partire dalla tematica dal Cuore di Cristo per le strade del mondo.
Appuntamenti più importanti di domenica 10 giugno:
ore 10.30: Raccolta dei doni votivi offerti dai fedeli al Sacro Cuore di Gesù con cavalli e carretti siciliani e con l'accompagnamento bandistico V. Rizza - Città di Pachino.
ore 18.30: Santa Messa solenne presieduta da Sua Ecc. Mons. Giuseppe Malandrino, Vescovo emerito di Noto.
Ore 19.30: Festosa uscita del Sacro Cuore di Gesù e inizio della processione per le vie della Città.
Ore 21.30: Rientro della processione, spettacolo pirotecnico curato dalla ditta fireworks di G. Grasso di Pedara (CT) e vendita all'asta dei doni votivi.
Consulta la pagina facebook: Parrocchia Sacro Cuore Pachino per visionare il programma religioso e ricreativo completo dei festeggiamenti 2018.
The Real Men in Black - Black Helicopters - Satanism - Jeff Rense and Jim Keith - Multi - Language
Men in Black instances straddle the lines between mysticism and science. Occultism and UFOs. Material reality and fantasy. Partaking of all, defined by none. Since ancient times, these mysterious beings have stalked the planet and in recent years, they have tried to silence witnesses of UFO sightings with threats of harassment and even worse.
Who are these strange beings garbed all in black?
Are they Government agents?
Aliens?
Creatures from another dimension?
Casebook by Jim Keith
This was a radio broadcast of a show called Sightings Radio with Jeff Rense.
rense.com
His guest is Jim Keith and they ddiscuss topics ranging from Nicotine found in the blood of cattle mutilations, lips removed from cattle, the actual documents that created AIDS, not just a paper trail, blood and it's relation to the Mothman, Implants of Whitley Streiber and how he (whitley) thinks he might be mind controlled, The Monatak Project, Cathy Obrien, Satanism and how it is involved with UFOs and how recently, abductees are taken to fancy hotels instead of space ships.
Free Truth Productions
Truth and Freedom go hand in hand...
FreeTruthProductions.com
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Azərbaycanca / آذربايجان
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tokipona
Armenian: Սեւազգեստ տղամարդիկ
Indonesian: laki-laki di baju hitam
Igbo: ndị ikom ojii
Icelandic: menn í svörtu
Italian: uomini in nero
Hebrew: גברים בשחור
Japanese: 黒い服装の男
Javanese: wong ing ireng
Georgian: კაცი შავებში
Kazakh: қара адамдар
Khmer: បុរសឆុតខ្មៅ
Kannada: ಕಪ್ಪು ಪುರುಷರು
Korean: 맨 인 블랙
Latin: men in black
Lao: ຜູ້ຊາຍໃນສີດໍາ
Lithuanian: vyrai juodais drabužiais
Latvian: vīri melnā
Malagasy: lehilahy mainty hoditra
Maori: he mangu nga tane
Macedonian: човек во црно
Malayalam: കറുത്തവർഗ്ഗക്കാർ
Mongolian: хар эрчүүд
Marathi: काळा मध्ये पुरुष
Malay: lelaki dalam hitam
Maltese: irġiel bl-iswed
Myanmar (Burmese): အနက်ရောင်ယောက်ျား
Nepali: पुरुषमा कालो
Dutch: men in black
Norwegian: menn i svart
Chichewa: amuna akuda
Punjabi: ਕਾਲਾ ਲੋਕ
Polish: facet w czerni
Portuguese: homens de Preto
Romanian: bărbați în negru
Russian: люди в черном
Sinhala: කළු මිනිසුන්
Slovak: muži v čiernom
Slovenian: možje v črnem
Somali: ragga madow
Albanian: burra në të zeza
Serbian: људи у црном
Sesotho: banna ba batsho
Sundanese: lalaki hideung
Swedish: men in black
Swahili: watu katika nyeusi
Tamil: கருப்பு உள்ள ஆண்கள்
Telugu: నల్ల జాతీయులు
Tajik: мардон дар сиёҳ
Thai: ผู้ชายในชุดดำ
Filipino: mga lalaki sa itim
Turkish: siyah Giyen Adamlar
Ukrainian: люди в чорному
Urdu: آدمی سیاہ میں
Uzbek: qora tanli kishilar
Vietnamese: đàn ông mặc đồ đen
Yiddish: מענטשן אין שוואַרץ
Yoruba: awọn ọkunrin dudu
Chinese: 黑衣人
Chinese (Simplified): 黑衣人
Chinese (Traditional): 黑衣人
Zulu: amadoda amnyama
NYSTV - Where Are the 10 Lost Tribes of Israel Today The Prophecy of the Return
Is it the 10 Lost Tribes of Israel? Or 12? What were their origins? Where did they go? Where are they now? What is their connection to the Illuminati?
Are they destined to inherit the Earth? Or wander forever?
Reuben
Simeon
Levi
Judah
Issachar
Zebulun
Dan
Naphtali
Gad
Asher
Joseph
Benjamin
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tokipona
Thelema
babylon working
crowley
parsons
hubbard
H.G. Wells
undead
dracula
vlad the impaler
Illuminati
mk ultra
werewolf
right of the pyramid
kings chamber
ark of the covenant
order of the garter
gevalle engel
ملاك ساقط
düşmüş mələk
Палы анёл
паднал ангел
পতিত দেবদূত
pali andjeo
Àngel caigut
napukan nga anghel
padlý anděl
angel syrthio
έκπτωτος άγγελος
Ángel caido
Langenud ingel
Aingeru eroria
فرشته افتاده
langennut enkeli
Ange déchu
Anxo caído
ઘટી દેવદૂત
गिरी हुई परी
pali anđeo
tonbe zanj
Bukott angyal
ընկած հրեշտակ
Malaikat yang jatuh
mmụọ ozi dara ada
fallinn engill
Angelo caduto
מלאך שנפל
堕天使
widodari tiba
Calling All Cars: Ice House Murder / John Doe Number 71 / The Turk Burglars
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
My Friend Irma: Trip to Coney Island / Rhinelander Charity Ball / Thanksgiving Dinner
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
Words at War: Combined Operations / They Call It Pacific / The Last Days of Sevastopol
The Siege of Sevastopol took place on the Eastern Front of the Second World War. The campaign was fought by the Axis powers of Germany, Romania and Italy against the Soviet Union for control of Sevastopol, a port in Crimea on the Black Sea. On 22 June 1941 the Axis invaded the Soviet Union under Operation Barbarossa. The Axis land forces reached Crimea in the autumn, 1941, and overran the area. The only objective not in Axis hands was Sevastopol. Several attempts were made to secure the city in October and November 1941. A major attack was planned for late November, but bad weather and heavy rains delayed the Axis attack until 17 December 1941. Under the command of Erich von Manstein, the Axis forces were unable to capture Sevastopol in the first stage of operations. The Soviets launched an amphibious landing on the Crimean peninsula at Kerch in December 1941, to relieve the siege and force the Axis to divert forces to defend their gains. The operation saved Sevastopol for the time being, but the landing was checked and repulsed in May 1942.
At Sevastopol the Axis opted to conduct a siege until the summer, 1942, at which point they attacked the encircled Soviet forces by land, sea and air. On 2 June 1942, the Axis began their operation, codenamed Störfang (Sturgeon Catch). The Soviet Red Army and Black Sea Fleet held out for weeks under intense Axis bombardment. The German Air Force (Luftwaffe) played a vital part in the siege. The Luftwaffe made up for a shortage of Axis artillery, providing highly effective aerial bombardment in support of the ground forces. Finally, on the 4 July 1942, the remaining Soviet forces surrendered and the Axis seized the port. Both sides had suffered considerable losses during the siege.
With the Soviet forces neutralised, the Axis refocused their attention on the major summer campaign of that year, Operation Blue and the advance to the Caucasus oil fields.
Suspense: The Kandy Tooth
The aim for thrillers is to keep the audience alert and on the edge of their seats. The protagonist in these films is set against a problem -- an escape, a mission, or a mystery. No matter what sub-genre a thriller film falls into, it will emphasize the danger that the protagonist faces. The tension with the main problem is built on throughout the film and leads to a highly stressful climax. The cover-up of important information from the viewer, and fight and chase scenes are common methods in all of the thriller subgenres, although each subgenre has its own unique characteristics and methods.[8]
A thriller provides the sudden rush of emotions, excitement, sense of suspense and exhilaration that drive the narrative, sometimes subtly with peaks and lulls, sometimes at a constant, breakneck pace thrills. In this genre, the objective is to deliver a story with sustained tension, surprise, and a constant sense of impending doom. It keeps the audience cliff-hanging at the edge of their seats as the plot builds towards a climax. Thrillers tend to be fast-moving, psychological, threatening, mysterious and at times involve larger-scale villainy such as espionage, terrorism and conspiracy.
Thrillers may be defined by the primary mood that they elicit: fearful excitement. In short, if it thrills, it is a thriller. As the introduction to a major anthology explains:
...Thrillers provide such a rich literary feast. There are all kinds. The legal thriller, spy thriller, action-adventure thriller, medical thriller, police thriller, romantic thriller, historical thriller, political thriller, religious thriller, high-tech thriller, military thriller. The list goes on and on, with new variations constantly being invented. In fact, this openness to expansion is one of the genre's most enduring characteristics. But what gives the variety of thrillers a common ground is the intensity of emotions they create, particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.
—James Patterson, June 2006, Introduction, Thriller[9]
Writer Vladimir Nabokov, in his lectures at Cornell University, said: In an Anglo-Saxon thriller, the villain is generally punished, and the strong silent man generally wins the weak babbling girl, but there is no governmental law in Western countries to ban a story that does not comply with a fond tradition, so that we always hope that the wicked but romantic fellow will escape scot-free and the good but dull chap will be finally snubbed by the moody heroine.
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Michael Dalcoe - The CEO
Michael Dalcoe - The CEO
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Suspense: Beyond Reason
Ancient epic poems such as the Epic of Gilgamesh, Homer's Odyssey and the Mahābhārata use similar narrative techniques as modern thrillers. In the Odyssey, the hero Odysseus makes a perilous voyage home after the Trojan War, battling extraordinary hardships in order to be reunited with his wife Penelope. He has to contend with villains such as the Cyclops, a one-eyed giant, and the Sirens, whose sweet singing lures sailors to their doom. In most cases, Odysseus uses cunning instead of brute force to overcome his adversaries.
Little Red Riding Hood (1697), an early example of a psycho-stalker story, is a fairy tale about a girl who walks through the woods to deliver food to her sick grandmother. A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naively tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma.
The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is the earliest known murder mystery[19] and suspense thriller with multiple plot twists[20] and detective fiction elements.[21] In this tale, a fisherman discovers a heavy locked chest along the Tigris river and he sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery may be considered an archetype for detective fiction.[19][22]
The Count of Monte Cristo (1844) is a swashbuckling revenge thriller about a man named Edmond Dantès who is betrayed by his friends and sent to languish in the notorious Château d'If. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dantès the secret location of a great treasure. Shortly after, Dantès engineers a daring escape and uses the treasure to reinvent himself as the Count of Monte Cristo. Thirsting for vengeance, he sets out to punish those who destroyed his life.
The Riddle of the Sands (1903) is the first modern thriller, according to Ken Follett, who described it as an open-air adventure thriller about two young men who stumble upon a German armada preparing to invade England.
Heart of Darkness (1903) is a first-person within a first-person account about a man named Marlowe who travels up the Congo River in search of an enigmatic Belgian trader named Kurtz. Layer by layer, the atrocities of the human soul and man's inhumanity to man are peeled away. Marlowe finds it increasingly difficult to tell where civilization ends and where barbarism begins. Today this might be described as a psychological thriller.
The Thirty-Nine Steps (1915) is an early thriller by John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies.
The Manchurian Candidate (1959) is a classic of Cold War paranoia. A squad of American soldiers are kidnapped and brainwashed by Communists. False memories are implanted, along with a subconscious trigger that turns them into assassins at a moment's notice. They are soon reintegrated into American society as sleeper agents. One of them, Major Bennett Marco, senses that not all is right, setting him on a collision course with his former comrade Sergeant Raymond Shaw, who is close to being activated as an assassin.
The Spy Who Came in from the Cold (1963) by John le Carré is set in the world of Cold War espionage and helped to usher in an era of more realistic thriller fiction, based around professional spies and the battle of wits between rival spymasters.
The Bourne Identity (1980) is one of the first thrillers to be written in the modern style that we know today. A man with gunshot wounds is found floating unconscious in the Mediterranean Sea. Brought ashore and nursed back to health, he wakes up with amnesia. Fiercely determined to uncover the secrets of his past, he embarks on a quest that sends him spiraling into a web of violence and deceit. He is astounded to learn that knowledge of hand-to-hand combat, firearms, and trade craft seem to come naturally to him.
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.