Farewell to Russia - From Moscow to Murmansk
After four years in the country, Jelle Brandt Corstius says goodbye to his Russia. He visits people and places that are illustrative of the way he has come to know Russia. Thus, he takes us to the subway in Moscow, which forms a society in itself. With his landlord, Jelle visits a Russian Orthodox mass, a promise from long ago that Jelle finally redeemed. We are following him during a visit to a shelter for poor Russians, located directly across the mayor's house, who does everything he can to get rid of them, because they spoil his view.
In the first series: From Moscow to Magadan, Jelle Brandt Corstius traveled from West to East, focusing on the endless Russian countryside and the villages. In this second series: From Moscow to Murmansk, he travels from North to South along the largest river of Russia: the Volga River. A trip along the relatively unknown cities like Murmansk, Volgograd, Dzerzhinsk, Nizhny Novgorod, but also to Moscow and Saint Petersburg. Through topics like women in Russia, new censorship, the environmental problem from Russian perspective and the ideological vacuum, a relatively unknown side of Russia is once again exposed.
Presented by: Jelle Brandt Corstius
Final editor: Gert-Jan Hox
Directed by: Hans Pool
© VPRO August 2012
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Vladimir Mayakovsky
Vladimir Vladimirovich Mayakovsky was a Russian Soviet poet, playwright, artist and stage and film actor.
During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement; being among the signers of the Futurist manifesto, A Slap in the Face of Public Taste, and authoring poems such as A Cloud in Trousers and Backbone Flute. Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and created agitprop posters in support of the Communist Party during the Russian Civil War. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Communist Party and a strong admiration of Lenin, Mayakovsky's relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet State in cultural censorship and the development of the State doctrine of Socialist realism. Works that contained criticism or satire of aspects of the Soviet system, such as the poem Talking With the Taxman About Poetry, and the plays The Bedbug and The Bathhouse, were met with scorn by the Soviet state and literary establishment.
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Vladimir Mayakovsky | Wikipedia audio article
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Vladimir Mayakovsky
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- Socrates
SUMMARY
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Vladimir Vladimirovich Mayakovsky (; Russian: Влади́мир Влади́мирович Маяко́вский; 19 July [O.S. 7 July] 1893 – 14 April 1930) was a Soviet poet, playwright, artist, and actor.
During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement, being among the signers of the Futurist manifesto, A Slap in the Face of Public Taste (1913), and authoring poems such as A Cloud in Trousers (1915) and Backbone Flute (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and created agitprop posters in support of the Communist Party during the Russian Civil War. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Communist Party and a strong admiration of Vladimir Lenin, Mayakovsky's relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet State in cultural censorship and the development of the State doctrine of Socialist realism. Works that contained criticism or satire of aspects of the Soviet system, such as the poem Talking With the Taxman About Poetry (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), were met with scorn by the Soviet state and literary establishment.
In 1930 Mayakovsky committed suicide. Even after death his relationship with the Soviet state remained unsteady. Though Mayakovsky had previously been harshly criticized by Soviet governmental bodies like the Russian Association of Proletarian Writers (RAPP), Joseph Stalin posthumously declared Mayakovsky the best and the most talented poet of our Soviet epoch.