Places to see in ( Gateshead - UK )
Places to see in ( Gateshead - UK )
Gateshead is a town in Tyne and Wear, England, on the southern bank of the River Tyne opposite Newcastle upon Tyne. Gateshead and Newcastle are joined by seven bridges across the Tyne, including the Gateshead Millennium Bridge.
Gateshead is known for its architecture, including the Sage Gateshead, the Angel of the North and the Baltic Centre for Contemporary Art. Residents of Gateshead, like the rest of Tyneside, are referred to as Geordies.
Formerly in County Durham, in 1835 the town became part of Gateshead County Borough. After the Local Government Act 1972, in 1974 Gateshead became part of the Metropolitan Borough of Gateshead and Tyne and Wear Metropolitan County.
The town of Gateshead is situated in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne. The town of Gateshead consists of the following districts. Some of them were once separate settlements that were absorbed by encroaching urban sprawl, while others consist entirely of retail, industrial and housing estates. Many of these areas overlap each other and their boundaries are by no means official or fixed. Gateshead is a Town (Urban Subdivision) in the Tyneside urban area.
Gateshead town centre
Black Hill, (High Fell ward)
Mount Pleasant, (Deckham ward)
Deckham
Carr Hill (Deckham ward)
Central (Bridges ward)
Bensham (Bensham ward)
Teams, (Dunston and Teams ward)
Low Teams (Dunston and Teams ward)
Chowdene (Chowdene ward)
Low Fell
Dunston
Swalwell (Dunston and Teams ward)
Dunston Hill (Whickham East ward)
Lobley Hill (Bensham ward)
Team Valley Trading Estate (Bensham ward)
Team Valley (Bensham ward)
Sheriff Hill (High Fell ward)
Ravensworth (High Fell ward)
Saltwell (Saltwell ward)
Harlow Green (Chowdene ward)
Wardley (Wardley and Leam Lane ward)
Leam Lane Estate
Pelaw
Heworth
Felling
Staneway (Windy Nook and Whitehills ward)
Wrekenton (Lamesley ward)
Windy Nook
Whitehills
Beacon Lough (High Fell ward)
Eighton Banks (Lamesley ward)
Old Fold (Deckham ward)
Redheugh (Bridges ward)
Shipcote (Deckham ward)
Bill Quay (Pelaw and Heworth ward)
North Felling/Felling Shore (Felling ward)
Lyndhurst (Low Fell ward)
Egremont Estate (High Fell ward)
Allerdene (Low Fell ward)
Falla Park (Felling ward)
Sunderland Road (Felling ward)
Follingsby (Wardley and Leam Lane ward)
Tyne and Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central Station, Newcastle International Airport, Sunderland, Tynemouth and South Shields. Gateshead Interchange is the busiest bus station in Tyne and Wear and was used by 3.9 million bus passengers in 2008.
Alot to see in ( Gateshead - UK ) such as :
Baltic Centre for Contemporary Art
Gateshead Millennium Bridge
Saltwell Park
Shipley Art Gallery
St. Mary's Heritage Centre
Dunston Staiths
Windy Nook Nature Park
Sage Gateshead
( Gateshead - UK ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Gateshead . Through a series of videos we will try to show you recommended places to visit in Gateshead - UK
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Carrotoscope
I was asked to demo how simple it is to be creative with Makey Makey devices for an event at the Shipley Art Gallery in Gateshead. The event was called 'Craft Digital'. I made an 18 tone 'Carrotoscope'.
Charles Martin Powell 查爾斯·馬丁·鮑威爾 (1775-1824) Academic Art British
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Charles Martin Powell Born in Chichester, C M Powell was a self-taught artist, a fact which reflects great credit on him when one considers the beautiful draughtsmanship and ‘professional’ execution of his pictures. Although it is known that he served his apprenticeship as a sailor, it is unclear as to whether or not Powell was ever a member of the Royal Navy. It is possible that he did join the Navy, or was press-ganged into service, and subsequently absconded. A glance at the Royal Academy records between 1807 and 1821 indicates that he moved frequently, occupying no fewer than seven homes over a period of fourteen years, suggesting perhaps that he may well have been avoiding being retaken. It is also noticeable that Powell’s subjects rarely feature naval vessels; when they do appear they are either in the distance or middle-distance of the composition, the foreground being given over to fishing craft and coastal vessels.
Nevertheless, it seems unlikely that a marine artist as well known as Powell, with his necessary attachment to the sea, could have managed to escape recapture for long. It is more likely therefore that there are other reasons to explain Powell’s reluctance to settle down in one place for long.
One such may have been his interest in travelling. He travelled extensively, painting Plymouth, Southampton, Portsmouth and numerous subjects in the English Channel. He is known to have painted scenes in the Mediterranean and he visited Holland frequently -–indeed, the Dutch marine artists provided much of his inspiration, his works fully reflected the traditional Dutch style of sea painting.
Powell married and had eight children. All his recorded addresses were in London: Paddington, Soho, The Haymarket, Baker Street and Montague Square – locations which indicate fluctuating financial fortunes; however he ultimately died penniless aged 49.
His London exhibits totalled 40, of which twenty-nine were at the Royal Academy and eleven at the British Institution. Nearly all these pictures were true sea pieces. Although he never benefited from the financial security that a patron might have brought him, he was left free to paint whatever he wished in his own style. His work is rarely on the market, not because of a paucity of numbers, but because of ownership jealously guarded by collectors who have recognised that genuine knowledge of ships renders him superior to many of his contemporaries. Powell had a first-hand understanding of the sea and of how boats move in the water, and he also used to great effect the dramatic play of light and dark, inspired by the 18th century Dutch masters.
His work is to be found in the National Maritime Museum in Greenwich; the Shipley Art Gallery, Gateshead and the Victoria and Albert Museum, London
查爾斯·馬丁·鮑威爾C·鮑威爾出生於奇切斯特，是一位自學成才的藝術家，當他考慮美麗的繪畫技巧和他的照片的“專業”執行力時，這一事實反映了他的巨大榮譽。儘管據悉他擔任水手的學徒，但鮑威爾是否曾經是皇家海軍的成員還不清楚。他有可能加入了海軍，或者被迫投入使用，隨後潛逃。從1807年到1821年的皇家藝術學院記錄顯示，他經常搬家，在十四年的時間裡佔據了不少於七所房屋，這也許意味著他很可能已經避免被重新佔領。同樣值得注意的是，鮑威爾的題材很少具有海軍艦艇的特徵。當他們確實出現時，他們要么在距離或中距離的構圖，前景被交給漁船和沿海船隻。
儘管如此，像鮑威爾這樣有名的海洋藝術家似乎不太可能以他對海洋的必要依附，可能已經設法避免長久奪回。因此，更有可能的是，還有其他原因可以解釋鮑威爾不願長期在一個地方定居下來的原因。
其中之一可能是他對旅行的興趣。他廣泛地旅行，在英吉利海峽繪畫普利茅斯，南安普敦，朴茨茅斯和眾多科目。他被稱為在地中海畫了場景，他經常訪問荷蘭 - 荷蘭海洋藝術家提供了很多靈感，他的作品充分體現了傳統荷蘭風格的海上繪畫。
鮑威爾結婚並有八個孩子。他所有的錄音地址都在倫敦：帕丁頓，蘇豪區，乾草市場，貝克街和蒙塔古廣場 - 這些地點表明財政狀況波動;但他最終死於49歲身無分文。
他的倫敦展品共有40件，其中29件在皇家藝術學院，11家在英國學院。幾乎所有這些照片都是真正的海洋作品。雖然他從來沒有從贊助人可能給他帶來的經濟保障中受益，但他可以自由地用自己的風格畫出他想要的任何東西。他的作品很少在市場上出現，並不是因為數量不足，而是因為收藏家的嫉妒守護著所有權，他們認識到真正的船隻知識使他比許多同時代人更優秀。鮑威爾第一時間了解大海以及船隻在水中的運動方式，他也習慣於在十八世紀的荷蘭大師的鼓舞下，發揮光明和黑暗的戲劇性。
他的作品將在格林威治的國家海事博物館中發現;希普利美術館，蓋茨黑德和倫敦維多利亞和阿爾伯特博物館
John Falconar Slater - Oil Paintings
Slater was a painter in oil and watercolour, best known for his paintings of land and seascapes in the north-east of England.
A number of his original paintings were passed down through generations and now belong to the Heatherington family. Some of these paintings feature in this video.
His work is held at the National Maritime Museum, Laing Art Gallery, Newcastle and Shipley Art Gallery, Gateshead.
For more info on John Falconar Slater, head over to thejournal.co.uk/news/north-east-news/personal-items-artist-john-f-4442948
Edward William Cooke at Scheveningen, Holland
Edward William Cooke (1811-1880) was a British painter and gardener. Cooke was born in London. His father and uncle William Bernard Cooke were both welknown engravers and Cooke was raised in the company of artists. He was a precocious draughtsman and a skilled engraver from an early age, displayed an equal preference for marine subjects. Cooke began painting in oils in 1833, took formal lessons from James Stark in 1834.
He went on to travel and paint with great industry at home and abroad, indulging his love of the 17th-century Dutch marine artists with a visit to the Netherlands in 1837. He returned regularly over the next 35 years, studying the effects of the coastal landscape and light, as well as the works of the country's Old Masters, resulting in highly successful paintings. (Source: Wikipedia.org)
1. Portret Edward William Cooke by John & Charles Watkins
carte-de-visite, mid-late 1860s, (Coll. National Portrait Gallery, London)
2. Dutch Pincks at Scheveningen, Holland, 1860. (Coll. City of London Corporation, London)
3. Dutch Pincks beached on the shore at Scheveningen with fishermen unloading the day's catch. (Coll. City of London Corporation)
4. A North Sea Breeze on the Dutch Coast, 1855. (Coll. Royal Museums Greenwich, London)
5. Rough Sea with Scheveling pinck. (Coll. Bonhams.com)
6. Scheveningen Pincks off the Coast of Yarmouth, 1864. (Coll. Royal Academy of Arts, London)
7. On the Shore at Scheveling - Low, 1872. (Coll. Manchester City Galleries, UK)
8. Fish arriving, Scheveningen beach. (Coll. Bonhams.com)
9. On the beach Scheveningen. (Coll. Sothebys.com)
10. Dutch trawlers drying their sails and nets on the beach at Scheveningen, 1842. (Coll.
11. A beached fishing vessel unloading its catch, 1858. (Coll. Bonhams.com)
12. Scheveningen Beach, 1839. (Coll. Royal Holloway, University of London)
13. Coast scene with fishing boats. (Coll. The Shipley Art Gallery, Gateshead, UK)
14. A Dutch coastal scene with a koff and other shipping at anchor and fisherfolk on the beach, 1843. (Coll. Manson & Woods Christie, London)
14B. On the beach of Scheveningen, 1868. (Coll. Christies.com)
15. On the beach of Scheveningen. (Coll. Bonhams.com)
16. Scheveningen Pinck preparing for sea, 1877. (Bron: WGA.hu)
17. A bomschuit with sails set ashore at Scheveningen, 1863. (Coll. Royal Museums Greenwich, London)
18. Five fishing vessels on shore with figures at work, including one with mast lowered and one small vessel with leeboard reversed and figure in water working on ship's side. Anchors and dog in foreground, 1843. (Coll. Royal Museums Greenwich, UK)
19. Fishing vessels on shore, Scheveningen, preparing for sea and large numbers setting out. Wind offshore. Leeboards reversed. Inscribed Wind NE, 1843. (Coll. Royal Museums Greenwich, UK)
20. Fishing vessels unloading, Scheveningen, with many figures on beach dated Aug 30. Leeboards reversed, 1843. (Coll. Royal Museums Greenwich, UK).
21. On the beach at Scheveningen; fishing boats drawn up on the beach, with groups of figures about them. (Coll. British Museum, London)
22. The coast of Scheveningen. (Coll. Artnet.com)
23. The catch coming in. (Coll. Art Institute, Chicago)
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Gymnopedie No 1 van Kevin MacLeod is gelicentieerd onder een Creative Commons Attribution-licentie (
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Gymnopedie No 2 van Kevin MacLeod is gelicentieerd onder een Creative Commons Attribution-licentie (
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Laing Art Gallery
Management project semester 2, Laing Art Gallery, Newcastle
Walbottle Campus Design Vision
GATESHEAD BACK IN TIME PART 3
GATESHEAD BACK IN TIME PART 3 MAY HAVE SOME OF NEWCASTLE , FELLING IN IT THANKS FOR LOOKING
Submitting My MA Dissertation ???? Newcastle University 2019 | #BritishLittleDiaries
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Grayson Perry's The Life Of Julie Cope is a fun, free show
And on the Perry juggernaut rolls.It’s hard to remember a time the transvestite artist didn’t have an exhibition opening (or a TV show airing or a book being published).He currently has two new shows: one at Liverpool’s Walker Gallery, displaying a selection of his dresses, another at Colchester’s Firstsite gallery, to complement A House For Essex, a building he designed in a nearby village in 2015.The House is a tongue-in-cheek shrine to fictional Essex everywoman Julie Cope, who died after being hit by a curry delivery scooter.Complete with two bedrooms, it’s run as a £500-per-night holiday let – meaning, unfortunately, that few of the public ever see it.At Firstsite, to put that right somewhat, Perry is showing versions of the tapestries and woodcuts that hang inside the house, as well as sketchbooks with his initial designs for it.There’s a logic to hosting this show in Colchester, as it was here that Julie both worked (as a social worker) and was fatally knocked down.Perry is a gifted storyteller, with a Dickensian eye for detail; he packs more narrative into one of his tapestries than some authors manage in several chapters.Take A Perfect Match, in which Julie – young and in love – receives a gorgeous bouquet of flowers from her husband, Dave.All looks rosy, but a tiny accompanying note from him saying ‘I’m sorry’ (for a recent infidelity) anticipates the marital breakdown to come.This a fun, free show, with Julie’s life story allowing Perry to explore one of his pet subjects: Britain’s class system.However, even at just two years old, this work already feels dated.Perry is expert at examining the state of the nation – and given the mess we’re now in Brexit-wise, 2015 feels an eternity ago.A Walk In The Woods: A Celebration Of Trees In British Art A Walk In The Woods is a small exhibition in Bedford but it has paintings by some of the best-known artists in the world.Included among the 40-odd watercolours, drawings and prints focusing on the role of trees and woodland in the British landscape – and taken from the town’s Cecil Higgins Art Gallery Collection – are works by John Constable, Lucian Freud, Edward Lear and Paul Nash.The exhibition explores four themes: the pleasure of woods; magical and dreaming trees; the lure of the exotic; and trees in the countryside.Notable among the exhibits are Fir Trees At Hampstead, John Constable’s largest-ever tree drawing, and Berkshire Landscape by Paul Nash’s brother John, which contrasts two dead trees with a background of summer foliage.The gallery’s soft lighting, natural colour palette and refined yet rustic design creates an ambience characteristic of a walk in the woods, an effect that is simply enchanting.And for those who need convincing that a journey to Bedford is worth it for this show, consider this: The Higgins is in the town’s Castle Gardens and – appropriately for this exhibition – surrounded by walnut, sycamore, horse chestnut and mulberry trees.
Maternity Services at QE Gateshead
A guide to our maternity services at QE Gateshead
Smutt North Walbottle
Smutt dancing their version of North Walbottle in a practice at the Egypt Cottage. Notice the deliberate walk-on mistake, and Jason shouting at Tom at both the beginning and the end...
myspace.com/smuttrapper
MA15 Exhibition at Victoria House Basement
Showcasing work by students graduating from the Graduate School at London College of Fashion in 2015.
Grayson Perry - Provincial Punk Exhibition
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ITV News Tyne Tees - Blaydon West World Water Day. [S]
Pupils from Blaydon West Primary School visited Gateshead Civic Centre on 21 March 2013 to show councillors what they had doing to raise money for World Water Day. Clip courtesy of ITV Tyne Tees - for more, go to
Jump Arena trampoline park Metrocentre Gateshead - toddler bounce session
Gateshead's got a new trampoline park, Jump Arena. It's near the Metrocentre and where we live. On a rainy Tuesday we checked out the midweek toddler-only session, it's from 10am to 11am and reasonably priced at £5 (parents go free!)
We look forward to returning. (This is not sponsored, we just enjoy checking out kid-friendly things to do where we live!)
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Blaydon barbers smashin i
Tariqs barbers blaydon smashin it
Celebrate Winlaton
One from the Archive- Winlaton is a fabulous place full of history and community spirit. We made this film in partnership with community groups and organisations across the village! #winlaton #celebrate #archive #community #village
The Spike
By Digital Voice for Communities as part of the Winlaton's Industrial Past Project.
Tyne & Wear Archives & Museums - Introduction - Promotional Film