Rusya da bir gün geçirmek - Perm gezisi 2
Ben İbrahim Kızgın , Rusya dan Herkeze merhaba!
Yine farklı güzel bir video serisi ile karşınızdayım. Rusya da bir gün geçirmek. Rusyanın perm şehrinde çeşitli mağazalar, markalar, yeme içme yerleri ni arkadaşım hüseyin ile birlikte gezdik. Biz bu video yu çekerken çok eğlendik. Umarım sizde beğenirsiniz. Lütfen sonuna kadar video mu izleyin!
Bu arada kanalıma abone olmayı unutmayın :)))))))
Kanalıma abone olmak için :
Diğer videolarımı aşağıdaki linkleri tıklayarak izleyebilirsiniz.
çin'den gelen ler ( çin'den aldığım ilk ürünler ) süpriz toplu paket açılışı :
Dünyayı ikiye bölen ses : yanny mi? laurel mı? Sizce duyduğunuz ses ne? :
şimdi eğlence zamanı - şimdi trambolin zamanı :)) rusya'da ( hayatımda ilk defa ) :
iletişim: kizginibrahim@gmail.com
Cep telefonu sağlamlık testi ( silah la delik deşik ettik ) :
Rusya da bir gün geçirmek - Perm gezisi 2 :
Beni diğer sosyal hesaplarımdan da takip edebilirsin!...
instagram ► kizginibrahim
facebook ► kizginibrahim7
twitter ► @kizginibrahim
İş Teklifleri (Business) ► kizginibrahim@gmail.com
Merhaba Ben İbrahim KIZGIN , Youtube Benim en büyük hayalim , sizler için yeni videolar yüklüyorum. Kanalımda oyun , gaming , eğlence , challenge , komedi , şaka , şarkı , vlog , montaj , tepki ve benzeri bir sürü video paylaşıyorum. Bunları yaparken çok eğleniyorum ve bir çok komik anlar eğlenceli anlar yaşıyorum. Sizide bir ailem olarak görüyorum. Kanalıma abone olmayı unutmayın!...
seo : İbrahim KIZGIN türkçe elektronik yemek tarifleri turkey
İZLENDİĞİNİZ İÇİN TEŞEKKÜRLER !!!
GULAG - Trailer (1985, German)
Admiral (2008) with English Subtitles (Full)
The Russian film Admiral with English subtitles.
I uploaded this same film but in better quality. Watch here:
Disclaimer: I, unfortunately, own nothing.
ILK SEVGI 18+ (Türkçe ALTYAZI) 2018 Part 1
Herkesin Merak Etdiyi O Film.ASk filmi olarak bilinen bu guzel filmi sizler icin paylashiyoruz. Iyi seyirler. 18- bakmasinlar!
Part 2:
Kusura bakmayin telif nedeniyle kestik.
I Love You, Daddy Trailer #1 (2017) | Movieclips Indie
I Love You, Daddy Trailer #1 (2017): Check out the new trailer starring Louis C.K., Chloe Grace Moretz, and Rose Byrne! Be the first to watch, comment, and share Indie trailers, clips, and featurettes dropping @MovieclipsIndie.
► Buy Tickets to I Love You, Daddy:
Watch more Indie Trailers:
► New Indie Trailers Playlist
► New Documentary Trailers Playlist
► New International Trailers Playlist
TV producer Glen Topher is a divorced dad whose teenage daughter China is living with him during her senior year. Glen takes China to a Hollywood party where he meets his idol Leslie Goodwin, the auteur who inspired his career. During the evening, the gossip about Goodwin's preference for underage girls begins to look plausible to Glen when the older man shows an intense interest in China. And when Goodwin invites her to go to Paris with him, Glen has to start doing some serious parenting.
Subscribe to INDIE & FILM FESTIVALS:
We're on SNAPCHAT:
Like us on FACEBOOK:
Follow us on TWITTER:
You're quite the artsy one, aren't you? Fandango MOVIECLIPS FILM FESTIVALS & INDIE TRAILERS is the destination for...well, all things related to Film Festivals & Indie Films. If you want to keep up with the latest festival news, art house openings, indie movie content, film reviews, and so much more, then you have found the right channel.
Janelle Monáe - Dirty Computer [Emotion Picture]
Dirty Computer - an emotion picture* by Janelle Monáe.
*EMOTION PICTURE (definition): a narrative film and accompanying musical album
Dirty Computer: The Album Available Now:
Starring
Janelle Monáe as Jane 57821
Tessa Thompson as Zen
Jayson Aaron as Ché
Also Starring
Michelle Hart as Virgin Victoria
Dyson Posey as Cleaner #1
Jonah Lee as Cleaner #2
Executive Produced by
Janelle Monáe
Nate “Rocket” Wonder
Chuck Lightning
Mikael Moore
Julie Greenwald
Co-Executive Produced by
Kelli Andrews
Ian Blair
Alan Ferguson
Directed by
Andrew Donoho
Chuck Lightning
Written by
Chuck Lightning
Additional Story Ideas and Vision by
Janelle Monáe
Nate “Rocket” Wonder
Alan Ferguson
Music Videos Written and Directed by
Alan Ferguson
Emma Westenberg
Andrew Donoho
Lacey Duke
Produced by
Nicole Acacio
Ian Blair
Associate Produced by
Deonna Young-Stephens
Music Videos Produced by
Justin Benoliel
Judy Craig
Melissa Ekholm
Maya Table
Ian Blair
Original Music Score by
Nate “Rocket Wonder
Wynne Bennett
Wardrobe by
Alexandra Mandalkorn
Hair by
Nikki Nelms
Makeup by
Jessica Smalls
Director of Photography
Todd Banhazl
Production Design
Fernanda Guerrero
Edited by
Andrew Donoho
Taylor Brusky
Music Videos Edited by
Deji LaRay
Choreography by
Jemel McWilliams
Sound Design by
Jackie! Zhou
Janelle Monáe with Special Guest St. Beauty “Dirty Computer” Tour Dates - Just Announced! Visit for more
Mon Jun 11 - Seattle, WA
King County’s Marymoor Park
Tue Jun 12 - Vancouver, BC
Queen Elizabeth Theatre
Wed Jun 13 - Portland, OR
McMenamins Edgefield Amphitheater
Sat Jun 16 - San Francisco, CA
The Masonic
Wed Jun 20 - San Diego, CA
Cal Coast Credit Union Open Air Theatre at SDSU
Thu Jun 28 - Los Angeles, CA
The Greek Theatre
Sat Jun 30 - Salt Lake City, UT
The Complex
Sun Jul 01 - Denver, CO
The Paramount Theatre
Tue Jul 03 - Minneapolis, MN
State Theatre
Thu Jul 05 - Chicago, IL
The Chicago Theatre
Fri July 06 - Milwaukee, WI*
Summerfest*
Sat Jul 07 - Grand Rapids, MI
20 Monroe Live
Mon Jul 09 - Detroit, MI
Fox Theatre Detroit
Tue Jul 10 - Cincinnati, OH
Taft Theatre
Wed Jul 11 - St. Louis, MO
The Pageant
Fri Jul 13 - Nashville, TN+
Ryman Auditorium+
Sat Jul 14 - Indianapolis, IN
Murat Theatre at Old National Centre
Mon Jul 16 - Toronto, ON
Rebel
Wed Jul 18 - New York, NY
Hulu Theater at Madison Square Garden
Fri Jul 20 - Washington, DC*
The Anthem*
Sat Jul 21 - Boston, MA
Blue Hills Bank Pavilion
Mon Jul 23 - Raleigh, NC
The Ritz
Tue Jul 24 - Charlotte, NC
The Fillmore Charlotte
Thu Jul 26 - Tampa, FL
Jannus Live
Fri Jul 27 - Miami, FL
The Fillmore Miami at Jackie Gleason Theater
Sat Jul 28 - Orlando, FL
House of Blues Orlando
Sat Aug 04 - Atlanta, GA
Tabernacle
*non-Live Nation date
+on sale beginning May 4
Connect with Janelle:
Darling (HD) - Superhit Bengali Movie - Mayukh - Pamela - Aiswaria - Riya - Rajesh Sharma
Download the app now and share it with all the asli fans :
Subscribe to Shemaroo Bengali -
Four college mates disperse after farewell and they keep themselves in contact even after decades. Mayukh is the son of one of the old friends and Aishwariya is the daughter of the other. They live in different places. A girl Riya falls in love with Mayukh and proposes to him. But he rejects the proposal. The father of the girl who happens to be a goon, surrounds Mayukh and his friends’ for rejecting his daughter. To escape from the goon Mayukh narrates his flash back stating that he has a love interest, Aishwariya who he met in GOA . The goon feels sympathetic and leaves him after listening to the story. After a while, the old friends wish to have an old friends’ reunion with families. They all meet in a village and now Mayukh and Aishwariya meet once again. Have a great time watching the movie.
Watch more of your favorite Bengali directors, actors and actresses movies like Satyajit Ray, Uttam Kumar, Suchitra Sen, Soumitra Chatterjee, Sharmila Tagore and others only on
Connect with us on :-
Facebook -
Twitter -
Join us on Pinterest -
Circle and follow us on Google+ -
Sign up for Free and get daily updates on New Videos, exclusive Web Shows, contests & much more
Send us your feedback and suggestions at : connect@shemaroo.com
#Indian hot bhabhi ||| school love .||| sexy .|||| xxxx
Hot dexy girl
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Calling All Cars: Hot Bonds / The Chinese Puzzle / Meet Baron
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The Broken Motel / Death in the Moonlight / The Peroxide Blond
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.