HerVoice_Trailer
Her Voice is a short experimental film where the role and the representation of female identity is addressed.
Awards: 'Experimental Award' at 'Porto Femme Festival', June 2019.
“Her Voice” offers an enigmatic stream of consciousness that resists conventional narrative expectations. In a certain way, the film echoes the #MeToo era, in which we live now. Somewhere between the desperate Boop-Oop-a-Doop’s of a vintage Betty Boop and the film experiments of Maya Deren. “Her Voice” reflects a woman's subjectivity and her sometimes problematic relation to the external world.
Selections & Screenings
Wunderground Film Festival, The Verbeke Foundation, Kemzeke, Belgium, Nov.-March, 2018.
Muestra Internacional de Cine Independiente, September 19th, San Nicolas, Argentina, 2018.
Muestra Movimiento Audiovisual, September 17th, Guadalajara, Mexico.
The Thessaloniki Cinedance International festival, semi-finalist, Greece, 2018..
Oregon Cinema Arts Film Festival, August 17th, Portland, Oregon, USA, 2018.
MOITAMOSTRA18! festival in Portugal, August 1.
Avanca, Encontros Internacionas de Cinema, TELEVISÃO, VÍDEO E MULTIMÉDIA festival July 27th, 2018, Avanca, Portugal.
Spiritual Film Festival Contracorriente, Bogotà, Cundinamarca, Colombia, July 23rd, 2018.
TIFF.TV, Tirana Film Festival, Tirana, Albany, 2018.
EnCore: Dance on Film 2018, Decatur, Georgia, United States, May 25th, 2018.
Cefalù Film Festival, Sicily, June, 2018.
De Andere Film at Kinepolis, Bruges, Belgium, 26th of April 2018.
Shorts on Tap, London, UK, March 2018.
Confrontaties, exposition in the Bogardenkapel, Bruges, Belgium, Feb 2018.
Fincortex Festival Internacional de Cortometrajes Experimentales, Colombia, 27th of Dec 2017.
Avvantura International Film Festival, Island of Vis, Croatia, Aug 27th 2017.
Social Machinery Festival, selected as a finalist, Pistoa, Italy, June, 2017.
Festival Visualizame Audiovisual & Mujer, selected as a finalist, Madrid, Sept, 2017.
Experiments In Cinema, Albuquerque, New Mexico, USA, April 2017.
KASKcinema, Ghent, Belgium, March 2017.
Be Film Festival, Bozar, Brussels, Belgium, December 2016.
Premiere, Sphinx Cinema, Ghent, Belgium, November 2016.
Finalist: Small Axe Tolpuddle Radical Film Festival, Dorset, UK, July 2017.
Ghent Goes Happy - Teaser 1: Flashmob
Ghent Goes Happy trok op 5 april doorheen de Gentse binnenstad voor een eigen versie van Pharrell Williams nr 1 hit Happy. Op 28 april releasen wij onze Gentse versie in SPHINX Cinema, maar ondertussen tonen we je maar al te graag deze teaser
#GhentGoesHappy
© Copyright 2014 Vibez.be - A V!BEZ Production.
Ghent Goes Happy - Teaser 2: Clip
Ghent Goes Happy trok op 5 april doorheen de Gentse binnenstad voor een eigen versie van Pharrell Williams nr 1 hit Happy. Op 28 april releasen wij onze Gentse versie in SPHINX Cinema, maar ondertussen tonen we je maar al te graag deze teaser
#GhentGoesHappy
© Copyright 2014 Vibez.be - A V!BEZ Production.
Ghent Goes Happy - Teaser 4: Flashmob
Ghent Goes Happy trok op 5 april doorheen de Gentse binnenstad voor een eigen versie van Pharrell Williams nr 1 hit Happy. Op 28 april releasen wij onze Gentse versie in SPHINX Cinema, maar ondertussen tonen we je maar al te graag deze teaser
#GhentGoesHappy
© Copyright 2014 Vibez.be - A V!BEZ Production.
Ghent Goes Happy - Teaser 3: Clip
Ghent Goes Happy trok op 5 april doorheen de Gentse binnenstad voor een eigen versie van Pharrell Williams nr 1 hit Happy. Op 28 april releasen wij onze Gentse versie in SPHINX Cinema, maar ondertussen tonen we je maar al te graag deze teaser
#GhentGoesHappy
© Copyright 2014 Vibez.be - A V!BEZ Production.
Trailer Courtisane Festival 2008
Courtisane festival of short film, video and new media, 21-27 april 2008, Vooruit & Sphinx, Ghent, Belgium
Trailer Courtisane Festival 2008
21-27 april 2008, Vooruit & Sphinx, Ghent, Belgium
Mickey Mousse Party by RMS Concept (Binche-BE)
Après le succès de la soirée PROJET X, RMS Concept débarque avec la soirée
------ MICKEY MOUSSE PARTY ------
SALLE LE STARTER
3 AV VIKTOR LAROCK
RESSAIX (Belgique)
The Murder of Charles the Good
A review of The Murder of Charles the Good, by Galbert of Bruges. For more details about the text, go to
The Ancient City of Tyre
This symposium explores on the ancient city of Tyre, founded in 2750 B.C. by the Phoenicians, who created an alphabet and the first democracy in the world with a parliament and senate elected directly by the citizens. Tyre is the legendary birthplace of Europa, the daughter of the King of Tyre, the namesake of Europe. The city and the civilization was left in ruins by Alexander the Great who went to war against the Tyreans.
For transcript and more information, visit
Zeitgeist: Moving Forward Belgian Premiere Q&A
On January 15th, The Zeitgeist Movement Belgium joined in with the world premiere of Zeitgeist: Moving Forward.
This particular release in Belgium was shown at the 'Sphinx' venue in the heart of the city of Ghent.
There were 175 visitors at this premiere and this is the recording of the Q&A session held while the credits were rolling.
CITADEL OF CAIRO IN 5.6K - IMMERSIVE 360° VR EXPERIENCE - EGYPT
5.6K 360 VR Video of the Citadel of Cairo and Mosque of Muhammad Ali, shot on the GoPro Fusion. Edited using GoPro Fusion studio and Adobe Premiere Pro. Everything shot on Protune.
Odyssey Visual Media is a multimedia production company specializing in immersive content: odysseyvisualmedia.com
Zeitgeist: Moving Forward - Belgian Premiere Q&A
On January 15th, The Zeitgeist Movement Belgium joined in with the world premiere of Zeitgeist: Moving Forward.
This particular release in Belgium was shown at the 'Sphinx' venue in the heart of the city of Ghent.
There were 175 visitors at this premiere and this is the recording of the Q&A session held while the credits were rolling.
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100 Singers - RITA GORR
Rita Gorr, Mezzosoprano (1926-2012)
Giuseppe Verdi AIDA
Fu la sorte dell' armi
With Leontyne Price, Soprano (born in 1927)
Conducted by Georg Solti
Recorded 1961
My personal opinion: Occasionally this series will return to celebrate more great and sometimes rare singers previously unconsidered. And again we will see, recordings not always do justice to an artist. It seems, as if a microphone was not suitable for Rita Gorr (* 1926 in Belgium) to record her huge voice adequately. The results are some penetrating sharp sounds, not even managed by audio engineers (It's a phenomenon we also know from the recordings of Rosa Raisa and Ghena Dimitrova - to name only two singers). Nevertheless Rita Gorr possessed an impressive stage-voice full of power and metal, tailor made for the theatres. With the words of american critic Conrad L. Osborne, it was the greatest Mezzosoprano-instrument after 1950. Osborne wrote his judgement after he´d heard Gorr's Amneris in the Solti recording of AIDA with Leontyne Price (Her best Aida on records), Jon Vickers and Robert Merrill. This AIDA was the direct consequence of Rita Gorr's triumphant Amneris at the Paris Opéra opposite Renata Tebaldi (and certainly the entrance card for her Met debut in October 1962 as Amneris with Price and Bergonzi). It was in Paris, where Gorr sang her most remarkable roles: ORPHÉE, Sieglinde, Fricka, Venus, the evil jealous Margared in LE ROI D'YS (her Cluytens-recording with Henri Legay and Janine Micheau is a forgotten gem.), HÉRODIADE, the princess in ADRIANA LECOUVREUR, Azucena (Sadly I never had the opportunity to record Azucena and Eboli...), the mother of LOUISE, Geneviève in PÉLLEAS, Santuzza and many more. Her career was international in scope with Fricka and Ortrud in Bayreuth, Kundry and Venus in Rome. She also was Fricka in the 1961 Leinsdorf recording of WALKÜRE with Nilsson as Brünnhilde, Vickers as Siegmund and George London as Wotan. Another big success with Wieland Wagner came with her Ortrud in LOHENGRIN (with Sandor Konya and Elisabeth Grümmer as Elsa), but Gorr refused to sing Kundry with Windgassen (A most demanding role which goes to the limit!) and Isolde (but she recorded Mild und leise). She participated in two complete opera recordings some call real classics: In the 1958 stereo remake of Cluytens' FAUST as Dame Marthe with de los Angeles and Gedda - and with her probably most intimate portrait on records as Mère Marie in Poulenc's LES DIALOGUES DES CARMÉLITES. Surprisingly she once said in an interview, she only loved a few roles in french operas: The german and italian repertory was more dear to me! But she granted herself some exceptions: Dalila, Charlotte, Orphée and Hérodiade. And she sang IPHIGÉNIE EN TAURIDE in a highlight-recording with Gedda and Blanc under Prêtre - with a slightly shrillness in the upper register (Iphigénie originally was written for a soprano, Glucks favorite Rosalie Levasseur.) Admittedly Gorr loved Charlotte in WERTHER (her first role at the Opéra-Comique), but for me her voice was much too big and she sounds rather like Charlotte's mother (at least during a 1965 concert performance at Carnegie Hall). Here I prefer Frederica von Stade (in the underrated Colin Davis performance with Carreras in splendid condition). Rita Gorr's most famous recording for sure is SAMSON ET DALILA in 1962, again with Vickers and under the baton of Prêtre. The performance was not reviewed favorably everywhere, for some listeners Gorr was too cool. But one critic countered, that particular this aloofness was the strength of her interpretation: She wasn´t a Dalila we knew from Hollywood movies, she wasn´t lascivious in a cheap way. She was a Sphinx-like heroine, knowing her greatest advantage was her mysteriousness! The Grammophone wrote: Rita Gorr's fine voice and distinguished manner make all her contributions rewarding. Personally I prefer another recording, namely with Christa Ludwig, who once sang Adalgisa in NORMA opposite Maria Callas - Gorr was originally scheduled, but she was occupied otherwise: It was a chance I couldn´t use..., she said.
It is a bitter realization that the magnificent voice of Rita Gorr had to stand many times in the second row. She retired from stage as the Countess in Tchaikovsky's QUEEN OF SPADES in 2007.
Here she is with the key scene from AIDA, in which Amneris tricks Aida into professing her love for Radames.
Rita Gorr died in 2012.
GentStudent - Een dagje in Gent
We volgen Margot en Bo een dag door Gent. Ze nemen ons mee naar enkele leuke plaatsen voor studenten.
Facebook:
Twitter: @GentStudent2014
Instagram: #GentStudent
Marcel Fengler @ Kozzmozz 23-10-10 (HQ)
Ostgut's Marcel Fengler @ Kozzmozz
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