Markus Brendmoe solo exhibition; 'Munch etc' at the Stenersen Museum, Oslo Norway 2011.
Markus Brendmoe 'Munch etc.' Stenersen Museet 2011.wmv
Edvard Munch and Markus Brendmoe.
Using Photography to Create Visual Narratives
** Click the show more button below for more info and links**
Cig will be sharing her work and creative process. Her photographs are intertwined with a rich narrative and autobiography, she uses the medium of photography as a way to tell stories.
Cig Harvey's photographs have been exhibited widely and are in the permanent collections of major museums, including the Museum of Fine Arts, Houston, and the International Museum of Photography, George Eastman House, Rochester, NY. She was a recent finalist for the prestigious BMW Prize at Paris Photo and had her first solo museum show at The Stenersen Museum, Oslo, Norway, in the spring of 2012 in conjunction with the release of her monograph You Look At Me Like An Emergency, Schilt Publishing, 2012. Cig's devotion to visual storytelling has lead to innovative international campaigns and features with, New York Magazine, Harpers Bazaar Japan, Kate Spade and Bloomingdales.
Cig Harvey's Work
BRUTTE KRETSER - TRAILER
Trailer of my examvideo shown at The Stenersen Museum in Oslo, Norway. A part of the Final Year Show, BA and MA.
Markus Brendmoe and Edvard Munch part 2.
Markus Brendmoe with paintings and drawings in his solo show 'Munch etc.' at the Stenersen Museum, Oslo Norway, 2011.
Ibsen Museum Oslo Norway
Published on July 30, 2015
Moving Image Archive Serge de Muller
bacc exhibition MAK Artist Interview-Nguyen Trinh Thi
NGUYEN Trinh Thi (b.1973, Hanoi) received her MA in Journalism from the University of Iowa in 1999, and her Master of International Pacific Studies from the University of California, San Diego in 2005. Her moving image work—including documentary and experimental films, single-channels and video installations—consistently engage with memory and history, and reflect on the roles and positions of art and artists in society and the environment. Her materials are diverse -- from video and photographs shot by herself to those appropriated from various sources including press photos, corporate videos, and classic films; her practice traverses boundaries between film and video art, installation and performance. She has taken part in international exhibitions such as LIM DIM (Stenersen Museum, Norway 2009), Kuandu Biennale (Taiwan 2010), No Soul For Sale 2 (Tate Modern, England 2010), Women in Between: Asian Women Artists 1984-2012 (Fukuoka Asian Art Museum, Japan 2012), and Move on Asia: Video Art in Asia 2002 to 2012 (ZKM Museum of Contemporary Art, Germany 2013). Based in Hanoi, she also founded and directs Hanoi DOCLAB, a center for documentary films and the moving image since 2009.
เหงียน ตรินห์ ทิ (2516, ฮานอย) จบการศึกษาระดับปริญญาโทสาขาวารสารศาสตร์ จากมหาวิทยาลัย the Univesrity of Iowa ในปี พ.ศ. 2542 และสาขาความสัมพันธ์ระหว่างประเทศและแปซิฟิกศึกษา จากมหาวิทยาลัย the University of California, San Diego ในปี พ.ศ. 2548 ความทรงจำและประวัติศาสตร์มักจะเข้ามามีส่วนร่วมในผลงานภาพเคลื่อนไหวของเธอเสมอมา รวมถึงภาพยนตร์สารคดี หนังทดลอง โทรภาพผ่านช่องสัญญาณเดียว และการแสดงผลงานศิลปะผ่านวีดิทัศน์ด้วย และสิ่งเหล่านั้นก็สะท้อนบทบาทและตำแหน่งของงานศิลปะและศิลปินในสังคมและสภาพแวดล้อมอีกด้วย เหงียนใช้วัตถุหลากหลายในงานของเธอ ทั้งวิดีโอและภาพถ่ายที่เธอถ่ายเอง อีกทั้งวัสดุที่มาจากแหล่งต่างๆ เช่น ภาพจากสื่อ วิดีโอขององค์กร และหนังคลาสสิกการทำงานของเธอได้ทำให้เธอข้ามผ่านขอบเขตระหว่างงานภาพยนตร์และศิลปะวีดิทัศน์ และระหว่างการแสดงผลงานศิลปะและศิลปะการแสดงไปได้ เธอยังเข้าร่วมแสดงผลงานในนิทรรศการนานาชาติต่างๆ อาทิ LIM DIM (Stenersen Museum, นอร์เวย์ พ.ศ. 2552), Kuandu Biennale (ไต้หวัน, 2553), No Soul For Sale 2 (Tate Modern อังกฤษ, 2553), Women in Between: Asian Women Artists 1984-2012 (Fukuoka Asian Art Museum ญี่ปุ่น, 2555), และ Move on Asia: Video Art in Asia 2002 to 2012 (ZKM Museum of Contemporary Art เยอรมัน, 2556) ปัจจุบันเหงียนอาศัยอยู่ในฮานอย และในปี พ.ศ. 2552 ได้ก่อตั้งและดูแล Hanoi DOCLAB ซึ่งเป็นศูนย์กลางของภาพยนตร์สารคดี และภาพเคลื่อนไหว
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19.03.09 Stenersen museet vernissage
Ike Ude Paris Hilton-Fantasy and Simulacrum
Apichatpong Weerasethakul Solo Exhibition PHOTOPHOBIA ART GALLERY @KCUA
Gallery @KCUA
EVENT INFO
Apichatpong Weerasethakul's solo exhibition PHOTOPHOBIA is held commemorating the 5th anniversary of the opening of Kyoto City University of Arts Art Gallery @KCUA. Approximately 40 works (including new ones) will be on exhibit, making this the largest scale solo exhibition held by Apichatpong in Japan.
PHOTOPHOBIA is identical to the exhibition held in the Stenersen Museum (Oslo, Norway), now reorganized to fit our exhibition space with the addition of new work. Exhibition items include the video works Windows (1999) and Fireworks (2014), those between, and a great number of photographic works in addition.
Most of Apichatpong's works were made in Isan—the northeastern region of Thailand—and center around the themes in that area: the local superstitions, individual memories, dreams, the unconscious, and the memories of the forests. Apichatpong states that he is strongly attracted to the light within the forests and memories and that he has a desire to commit everything to memory, and also a fear of remembering everything. PHOTOPHOBIA can be interpreted as his longing for light, and the accompanying fear and grief that comes with it.
Since the beginning, Apichatpong's works have been consistently void of explanation. One of the features of his form of expression in video is they're lyrical and contemplative, like a strange dream devoid of logical thought. Though there is no immediate manifestation, we can see influences from modern society in Thailand; we can register social problems in the minutely calculated videos such as youth, immigrants, economic disparity and government. These double meanings confer a multilayered structure to the works, mesmerizing many audiences. We invite you to view the world of Apitchapong's works and his form of expression in various media.
Place
@KCUA1, 2, Gallery B, C
Closed
open everyday
Open
11:00 - 19:00
Price
admission free
Planner
Kyoto City University of Arts ART GALLERY @KCUA
Promoter
Kyoto City University of Arts
Aid
Japan Arts Council
Supporter
SCAI THE BATHHOUSE
Tomo Suzuki Japan
Pixel Engine LLC.
Inquiry
@KCUA TEL: +81 75 253 1509
Movie:Masashi Nagara
nullremix
Performance 2001, Stenersenmuseet Oslo
Almagul Menlibayeva, Exodus, 2009, preview excerpt
Almagul Menlibayeva
Exodus, 2009
High definition video
Single channel
Website:
Almagul Menlibayeva (born 1969 in Almaty, Kazakhstan) is an award-winning contemporary artist who works mostly in multi-channel video, photography and mixed media installation. She lives and works in Germany and Kazakhstan. Her work has been featured internationally at the Sydney Biennale, Australia; the Venice Biennale; the Moscow Biennale, Russia; the Gangwon International Biennale, South Korea. Her recent solo exhibitions include Green, Yellow, Red and Green again, TSE gallery, Astana, Kazakhstan (2018); Transformation, Grand Palais, Paris, France (2016-2017); My Silk Road to You, Lexing Art, Miami, USA (2016); Union of the Fire and Water, curator Suad Garaeva, 56th Venice Biennial, Venice, Italy (2015); Transoxiana Dreams, Videozone, Ludwig Forum, Aachen, Germany (2014); Empire of the Memory, Ethnographic Museum, Warsaw, Polland (2013); An Odd for the Wastelands and Gulags, Kunstraum Innsbruck, Austria (2013). EXPO 1 Exploration of ecological challenges, MoMA PS1, NewYork, USA ;
Her video installations and photography have been exhibited widely at venues such as Museum van Hedendaagse Kunst, M HKA, Antwerp, Belgium; Queens Museum, NY, USA; Herbert F. Johnson Museum, Ithaca, NY, USA; Stenersen Museum, Oslo, Norway; ZKM Museum of Contemporary Art, Karlsruhe, Germany; University of California, San Diego, CA, USA; Center of Contemporary Art, Zamok Ujazdowskie, Warsaw, Poland; Museum of Contemporary Art Kiasma, Helsinki, Finland; Museo Universitario del Chopo, Mexico City, Mexico; Kulturzentrum bei den Minoriten, Graz, Austria; Queensland Art Gallery, Bisbane, Australia.
Menlibayeva’s work addresses issues such as critical explorations of Soviet modernity; social, economic; and political transformations in post-Soviet Central Asia; and decolonial reimaginings of gender, environmental degradation, and Eurasian nomadic and indigenous cosmologies and mythologies. A winner of the Main Prize of Munich’s Kino der Kunst International Film Festival (2013), Menlibayeva was awarded the French Ministry of Culture’s Chevalier de l’Ordre des Arts et des Lettres in 2017.
Алмагуль Менлибаева (1969 году в Алматы, Казахстан) - удостоенный наград современный художник, который работает в основном по многоканальной установке видео, фотографии и смешанных медиа. Она живет и работает в Германии и Казахстане. Ее работа была представлена на международном уровне в Сиднейской биеннале, Австралия; Венецианская биеннале; Московская биеннале, Россия; Международная биеннале в Канвоне, Южная Корея. Зеленый, Желтый, Красный и Зеленый снова, галерея TSE, Астана, Казахстан (2018 год); Трансформация, Гран-Пале, Париж, Франция (2016-2017 годы); Мой Шелковый путь к вам, Lexing Art, Майами, США (2016 год); Союз огня и воды, куратор Суад Гараева, 56-я Венецианская биеннале, Венеция, Италия (2015 год); Transoxiana Dreams, Видеозона, Форум Людвига, Аахен, Германия (2014); Империя памяти, Этнографический музей, Варшава, Польша (2013); Странный для Пустошей и ГУЛАГов, Кунстраум Инсбрук, Австрия (2013). EXPO 1 Исследование экологических проблем, MoMA PS1, Нью-Йорк, США;
Ее видеоустановки были выставлены в таких местах, как Музей Ван Хедендагес Кунст, М ХКА, Антверпен, Бельгия; Музей Квинса, Нью-Йорк, США; Музей Герберта Ф. Джонсона, Итака, Нью-Йорк, США; Музей Стенерсена, Осло, Норвегия; Музей современного искусства ZKM, Карлсруэ, Германия; Калифорнийский университет, Сан-Диего, Калифорния, США; Центр современного искусства, Замок Уяздовское, Варшава, Польша; Музей современного искусства Киасма, Хельсинки, Финляндия; Museo Universitario del Chopo, Мехико, Мексика; Культурный центр в Миноритен, Грац, Австрия; Художественная галерея Квинсленда, Бисбан, Австралия.
Работа Менлибаевой рассматривает вопросы как критические исследования советской современности; социальной, экономической; и политические трансформации в постсоветской Центральной Азии; и деколониальные переосмысления гендерных факторов, деградации окружающей среды и евразийских кочевых и коренных космологий и мифологий. Лауреат Главного приза Международного кинофестиваля кинофестиваля в Мюнхене (2013), Менлибаева была награждена Орденом Изящных Искусств Министерством Французской культуры Шевалье де ла Ортре и искусств в 2017 году.
Munch Museum , Oslo 3rd April 2018
Munch Museum, Oslo 3rd April 2018
Follow Your Heart, composed by Tommy Smith
Music from Peeping Tom, Blue Note Records 1990
Recorded in Oslo, at Rainbow Studio, 1990
Produced by Gary Burton
Recorded by Jan Eirk Kongshuag
Terje Gewelt (b), Jason Rebello (p), Paul Stacey (g), Ian Froman (t), Tommy Smith (ten)
4th Iconic Houses Lecture Tour Europe - Restoring Eileen Gray’s Villa E-1027
Restoring Eileen Gray’s Villa E-1027 and Clarifying the Controversies
Tim Benton on Eileen Gray’s Tour de Force
Iconic Houses’ 2018 Lecture Tour focused on Eileen Gray's epochal Villa E-1027 and was held in five venues in four European countries. Professor emeritus Tim Benton discusses the restoration of the furniture and the various controversies that have coloured the way the house and its contents have been understood. After many years of struggle to get the restoration and management of Villa E-1027 on track, Eileen Gray’s tour de force is open to the public and a member of the Iconic Houses Network since 2015. Following to the lecture a film by Vincent Cattaneo was screened that documents the restoration work carried out by the Association Cap Moderne between 2015 and 2017.
The lecture was organized by the Iconic Houses Network in cooperation with:
• National Museum and held at Villa Stenersen in Oslo, Norway, 9 October 2018
• Ungers Archive for Architectural Studies and held at the Wallraf-Richartz Museum in Cologne, Germany, 10 October 2018
• Sonneveld House and held at Het Nieuwe Instituut during Thursday Night Live! in Rotterdam, The Netherlands, 11 October 2018
• Villa Müller/The City of Prague Museum in Prague, and held at its Study and Documentation Center in Prague, Czech Republic, 15 October 2018
• Villa Tugendhat in Brno, Czech Republic, 16 October 2018
Video: Dirk de Graaff, commissioned by Het Nieuwe Instituut
Find more lectures on Iconic Houses at: iconichouses.org/lectures
5th International Iconic Houses Lecture Tour - Melnikov House: Saving an Avant-Garde Icon
Melnikov House: Saving an Avant-Garde Icon
The 5th edition of the International Iconic Houses Lecture Tour took place in Europe from 7-15 October 2019, when Pavel Kuznetsov, Director of the State Museum of Konstantin and Viktor Melnikov and Deputy Director of the Schusev State Museum of Architecture in Moscow toured six iconic houses in six European cities with his lecture on the Melnikov House in Moscow.
The Melnikov House
The Melnikov House, designed by architect Konstantin Melnikov (1890-1974) for himself and his family, is an icon of the Russian architectural avant-garde. The experimental cylindrical structure was built between 1927 and 1929 to test Melnikov’s concepts for mass-produced housing. Melnikov believed that the essence of his house lay in the balance and equivalence of weight, light, air and heat. The original layout, elegant spatial arrangement, and ingenious engineering techniques are combined in a unique architectural form that still looks modern. Retaining some historic elements of the 20th century, the house also reflects the tragic life of this solo architect in a collectivist society.
Pavel Kuznetsov discusses the history of the Melnikov House from its inception in the early 20th century through establishing the museum in 2014 and conservation project nowadays. He explores the newly found information that uncovered the architectural, engineering, and philosophical ideas lying behind Melnikov’s ambitious plan to build an architectural manifesto in 1920s Soviet Russia.
Film
A long fragment of the documentary 'Konstantin Melnikov' (1999) by Jet Christiaanse and Marjo Leupers accompanies the lecture to see the person of Melnikov in a historic context of the 20th century through the eyes of architectural historians and Melnikov’s son, the artist Viktor Melnikov (1914-2006). The film is already a piece of its time when the future of the Melnikov House and other buildings designed by Melnikov was uncertain.
Pavel Kuznetsov
Pavel Kuznetsov, is an economist by education, and a researcher in Soviet avant-garde architecture by vocation. He lives in a constructivist apartment in a house commune in Moscow and works as deputy director of the Schusev State Museum of Architecture. Since 2014, he has overseen the collections and archives of the Melnikov House and its transition from a private home to a public museum. As director of the State Museum of Konstantin and Viktor Melnikov he also directed the pre-conservation survey of the Melnikov House, supported by a grant from Keeping it Modern, an initiative of the Getty Foundation.
About the ICONIC HOUSES Lecture Series
The Iconic Houses Lecture Series launched in 2014 in five cities in Europe to raise awareness about modern house museums and their frequent struggles to survive. As speakers, we welcomed the directors of and experts on some of the world’s most Iconic Houses, such as Frank Lloyd Wright’s Fallingwater, Philip Johnson’s Glass House and Eileen Gray’s Villa E-1027. The initiative in Europe was taken by five house museums: Sonneveld House, Haus Ungers, Villa Stenersen, Villa Tugendhat en het Van Schijndel House, followed in 2018 by Villa Müller.
ICONIC HOUSES Lectures in the US and Canada
After the successful tours in Europe, Iconic Houses is launching its first Iconic Houses Lecture Tour to three venues in the US and Canada in February 2020, with Pavel Kuznetsov’s lecture on the Melnikov House. All previous lectures can be found as video on the Iconic Houses website:
Lecture Itinerary 2019
Monday 7 October - Villa Stenersen in Oslo, Norway
Tuesday 8 October - Haus Ungers, UAA at the Baukunstarchiv NRW in Dortmund, Germany
Wednesday 9 October - Haus Ungers, UAA at the Wallraf-Richartz-Museum in Cologne, Germany
Thursday 10 October - Sonneveld House at Het Nieuwe Instituut in Rotterdam, The Netherlands
Monday 14 October - Villa Müller at Documentation Centre Norbertov in Prague, Czech Republic
Tuesday 15 October - Villa Tugendhat in Brno, Czech Republic
Svimlefiml presenterer statens kunstakademi avgangsutstilling 2009 Stenersenmuseet
Svimlefiml presentere statens kunstakademi avgangsutstilling 2009 Stenersenmuseet
The Kon-Tiki Museum redesigned by Kaels Making Space
Sturm und Drang @ Café Stenersen
concert
Munch Museet (Court of Abundance Mix)
Provided to YouTube by The Orchard Enterprises
Munch Museet (Court of Abundance Mix) · Hungry Ghost
Sugar Skulls
℗ 1995 Tone Casualties
Released on: 1995-01-01
Auto-generated by YouTube.
The Tramway Boy
A poor boy in a tram in Riga suddenly watches the camera in a small mirror – Exhibited at Stenersen Museum – Oslo 2012
Amaldus Clarin Nielsen (1838-1932) A collection of paintings 4K Ultra HD
Amaldus Clarin Nielsen (1838-1932) was a Norwegian painter.
He was born in Halse as a son of ship-master and merchant Niels Clemetsen Nielsen (1795–1845) and his wife Andrea Marie Møller (1802–1866).
He grew up in Mandal in Vest-Agder county, Norway. He lived most of his childhood and adolescence without a father. He received some tuition from a traveling drawing teacher and traveled to Copenhagen to study in 1854.
After one year of painting studies in Copenhagen, he enrolled at the Academy of Art in 1855. He failed to progress in the academy's system, but with financial support from his brother and business owner Diderik Cappelen (1856–1935), he studied under Hans Gude at the Düsseldorf Academy from 1857 to 1859.
He spent the years 1859 to 1863 travelling over Western and Southern Norway, and spent 1863 to 1864 in Düsseldorf again. He is associated with the Düsseldorf school of painting. He then travelled home due to illness, moved to Christiania where he sealed a deal to make paintings that the Christiania Kunstforening would sell at auctions, securing a steady income. He spent the years 1867 to 1868 in Karlsruhe before finally settling at Majorstuen in 1869.
He painted in the naturalist style, and has been called Norway's first naturalist painter. Important paintings include Hvalørhei (1874), Skovbillede (1896), Morgen ved Ny-Hellesund (1885, one of several from Ny-Hellesund), Ensomt sted (1901), Fra Bankefjorden (1910) and Kveld på Jæren (1925) Most of his paintings portrayed Western and Southern Norway, but also Østfold.
He participated almost annually in the Autumn Exhibit between 1883 and 1911, and held notable exhibitions in Christiania Kunstforening (1895, 1906, 1924, 1931), at the 1862 International Exhibition, the Exposition Universelle of 1889 and in Munich in 1913.
Eleven of his works are owned by the National Museum of Art, Architecture and Design. He is also represented in Mandal Kunstforening and Mandal Bymuseum, but is perhaps best known for the collection of about 300 works which was donated to Oslo municipality by Nielsen's heirs in 1933.
Since 1994 this collection is on permanent exhibit in the Stenersen Museum. Nielsen was also decorated as a Knight, First Class of the Royal Norwegian Order of St. Olav in 1890. The square Amaldus Nielsens plass, which includes a bust of Nielsen, was named after him.
In October 1868 in Christiania he married Johanne Nicoline Augusta Vangensteen, born 1845 as a daughter of district stipendiary magistrate Ove Bodvar Hussein Vangensteen (1806–1859).
The couple had eleven children. Both his wife and three children died in March 1886 from a diphtheria epidemic. After a period of grief, he married Laura Tandberg (1857–1928) in February 1888 in Risør. Nielsen died in December 1932, aged 94, from pneumonia.
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