iznik Gezisi
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Walk from Spice Bazaar to the Rüstem Pasha Mosque
The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Damat Rüstem Pasha (husband of one of the daughters of Suleiman the Magnificent, Princess Mihrimah). Its building took place from 1561 to 1563.
The Rüstem Pasha Mosque is famous for its large quantities of exquisite İznik tiles, set in a very wide variety of beautiful floral and geometric designs, which cover not only the façade of the porch but also the mihrab, minbar, walls, columns and on the façade of the porch outside. These tiles exhibit the use of a tomato-red color characteristic of the early Iznik period (1555--1620), and no other mosque in Istanbul makes such a lavish use of these tiles.
Sinan, Rüstem Pasha Mosque
Mimar Sinan, Rüstem Pasha Mosque, Istanbul, 1561-63. Speakers: Dr. Elizabeth Macaulay-Lewis and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.
Who Is Ottoman Grand Vizier Rustem Pasha
Rüstem Pasha Opuković Ottoman Turkish: رستم پاشا; . 1500 – 10 July 1561) was an Ottoman Croatian statesman. He served as the grand vizier of sultan Suleiman the Magnificent. Rüstem Pasha is also known as Damat Rüstem Pasha (the epithet damat meaning son-in-law to the Ottoman dynasty) because of his marriage to one of the sultan's daughters.
Of Croatian descent, Rüstem Pasha's birthplace was Skradin, a town today located in Croatia. He was taken as a child to Istanbul, where he built a military and bureaucracy career. On 26 November 1539, he married Mihrimah Sultan, the only daughter of Suleiman the Magnificent. Rüstem Pasha held the title Grand Vizier twice, first from 1544–1553 and second from 1555–1561, until his death.
As Grand Vizier, he collected vast wealth. He spent a chunk of his wealth raising public buildings, mosques, and charitable foundations. At the time of his death in Constantinople on 10 July 1561, his personal property included 815 lands in Rumelia and Anatolia, 476 mills, 1700 slaves, 2,900 war horses, 1,106 camels, 800 Qur'ans, etc.
The Rüstem Pasha Mosque (Turkish: Rüstem Paşa Camii) is an Ottoman mosque located in Hasırcılar Çarşısı (Strawmat Weavers Market) in Fatih, Turkey, which was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Rüstem Pasha. It was built between 1561 and 1563.
Children
Together with Mihrimah Sultan, he had three children; one daughter and two sons:
Ayşe Hümaşah Hanımsultan
Sultanzade Osman Bey
Sultanzade Mehmed Bey
Popular culture
In the acclaimed Turkish television series Muhteşem Yüzyıl, he is portrayed by actor Ozan Güven.
ORHAN GHAZI - 2. SULTAN (OTTOMAN SULTANS)
The 2nd Sultan of the Ottoman Empire. It enabled the state to grow. It gave great struggle and war. He passed from Anatolia to Europe.
The Life Of Hurrem Sultan - Roxelana - Anastasia
Hürrem Sultan according to later traditions either Alexandra Lisowska or Anastasia was the legal wife and haseki sultan of Suleiman the Magnificent and the mother of Şehzade Mehmed, Mihrimah Sultan, Şehzade Abdullah, Sultan Selim II, Şehzade Bayezid and Şehzade Cihangir of the Ottoman Empire. She was one of the most powerful women in Ottoman history and a prominent figure during the era known as the Sultanate of Women. She achieved power and influenced the politics of the Ottoman Empire through her husband and played an active role in state affairs of the Empire.
According to late 16th-century and early 17th-century sources, such as the Polish poet Samuel Twardowski, who researched the subject in Turkey, Hürrem was seemingly born to a father who was an Ukrainian Orthodox priest. She was born in the town of Rohatyń, 68 km southeast of Lviv, a major city of the Ruthenian Voivodeship in the Crown of the Kingdom of Poland (today in Western Ukraine). In the 1520s, she was captured by Crimean Tatars during one of their frequent raids into this region and taken as a slave, probably first to the Crimean city of Kaffa, a major centre of the slave trade, then to Istanbul, and was selected for Suleiman's harem
She quickly came to the attention of her master, and attracted the jealousy of her rivals. She soon proved to be Suleiman's favorite consort or Haseki Sultan. Hürrem's influence over the Sultan soon became legendary. She was to bear six of Suleiman's fourteen children and in an astonishing break with tradition, she was eventually freed. Breaking with two centuries of Ottoman tradition, a former concubine had thus become the legal wife of the Sultan, much to the astonishment of observers in the palace and the city. It made Suleiman the first Ottoman emperor to have a wed wife since Orhan Gazi and strengthened Hürrem's position in the palace and eventually led to one of her sons, Selim, inheriting the empire.
In the Constantinople harem, Hürrem Sultan was a very influential rival for Mahidevran Sultan. Hürrem gave birth to her first son Mehmed in 1521 (who died in 1543) and then four other sons including Selim (future Sultan Selim II) in 1524, destroying Mahidevran's status of being the mother of the sultan's only son. The rivalry between the two women was partially suppressed by Ayşe Hafsa Sultan, Suleiman's mother, but after her death in 1534, as a result of the bitter rivalry a fight between the two women broke out, with Mahidevran beating Hürrem. This angered Suleiman, who subsequently sent Mahidevran to live with her son, Şehzade Mustafa, in the provincial capital of Manisa. This exile was shown officially as the traditional training of heir apparents, Sanjak Beyliği. Many years later, towards the end of Suleiman's long reign, the rivalry between his sons became evident. Furthermore, both Hürrem Sultan and the grand vizier Rüstem Pasha (Hürrem's son-in-law) turned him against Mustafa and Mustafa was accused of causing unrest. During the campaign against Safavid Persia in 1553, because of a fear of rebellion, Sultan Suleiman ordered the execution of Mustafa. After the death of Mustafa, Mahidevran Gülbahar lost her state in the palace (as being the mother of the heir apparent) and moved to Bursa.
Suleiman also allowed Hürrem Sultan to remain with him at court for the rest of her life, breaking another tradition—that when imperial heirs came of age, they would be sent along with the imperial concubine who bore them to govern remote provinces of the Empire, never to return unless their progeny succeeded to the throne (Sanjak Beyliği Hürrem also acted as Suleiman's advisor on matters of state, and seems to have had an influence upon foreign affairs and international politics. Two of her letters to King Sigismund II Augustus of Poland have been preserved, and during her lifetime, the Ottoman Empire generally had peaceful relations with the Polish state within a Polish--Ottoman alliance.
Aside from her political concerns, Hürrem engaged in several major works of public buildings, from Mecca to Jerusalem, perhaps modeling her charitable foundations in part after the caliph Harun al-Rashid's consort Zubaida. Among her first foundations were a mosque, two Koranic schools (madrassa), a fountain, and a women's hospital near the women's slave market (Avret Pazary) in Constantinople. She commissioned a bath, the Haseki Hürrem Sultan Hamamı, to serve the community of worshippers in the nearby Hagia Sophia. In Jerusalem she established in 1552 the Haseki Sultan Imaret, a public soup kitchen to feed the poor and the needy.
Hürrem Sultan died on 18 April 1558 and was buried in a domed mausoleum (türbe) decorated in exquisite Iznik tiles depicting the garden of paradise, perhaps in homage to her smiling and joyful nature. Her mausoleum is adjacent to Suleiman's, a separate and more somber domed structure, at the Süleymaniye Mosque.
Blue Mosque.flv
It is located in front of the Hagia Sophia, in the Eminönü district of Istanbul. The architect of the complex is Sedefkar Mehmed Aga, who was appointed the head architect after Sinan the Architect's death. The Sultan Ahmed Complex is one of the greatest complexes in Istanbul. Construction began with a big ceremony in 1609, and it was completed in 1616. The building is more familiarly known as the Blue Mosque because of its magnificent interior paneling of more than 20,000 blue and white Iznik tiles which include floral motifs. According to Evliya Celebi, the famous 17th centruy Ottoman traveler and writer, seven palaces were pulled down for this monumental structure. Being one of the last samples of the Classical Ottoman architectural heritage adds a different value to the complex.
Blue Mosque - The Mosque Made By Sultan Ahmed I In Muhtesem Yuzyil Kosem
The Sultan Ahmed Mosque or Sultan Ahmet Mosque (Turkish: Sultan Ahmet Camii) is a historic mosque in Istanbul, Turkey. The mosque is popularly known as the Blue Mosque for the blue tiles adorning the walls of its interior.
It was built from 1609 to 1616, during the rule of Ahmed I. Its Külliye contains a tomb of the founder, a madrasah and a hospice. The Sultan Ahmed Mosque is still popularly used as a mosque.
Sultan Ahmet I, decided to build a large mosque in Istanbul to reassert Ottoman power. It would be the first imperial mosque for more than forty years. While his predecessors had paid for their mosques with their spoil of war, Ahmet the First had to remove the funds of the Treasury, because he had not gained remarkable victories.
It caused the anger of the ulema, the Muslim jurists. The mosque was built on the site of the palace of the Byzantine emperors, in front of the basilica Ayasofya (at that time, the primary imperial mosque in Istanbul) and the hippodrome, a site of significant symbolic meaning as it dominated the city skyline from the south. Big parts of the south shore of the mosque rest on the foundations, the vaults of the old Grand Palace
The Sultan Ahmed Mosque has five main domes, six point three minarets, and eight secondary domes. The design is the culmination of two centuries of Ottoman mosque development. It incorporates some Byzantine Christian elements of the neighboring Hagia Sophia with traditional Islamic architecture and is considered to be the last great mosque of the classical period. The architect, Sedefkâr Mehmed Ağa, synthesized the ideas of his master Sinan, aiming for overwhelming size, majesty and splendour
At its lower levels and at every pier, the interior of the mosque is lined with more than 20,000 handmade İznik style ceramic tiles, made at Iznik (the ancient Nicaea) in more than fifty different tulip designs. The tiles at lower levels are traditional in design, while at gallery level their design becomes flamboyant with representations of flowers, fruit and cypresses. The tiles were made under the supervision of the Iznik master. The price to be paid for each tile was fixed by the sultan's decree, while tile prices in general increased over time. As a result, the quality of the tiles used in the building decreased gradually.
The upper levels of the interior are dominated by blue paint. More than 200 stained glass windows with intricate designs admit natural light, today assisted by chandeliers. On the chandeliers, ostrich eggs are found that were meant to avoid cobwebs inside the mosque by repelling spiders. The decorations include verses from the Qur'an, many of them made by Seyyid Kasim Gubari, regarded as the greatest calligrapher of his time. The floors are covered with carpets, which are donated by the faithful and are regularly replaced as they wear out. The many spacious windows confer a spacious impression. The casements at floor level are decorated with opus sectile. Each exedra has five windows, some of which are blind. Each semi-dome has 14 windows and the central dome 28 (four of which are blind). The coloured glass for the windows was a gift of the Signoria of Venice to the sultan. Most of these coloured windows have by now been replaced by modern versions with little or no artistic merit.
The Life Of Kara Ahmed Pasha
Kara Ahmed Pasha (executed 29 September 1555) was an Ottoman statesman of Albanian origin. He was Grand Vizier of the Ottoman Empire between 1553 and 1555.
He led the Ottoman troops that captured the Hungarian fortress of Temesvár, defended by the troop of István Losonczy, on 26 July 1552.
After Sultan Suleiman executed his eldest son Şehzade Mustafa in October 1553, there appeared some sort of dissatisfaction and unrest among soldiers who blamed Rüstem Pasha for Mustfa's death. Then Suleiman dimissed Rüstem Pasha and appointed Kara Ahmed Pasha as his grand vizier in October 1553. But almost two years later, Kara Ahmed Pasha became the victim of vicious calumnies brought against him by Hürrem Sultan (Roxelana, Suleiman's wife) who wanted her son-in-law, Rüstem Pasha, to become the grand vizier again. Kara Ahmed Pasha was strangled in September 1555, and Rüstem Pasha became the grand vizier once more.
Edirne Camileri / Kısa Belgesel
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Rekabet artık çok yoğun. Kimlerin galip çıktığı konusunda yapılan son araştırmalar ise bize “reklam ve pazarlama faaliyetlerini ısrarla ve yeni stratejilerle sürdürenler” şirketleri işaret ediyor. “Film yapma ve sosyal medyada etkin olma” adımı, markanıza kısa ve uzun vadede olumlu geri dönüş sağlayacak çok önemli bir ataktır.
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Istanbul is famous for its Mosques and Ottoman architecture. As the capital of the Ottoman Empire since 1453 and the largest city in Turkey, Istanbul is home to over 3000 mosques. This makes it overwhelming to decide which ones to visit, but here are 7 of the most important mosques to see based on their architectural character and historical context.
Ottoman Architecture in Istanbul
1. Sultanahmet (The Blue Mosque)
This 17th century mosque, facing Hagia Sophia, is famous for its beautiful blue tile work ornamenting its interior walls. Its six slim minarets distinguish it from other mosques, which normally have two or four minarets.
It was built from 1609 to 1616, during the rule of Ahmed I. Like many other mosques, it also houses the tomb of the founder, a madrasah and a hospice. While still used as a mosque, Sultanahmet is one of the most popular, and important, tourist attractions in Istanbul.
Sultanahmet is considered to be the last great mosque of the Ottoman classical period, as it is the culmination of two centuries of both Ottoman mosque and Byzantine church development. It incorporates some Byzantine elements of Hagia Sophia along with traditional Islamic architecture.
Ottoman Architecture in Istanbul
2. Süleymaniye (the Magnificent)
The Süleymaniye Mosque is the second largest mosque in the city, and one of the best-known sights of Istanbul.
This outstanding mosque was built in the 16th century by the famous Ottoman architect Mimar Sinan for Sultan Süleyman the Magnificient. It combines tall, slender minarets (typical of Ottoman architecture) with large domed buildings supported by half domes in the style of the Byzantine church Hagia Sophia (which the Ottomans converted into the mosque of Aya Sofya).
The design also plays on Süleyman’s ‘second Solomon’ ego, as it references the Dome of the Rock, which was built on the site of the Temple of Solomon. The courtyard is of exceptional grandeur with a colonnaded peristyle.
The tombs of the Sultan, his wife Hürrem, and Mimar Sinan are found within its compounds. It is the largest mosque in Istanbul with four minarets (but not the largest overall).
Ottoman Architecture in Istanbul
3. Yeni Cami (New Mosque)
This mosque was ordered by Safiye Sultan, who was the wife of Sultan Murad III. Construction began in 1597, but due to political troubles construction stopped halfway. The partially constructed structure fell into ruins and was largely destroyed by a fire in 1660. Later that year, the imperial architect Mustafa Ağa suggested that Valide Turhan Hadice, mother of Sultan Mehmet IV, should complete the project as a work of piety. The mosque was finally finished in 1663. Today it is one of the most well-known mosques in the city.
The interior of the mosque has great examples of Ottoman tile work, known as İznik tiles (blue tiles that bear the name of the town from where they are made) – but, the best samples of İznik tiles can be seen in Rüstem Pasha.
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A Different Adventure In Anatolian Cities
The adventures that our crew goes through while visiting the most spectacular locations in a city within five salah times do more than put a smile on the audience’s faces.
A host who is keen on preserving the cliched acts of the usual traveling programs in front of the camera. And a strict, authoritative director trying to put together an appropriate program… Together, they journey through Anatolian cities and time their visits according to salah times, exchange friendly banter, learn about the local area and provide valuable information at the same time.