This brief history of Chinese Embroidery art will make you know more about Chinese Embroidery
This video has English voice.
北京邵曉琤織繡研究院製作 By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
中國刺繡簡史，成熟A Brief History of Chinese Embroidery, Maturity；刺繡材料說明，Embroidery Materials
中國刺繡簡史，成熟A Brief History of Chinese Embroidery, Maturity；刺繡材料說明，Embroidery Materials
04:13 開始是刺繡材料說明
From 04:13 is the description for Embroidery Materials
北京邵曉琤織繡研究院製作
By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
My Trip to China - Day 6 Part 2 - Power Struggle
Day 6 Part 2 Synopsis:
We continue our trip to the Suzhou Embroidery Research Institute to have a look at their silk embroidery, and then later on we travel all the way to our Hotel, the Pan Pacific Suzhou.
Our tour guide continues her story about the history of china and how conflicted China's past has been.
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中國刺繡史，鼎盛A Brief History of Chinese Embroidery, The Prime Period；應用技巧，Basic Techniques
中國刺繡簡史，鼎盛A Brief History of Chinese Embroidery, The Prime Period；刺繡工具材料應用技巧，Basic Techniques for Application
03:29 開始是刺繡工具材料應用技巧說明
From 03:29 is the description for Embroidery Basic Techniques for Application
北京邵曉琤織繡研究院製作
By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
中國刺繡簡史，成形A Brief History of Chinese Embroidery, Taking Form；刺繡工具說明，Tools of Embroidery
中國刺繡簡史，成形A Brief History of Chinese Embroidery, Taking Form；刺繡工具說明，Tools of Embroidery
05:37 開始是刺繡工具說明
From 05:37 is the description for Tools of Embroidery
北京邵曉琤織繡研究院製作
By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
中國刺繡簡史，元明時期A Brief History of Chinese Embroidery, the Yuan and Ming Dynasty；中國刺繡針法，Running Stitch
中國刺繡簡史，元明時期A Brief History of Chinese Embroidery, the Yuan and Ming Dynasty；中國刺繡針法——缝衍针，Chinese Embroidery Needlework——Running Stitch
04:01 開始是中國刺繡針法，縫衍針
From 04:01 is the description for Chinese Embroidery Needlework——Running Stitch
北京邵曉琤織繡研究院製作
By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
Chinese embroidery for plum blossom 中国刺绣梅花
Chinese embroidery for plum blossom
中国刺绣梅花
北京邵曉琤織繡研究院製作
By Shao Xiaocheng Embroidery Research Institute in Beijing
shanlinarts.com
Chinese expert revives ancient weaving techniques
Wang Yarong, special research fellow at the Institute of Archaeology of the Chinese Academy of Social Sciences, is specialized in repairing ancient silk. She has put a lot of effort into the restoration of ancient silks and the revival of ancient Chinese weaving techniques.
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中國刺繡簡史，清代A Brief History of Chinese Embroidery, the Qing Dynasty
中國刺繡簡史，清代——百花齊放A Brief History of Chinese Embroidery, the Qing Dynasty, a Hundred Flowers in Blossom
北京邵曉琤織繡研究院製作 By Shao Xiaocheng Embroidery Research Institute in Beijing shanlinarts.com
Yunjin Brocade Mater: Zhou Shuangxi (full program)
Yunjin Brocade Master features Master Zhou Shuangxi, the “Heir to Yunjin Brocade”. Master Zhou explains how the ancient art form has been preserved and passed down from generation to generation. Yunjin Brocade was once only fit for a Chinese emperor, weaved with fine silks and threads made from peacock feathers and real gold. Today, Yunjin Brocade is on UNESCO’s Intangible Cultural Heritage List and continues to be preserved, cherished, and modernized by the Nanjing Brocade Research Institute in Nanjing, China.
The attention to detail and time consuming processes to make a Yunjin Brocade garment is a collaborative effort. The reproduction of ancient designs and the creation of new ones are all done by hand, from the making of the silk, gold and peacock threads to the knotting and weaving process. The weaver’s hands are the last to touch the creation. One slip up will ruin a garment worth thousands of dollars. How does Master Zhou and other Yunjin Brocade weavers do it? Watch and see!
Pho Noi B Textile and Garment Industrial Park
OVER VIEW OF PHONOI TEXTILE INDUSTRIAL PARK
Pho Noi industrial park is developed by Pho Noi Textile and Garment Infrastructure Development Joint Stock Company with 119,51 hectares of total area, located in Yen My district, My Hao district, Hung Yen province,Vietnam. This is a priority plan of Vietnamese National Textile and Garment Group (VINATEX) to construct a centralized industrial park for Textile & Garment company as well as supporting industries.
The development of IP has been divided in to 2 phases :
- The first phase of 25.17 hectares has been completed in 2005 which has been fully occupied by Textiles and Dying famous companies such as Coats -- UK, Hung Yen Knitting and Dying Company -- Italy and big local companies. The Waste Water Treatment is also completed with the capacity of 15,000 cubic meter per day -- the unique license at the present by the Government granted to IP in terms of size and type of water waste.
- The second phase (94,34 hectares) has been under the completion of its infrastructures with 71,7 hectares for leasing. Besides, 6.56 hectare- residential area is going to be constructed which can meet the demands of 10.000 workers. In addition, companies entering the IP will be supported to accomplish the investment procedure, the recruitment of local workers...as well as got all the incentives followed the current law of the Socialist Republic of Vietnam and Hung Yen province.
Contact details:
Address: Pho Noi Textile and Garment Industrial Park, Yen My district, Hung Yen province
Tel: 0321-3972520/3972501 Hotline: 01237047777
Website:
Email: vinatexid@vinatexid.com.vn
Guangzhou
Guangzhou, known historically as Canton or, less commonly as Kwangchow, is the capital and largest city of Guangdong province, People's Republic of China. Located on the Pearl River, about 120 km (75 mi) north-northwest of Hong Kong and north-northeast of Macau, Guangzhou is a key national transportation hub and trading port. One of the five National Central Cities, it holds sub-provincial administrative status.
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Yunjin Brocade Master Zhou Shuangxi TRAILER (HD)
Yunjin Brocade Master is a 30-minute HD documentary that features Master Zhou Shuangxi, the Heir to Yunjin Brocade. Master Zhou explains how the ancient art form has been preserved and passed down from generation to generation. Yunjin Brocade was once only fit for a Chinese emperor, weaved with fine silks and threads made from peacock feathers and real gold. Today, Yunjin Brocade is on UNESCO's Intangible Cultural Heritage List and continues to be preserved, cherished, and modernized by the Nanjing Brocade Research Institute in Nanjing, China. The attention to detail and time consuming processes to make a Yunjin Brocade garment is a collaborative effort. The reproduction of ancient designs and the creation of new ones are all done by hand, from the making of the silk, gold and peacock threads to the knotting and weaving process. The weaver's hands are the last to touch the creation. One slip up will ruin a garment worth thousands of dollars. How does Master Zhou and other Yunjin Brocade weavers do it? Watch and see!
The Chinese Virtuoso: Celebrating the Aesthetic of Extremes
Speaker: Charles Riley
Virtuosity is an art of extremes, of playing an instrument or wielding a brush at the breathtaking limit of technical power. In this multimedia exploration of the topic of the virtuoso in art, literature and music, Dr. Charles A. Riley II, the author of a dozen books on the arts, examines the issue of whether the culture of the virtuoso is compatible with Chinese culture. In addition to a consideration of masters if calligraphy, particularly Mi Fei, and painting, specifically Zhang Da Qian, Dr. Riley will consider the role of virtuosity in music with reference to Yo Yo Ma and others. The lecture will be accompanied by slides, music and videos.
Fashion Culture | Paris Fashion: A Cultural History
On October 17, 2017, Dr. Valerie Steele, director of The Museum at FIT, presented an in-depth look at the new edition of her book, Paris Fashion: A Cultural History. First published in 1988, this revised and expanded work explores the reasons Paris is considered the capital of fashion.
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Guangzhou
Guangzhou (Chinese: 广州, literally wide state) (former common romanisation: Canton; less-commonly known as Kwangchow) is the capital and largest city of Guangdong province, People's Republic of China. Located on the Pearl River, about 120 km (75 mi) north-northwest of Hong Kong and north-northeast of Macau, Guangzhou is a key national transportation hub and trading port. One of the five National Central Cities, it holds sub-provincial administrative status.
Guangzhou is the third largest Chinese city and southern China's largest city. As of the 2010 census, the city's administrative area had a population of 12.78 million, making itself the most populous city in South China. Some estimates place the population of the entire Pearl River Delta Mega City built up area as high as 40 million including Shenzhen (10.36 million), Dongguan (8.22 million) and most parts of Foshan (7.19 million), Jiangmen (4.45 million), Zhongshan (3.12 million) and a small part of Huizhou adjoining Dongguan and Shenzhen, with an area of about 20,000 square kilometres (7,700 sq mi). In 2008 Guangzhou was identified as a Beta World City by the global city index produced by the GaWC, the Globalization and World Cities Research Network.
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Nicholas Jose - Reflections on Contemporary Chinese Art
In this talk, Nicholas Jose reflects on the transformation of art in China across the last 30 years. In parallel with the political and social changes that saw China become a global economic powerhouse, a new kind of art emerged, mixing self-reflection, celebration and critique. In the same period the profile of Chinese art transformed internationally too—nowhere more so than in Australia.
The conversation explores this phenomenon from the perspective of someone who was closely involved from the beginning, including through the key year, 1989.
The question now is: has contemporary Chinese art come full circle, returning home for recognition and support? From an Australian perspective, what is the legacy? How do earlier artistic flows between Australia and China, in the work of Ian Fairweather or Fred Williams, for example, connect with more recent developments, such as Yang Zhichao’s Chinese Bible at the Art Gallery of Western Australia or the Unworldly Encounters collaboration at the Australian Experimental Art Foundation, Adelaide, both last year, or the continuing success of Sydney’s White Rabbit Gallery? What new kinds of curatorship and research are required to keep the dialogue alive?
Introduction by Dr Janice Lally, Curator of Public Programs.
Presented by the UWA Cultural Precinct in partnership with the Institute of Advanced Studies.
This talk took place on 4th April 2017 1pm at the Lawrence Wilson Art Gallery.
Special thanks to Art Gallery of New South Wales for use of the artwork 'Chinese Bible'.
Yang Zhichao, Chinese Bible (detail), 2009, 3000 found books, installation dimensions variable, Art Gallery of New South Wales, Gift of Gene and Brian Sherman 2015. Donated through the Australian Government's Cultural Gifts Program, © Yang Zhichao, Photo: Jenni Carter, AGNSW
'Talking Allowed' is a new series of presentations offered by the UWA Institute of Advanced Studies in partnership with the UWA Cultural Precinct. On the second Tuesday of every month, a UWA academic will give a short presentation on a topic of current relevance to the arts and culture before inviting the audience to participate in discussion and debate.
Talking Allowed Series:
Lawrence Wilson Art Gallery:
Following Threads: From China to India (without getting stuck on the knots)
Presenter: Ann Salmonson
Nerd Nite Edmonton #9
Nov 28 2013
Research grant in hand, days before purchasing my flight to China, and possessed by a fervent love of Qing Dynasty robes and their opulent embroidery; I lose all signs of the master embroiderer I hoped to find. A timely e-mail, a steadfast friend, and the illogical results of a Google search send me off on an adventure of unimaginable scope. From the politics of China's traditional Han embroidery to spending time teaching sewing to refugee Tibetan Nuns finding solace in India; sidestepping the roadblocks and searching for answers, I continue on to find, among other things, that the Dalai Lama's Tailor is a really nice guy.
Bio: As well as being a fourth year Human Ecology student, Ann is the cutter and tailor for the University of Alberta's Drama Department. Her love of textiles and clothing includes perspectives ranging from practical, historical, cultural, social, environmental, economic and technological. Her passion for Chinese textile and embroidery traditions developed over a summer of studying with the MacTaggart Art Collection. Ann is on the board of the University of Alberta's Fashion Culture Network and a member of the Edmonton Needlecraft Guild. In 2012, she was the recipient of a Timms Theatre Innovation Fund grant to explore CAD pattern drafting, 3D body scanning and the use of avatars in costume and pattern development in a theatre wardrobe setting.
Fuyao Glass Gift Announcement at the University of Dayton
At the University of Dayton, we have always graduated students who combine competence with character and community-building skills. Yet graduates also need an international perspective to compete in today’s job market. We are poised to provide the world with graduates who can excel in their professions and collaborate in the workplace — locally and globally.
Fuyao Glass America Inc. believes in that philosophy, too. Fuyao is the largest Chinese investor in Ohio, the largest Chinese auto parts enterprise in the U.S. — and our newest global partner.
In January 2015, as we were launching our first semester-long program at the University of Dayton China Institute in Suzhou Industrial Park, the company made a generous $7 million gift to support this stand-alone center in the heart of one of the fastest-growing innovation parks in the world.
Image credits:
SuXiu Rd 苏绣路 (5521601551) by kevinmcgill from Den Bosch, Netherlands - SuXiu Rd 苏绣路. Licensed under CC BY-SA 2.0 via Wikimedia Commons -
Suzhou Industrial Park (SIP) - West Bank of Jin Ji Lake by Donaldytong - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons -
2014 HS Chinese Speech Contest: Intermediate Level 1st Place (Emily Cipriani)
Emily Cipriani of Columbus Academy won first place in the intermediate category of the 9th Annual Chinese Bridge US High School Student Chinese Speech Contest sponsored by the Confucius Institute at UMass Boston. She competed with 21 other finalists on March 8, 2014 with her speech My Journey with Chinese. To learn more about the Confucius Institute, visit:
The transcript for Emily Cipriani’s full speech is below. (Note: Only some of the speech is shown in this video.)
Hello. My name is Xu Songlin. The topic of the speech I am going to present today is My Journey with Chinese.
I was first introduced to Chinese culture at eight years old, when I become friends with a young Chinese girl. When I visited her house one day, she handed me a pair of embroidered slippers and said, “We wear slippers inside.” We were about to eat some homemade dumplings, when she handed me a pair of chopsticks and said, “Eat up!” I fumbled with them for a minute before spearing a dumpling. Her family all laughed. This experience with Chinese culture made me feel both excited and also a bit embarrassed. Everything about this environment felt strange to me. This was my first time feeling like a foreigner.
Since a young age, I have loved acting. In some ways, acting and foreign languages are similar. In acting, you use words in a script to express a character in a way others can understand. When you speak a different language, you use unfamiliar words to express yourself to others. But often I felt like I could not express myself. In class, I felt foreign. This wasn't because of all the Chinese decorations in the classroom, because we learned about Chinese courtyards, the four major cuisines, or Gordon stork magpie floor, but because I constantly felt like I was saying and doing everything wrong, and I often felt embarrassed. Every day in class we bowed to the teacher, and we were expected to hand in our homework using both hands. We also had to speak much more politely to each other--saying things like sorry to bother you, don't worry, I'm not as good as you, and so on. Those are all not American customs, and these cultural differences made me not to do or say anything in class for fear I might accidentally offend someone.
During spring break last year, I had the opportunity to travel to China with a few classmates for ten days. When on China my feelings of being a foreigner intensified. In a restaurant, a waiter asked me if I'd like some mineral water, but I already had ordered tea. I carelessly blurted out no when I should have said, no, thank you.
I visited a sister school in Hefei. In a music club, the students handed me a microphone and wanted me to sing. I didn’t know that karaoke was so popular in China, so I froze for a second and finally sang a Chinese song I had learned in the past. Lack of understanding of Chinese students’ hobbies made me feel a little depressed.
A few days later, we went to tour the Grand Canal in Suzhou, on our way to the boat, I saw a father blowing bubbles, his daughter laughed and jumped to catch a bubble. I saw a mother coaxing her baby to sleep. I also saw a man happily playing and petting a small dog.
The scene of the cute puppy, the chubby baby, the laughter, and family touched my heart. In that moment, I forgot how depressed I felt, I forgot I was foreigner. In that moment, I crossed the threshold of cultural differences to see a bigger stage show in front of me.
Thank you!