BBC Radio Scotland − Jehovah's Witnesses permissive to child sex abuse, JW.org repeatedly on media.
Full program (3hr) BBC Radio Scotland 20 11 2017 ◄≡≡≡► Broadcast Monday, 20 November 2017
Mentioned throughout 0,46 - 4,14 - 32,58 - 1;00,10 - 1;03,00 - 1;19,00 - 1;32,43 and at 2;47,56
BBC Radio Scotland, ― Full programme. ― Jehovah's Witnesses obviously are permissive to child sexual abuse and this JW.org paedophilia tolerance features repeatedly on the media, newspapers, local & national news and TV programs all week.
© BBC
© BBC Radio Scotland
#exJW #JehovahsWitnesses #Watchtower #JWorg
LaDainian Tomlinson Breaks Single-Season TD Record vs. Broncos (Week 14, 2006) | NFL Full Game
In honor of Free Game Friday the NFL presents LT's record breaking day!
14:58 - Philip Rivers finds Antonio Gates in the end zone for 12-yard TD pass
23:11 - Chargers score touchdown off ‘Bumerooski’ nifty trick play for Lorenzo Neal
25:24 - Broncos’ Tatum Bell explodes for 51-yards on rush
27:32 - Broncos’ Jason Elam scores 34-yard FG
31:14 - LaDainian Tomlinson scores TD on 1-yard rush
48:53 - Rivers lobs 7-yard TD pass to Antonio Gates
59:26 - Jay Cutler throws 28-yard TD pass to Tony Scheffler
1:00:32 - Chargers fumble on ensuing kickoff, recovered by Denver
1:03:40 - Jay Cutler finds Tony Scheffler for his 2nd TD of the game
1:18:42 - Jason Elam makes 33-yard FG to bring Broncos within 8 points
1:24:35 - Nate Kaeding makes 34-yard FG
1:29:43 - Chargers stop Broncos on 4th down
1:34:41 - Nate Kaeding makes 35-yard FG
1:38:00 - Chargers sack Jay Cutler on 4th down
1:42:53 - LaDainian Tomlinson ties the season Rush TD record
1:46:10 - Shawn Merman strip-sacks Jay Cutler and Chargers recover
1:49:54 - LaDainian Tomlinson sets season Rush TD record at 29 on the season
The Chargers late season blowout win over the Broncos helped them secure the top seed in the AFC conference and keep Denver out of the playoffs. LaDainian Tomlinson led the way for the Chargers, notching three touchdowns and 103 yards, which set the NFL single season touchdown record.
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Gordon Joseph Cummings
Interview with Gordon Joseph Cummings.
From the Cornell Memorial Statement:
Gordon Joseph Cummings was born in King Ferry, Cayuga County, New York, on April 30, 1919, the son of Peter and Ida Cummings. During Gordon's formative years, when life in the 1930s of the Great Depression was so difficult and opportunities were limited, Peter Cummings alternated jobs between farming and work in Ithaca; in these alternations, young Gordon attended schools in both locations. These early years in a small upstate community laid the groundwork for a theme that would run through Gordon's entire life, namely, a love for rural life and the small communities in the state.
The Cummings were Irish and Roman Catholic, and as such exposed to the underside of upstate New York in the 1920s and 1930s. Gordon told of the Ku Klux Klan dumping nails in the road in front of their farm. However, typical of Gordon, he told this straightforwardly, without bitterness, even with a twinkle in his eye.
Gordon graduated from King Ferry High School and immediately enrolled at Cornell University. His university education was interrupted by World War II, during which he was stationed in Okinawa and Japan. He was in Nagasaki, Japan just five days after the atomic bomb destroyed that city. As an agent of the Counter Intelligence Corps, he had close contact with the Japanese people and came to appreciate many aspects of the Japanese and other Southeast Asian cultures. After the war, he returned to Cornell to complete a Bachelor of Science degree in 1948, a Master of Science degree in 1950, and a Doctor of Philosophy degree in 1954. Immediately after completing his Ph.D. degree, he joined the Department of Rural Sociology in the College of Agriculture as an Assistant Professor with a predominant responsibility in Extension. The core subject of the more than 50 reports, articles, and papers he would write, dealt with Leadership in Rural Life, How to Identify Policies and Organization to Improve Community Life, and, near the end of his career, The Evaluation and Improvement of Health Care in Rural Areas. One of the many projects in which he participated and of which he was most proud was Operation Advance. This work on public policy and public decision-making was joined by Professors Clifford R. Harrington and Edward A. Lutz, and together they prepared discussion guides on topics such as Community Growth and Development, Education and the Future, Resources - Land, Water and People, The Changing Environment for Living, Work and Play, and Managing Community Growth. Related to these topics, among the courses he taught were those titled Small Towns, Sociology of Leadership, and Organization of Rural Health Care.
His projects were largely implemented through the auspices of the Cornell Cooperative Extension Service. He also served as Department Extension Leader for many years and, along with Professor Robert Polson, on the New York State Citizens Council Field Service Committee. In 1975, he spent his sabbatic leave with the New York State Health Department in Albany, helping to organize Comprehensive Health Planning and community mammogram centers for breast cancer screening. He also served as Chair of the Planning Committee of the Governor's Health Advisory Council.
Professionally, he was a member of the Rural Sociological Society, the Adult Education Association, and the Community Development Society .
His passion for the local community extended into his retirement years. He became Historian for the town of Genoa, and the village of King Ferry in Cayuga County, and was the first President of the Board of Directors of the Genoa Historical Association. Gordon was President of the Community Development Federation and on the Board of Directors of Blue Cross of Central New York.
After a long marriage he was predeceased by his wife, Jane Powers Cummings, and is survived by son Thomas (Beverly Ludke) of Pittsford, New York; son Gregory of Washington, D.C.; son Daniel (Danielle) of Syracuse, New York; daughter Molly (David Rose) of Rochester, New York; and four grandchildren. At his funeral Mass in King Ferry, they observed that the heart of his life concerned his family; their accounts of Life with Pop, were filled with love and affection, and, most of all, with respect. They also recognized that Gordon Cummings loved Cornell as an institution in its variety of activities, and especially its Cooperative Extension program in playing out its role as part of a Land-Grant University, as well as the various communities of people with whom he worked so closely.
Paul R. Eberts, Frank W. Young, Eugene C. Erickson
Gaming Dude | Tube Life S01 * E09 on Puša Studios
Its a miserable weather night in Montreal and I'm sure for lots of you in other parts as well so lets put our feet up and enjoy each other's company with some great chat. Cheers and see you then
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The Great Gildersleeve: Fire Engine Committee / Leila's Sister Visits / Income Tax
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Leroy's Paper Route / Marjorie's Girlfriend Visits / Hiccups
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.