Huntington Museum_Pinkie & Blue Boy
European Art
The European collection, consisting largely of 18th- and 19th-century British & French paintings, sculptures and decorative arts, is housed in The Huntington Art Gallery, the original Huntington residence. The permanent installation also includes selections from the Arabella D. Huntington Memorial Art Collection, which contains Italian and Northern Renaissance paintings and a spectacular collection of 18th-century French tapestries, porcelain, and furniture. Some of the best known works in the European collection include The Blue Boy by Thomas Gainsborough, Pinkie by Thomas Lawrence, and Madonna and Child by Rogier van der Weyden.
American Art
Complementing the European collections is the Huntington's American art holdings, a collection of paintings, prints, drawings, sculptures, and photographs dating from the 17th- to the mid-20th century. The institution did not begin collecting American art until 1979, when it received a gift of 50 paintings from the Virginia Steele Scott Foundation. Consequently, The Virginia Steele Scott Gallery of American Art was established in 1984. In 2009, the Virginia Steele Scott Galleries were expanded, refurbished, and reinstalled. The new showcase, a $1.6-million project designed to give the Huntington's growing American art collection more space and visibility, combines the original, 1984 American gallery with the Lois and Robert F. Erburu Gallery,a modern classical addition designed by Los Angeles architect Frederick Fisher.[4] Highlights among the American art collections include Breakfast in Bed by Mary Cassatt, The Long Leg by Edward Hopper,Small Crushed Campbell's Soup Can (Beef Noodle) by Andy Warhol, and Global Loft (Spread) by Robert Rauschenberg.
Acquisitions
In 1999, the Huntington acquired the collection of materials relating to Arts and Crafts artist and designer William Morris amassed by Sanford and Helen Berger, comprising stained glass, wallpaper, textiles, embroidery, drawings, ceramics, more than 2,000 books, original woodblock prints, and the complete archives of Morris's decorative arts firm Morris & Co. and its predecessor Morris, Marshall, Faulkner & Co.These materials formed the foundation for the 2002 exhibit William Morris: Creating the Useful and the Beautiful.
In 2005, actor Steve Martin gave $1 million to the Huntington to support exhibitions and acquisitions of American art, with three-quarters of the money to be spent on exhibitions and the rest on purchases of artworks.[6] In 2009, Andy Warhol's painting Small Crushed Campbell's Soup Can (Beef Noodle) (1962) as well as group of the artist's Brillo Boxes were donated by the estate of Robert Shapazian, the founding director of Gagosian Gallery in Beverly Hills.[7] In 2011, a $1.75-million acquisition fund for post-1945 American art was established by unidentified patrons in honor of the late Shapazian. The first purchase from the fund was Global Loft (Spread) (1979) by Robert Rauschenberg painting.[8]
In 2012, the museum acquired its first major work by an African-American artist when it purchased a 22-foot-long carved redwood panel from 1937 by sculptor Sargent Claude Johnson.
The Huntington Library
For qualified scholars, the Huntington Library is one of the largest and most complete research libraries in the United States in its fields of specialization.
The Library's collection of rare books, manuscripts, prints, photographs, maps, and other materials in the fields of British and American history and literature totals more than six million items. Only a tiny portion of this number is on display at any one time, divided between the Main Exhibition Hall and the smaller West Hall.
Among the items on permanent exhibit are the Ellesmere manuscript of Chaucer's Canterbury Tales, a copy of the Gutenberg Bible on vellum, the double-elephant folio edition of Audubon's Birds of America, and an unsurpassed collection of the early editions of Shakespeare's works.
The Library collections range in time period from the Middle Ages to the 21st century. The greatest concentration is in the English Renaissance, about 1500 to 1641; other strengths include medieval manuscripts, incunabula (books printed before 1501), maps, travel literature, British and American history and literature, the American Southwest, and the history of science, medicine and technology.
Every year more than 1,700 scholars come from all over the world to study these rare materials. The results of their work are published in books, journals, and textbooks for colleges and universities.