Best Attractions and Places to See in Tombstone, Arizona AZ
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List of Best Things to do in Tombstone, Arizona (AZ)
O.K. Corral
Bird Cage Theatre
Boothilll Graveyard
Allen Street
Good Enough Mine Tour
Tombstone Courthouse State Historic Park
Rose Tree Museum and Books
Gunfighter Hall of Fame
The Saloon Theatre
The Tombstone Epitaph
Top 9. Best Tourist Attractions in Tombstone - Arizona
Top 9. Best Tourist Attractions in Tombstone - Arizona: O.K. Corral, Bird Cage Theatre, Tombstone Courthouse State Historic Park, Boothilll Graveyard, Allen Street, The Tombstone Epitaph, Rose Tree Museum and Books, Gunfighter Hall of Fame, Fairbank
Tombstone Territory 3x6 The Horse Thief1959
Leonard Nimoy in Tombstone Territory 3x6 The Horse Thief1959
List 8 Tourist Attractions in Tombstone, Arizona | Travel to United States
Here, 8 Top Tourist Attractions in Tombstone, US State..
There's O.K. Corral, Bird Cage Theatre, Tombstone Courthouse State Historic Park, Allen Street, Boothilll Graveyard, Good Enough Mine Tour, The Tombstone Epitaph, Tombstone's Historama and more...
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TOMBSTONE HOME OF FAMOUS GUNFIGHTS LIKE GUNFIGHT AT THE OK CORRAL.
Tombstone is a city in Cochise County, Arizona, United States, founded in 1879 by Ed Schieffelin in what was then the Arizona Territory. Formerly a silver-mining boomtown and county seat, the town is most famous as the former home of a number of western gunfighters, and as the site of the Gunfight at the O.K. Corral. Its economy today is based on tourism. According to 2006 Census Bureau estimates, the population of the city was 1,569.
In the summer of 1877, prospector Ed Schieffelin was working the hills east of the San Pedro River when he struck a vein of silver ore in a high plateau called Goose Flats. While telling a soldier about his discovery, the soldier allegedly stated that the only rock Schieffelin was likely to collect in that dangerous area would be his own tombstone. Undeterred by the warning, Schieffelin filed his claim under the name The Tombstone.
The town of Tombstone was founded in 1879, taking its name from the mining claim, and soon became a boomtown. Fueled by mineral wealth, Tombstone was a city of 1,000 by early 1881, and within another year Tombstone had become the seat of the new (Cochise County), with a population between 5,000 and 15,000. It boasted such modern conveniences as refrigeration (including ice cream and even ice skating), running water, telegraph and limited telephone service, and a newspaper aptly named the Tombstone Epitaph. Capitalists and businessmen moved in from the eastern U.S. Mining was carried out by immigrants from Europe, chiefly Cornwall, Ireland and Germany. An extensive service industry (laundry, construction, restaurants, hotels, etc.) was provided by mainly Chinese and other immigrants.
Tombstone, Part 1
Tombstone, Arizona is a historic ghost town restored into shops, restaurants, museum, and a recreation of the infamous gunfight at the O.K. Corral.
TOMBSTONE TERRITORY - THE BLACK MARSHAL OF DEADWOOD
Starring Pat Conway and Richard Eastham
Season One, Episode Thirty-Seven
How much of the movie Tombstone was real?
New Update! Check out my interview with Chris Wimmer about Tombstone:
Wyatt Earp and his brothers, Virgil and Morgan. Doc Holliday. Johnny Ringo. Today they're legends of the wild west, but have you ever wondered how much of the movie Tombstone was accurate? In this audio podcast we'll compare history with Hollywood's version of the western classic.
Tombstone Symbolism
Local historian Abby Burnett discusses the meanings behind symbols found on tombstones in Arkansas cemeteries, mostly in the Arkansas Ozarks. Recorded February 22, 2014.
The Mystery of the Tombstone Thunderbird Photograph
In this episode we examine the mystery of the Tombstone Thunderbird photo. The Tombstone Thunderbird photo was supposedly taken in the late 1890's after a group of cowboys shot a large bird like creature that had a crocodile or dinosaur like head. While many remember seeing a picture off six cowboys standing finger to finger, with arms extended no one can produce this photo. Is this part of a larger mind control game by the powerful elite or is this part of a reptilian conspiracy or just an urban legend? Please let us know what you think by posting in the comments section.
From wikipedia (
There is a story that in April 1890, two cowboys in Arizona killed a giant birdlike creature with an enormous wingspan. It was said to have had smooth skin, featherless wings like a bat and a face that resembled an alligator. This description has some similarity to that of a prehistoric pterodactyl, an animal whose existence was known at the time. They are supposed to have dragged the carcass back to town, where it was pinned with wings outstretched across the entire length of a barn. A picture of this event may have been published in the local newspaper, the Tombstone Epitaph. Cryptozoology.com has an account of this story with the events taking place in the state of Texas.
According to Mark Hall, the Epitaph did indeed print a story about the capture of a large, unusual winged creature, on April 26, 1890. Beyond this single story, however, no one has made historic corroboration that this event ever occurred; it is usually considered an urban legend. Utterly fictional tall tales were not an uncommon feature in newspapers during this era.
No one has ever produced a copy of the Thunderbird photograph, though numerous people, Ivan T. Sanderson being one of the better known, have made claims to its existence. Sanderson claimed to have once owned a copy of the photo, which vanished after he loaned it to an acquaintance in the 1960s. The television program Freaky Links staged a similar photo, giving new life to the Thunderbird Photograph legend.
Jerome Clark speculates that the description of the basic image in question (men standing alongside a winged creature nailed to a barn), is evocative enough to implant a sort of false memory, leading some people to vaguely remember seeing the photo at some distant, imprecise time.
Old Headstone Epitaphs
Old Headstone Epitaphs
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ARIZONA VOLCANO
This day in history, May 12, 1887- Arizona Territory - the Tombstone Epitaph reports a volcanic eruption and an earthquake in the Dragoon Mountains. Join the Live fun and laughter every Tuesday night on our Live old west video webcast from the
VLOG Day #17 Tombstone Az, Silver Mining Tour and More!
Cochise County Ghost Towns
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9 World’s Most Bizarre Cryptids
From terrifying Thunderbirds, to the legendary Goatman, these are 9 Most Bizarre Cryptids Ever!
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4.
Almas
These ape-like cryptids reportedly inhabit the Caucasus (KAW-kuh-suhs) and Pamirs (pah-MEERZ) Mountains of Central Asia. They stand up to 6.5 feet tall, and are covered in reddish-brown hair. Facial features including a flat nose, weak chin and a pronounced brow ridge have invited comparisons to modern day reconstructions of how Neanderthals may have appeared. In fact, the creatures are said to craft tools and clothing, unlike Yetis or Bigfoot. The creatures appear in the folklore of local peoples … and sightings of them have been documented since the 15th century. One story concerns a female Almas named Zana, who was captured in 1850 … She was trained to perform daily chores, such as hauling firewood, but never learned to speak. She later had 4 children with a local man. A male Alams was reported captured in the mountains during World War II. Because his inability to talk was construed as defiance, he was executed as a German spy. Recent sightings have described the Almas as being nocturnal creatures that can weigh around 500 pounds and run up to 40 mph!
3.
Nandi (NAHN-dee) Bear
And following up on that segment about the Nunda (none-day) … The Nandi Bear is said to hail from East Africa, and derives its name from the Nandi (NAHN-dee) people of western Kenya. It’s also known as the Chemosit (KEEM-ah-sit), among other appellations. It’s said to be a ferocious carnivorous beast, measuring up to 6 feet tall, and is built not unlike a hyena … with powerful front shoulders set high, and a sloping back. Natives have reported sightings of this animal for centuries, and it was first documented by colonists in the 1900s. Descriptions included the Nandi Bear having a coat that was brownish-red to dark colored … and has a habit of rising up on its hind legs when it detects intruders. Although the creature has eluded hunters, it has left behind tracks that measure around 9 inches long and have five toes. Attacks on humans usually occur during dark, moonless nights … and local legend says the creatures will only have a taste for their victims brains. The only bear known to be native to Africa was the Atlas Bear … and that species went extinct in 1870. Although sightings are still reported today, the Nandi (NAHN-dee) Bear’s true identity remains a mystery.
2.
Thunderbirds
These are huge, birdlike creatures ... Sightings of which have been reported for centuries, in areas ranging from Northern Canada through Central America. Stories of them were often recounted by pioneers moving across the North American plains. In 1890, two cowboys in Arizona are said to have killed a large bird with an enormous wingspan that had a head similar to an alligator and no feathers. Its wings were leathery and batlike … making some cryptozoologists think the creature’s description matches that of a pterodactyl. The animal was said to have been taken back to town, and the story was documented in a local newspaper, the ‘Tombstone Epitaph’ in April of 1890 … but that story has never been historically corroborated. In the 21st century, a large birdlike creature was reported in Alaska in 2002. It was said to have a wingspan of around 14 feet … with witnesses describing it as “something out of Jurassic Park.” Sightings have also been reported around San Antonio, Texas. Searches for the creature have come up empty … and it has yet to be positively identified.
1.
Goatman
This creature is located in the US … and is usually found in Texas, Louisiana and Maryland. The man-goat hybrid stands 7 feet tall and has a violent disposition … The creature is known to kill young couples parked in cars, and break into people's homes and assault them. There are several variations on the Goatman’s origins. Some cryptozoologists trace the creature back to the Satyrs (SAY-turs) of Ancient Greek mythology … images of the half-goat, half-human creatures have been found dating back to the 6th century. Another variation states that a farmer went insane after teenagers killed his flock of goats … that led him to seek vengeance against any teenager or youngster. Perhaps the most colorful story involves a USDA (US Dept of Agriculture) facility known as the Beltsville Agricultural Research Center in Maryland. According to this variation, a scientist was performing experiments on a goat, when something went terribly awry … the goat was somehow transformed into a humanoid creature that had a compulsion to kill.
TOMBSTONE TERRITORY - THE GUNFIGHTER
Starring Pat Conway and Richard Eastham
Season Three, Episode Two
TOMBSTONE TERRITORY - THE CAPTURE
Starring Pat Conway and Richard Eastham
Season Three, Episode Fifteen
Kill Bill: Vol. 2 (2004) - Out of the Grave Scene (5/12) | Movieclips
Kill Bill: Vol. 2 - The Bride (Uma Thurman) uses punching technique learned from Pai Mei to escape being buried alive.
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FILM DESCRIPTION:
Quentin Tarantino's sprawling homage to action films of both the East and the West reaches its conclusion in this continuation of 2003's ultra-violent Kill Bill Vol. 1. Having dispatched several of her arch-enemies in the first film, The Bride (Uma Thurman) continues in Kill Bill Vol. 2 on her deadly pursuit of her former partners in the Deadly Viper Assassination Squad, who, in a furious assault, attempted to murder her and her unborn child on her wedding day. As The Bride faces off against allies-turned-nemeses Budd (Michael Madsen) and Elle Driver (Daryl Hannah), she flashes back to the day of her deadly wedding, and we learn of how she was recruited to join the DiVAS, her training under unforgiving martial arts master Pai Mei (Liu Chia-hui), and her relationship with Squad leader Bill (David Carradine), which changed from love to violent hatred. Originally planned as a single film, Kill Bill grew into an epic-scale two-part project totaling more than four hours in length; as with the first film, Kill Bill Vol. 2 includes appearances by genre-film icons Sonny Chiba, Michael Parks, Larry Bishop, and Sid Haig; Wu-Tang Clan producer and turntablist RZA and filmmaker and composer Robert Rodriguez both contributed to the musical score.
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TM & © Miramax (2004)
Cast: Uma Thurman
Director: Quentin Tarantino
Producers: Lawrence Bender, Koko Maeda, Dede Nickerson, Kwame Parker, Erica Steinberg, E. Bennett Walsh, Bob Weinstein, Harvey Weinstein
Screenwriters: Quentin Tarantino, Uma Thurman
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Cowboy Cemetery
Haunted Graveyard with ghosts & Spirits..?
Ghost hunters Colorado: SEE More at is This Graveyard..?
LOCATION: Riverside Historical Cemetery - Denver, Colorado
Denver's Oldest Cemetery - Riverside Cemetery is the longest continually operating cemetery in Denver, and one of the most significant historical resources in Colorado. Noting the importance of the 77-acre site, the cemetery was designated a National Historic District in 1992. Now surrounded by the gritscape of a disparate industrial district, partly in the City and County of Denver and partly in Adams County, the cemetery is in a state of rapid decline.
Haunted Graveyard with ghosts & Spirits..?
Riverside Cemetery occupies a 77-acre site between Brighton Boulevard and the east bank of the South Platte River, approximately 4 miles down stream from downtown Denver, Colorado.
The majority of Riverside Cemetery lies within Adams County, Colorado, however the rest of the cemetery, the cemeteries' entrance and administration building, are within the City and County of Denver.
Riverside Cemetery originally was the property of the Riverside Cemetery Association from its founding in 1876 until 1900 when the association's assets were transferred to the Fairmount Cemetery Association (presently known as Fairmount Cemetery Company). In late 2000, Fairmount Cemetery Company along with members of the community founded the Fairmount Heritage Foundation to be a educational resource for the community and to protect and preserve the heritage of both the company's properties: Riverside Cemetery and Fairmount Cemetery.
The volunteers of this foundation staff the Riverside Cemetery Office on Tuesdays and Thursdays and organize events and preservation projects for the cemeteries.
History
When first opened, the graveyard's secluded location on the banks of the South Platte River and the surrounding greenery made it a popular choice for wealthy families; the opening of the Burlington Railroad in the 1890s changed this, spurring industrial growth in the neighborhood, and some families chose to have their relatives' remains exhumed and reburied elsewhere. Prominent people continued to be interred there, with ornate headstones to mark their graves; however, the proportion of unmarked graves rose dramatically, as counties from all over the state sent the bodies of their impoverished dead citizens there.
Riverside remained the area's most significant cemetery until the mid-20th century, and retains importance for scholars studying in the early history of Denver, as the city kept no systematic death records until 1910.
Today, the neighborhood has become a largely industrial area, surrounded by a gas station, smokestacks, train tracks, and an industrial park, a few blocks from Interstate 70. It remains a minor tourist attraction; in 2001, 3,000 people went on walking tours of the site.
The cemetery's final grave site was assigned in July 2005; the management company, Fairmount Cemetery Inc., indicated that they would not accept further burials after that, because they were losing money on each sale.
They have also stopped watering and cut back drastically on services, claiming that their $2.1 million endowment, which generated roughly $62,000 per year in interest, was not enough to water the property and properly maintain all the graves; their records show that they lost $159,000 in 2003. They still employ two groundskeepers to pick up trash, but have had to refuse offers of maintenance help from volunteers due to liability issues. In 2005, Fairmount approached the city government and requested they take over operation of the cemetery; however, the city were forced to decline due to lack of funds.
Local residents, concerned by the dying trees and grass and generally poor state of the cemetery, formed a group, Friends of Historic Riverside Cemetery, to bring public attention to the issue. They requested the assistance of a local Orthodox church whose founders are buried there; Fairmount indicated that they would be willing to transfer the endowment and operations of the cemetery to a group that could provide an additional trust of $1 million to cover operating expenses.
WESTERN
Taking up questions of national identity and historical memory, relationships of power and repression are explored in this interrogation of that staple of genre entertainment: the American Western. America's fundamental morality tale that centering on issues of justice and law-and-order, confronts us along with documentary reportage by a female photo-journalist disguising herself as a gun totting soldier in Israel. Appropriated images from American TV shows and movies: The RIFELMAN, JACK SLADE, HOUR of the GUN, GUNFIGHT at the O.K. CORRAL and the holler from TOMBSTONE seep through the walls of a typical motel room and collide with visuals of New York City's judicial neighborhood; Monument Valley (John Ford's movie set); the grave of Doc Holliday; and today's tourist destination of Tombstone, AZ (site of the OK corral shoot out). Landscapes of the West and its flora and fauna are also integrated throughout the piece.
The Western devoted to stories from the 19th Century American West, exists/ed as popular entertainment for the American public. They are often set in brutal landscapes that act not only as spectacular backdrops, but as characters themselves —places that could be said to influence the human actions of greed, murder and other crimes that took place there.
Images of these vistas today seem to suggest ideas of freedom to the average American. Westerns tell simple morality tales. Stories about how the West was 'won' parallel those about conquering the enemy. The historic gunfight at the O.K. Corral, portrayed in numerous films, has come to symbolize the struggle between good and evil. The cowboy image is considered that of an independent, self-reliant man. A number of long-running TV Westerns became classics; their peak year was 1959, with 26 such shows airing during prime time. Towards the end we notice the room is reflected a TV set: a tool that floods the mind with media messages. If this was the television/entertainment staple for the American public what effect did it's continued broadcast have in shaping our society's mindset?
WESTERN by David Finkelstein (reviewed 2008-11-05)
On the soundtrack to Lili White's video Western, filmmaker Margot Niederland tells a story of her trip to the occupied territories in Palestine. Warned by officials that civilians cannot travel to a certain area, she is given a uniform and a weapon, so that she can pass as a soldier. For Niederland, a confirmed pacifist, holding a gun in her hands for the first time provokes a kind of existential crisis: holding the power of life and death in her arms scares her. Every time she picks up the gun again, she says, that horrible feeling of power returned. Later, on a trip to Gaza, she tries to takes her camera, with which she feels perfectly comfortable, but authorities tell her that it is forbidden. It is certainly ironic that a gun makes her presence acceptable, but a camera, which might bring news of how the Israeli Defense Force is treating the Palestinians to the world, is too scary for the authorities to permit.
The images in White's video are a complex, overlapping collage of footage from vintage Westerns, original footage of the American West, tacky Western tourist sites, and cityscapes. Repeated shots of two beds in a hotel room suggest the theme of a journey, as well as the theme of separation. White's method of combining images is sophisticated in her sensitivity to color and composition. The sound, underneath the narrative, is a collage of cowboy music and the soundtracks from Western films.
The combination of this particular narrative with the Western imagery suggests a powerful web of interconnected meanings. A parallel is suggested between the American utopian project of creating a new society by committing genocide against Native Americans, and the Israeli utopian project of stealing the Palestinians' land from them. Niederland's crisis, as a woman and a pacifist, in confronting the nature of male violence and domination, echoes our American crisis in dealing with the violent, genocidal underpinnings of our society. A shot near the end of the video shows Doc Holliday's tombstone, with the epitaph He died in bed. Dying peacefully in bed is exactly what Holliday's guns, and the guns of the Israeli Army, make impossible for their victims. Lili White has packed a tremendous amount of powerfully connected ideas and feelings into a short video, using simple material.