Vargas Museum Documentation
12-Humility Art Appreciation
Caparas, Macam, Martinez
Ang Kuwentong Bikero: Vargas Museum, UP Diliman, Quezon City
Alamin ang buong kuwento sa capturepinas.wordpress.com
A Visit to the University of the Philippines Campsus and the Jorge Vargas Museum
We visited the flagship campus of the University of the Philippines. It's a huge campus. We visited the Jorge Vargas Museum. We learn that he was de facto leader and minister at large during WW II. He's seen in a picture sitting with a smiling Premier Tojo of Japan dressed in his trademark military uniform. Vargas was also an alumnus of the University of the Philippines campus at Quezon City.
This building house many personal letters of Vargas and several paintings by artists of the Philippines going back over half a century.
Vargas Museum - AVP
Endorsement video made by Dempson Mayuga
Vlog Philippine History BSAIS1201 Vargas Museum
Last week for Vargas Museum's 'Posters for Philippine Cinema'
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UP VARGAS MUSEUM: A CULTURAL HERITAGE
GROUP 7 (1TE-1)
CHAN, RENZ
CHIOMBON, PATRICIA
CIRIO, GIO
FLORIDO, KYARA
NIEVA, ISABELLE
Free entrance to QC Experience Museum
Binuksan ng libre sa publiko noong biyernes ang Quezon City Experience Museum bilang bahagi nang paggunitang International Museum Day. Ipinasyal ng mga magigiliw na guide ang mga bisita sa QCX kung saan tampok ang kasaysayan at paglago ng Lungsod Quezon. Ang QCX ang pinakauna at pinakamodernong Interactive Museum na pag-aari ng isang LGU. Ang Museo ay binuksan noong 2015 sa termino ni Mayor Herbert Bautista.
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Museum Documentary (Group 7)
Polytechnic University of the Philippines
Quezon City Branch
UP Vargas Museum
Located in Roxas Ave, Diliman, Quezon City, Metro Manila
BS ENT 1 - 1
Group Members
Rasmin Tolores
Micah Grace Sacopla
Zia Ladia
August 06, 2018 the day it shoot.
Bakod o rail guard ng flyover sa C-5, hindi pasok sa international standards ayon sa Infrawatch
Balitanghali is the daily noontime newscast of GMA News TV anchored by Raffy Tima and Pia Arcangel. It airs Mondays to Fridays at 11:30 AM (PHL Time). For more videos from Balitanghali, visit
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Vargas Museum UPD
Music: Gravelike
Musician: Philip E Morris
UP Academic Oval Tour Diliman Quezon City Philippines
It was a beautiful day for a bike ride. In this video I will take you on a tour of the Academic Oval in the University of the Philippines in Diliman Quezon City. Show you the edifices of the buildings that are found there and provide a few information about them.
Below are the places I have visited along the Acad Oval.
0:49 Quezon Hall
1:15 UP Oblation
3:58 Vargas Museum
4:52 Palma Hall
5:27 Lagmay Hall
5:38 Benitez Hall
5:46 UP Sunken Garden
7:00 UP Cesar E.A. Virata Hall and UP Economics Hall
7:17 Malcolm Hall
7:40 UP Library
8:23 Melchor Hall
9:11 Carillon Tower
9:24 University Theater
9:29 UPlift sculpture
9:40 Abelardo Hall
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Exhibit Walkthrough – ‘Social Fabric’ by Karl Castro
A quick tour of “Social Fabric,” a solo exhibition by Karl Castro at the 3F Galleries of the Jorge B. Vargas Museum, University of the Philippines, Diliman, Quezon City. The contemporary beaded tapestries are shown alongside photographs, paintings, and other artifacts from the Vargas Museum's collection, library, and archives. Exhibit ran 3-25 November 2016.
More on this exhibit
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Karl Castro is an artist and designer from the Philippines.
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In “Social Fabric,” Castro gathers digitally mediated images of everyday erotic life and translates them as beaded tapestries. Focusing on the seeming ordinariness and ubiquity of these images, Castro draws our attention to the politics of the body, labor, pleasure, and class. The artist references the traditional technique of weaving and beadwork to evoke both tradition and transition, utility and decoration, handcraft and digital labor, as well as exchanges across time and space. “Social Fabric” convenes textile, image, body, and machine to intimate aspects of the history of material production and political economy.
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Videography and editing: Al Nikko John M.N
Music: “Beast on the Soil” by Blue Dot Sessions
#TextileArt #Tapestry #Sculpture
News Cafe Episode 103: Museums: Preserving Our Cultural Heritage
News Cafe talk to experts from the Philippine cultural and museum circuit about efforts to develop greater awareness and appreciation of the Philippines’ rich artistic and cultural heritage. We get into the minds of Vice-Mayor Joy Belmonte-Alimurong, a museologist and archaeologist involved in the development of the Quezon City Museum, Petty Benitez-Johannot, former President of Museum Foundation of the Philippines, Inc., and Professorial Lecturer in the Department of Art, College of Arts and Letters at UP Diliman, and Cedie Lopez-Vargas, Executive Director of the Lopez Museum and Library
El Deposito Museum sa San Juan City, binuksan ng NHCP
El Deposito Museum sa San Juan City, binuksan ng NHCP
Shen Shaomin
SHEN SHAOMIN
Almost There
2 March - 6 May 2017
Opening reception: 2 March 2017, Thursday, 6:00pm
The Japan Foundation Asia Center and the Vargas Museum are pleased to announce Almost There, an exhibition at the University of the Philippines’ Jorge B. Vargas Museum and Filipiniana Research Center, co-curated by Patrick D. Flores (Vargas Museum) and Kyongfa Che (Museum of Contemporary Art Tokyo). This group exhibition is presented as part of the Japan Foundation Asia Center’s Condition Report, a collaborative art project with emerging young curators from Japan and Southeast Asia.
Almost There began with a proposition, a fairly open one, but sufficiently pointed so that it could facet an angle from which to consider certain urgent concerns that the current world is facing as well as the complex history that had shaped it. The other impulse was to create opportunities for curatorial knowledge to be marked and conveyed across the generations. This aspect was sensitive to the process by which curation was demonstrated as a practice and in which emerging curators in the Philippines and Southeast Asia participated in carrying out the curatorial task along with peers who have had more exposure and experience in the field.
The exhibition attempts to create resonance among a wide range of research, as well as of expressions of contemporary art from diverse parts of the world, including Africa and Latin America, areas with which the Philippine public has very scant acquaintance. In doing so, it attempts to open up a new scope of imagination and reflection to animate existing modes of knowledge, histories and subjectivities. That is, to find the potentiality of the political in this ever-shifting ambiguity.
Almost There responds to and tries to explore a phrase from a particular study of spiritual life and spectacle in a Philippine province. Fenella Cannell proposes the notion of “intimacy and power” to define the process of shaping affinity and sympathy with others. Such a process always involves the effort to imitate but not to repeat, to belong but not to assimilate, and to share the experience with mutual investments. At the same time, it is driven by interest, by the desire to be recognized, the aspiration to be visible. The exhibition explores this tension between distance and kinship. Thus, the title speaks of a gap, an “intense proximity” that does not quite touch the address, the place to be, or the destination as yet.
Included in the exhibition are works/projects by selected artists in various media including painting, sculpture, film/video, installation and performance, as well as small-scale curatorial projects by three Southeast Asian curators (Ayos Purwoaji Surip Mawardi, Lisa Ito-Tapang, and Lyno Vuth) that respond to a specific work by a participating artist or to a context drawn from the concept of the exhibition. Several works/projects include the element of direct, in-depth interaction with the public that spills out of the gallery space; a number of activities will be held in the form of walks, performances, lectures, and discussions throughout the exhibition period, many of which will take place at the architectural platform built by Nousaku Fuminori with Rosario Encarnacion-Tan at the Vargas Lawn.
Almost There is supported by the University of the Philippines Office of the Chancellor and Department of Art Studies. Vargas Museum is located at the UP Campus, Diliman, Quezon City. The museum is open for viewing from Tuesday to Saturday, 9:00am-5:00pm. For latest updates about the exhibition, visit the Vargas Museum Facebook event page, call us at (+632) 928-1927 or send a message to vargasmuseum@gmail.com.
Nousaku Fuminori
NOUSAKU FUMINORI
Almost There
2 March - 6 May 2017
Opening reception: 2 March 2017, Thursday, 6:00pm
The Japan Foundation Asia Center and the Vargas Museum are pleased to announce Almost There, an exhibition at the University of the Philippines’ Jorge B. Vargas Museum and Filipiniana Research Center, co-curated by Patrick D. Flores (Vargas Museum) and Kyongfa Che (Museum of Contemporary Art Tokyo). This group exhibition is presented as part of the Japan Foundation Asia Center’s Condition Report, a collaborative art project with emerging young curators from Japan and Southeast Asia.
Almost There began with a proposition, a fairly open one, but sufficiently pointed so that it could facet an angle from which to consider certain urgent concerns that the current world is facing as well as the complex history that had shaped it. The other impulse was to create opportunities for curatorial knowledge to be marked and conveyed across the generations. This aspect was sensitive to the process by which curation was demonstrated as a practice and in which emerging curators in the Philippines and Southeast Asia participated in carrying out the curatorial task along with peers who have had more exposure and experience in the field.
The exhibition attempts to create resonance among a wide range of research, as well as of expressions of contemporary art from diverse parts of the world, including Africa and Latin America, areas with which the Philippine public has very scant acquaintance. In doing so, it attempts to open up a new scope of imagination and reflection to animate existing modes of knowledge, histories and subjectivities. That is, to find the potentiality of the political in this ever-shifting ambiguity.
Almost There responds to and tries to explore a phrase from a particular study of spiritual life and spectacle in a Philippine province. Fenella Cannell proposes the notion of “intimacy and power” to define the process of shaping affinity and sympathy with others. Such a process always involves the effort to imitate but not to repeat, to belong but not to assimilate, and to share the experience with mutual investments. At the same time, it is driven by interest, by the desire to be recognized, the aspiration to be visible. The exhibition explores this tension between distance and kinship. Thus, the title speaks of a gap, an “intense proximity” that does not quite touch the address, the place to be, or the destination as yet.
Included in the exhibition are works/projects by selected artists in various media including painting, sculpture, film/video, installation and performance, as well as small-scale curatorial projects by three Southeast Asian curators (Ayos Purwoaji Surip Mawardi, Lisa Ito-Tapang, and Lyno Vuth) that respond to a specific work by a participating artist or to a context drawn from the concept of the exhibition. Several works/projects include the element of direct, in-depth interaction with the public that spills out of the gallery space; a number of activities will be held in the form of walks, performances, lectures, and discussions throughout the exhibition period, many of which will take place at the architectural platform built by Nousaku Fuminori with Rosario Encarnacion-Tan at the Vargas Lawn.
Almost There is supported by the University of the Philippines Office of the Chancellor and Department of Art Studies. Vargas Museum is located at the UP Campus, Diliman, Quezon City. The museum is open for viewing from Tuesday to Saturday, 9:00am-5:00pm. For latest updates about the exhibition, visit the Vargas Museum Facebook event page, call us at (+632) 928-1927 or send a message to vargasmuseum@gmail.com.
FRIDATES: Quezon City Experience
FRIDATES: Quezon City Experience