Daitya Sudan Temple. Lonar
Daitya Sudan temple is located near the Lonar crater lake in the Buldhana district of Maharashtra state of India. It is a Vishnu temple dated to the Chalukya Dynasty which ruled Central and Southern India between the 6th and 12th centuries. It belongs to the Hemadpanthi class and is built in the form of an irregular star. The main entrance of the temple is east facing. The exterior walls are covered with carved figures. The detailed carvings that covered the entire surface of the temple depicted everything from deities, stories from the puranas and erotic sculptures. The niche of West has an idol of Sun God, South has an image of Chamunda Devi and north has Narashima. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower. Area out-side the sanctum is dark and the ceiling reveals beautiful carvings under a torch light. The deity idol– the Vishnu Avatar (Daitya Sudan) standing atop a demon Lavanasur. The present idol was made by Bholse rulers of Nagpur after the original went missing. “Antaral” ceiling carries beautiful carvings of slaying of Lavanasur by Lord Vishnu, story of Kansa- Krishna, Narasimha killing Hiranyakashyapa along with krishna Rasleela. In the southeast corner of Daitya Sudan Temple courtyard is a Tripurush Math where images of Vishnu, Brahma & Garuda were placed and Swami Chakradhar, the founder of Mahanubhav Sect and creator of Lilacharita is said to have stayed there. Mythology: There’s an interesting story here too. Lord Vishnu is said to have come down to this place in the form Daityasudan to slay demon Lavanasura, who lived under the Earth in this area along with his sisters. Daitya Sudan killed the demon in a battle which ended up in creating the Lonar Lake.
1000 years old Daitya Sudan Mandir Ancient Rock Temple Lonar Dist Buldhana
This video Recorded in jan 2009. Daitya Sudan Temple is a Vishnu temple dated to the Chalukya Dynasty which ruled Central and Southern India between the 6th and 12th centuries. It belongs to the Hemadpanthi class and is built in the form of an irregular star. It features carvings similar to those seen at Khajuraho temples. The deity of this temple is made of an ore with a high metal content that resembles stone. The area outside the sanctum is dark and under the light from a torch carvings can be viewed on the ceiling. The exterior walls are also covered with carved figures. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower.The temple of Daityasudana at Lonar is the best example of the Hemadpanthi style. From the standing image of Surya in the principal niche on the back of the temple it is conjectured that the temple was originally dedicated to the Sun-god.However in the present form its vaishnav temple of god vishnu in its daityasudan avatar. There is a story that a demon i.e. daitya called as lonasur or lavanasur used to reside in this locality along with his sisters . He was killed by lord vishnu in his daityasudan avatar hence the name.The temple measures 105 ft. long by 84.5 ft. broad . Its a tree chamber temple, the inner most being garbh gruh i.e. sanctum sanctorum where the idol of lord vishnu standing atop lavanasur is there . The present day idol was made by bholse rulers of Nagpur after the original went missing . The second chamber is called antarl where individual pooja are performed, on the roof of this block one can see beautiful cravings of puranic stories viz. Killing of Lavanasur by Lord Krishna and appearance of Dhar of Lonar ; story of Kansa and Krishan, story of Narasimha and HiranKashyap and lastly raskrida.
The outermost chamber is called as sabahmandap which is meant for group offerings and performance . This portion as well as the enterance gate does not match the style and construction elements of the temple overall . The brickwork might have been added later to the damaged or unfinished temple which might have been caused due to various invasion post 10th century India .The temple overall is star shaped . The main enterance is east facing .The principle niche at the back of the temple has image of surya (sun god ) which gives rise to the speculation that this might have been ( or intended to be ) temple of sungod . The other niche on the right of the temple i.e. on south has image of chamunda devi . The one on left of the temple i.e. north has narashima in it .All of these 3 niches are built like mini temples in themselves having elaborate pillars, base and decoration .There are nemorous ridges onto the temple with different decoration,images having iconic as well as artistic significance . Many of the images depict deities or incidents on Hindu purans.
Daitya Sudan Temple - lonar
Daitya Sudan Temple – the mighty impressive temple is located in the heart of the Lonar village. This beautiful Lord Vishnu temple has been dated to the reign of the Chalukya Dynasty who ruled Central & Southern India between 6th and 12th century AD.
One of the best examples of Hemadpanti style of construction, the temple is built in the form of an asymmetrical star. Wonderful erotic carvings of the temple resembles to the popular Khajuraho temples and definitely reminds you about the exquisitely rich elaborated carvings of Badami or Pattadakkal, built by the mighty Chalukyas only.
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Daitya Sudan Temple. Lonar, Buldhana, Maharashtra.
This beautiful Lord Vishnu temple has been dated to the reign of the Chalukya Dynasty who ruled Central & Southern India between 6th and 12th century AD.One of the best examples of Hemadpanti style of construction, the temple is built in the form of an asymmetrical star. The temple experienced various invasions post 10th century and the brickwork evidences the repair of the damaged temple.The deity of this temple is made of an ore with high metal content and looks like stone. Area out-side the sanctum is dark and the ceiling reveals beautiful carvings under a torch light.The exterior walls are covered with carved figures. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower.There’s an interesting story here too. Lord Vishnu is said to have come down to this place in the form of a young, handsome boy called Daityasudan to slay Lonasura or Lavanasura, the demon who lived under the Earth in this area along with his sisters. Daitya Sudan killed the demon in a battle which ended up in creating the Lonar Lake.
Temples Around The Lonar Crater Lake
Lonar is town in the Buldhana District of Maharashtra. Lonar’s main attraction is the lake and the ancient temples that surround it. Some of them were of Yadava times and Hemadpant style of Architecture. Most tourists come to nearby Aurangabad to visit the Ajanta and Ellora UNESCO World Heritage Sites, but never make it as far as Lonar. Lonar crater lake is an excellent place for archeological as well as astronomical adventure. The sheer joy of trekking through the lush jungle and stumbling upon centuries-old, abandoned temples around the Lonar lake that are now inhabited only by insects, monkeys and bats. This trek involves covering the 6 km perimeter of the lake and There are multiple starting points to the lake. The path vanishes at a few sections owing to dense forest area. Apart from Dhara Temple Complex, Kumareshwar Temple, Ramgaya Temple & Kamalaja Devi Temple, other temples (Yadnyawalkeshwar Temple/Shukracharya Vedhashala, Kapila Sangam Temple, Vishnu/Bageecha Temple, Shankar Ganesh Temple, Wagh Mahadeo Temple, Mor Mahadeo Temple, Amberkhana/Sun Temple, Mungala Mahadeo Temple & Chopda Mahadeo Temple) are dilapidated or partially submerged, but some contain beautifully carved door frames and pillars while in some the ceiling is decorated with cusped ornament. The most significant Daitya Sudan temple dedicated to Lord Vishnu, sits in the town. Professor Sudhakar Bugdane (Author of The Book - Lonar Darshan) has given me all information about Temples around the Lonar lake and Daitya Sudan temple.
Ellora Cave 14, Vishnu Temple
The temple is magnificent; very impressive , splendid achievement of Rashtrakuta राष्ट्रकूट Karnataka architecture. This project was started by King Krishna of the Rashtrakuta dynasty that ruled from Karnataka state. His rule had also spread to southern India, hence this temple was excavated in the prevailing style. Its builders modelled it on the lines of the Virupaksha Temple in पत्तदकल Pattadakal. Being a south Indian style temple, it does not have a shikhara common to north Indian temples.
The Kailasa (Sanskrit: Kailāsanātha) temple is one of the largest rock-cut ancient Hindu These extend over more than 2 km, were dug side by side in the wall of a high basalt cliff in the complex located at Ellora. The Kailasa (cave 16) is a remarkable example of Dravidian architecture account of its striking proportion, elaborate workmanship, architectural content, and sculptural ornamentation of rock-cut architecture.
The Dashavatara
The Dashavatara (Cave 15) has an open court with a free-standing mandapa at the middle which is formed of a single large block of stone and a two-storeyed excavated temple at the rear. The layout of the temple is closely related to caves 11 and 12. Large sculptural panels between the wall columns on the upper floor illustrate a wide range of themes, which include the ten avatars of Vishnu. An inscription of grant of Dantidurga is found on the back wall of the front mandapa. the finest relief of this cave is the one depicting the death of Hiranyakashipu, where Vishnu in man-lion (Narasimha) form, emerges from a pillar to lay a fatal hand upon the shoulder of Hiranyakashipu.
Other Hindu caves
Cave 21
Other notable Hindu caves are the Rameshvara (Cave 21), which has figurines of river goddesses Ganga and Yamuna at the entrance and the Dhumar Lena (Cave 29) whose design is similar to the cave temple on Elephanta Island near Mumbai. Two other caves, the Ravan ki Khai (Cave 14) and the Nilkantha (Cave 22) also have several sculptures. The rest of the Hindu caves, which include the Kumbharvada (Cave 25) and the Gopilena (Cave 27) have no significant sculptures.
Its said in vedic scriptures that as as Kali yug progresses the strength, intelligence , height, age of people decreases .
From here we can see , the work they done before 1500 years , without any modern machinery, it requires really strong, intelligent, creative humans.
एलोरा या एल्लोरा (मूल नाम वेरुल, Elura, elapura) एक पुरातात्विक स्थल है, जो भारत में औरंगाबाद, महाराष्ट्र से 30 कि.मि. (18.6 मील) की दूरी पर स्थित है। इन्हें राष्ट्रकूट वंश के शासकों द्वारा बनवाया गया था। अपनी स्मारक गुफाओं के लिये प्रसिद्ध, एलोरा युनेस्को द्वारा घोषित एक विश्व धरोहर स्थल है।
Night vision Shot Video of Daitya Sudan Madir Temple Lonar D.Buldhana.
This video Recorded in Jan 2009 .Lonar is a town and a municipal council in Buldhana district of the division of Buldhana of the region of Vidarbha in the Indian state of Maharashtra. It is a taluka of the district of Buldhana and is located near Mehkar. It is an important place in Buldhana district and is famous for Lonar crater and Lonar Lake, which is located at 19°58′N 76°30′E. Daitya Sudan Temple is a Vishnu temple dated to the Chalukya Dynasty which ruled Central and Southern India between the 6th and 12th centuries. It belongs to the Hemadpanthi class and is built in the form of an irregular star. It features carvings similar to those seen at Khajuraho temples. The deity of this temple is made of an ore with a high metal content that resembles stone. The area outside the sanctum is dark and under the light from a torch carvings can be viewed on the ceiling. The exterior walls are also covered with carved figures. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower.The temple of Daityasudana at Lonar is the best example of the Hemadpanthi style. From the standing image of Surya in the principal niche on the back of the temple it is conjectured that the temple was originally dedicated to the Sun-god.However in the present form its vaishnav temple of god vishnu in its daityasudan avatar. There is a story that a demon i.e. daitya called as lonasur or lavanasur used to reside in this locality along with his sisters . He was killed by lord vishnu in his daityasudan avatar hence the name.The temple measures 105 ft. long by 84.5 ft. broad . Its a tree chamber temple, the inner most being garbh gruh i.e. sanctum sanctorum where the idol of lord vishnu standing atop lavanasur is there . The present day idol was made by bholse rulers of Nagpur after the original went missing . The second chamber is called antarl where individual pooja are performed, on the roof of this block one can see beautiful cravings of puranic stories viz. Killing of Lavanasur by Lord Krishna and appearance of Dhar of Lonar ; story of Kansa and Krishan, story of Narasimha and HiranKashyap and lastly raskrida.The outermost chamber is called as sabahmandap which is meant for group offerings and performance . This portion as well as the enterance gate does not match the style and construction elements of the temple overall . The brickwork might have been added later to the damaged or unfinished temple which might have been caused due to various invasion post 10th century India .
The temple overall is star shaped . The main enterance is east facing .The principle niche at the back of the temple has image of surya (sun god ) which gives rise to the speculation that this might have been ( or intended to be ) temple of sungod . The other niche on the right of the temple i.e. on south has image of chamunda devi . The one on left of the temple i.e. north has narashima in it .All of these 3 niches are built like mini temples in themselves having elaborate pillars, base and decoration .There are nemorous ridges onto the temple with different decoration,images having iconic as well as artistic significance . Many of the images depict deities or incidents on Hindu purans.
Daitya Sudan Mandeer Temple Internal View of Lonar Maharastra
This video Recorded in Jan 2009 .Lonar is a town and a municipal council in Buldhana district of the division of Buldhana of the region of Vidarbha in the Indian state of Maharashtra. It is a taluka of the district of Buldhana and is located near Mehkar. It is an important place in Buldhana district and is famous for Lonar crater and Lonar Lake, which is located at 19°58′N 76°30′E. Daitya Sudan Temple is a Vishnu temple dated to the Chalukya Dynasty which ruled Central and Southern India between the 6th and 12th centuries. It belongs to the Hemadpanthi class and is built in the form of an irregular star. It features carvings similar to those seen at Khajuraho temples. The deity of this temple is made of an ore with a high metal content that resembles stone. The area outside the sanctum is dark and under the light from a torch carvings can be viewed on the ceiling. The exterior walls are also covered with carved figures. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower.The temple of Daityasudana at Lonar is the best example of the Hemadpanthi style. From the standing image of Surya in the principal niche on the back of the temple it is conjectured that the temple was originally dedicated to the Sun-god.However in the present form its vaishnav temple of god vishnu in its daityasudan avatar. There is a story that a demon i.e. daitya called as lonasur or lavanasur used to reside in this locality along with his sisters . He was killed by lord vishnu in his daityasudan avatar hence the name.The temple measures 105 ft. long by 84.5 ft. broad . Its a tree chamber temple, the inner most being garbh gruh i.e. sanctum sanctorum where the idol of lord vishnu standing atop lavanasur is there . The present day idol was made by bholse rulers of Nagpur after the original went missing . The second chamber is called antarl where individual pooja are performed, on the roof of this block one can see beautiful cravings of puranic stories viz. Killing of Lavanasur by Lord Krishna and appearance of Dhar of Lonar ; story of Kansa and Krishan, story of Narasimha and HiranKashyap and lastly raskrida.The outermost chamber is called as sabahmandap which is meant for group offerings and performance . This portion as well as the enterance gate does not match the style and construction elements of the temple overall . The brickwork might have been added later to the damaged or unfinished temple which might have been caused due to various invasion post 10th century India .
The temple overall is star shaped . The main enterance is east facing .The principle niche at the back of the temple has image of surya (sun god ) which gives rise to the speculation that this might have been ( or intended to be ) temple of sungod . The other niche on the right of the temple i.e. on south has image of chamunda devi . The one on left of the temple i.e. north has narashima in it .All of these 3 niches are built like mini temples in themselves having elaborate pillars, base and decoration .There are nemorous ridges onto the temple with different decoration,images having iconic as well as artistic significance . Many of the images depict deities or incidents on Hindu purans.
Intricate details about the famous Daityasudan Temple, Lonar
Daitya Sudan Temple – the mighty impressive temple is located in the heart of the Lonar village. This beautiful Lord Vishnu temple has been dated to the reign of the Chalukya Dynasty who ruled Central & Southern India between 9th and 10th century AD.
The deity idol– the Vishnu Avatar standing atop a demon – is made of an iron ore that look like stone adding an extra edge of mystique to the place. The shrine (Garbha Gruha) is pretty dark and the carvings within abode can be revealed only with the help of a torch light. It is a tree chamber temple. The present idol was made by Bholse rulers of Nagpur after the original went missing.
The second chamber is called “Antaral” where individual poojas are performed. The ceiling of the chamber carries beautiful cravings of slaying of Lavanasur by Lord Vishnu, appearance of Lonar Lake, story of Kansa- Krishna, Narasimha killing Hiranyakashyapa along with Rasleela. Outermost is the the assembly chamber (Sabhamandapa).
Detailed carvings which covered the entire surface of the temple, elaborates stories from the Puranas, great epics like Ramayana & Mahabharata, incarnations of various gods & goddesses, Apsaras, Yakshas, Kinnaras and Kamasutras.
The standing idol of God Surya is placed in the principal niche on the back of the temple, hence it is also called the Adityanarayan or Surya Temple.
Hemadpanthi Daitya Sudan Mandeer Temple Lonar Closeup Video of Ancient Rock Art
This video Recorded at Date Jan 2009 .Lonar is a town and a municipal council in Buldhana district of the division of Buldhana of the region of Vidarbha in the Indian state of Maharashtra. It is a taluka of the district of Buldhana and is located near MehkarDaitya Sudan Temple is a Vishnu temple dated to the Chalukya Dynasty which ruled Central and Southern India between the 6th and 12th centuries. It belongs to the Hemadpanthi class and is built in the form of an irregular star. It features carvings similar to those seen at Khajuraho temples. The deity of this temple is made of an ore with a high metal content that resembles stone. The area outside the sanctum is dark and under the light from a torch carvings can be viewed on the ceiling. The exterior walls are also covered with carved figures. The plinth of the temple is about 1.5 m in height, and the unfinished roof suggests an intended pyramidal form for the tower.The temple of Daityasudana at Lonar is the best example of the Hemadpanthi style. From the standing image of Surya in the principal niche on the back of the temple it is conjectured that the temple was originally dedicated to the Sun-god.However in the present form its vaishnav temple of god vishnu in its daityasudan avatar. There is a story that a demon i.e. daitya called as lonasur or lavanasur used to reside in this locality along with his sisters . He was killed by lord vishnu in his daityasudan avatar hence the name.The temple measures 105 ft. long by 84.5 ft. broad . Its a tree chamber temple, the inner most being garbh gruh i.e. sanctum sanctorum where the idol of lord vishnu standing atop lavanasur is there . The present day idol was made by bholse rulers of Nagpur after the original went missing . The second chamber is called antarl where individual pooja are performed, on the roof of this block one can see beautiful cravings of puranic stories viz. Killing of Lavanasur by Lord Krishna and appearance of Dhar of Lonar ; story of Kansa and Krishan, story of Narasimha and HiranKashyap and lastly raskrida.The outermost chamber is called as sabahmandap which is meant for group offerings and performance . This portion as well as the enterance gate does not match the style and construction elements of the temple overall . The brickwork might have been added later to the damaged or unfinished temple which might have been caused due to various invasion post 10th century India .The temple overall is star shaped . The main enterance is east facing .The principle niche at the back of the temple has image of surya (sun god ) which gives rise to the speculation that this might have been ( or intended to be ) temple of sungod . The other niche on the right of the temple i.e. on south has image of chamunda devi . The one on left of the temple i.e. north has narashima in it .All of these 3 niches are built like mini temples in themselves having elaborate pillars, base and decoration .There are nemorous ridges onto the temple with different decoration,images having iconic as well as artistic significance . Many of the images depict deities or incidents on Hindu purans.
Sacred journey Kallampalam Vishnu Wynad part 2
When ancient temples were discovered by Europeans in Prampan , they were rennovated and protected as great Tourist centers. In Wayanad ,Kerala , is an ancient stone temple with marvellous sculptures .It has features of ancient Chalukya, Pallava, Gupta type architecture and is an abandoned Vishnu temple .With sculptures of Ananthasayanam, 10 avathars of Vishnu, Garuda,Hanuman and several dancing karana postures and mudras, dampathi figures , 4 Vishnuparshada as Dwarapalakas, and even a Lajjaagouri, this is a unique temple of Vishnu in Malabar area. This needs immeadiate protection as a National Historical Monument of Art and Architecture..(Dr Suvarna Nalapat Trust for Education and Research )
Daitya Sudan Temple Lonar
9 व्या शतकातल हे हेमाडपंथी मंदिर चालुक्य काळात बांधलेलं असावं. याच्या बांधकामात सिमेंट सारख्या जोडपदार्थाचा वापर न करता याचे भाग एकमेकात अडकवून मंदिर उभे केले आहे. अठराशे आठ्याहत्तर साली लोणार सरोवराला लागूनच एका मातीच्या टेकडीचे उखनन होत असताना हे मंदिर सापडले. याची एक खूप interesting आख्यायिका सांगितली जाते. लवणासुर , या जमिनीत राहणाऱ्या राक्षसाचा वध करण्यासाठी विष्णुदेव दैत्य सुदनाच्या रुपात येथे येतात. त्यांच्यात खूप मोठे युद्ध होतं ज्यात लवणासुरचा वध होतो आणि जमिनीत खूप मोठा खड्डा होतो जे आज लोणार सरोवर म्हणून जगप्रसिद्ध आहे. या असुरवरूनच गावला लोणार नाव पडले आणि सरोवरालाही. सूर्य आणि विष्णूची स्थापना असलेलं हे भारतातील एक दुर्मिळ मंदिर आहे.
मंदिराच्या भिंतीवरचे कोरीव काम वेळ घेऊन पाहण्यासारखे आहे. पुराणातील कथा, मेडिटेशन, योग आणि मैथुनाची एकूण 185 शिल्पे येथे कोरलेली आहेत. समोरील भागातील अपूर्ण वीट बांधकामावरून कळते की गेल्या 1000 वर्षात या मंदिरावर बरेच हल्ले झाले तरी हे मंदिर अजूनही टिकून आहे.
गाभाऱ्यामध्ये दैत्य सुदनाची मूर्ती लवणासुरावर उभी आहे. गाभाऱ्यातील भाग हा खूप अंधारात असल्याने दिवसाही टॉर्च वापरून आतील मूर्ती व कोरीवकाम पाहावे लागते.
सध्या हे मंदिर भारतीय पुरातत्व खात्याच्या अधिपत्याखाली आहे आणि डागडुजीचे काम चालू आहे. फार दुर्लक्षित असे हे मंदिर अनेक अभ्यासकांचे आकर्षणाचे ठिकाण बनले आहे.
7 Wonders of India: Vidyashankara Temple
The Twelve pillars in the Vidyashankara Temple mark the 12 zodiac signs, and the sun's rays fall on each of them in the order of the solar months. Located in Sringeri, Karnataka, the temple has ruby images of Venugopala and Srinivasa and a Nandi made out of a large pearl. This temple combines the Hoysala and Dravida architectural features. It stands on a richly sculptured basement. There are six doorways leading into the temple. Vidyashankara of Vidyathirtha, who was the head of this Peetham for a period of 105 years from 1228 CE to 1333 CE, is considered to be one of the greatest Gurus of this Peetham. The temple features 61 images carved in bas relief, of various scenes from the puranas. Buddha is depicted as one of the incarnations of Vishnu here.
Enter the holy temple of Hanuman and get the sacred Prasad
Prasad is a material substance of food that is a religious offering in both Hinduism and Sikhism, which is consumed by worshippers.
Prasadam offered on banana leaves after Puja ceremony at a home in Guntur, India
Literally, a gracious gift. Anything, usually an edible food, that is first offered to a deity, saint, Perfect Master or an Avatar and then distributed in His or Her name to their followers or others as a good sign. The prasad is then considered to have the deity's blessing residing within it. In contemporary Hindu religious practice in India, the desire to get prasada and have darshan are the two major motivations of pilgrimage and temple visits.
Source - Wikipedia
Giant mouth entrance to Hanuman temple.
Giant statue of lord Hanuman is located between Jhandewalan and Karol Bagh metro station.
Apart from his endless devout towards Lord Ram the god of enormous strength Lord Hanuman is also known for his unmatched mascularity and intelligence. Hanuman temples are spread all around India with devotees flooding into it for paying homage to their monkey-god. One such Hanuman temple is situated in the heart of Indian capital city, New Delhi. Karol Bagh's 108 feet Hanuman temple is a unique mix of artistic sculptures and sanctity.
Located in-between a busy portion of the city, the temple relieves its visitors from day-to-day tensions, healing them towards a relaxed mind. The temple houses a gigantic, 108 feet high idol of lord Hanuman also visible from the nearby metro rail lines.
The temple was built in 1994 by a departed priest Nagababa Sevagir Ji Maharaj with several changes made later on to reach its present form.
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of imagery from South Asia. The Wilderness Films India collection comprises of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com.
DAITYASUDAN TEMPLE, LONAR, BULDHANA, MAHARASHTRA, INDIA
UPLOADED BY PROF. AR. YOGRAJ V. RAOTE
PRESIDENT / DIRECTOR / PRINCIPAL ARCHITECT, INTERIOR DESIGNER & URBAN DESIGNER AT 'CODESIGN ARCHITECTS & URBAN DESIGNERS' (CAUD), SINCE 1939.
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Daitya Sudan Temple | Lonar | Buldhana | Vidarbha Tourism | BY RJ Dipak Wankhade
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