Vacances dans le Sud-Est de la France
Septembre 2014 : villes, villages et sites visités.
Abbaye de Montmajour
Abbaye de Senanque
Abbaye de Silvacane
Abbaye St-Hilaire
Abbaye Saint-Roman
Aigueze
Alba-la-Romaine
Arles
Avignon
Balazuc
Barjac
Bonnieux
Chamaret
Chapelle saint-Sulpice
Chapelle Saint-Laurent
Charssiers
Chartreuse de Bonpas
Chartreuse de Valbonne
Chateau d'Allegre
Châteauneuf-du-Pape
Colorado Provençal
Cornillon
Crestet
Crillon-le-Brave
Dentelles de Montmirail
Gordes
Gorges Ardèche
Gorges de la Beaume
Gorges de la Ligne
Gorges de la Nesque
Goudargues
Grignan
La garde Adhemar
La Roque-sur-Cèze
Labeaume
Largentière
Le Barroux
Le-Poët-Laval
Les Baux de provence
Lourmarin
Lussan
Menerbes
Mont Ventoux
Montclus
Mornas
Moulin de Daudet
Nimes
Nyons
Pont du Gard
Rochecolombe
Rochegude
Rochemaure
Rocher de Sampzon
Roussillon
Saint-Rémy-de-Provence
Sceautres
Seguret
Saint-Montant
Saint-Pantaleon
Suze-la-Rousse
Taillades
Tarascon
Taulignan
Uzes
Vaison-la-Romaine
Vallon-pont-d'Arc
Venasque
Village des Bories
Vogué
Crypt of Notre-Dame: Paris Museums Series
Head underground Paris' most visited monument (Notre-Dame Cathedral) to discover the ancient foundations of Paris dating from 300 AD. For more on the Crypt of Notre-Dame:
Les Invalides - Paris, France | Hotel des Invalides.
Les Invalides - Paris, France. Les Invalides, commonly known as Hôtel national des Invalides (The National Residence of the Invalids), or also as Hôtel des Invalides, is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine, as well as the Dôme des Invalides, a large church with the burial site for some of France's war heroes, most notably Napoleon Bonaparte.
The Dôme des Invalides (originally Chapelle royale des Invalides) is a large former church in the centre of the Les Invalides complex.
The dôme was designated to become Napoleon's funeral place in a law dated 10 June 1840. The excavation and erection of the crypt, that heavily modified the interior of the domed church, took twenty years to complete and was finished in 1861.
Inspired by St. Peter's Basilica in Rome, the original for all Baroque domes, the Dôme des Invalides is one of the triumphs of French Baroque architecture. Mansart raised its drum with an attic storey over its main cornice, and employed the paired columns motif in his more complicated rhythmic theme. The general programme is sculptural but tightly integrated, rich but balanced, consistently carried through, capping its vertical thrust firmly with a ribbed and hemispherical dome. The domed chapel is centrally placed to dominate the court of honour.
The interior of the dome (107 meter of height; see gallery) was painted by Le Brun's disciple Charles de La Fosse with a Baroque illusion of space (sotto in su) seen from below. The painting was completed in 1705.
L’hôtel des Invalides est un monument parisien dont la construction fut ordonnée par Louis XIV par l'édit royal du 24 février 16701, pour abriter les invalides de ses armées. Aujourd'hui, il accueille toujours des invalides, mais également la cathédrale Saint-Louis des Invalides, plusieurs musées et une nécropole militaire.
Plusieurs hommes de guerre français reposent aux Invalides. Ainsi, pour les périodes monarchique et révolutionnaire : le maréchal de Henri de La Tour d'Auvergne, vicomte de Turenne, le cœur du maréchal Sébastien Le Prestre de Vauban, le cœur de Théophile Malo Corret de La Tour d'Auvergne, héros des guerres de la Révolution, le général François Séverin Marceau et Claude Joseph Rouget de Lisle, l'auteur de La Marseillaise.
La dépouille de Napoléon Ier décédé en 1821 à l'Île Sainte-Hélène, fut placée provisoirement — le tombeau commandé à Louis Visconti par Louis-Philippe n'étant alors pas achevé — dans la chapelle Saint-Jérôme le 15 décembre 1840, sous la Monarchie de Juillet dont les dirigeants cherchaient à rassembler les partisans de l'empereur défunt (dans le même temps, était en effet achevé l'arc de triomphe de l'Étoile). Son corps (dans plusieurs cercueils successifs) ne fut placé que le 2 avril 1861 en présence de la famille impériale et de quelques dignitaires, dans un monumental sarcophage au centre de la chapelle Saint-Louis, sous le dôme.
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Chapelle International : du chemin de fer aux quartiers verts
Paris compte encore quelques terrains pour faire sortir de terre des quartiers entiers. Comme aux abords des voies au nord de la gare de l’Est et de la gare du Nord, avec vue imprenable sur Montmartre.
Places to see in ( Versailles - France ) The Royal Opera
Places to see in ( Versailles - France ) The Royal Opera
The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior.
The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the King's Loge and the King's Boudoir represent some of the earliest expressions of what would become known as Louis XVI style. Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie-Antoinette.
The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712, or as a ballroom, when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.
Long before the Opera Royal was dreamed of, theatre was becoming an important part of French society. Beginning with the reign of Louis XIII, the frequency and regularity of theatrical performances had increased: the show was considered as much an entertainment as it was an expression of power [10] The idea of it being an expression of power can be traced to one of Louis XIII’s regents, Cardinal Richelieu.
During the early years of his reign of Louis XIV, theatres were often temporary structures, built for a particular event and destroyed after their use. The first such theater was constructed for the fête of the Plaisirs de l’Île enchantée, which was held in 1664. In the area west of what is now the Bassin d’Apollon, a temporary theater was constructed in which Molière’s Princesse d’Élide débuted on 8 May. During this fête an additional theatre was erected inside the chateau for the presentation of three other plays by Molière: Les Fâcheux, Le Mariage Forcé, and Tartuffe, which premiered in an incomplete, albeit contentious, form. None of these theatres survived this fête.
1952-1957 witnessed major restoration of the Opéra – generally considered one of the finest restoration projects undertaken at Versailles – when it was restored under the direction of André Japy to its 1770 state (Verlet, p. 384). The Opéra officially reopened on 9 April 1957 in the presence of Queen Elizabeth II of the United Kingdom, with a presentation of Act II of Rameau’s Les Indes Galantes. Since its restoration, the Opéra has been used for state functions as well as a variety of operatic and musical events (Langlois, 1958).
The Opéra was most recently closed in June of 2007 for an extensive two year renovation to bring the backstage and production areas up to safety standards. During this latest renovation, led by chief architect of Historical Monuments Frédéric Didiera, a new firewall was installed, the downstage timberframe stairs were restored to their original purpose, stage and lighting equipment were modernized, the technical grid was redone, dressing rooms were moved and brought up to modern standards, and adjacent spaces formerly given over to the Sénat, including the Actor's Building, were reclaimed to once again accommodate the needs of performers, workshops, and offices. The Opéra reopened its doors in September of 2009, and has since carried out an expanded and ambitious regular series of operatic, balletic, and concert performances, especially celebrating the works of the Baroque and Classical periods most closely associated with the Opéra and the Palace of Versailles.
( Versailles - France ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Versailles . Through a series of videos we will try to show you recommended places to visit in Versailles - France
Join us for more :
chapelle sainte anne
Bénédiction des chevaux à la chapelle sainte Anne Harzé Aywaille Belgique
Visite au cœur de Notre Dame de Paris
Petite visite de Notre Dame de Paris.
Best Tourist Attractions Places To Travel In France | Amiens Cathedral Destination Spot
Top Tourist Attractions Places To Travel In France | Amiens Cathedral Destination Spot - Tourism in France
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The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic cathedral and seat of the Bishop of Amiens (currently Jean-Luc Bouilleret).
It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.
It is the 19th largest church in the world.
Medieval cathedral builders were trying to maximize the internal dimensions in order to reach for the heavens and bring in more light.
In that regard, the Amiens cathedral is the tallest complete cathedral in France, its stone-vaulted nave reaching an internal height of 42.30 metres (surpassed only by the incomplete Beauvais Cathedral).
It also has the greatest interior volume of any French cathedral, estimated at 200,000 cubic metres.
The cathedral was built between 1220 and 1270 and has been listed as a UNESCO World Heritage Site since 1981.
Although it has lost most of its original stained glass, Amiens Cathedral is renowned for the quality and quantity of early 13th-century Gothic sculpture in the main west façade and the south transept portal, and a large quantity of polychrome sculpture from later periods inside the building.
The west front of the cathedral, built in a single campaign from 1220 to 1236, shows an unusual degree of artistic unity: its lower tier with three vast deep porches is capped with the gallery of twenty-two over lifesize kings, which stretches across the entire façade beneath the rose window.
Above the rose window there is an open arcade, the galerie des sonneurs.
Flanking the nave, the two towers were built without close regard to the former design, the south tower being finished in 1366, the north one, reaching higher, in 1406.
The western portals of the cathedral are famous for their elaborate sculpture, featuring a gallery of locally-important saints and large eschatological scenes.
Statues of saints in the portal of the cathedral have been identified as including the locally venerated Saints Victoricus and Gentian, Saint Domitius, Saint Ulphia, and Saint Fermin.
The spire over the central crossing was added between 1529 and 1533.
The surface area is 7,700 square meters; the largest in France.
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Notre-Dame de Paris, France | Cathédrale | Notre-Dame Cathedral, Paris France
Notre-Dame de Paris, France. Notre-Dame de Paris, also known as Notre-Dame Cathedral (French: Cathédrale Notre-Dame de Paris) or simply Notre-Dame, is a historic Catholic cathedral on the eastern half of the Île de la Cité in the fourth arrondissement of Paris, France. The cathedral is widely considered to be one of the finest examples of French Gothic architecture, and it is among the largest and most well-known church buildings in the world. The naturalism of its sculptures and stained glass are in contrast with earlier Romanesque architecture.
As the cathedral of the Archdiocese of Paris, Notre-Dame is the parish that contains the cathedra, or official chair, of the Archbishop of Paris, currently Cardinal André Vingt-Trois. The cathedral treasury is notable for its reliquary which houses some of Catholicism's most important first-class relics including the purported Crown of Thorns, a fragment of the True Cross, and one of the Holy Nails.
In the 1790s, Notre-Dame suffered desecration during the radical phase of the French Revolution when much of its religious imagery was damaged or destroyed. An extensive restoration supervised by Eugène Viollet-le-Duc began in 1845. A project of further restoration and maintenance began in 1991.
La cathédrale Notre-Dame de Paris, en forme courte Notre-Dame, est la cathédrale de l’archidiocèse de Paris, en France. Elle est située dans l'Est de l’île de la Cité, dans le 4e arrondissement de Paris. Sa façade occidentale domine le parvis Notre-Dame - place Jean-Paul-II.
La construction de la cathédrale, lancée sous l'impulsion de l’évêque Maurice de Sully, s'est étendue sur plus de deux siècles, de 1163 au milieu du XIVe siècle. Le style n’est donc pas d’une uniformité totale : elle possède ainsi des caractères du gothique primitif et du gothique rayonnant. Les deux rosaces qui ornent chacun des bras du transept sont parmi les plus grandes d’Europe, et mesurent chacune 13 mètres de diamètre. Elle fut lors de son achèvement l'une des plus grandes cathédrales d'Occident. Après la tourmente révolutionnaire, la cathédrale a subi de 1844 à 1864 une restauration importante et parfois controversée dirigée par l’architecte Viollet-le-Duc, qui y a incorporé des éléments et des motifs inédits.
La cathédrale est depuis sa construction un des monuments les plus emblématiques de Paris. Longtemps plus haute construction de la ville, elle tient une place symbolique de premier rang dans son image. À la fois édifice religieux et culturel, elle a souvent été au cœur de l’histoire de France. Paroisse royale au Moyen Âge, c’est dans la cathédrale que s’est notamment déroulé l’arrivée de la Sainte Couronne en 1239, le sacre de Napoléon Ier en 1804, les funérailles d’Adolphe Thiers, Sadi Carnot et François Mitterrand, ou encore le Te Deum célébré à la libération de Paris en 1944.
L'église accueille aujourd’hui plus de vingt millions de visiteurs par an, ce qui en fait le monument le plus visité de Paris et de toute l’Europe. Bénéficiant d'un dynamisme nouveau et vivace, elle a fêté en 2013 le 850e anniversaire de sa construction.
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Brantome in Perigord, France
A slide show of photographs taken in the French town of Brantome on the River Drone