La Libreria Piccolomini nel Duomo di Siena
La libreria Piccolomini è un ambiente monumentale posto all'interno della Cattedrale di Siena. Fu realizzato nel 1492 per custodire un ricchissimo patrimonio librario ed all'inizio del 1500 venne completamente affrescata da Pinturicchio coadiuvato dal giovane Raffaello Sanzio.
Pintoricchio-Siena-Libreria Piccolomini
Places to see in ( Siena - Italy ) Biblioteca Piccolomini
Places to see in ( Siena - Italy ) Biblioteca Piccolomini
The Piccolomini Library is a monumental setting of the cathedral of Siena . Located along the left aisle, before the transept, it was built in 1492 by the archbishop of Siena , cardinal Francesco Piccolomini Todeschini (later Pope Pius III ) to guard the rich library heritage collected by his uncle Pope Pius II . Between 1502 and 1507 it was completely frescoed by Pinturicchio and aids, among which were the Bolognese Amico Aspertini and the young Raffaello Sanzio .
Cardinal Francesco, bishop of Siena , obtained from 1492 to 1502 , in some rooms of the rectory adjacent to the left side of the Cathedral, a room destined to receive the precious books of his uncle, humanist and pontiff, Enea Silvio Piccolomini , who died in 1464. Starting from about 1497 , Lorenzo di Mariano , known as Il Marrina, created the external marble façade of the Library, with the two arches that frame the entrance door of the chapel on one side and on the other a tondo representing Saint John the Evangelist who was here placed only in the seventeenth century (of uncertain dating, attribution and provenance, even if it is believed to have been sculpted by Giovanni di Stefano at the end of the fifteenth century ).
The Library overlooks the nave through a rich marble portal of the Marrina , composed of two arches with bas-relief decorations ( 1497 ). In the arch on the right a small altar with Saint John Evangelist in bas-relief is the work of Giovanni di Stefano , as well as the Pietà lignea under the altar table. The entrance to the library is located in the left arch, through two bronze valves by Antonio Ormanni of 1497 . Above the portal there is the fresco of the Coronation of Pius III , also of Pinturicchio (1503-1508).
This is a rectangular- shaped hall , covered by a vaulted pavilion vault and lit by two tall windows. The solemn architecture is accompanied by first quality furnishings: wooden wardrobes for the codes, carved by the famous Barili; floor in triangular majolica tiles with the increasing of Piccolomini (redone in the nineteenth century) [1] ; a stucco aedicule with the Expulsion from the Terrestrial Paradise above the entrance portal, derived from the relief of Jacopo della Quercia in the Fonte Gaia and perhaps of the Marrina or of an anonymous sculptor of the time.
Moreover, the cardinal made available, from the Roman palace of the family, the famous ancient marble of the Three Graces , for which a base was carved by Giovanni di Stefano . It is a Roman copy of the III century from a Greek original, perhaps pictorial, referable to the Hellenistic age. Although Pius II's books never reached Siena, today there are a series of chorales and antiphonaries miniated especially by Liberale da Verona and Girolamo da Cremona (sixties and seventies of the fifteenth century ), but also by Sano di Pietro , Pellegrino di Mariano , Guidoccio Cozzarelli, owned by the Cathedral Chapter and the Santa Maria della Scala Hospital.
The Stories of Pius II marked the apotheosis of the fifteenth-century narrative style, in the most elegant version, pervaded by Flemish suggestions. The effect is that of a rational and stable order, made up of certainties, which still reflected that way of thinking that would have been put into crisis by the dramatic decline of the Lanzichenecchi. The result was grandiose, but already overwhelmed, at the time of completion, by the pursuit of new renewals in art, which, although distant, would soon become disruptive and irreversible. just think that in 1507 Raphael created the Deposition Borghese and Michelangelo was preparing to sign the contract for the vault of the Sistine Chapel.
( Siena - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Siena . Through a series of videos we will try to show you recommended places to visit in Siena - Italy
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Storia - Siena: città e libreria Piccolomini
La storia della città di Siena, divisa in contrade e costruita intorno a due nuclei corrispondenti ai due poteri separati, quello religioso con la Piazza del Duomo e quello politico con la Piazza del Campo.
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Biblioteca Piccolomini, Siena, Itália
Biblioteca Piccolomini Siena Duomo
The Piccolomini Library is inside the monumental setting of the cathedral of Siena . Located in the left nave, before the transept, it was built in 1492 by the Archbishop of Siena, Cardinal Francesco Piccolomini Todeschini (then Pope Pius III ) to preserve the rich library of books collected by his uncle Pope Pius II .
Between 1502 and 1507 it was completely frescoed by Pinturicchio with the aid of several painters including the Bolognese Amico Aspertini and the young Raffaello Sanzio. - Wikipedia
IL DUOMO DI SIENA E LA LIBRERIA PICCOLOMINI
SIENA - Duomo, Libreria Piccolomini, Cripta e Battistero 24.06.2015
Libreria Piccolomini Siena Duomo
Biblioteca Piccolomini Catedral de Siena 09/08/2016
Esta dentro de la catedral. Sí, la Catedral es enorme!
Duomo di Siena, svelati i restauri della Libreria Tolomei
Un tesoro custodito all’interno dello scrigno, unico, del Duomo di Siena. Sono stati svelati al pubblico i restauri della Libreria Piccolomini che si trova sulla navata sinistra della cattedrale senese. Si tratta di due vetrate, sul fondo della libreria, che partecipano all’esaltazione dello stemma della famiglia Piccolomini. Da qui parte il viaggio nella pittura rinascimentale che arricchisce il locale con un ricco ciclo di affreschi e di codici miniati sulla storie di Papa Pio II, appunto Enea Silvio Piccolomini. Il secondo restauro riguarda infatti il primo di questi affreschi, in cui si vede il giovane Enea Silvio mentre si muove a cavallo verso il Concilio di Basilea, realizzato da Pinturicchio con il contributo del suo giovane compagno di bottega, Raffaello.
Libreria Piccolomini (Duomo di Siena)
19 ottobre 2012
Libreria Piccolomini all'interno del duomo di Siena
Pinturicchio, Siena, Libreria Piccolomini (manortiz)
The Piccolomini Library, a Treasure within a Treasure
Where you'll find more than black and white in Siena
So you've stepped into the cathedral and need a few moments to accustom yourself to the richness of the interiors. From the amazing, works of art made in the pavements to the black and white marble columns, you don't really know where to start. Take one piece at a time and work yourself halfway into the cathedral, then head to your left to the Piccolomini Library.
If you're wondering what a library is doing within the Siena Duomo, we first have to start off explaining the importance of the Piccolomini name in Siena. You've likely already seen it both in Siena and in the area, particularly if you've also visited Pienza in the Val d'Orcia which is where the family was from.
Enea Silvio Piccolomini served as mediator in trying to reconcile Emperor Frederick III with the papal state while helping arrange the emperor's marriage to Eleonora of Aragon as well as his coronation in Rome. He was instrumental in making all this come about: he was rewarded by becoming the Bishop of Trieste in 1447 and later, the Bishop of Siena in 1450. Very popular and having achieved much success in Rome, he became cardinal in 1456 and, just two years later, was elected as Pope Pius II.
So you might see he was a might powerful person and why he has this space in the cathedral dedicated to him and, as a consequence, to the family. The Library itself was built by Pope Pius II's nephew, also a cardinal who also later became Pope Pius III (seeing a trend here? Who knows how those conclave or Holy Spirit worked back then...), the library was in memory of his uncle and to conserve the rich collection of manuscripts he had lovingly collected.
Head to the library not so much to admire the manuscripts since the collections never really made it here, even if several beautiful, hand designed volumes are set out, but to admire the frescoes by Pinturicchio and his workshop, which included the young Raffaello Sanzio. Admire the colors, the luxuriously dressed figures and detail of each participant, the fine indoor settings, detailed landscapes and clothes. If you're an art student or aficionado, admire the mastery of perspective in the painted columns that frame each scene and in the backgrounds. The walls are divided into 10 scenes representing various important stages in the life of Pope Pius II, including the ones mentioned above: as ambassador to European courts, paying homage to the new Emperor and then to the ailing Pope, presenting Eleonora to the Emperor Frederick III (above), becoming cardinal and then pope, and several others.
The ceiling itself offers another impressive view with its main rectangle and half voltas painted in blue, red and gold with grotesque designs. The family stem is obviously at the center - take a look, if you search for the half moon symbols across the room and in the frescoes you'll start seeing them everywhere!
In the middle of the room, take a few moments to admire the beautiful copy of The Three Gracesfrom Roman times, based on the more ancient original that dates back to the Hellenistic period (4th-2th century BC)
Pienza, la città ideale - Siena - Toscana - Italia.it
La splendida città di Pienza, in Val d'Orcia (Siena - Toscana), deve la sua bellezza e la sua fama ad una figura che ha segnato profondamente la storia del Rinascimento italiano.
Papa Pio II (Enea Silvio Piccolomini) volle dar vita alla sua Città Ideale, un luogo in cui l'uomo potesse vivere in armonia con se stesso e con la natura. La sua idea fu quella di incastonare il centro rinasimentale all'interno del vecchio borgo medioevale sfruttando il primo piano regolatore della storia, commissionato dal Papa all'architetto italiano Leon Battista Alberti.
Pienza, la città di Pio, vede nella Cattedrale e nel Palazzo Piccolomini i suoi emblemi.
Spostandosi a Siena è possibile visitare la libreria Piccolomini, all'interno del Duomo, dove vengono magistralmente narrati i momenti cruciali della vita di Pio II attraverso magnifici affreschi del Pinturicchio che ricoprono le pareti.
Inside Piccolomini Library - Siena, Italy
This is a walk-around view of the stunning Piccolomini Library inside the Duomo in Siena, Italy, done to honour Pope Pius II.
The floor of the carthedral of Siena
Piccolomini Library, Siena
The Piccolomini Library is inside the Duomo in the city of Siena, Tuscany, Italy. The walls are painted with a beautiful frsco cycle by the Umbrian painter, Pinturicchio (this translates as rich painter) depicting the life of the Renaissance pope, Pius II. Siena is around an hour's drive from many of Gorgacce Rentals' villas on the Tuscany Umbria border.
Siena: Cathedral, Baptistry and Crypt
Siena Cathedral was originally designed and completed between 1215 and 1263 at a time when Siena was vying for power between Pisa and Florence. Siena had the most splendid Cathedral until The Duomo’s dome was finished by Brunelleschi. It remains a splendid Cathedral today and one of the best in all Italy. The lantern atop the dome was added by Gian Lorenzo Bernini.
A who’s who of artists have contributed to The Cathedral, especially for the patron: Cardinal Enea Silvio Piccolomini, who eventually became Pope Pius II. The Piccolomini library includes amazing frescoes by Pinturicchio and The Piccolomini Altar contains two sculptures by Michelangelo. He was supposed to carve six but got out of that commission as he did so many others.
The Baptistry or Battistero di San Giovanni contains a Baptismal Font for which six bronze reliefs were made by The DREAM Team of 1420’s sculptors, including: Donatello, Ghiberti, and Jacopo della Quercia.
A descent into the very entrails of the Cathedral, leads to an area commonly known as the Crypt and unquestionably one of the most important archaeological discoveries of the past twenty years. Guido da Siena, Dietisalvi di Speme, Guido di Graziano and Rinaldo da Siena painted frescoes remarkable for the brightness of the colors covering not only the frescoed walls but also the columns, pilasters, and capitals.