Hoskings Ranch Julian Ca
Once upon a time, nearly 250 years ago, the materials utilized in the making of this very special home were born; only to be hand chosen centuries later by our meticulous homeowner. Early New England design was exhaustively studied; the objective to be as close to authentic as possible. 19th century Pennsylvania barnwood siding~hand hewn Northern White Pine beams~Pennsylvania Blue (flag)Stone~Long Leaf Yellow Heart Pine flooring, all meticulously installed to replicate the look and feel of the quintessential Craftsman. Built by Sumac, the home site was chosen to maximize views from every room, facilitated by 12 foot high triple hung roll up windows inspired by Jefferson’s Monticello home, that open up as doors segueing to graceful patios and verandas at both the front and back of the home. At the end of the day, kick back on the deck by the fire pit, glass of wine in hand, as the beauty of Hoskings Ranch unfolds before you.
21 beautiful wineries near you
Lake Michigan Shore Wine Trail - 21 wineries for your pleasure in Southwest Michigan.
Top 100 Most Famous Wine Names A to Z (ICONIC WINES)
Looking at the 100 cult wine names in the world, French, Italian, Californian, Australian and more, those rare iconic names, chateaus and wineries, that make us all dream.
Most wine connoisseurs have those in mind and you may want to have them in mind too to consider tasting these wine celebrities at least once in your lifetime. Somewhat this is my personal wine bucket list if you wish, some of these wines I’ve tasted, many of them I haven’t yet but I hope I do someday.
Find the complete list on:
The video lists from A to Z, in alphabetical order, the crus from Burgundy, Bordeaux, Napa Valley, South Africa, Champagne or Australia the most popular and highly-regarded estates on the planet.
The most famous wine names and words in the world as listed here are:
A
Ace of Spades Armand de Brignac by Cattier, Champagne
Angélus (Château), Saint-Emilion Grand Cru
Astralis Shiraz (Clarendon Hills), McLaren Vale, Australia
Ausone Saint-Emilion Grand Cru Classé
B
Beaucastel, Châteauneuf-du-Pape, France
The Beaux Freres Vineyard Pinot Noir, Ribbon Ridge Oregon
Belle Epoque Perrier-Jouet Champagne
Beaulieu Vineyard BV Georges de Latour Private Reserve Cabernet Sauvignon, Napa Valley
Billecart-Salmon Champagne
Bin 707 Cabernet Sauvignon Penfolds, South Australia
C
Calon-Ségur, Saint-Estèphe
Canon Saint-Emilion Grand Cru
Cask 23 (Stag’s Leap Wine Cellars), Napa Valley
Caymus Vineyards Cab Sauvignon, Napa Valley
Casillero del Diablo Reserva Cabernet Sauvignon, Central Valley, Chile
Chambertin Grand Cru (Dom Dujac & other Producers), Cotes de Nuits
Charles Heidsieck Blanc des Millénaires, Champagne
Cheval Blanc
Cloudy Bay Sauvignon Blanc, Marlborough, New Zealand
Corton-Charlemagne (Bonneau du Martray & other wineries), Cote de Beaune
Cristal Louis Roederer, Champagne
Cos d'Estournel, Saint-Estèphe
Côte-Rôtie Brune et Blonde (E. Guigal), Rhône
D
Dom Pérignon, Champagne
Dominus (Estate by Christian Moueix), Napa Valley
Dr. L Riesling (Loosen Bros), Mosel, Germany
Ducru-Beaucaillou (Château), Saint-Julien, France
E
L'Evangile (2012 classification), Pomerol, France
Échezeaux Pinot Noir Grand Cru (Emmanuel Rouget & other producers), Cote de Nuits, France
F
Figeac Saint-Emilion, France
G
Gaja Barbaresco DOCG, Piedmont, Italy
Grange Bin 95 (Penfolds), Australia
Gran Reserva 904 La Rioja Alta, Rioja, Spain
H
Haut-Brion (Château), Pessac-Léognan
Harlan Estate, Napa Valley, USA
Hermitage La Chapelle (Paul Jaboulet Ainé), Rhône
Hill of Grace Shiraz (Henschke), Eden Valley, Australia
I
Insignia Joseph Phelps Vineyards, Napa Valley, USA
Imperial Reserva (Compania Vinicola del Norte de Espana CVNE), Rioja
J
Jordan Winery Cabernet Sauvignon, Alexander Valley, USA
K
Klein Constantia Vin de Constance, Constantia, South Africa
Krug Champagne
L
Lafite Rothschild (classified 1855), Pauillac
La Mission Haut-Brion, Pessac-Léognan
Latour (first growth 1855 classification), Pauillac
Léoville Barton, Saint-Julien
Léoville-Las Cases, Saint-Julien
Léoville Poyferré, Saint-Julien
Lynch-Bages
M
Margaux (Château), Margaux
Masseto, Tuscany, Italy
Mateus The Original Rosé, Portugal
Marques de Riscal Reserva, Rioja
Mas de Daumas Gassac, Languedoc-Roussillon
Meiomi Pinot Noir, California
Miraval Côtes de Provence Rosé, Provence,
Monte Bello Ridge Vineyards, California
Moët & Chandon
Montelena Chardonnay, Napa
Montrose, Saint-Estèphe
Mouton Rothschild , Pauillac,
Musigny ( Leroy & other producers), Chambolle
N
Numanthia Termanthia, Castilla y Léon
O
Opus One, Napa
Ornellaia Bolgheri Superiore, Tuscany
P
Palmer (Château), Margaux
Pavie Saint-Emilion
Pédesclaux, Pauillac
Petrus, Pomerol, France
Pichon Longueville Comtesse de Lalande, Pauillac
Pingus (Dominio), Ribera del Duero
Pol Roger Champagne
Pontet-Canet, Pauillac
Q
Quinta do Noval ‘Nacional’ Vintage Port, Douro Valley
Quintessa Red, Rutherford
R
Rayas Châteauneuf-du-Pape
Richebourg Grand Cru (Domaine de la Romanée-Conti DRC), Bourgogne
Romanée-Conti Grand Cru
Romanée-Saint-Vivant Grand Cru (Sylvain Cathiard)
Rubicon (Meerlust Estate), Stellenbosch, ZA
S
Sassicaia Bolgheri (Tenuta San Guido), Tuscany
Salon Cuvée S Le Mesnil, Champagne
Scharzhofberger Riesling (Egon Muller & other wineries), Mosel, Germany
Screaming Eagle, Napa
Silver Oak Cellars
Sine Qua Non (cult winery), California
Shafer Vineyards Hillside Select Cabernet Sauvignon, Stags Leap District
Solaia (Marchese Antinori), Tuscany
T
La Tâche Grand Cru Monopole
Taittinger, Champagne
Talbot, Saint-Julien
Tignanello (Marchesi Antinori), Tuscany
Tinto Pesquera Crianza (Bodegas Alejandro Fernandez), Ribera del Duero
U
Unico Gran Reserva (Bodegas Vega Sicilia), Ribera del Duero
V
Veuve Clicquot, Champagne
Vieux Chateau Certan, Pomerol
W
Wehlener Sonnenuhr Riesling Weingut Joh. Jos. Prum, Mosel
Y
Yellow Tail, Australia
d'Yquem, Sauternes
Z
Zind-Humbrecht Riesling Rangen de Thann Clos Saint Urbain, Alsace
Zenato Amarone della Valpolicella Classico, Verona
#JulienWineSchool
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John Gerzema: The post-crisis consumer
John Gerzema says there's an upside to the recent financial crisis -- the opportunity for positive change. Speaking at TEDxKC, he identifies four major cultural shifts driving new consumer behavior and shows how businesses are evolving to connect with thoughtful spending.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes. Featured speakers have included Al Gore on climate change, Philippe Starck on design, Jill Bolte Taylor on observing her own stroke, Nicholas Negroponte on One Laptop per Child, Jane Goodall on chimpanzees, Bill Gates on malaria and mosquitoes, Pattie Maes on the Sixth Sense wearable tech, and Lost producer JJ Abrams on the allure of mystery. TED stands for Technology, Entertainment, Design, and TEDTalks cover these topics as well as science, business, development and the arts. Closed captions and translated subtitles in a variety of languages are now available on TED.com, at Watch a highlight reel of the Top 10 TEDTalks at
Guest Speaker: William Adams
Bill Adams is the founder of MaxComm Inc. He brings thirty years of leadership-development experience to his clients, the CEOs of major Fortune 500 corporations as well as venture-capital start--up businesses. As a leadership coach and mentor, he works with CEOs and other senior executives in the areas of strategy, alignment, communications and relationships. Mr. Adam's expertise is working with clients to lead large--scale change and cultural transformation within their organizations. Paramount to his success is his ability to partner with CEOs to create a compelling message and engage senior executives in committing to change. His experience and work span many different industries including energy, utilities, telecommunications, travel and finance. Author of The Whole Systems Approach: Involving Everyone in the Company to Change and Transform Your Business, he has defined and implemented Maxcomm's change methodology for numerous organizations with long--term, measurable results.
Mr. Adams has a bachelor's degree in speech communication from USU and master's degree in interpersonal and organizational communication from the University of Montana. While at Utah State, he was involved in ASUSU, Sigma Nu and received the Personality of the Year award in 1978. Mr. Adams has given mostly through MaxComm. The majority of the money supports Athletics, but they have also given to Communications and the Jon M. Huntsman School of Business .
He and his wife, Cindy, reside in Sandy, Utah. They support the Maxcomm Scholarship in the Jon M. Huntsman School of Business.
Suspense: The X-Ray Camera / Subway / Dream Song
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
2018 Quinnipiac University Undergraduate Commencement - Business
On May 19, 2018, Quinnipiac University held its 2018 Undergraduate Commencement for the School of Business.
Suspense: Beyond Good and Evil / Summer Storm / A Shroud for Sara
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Lucinda Williams
Lucinda Williams (born January 26, 1953) is an American rock, folk, blues, and country music singer and songwriter.
She recorded her first albums in 1978 and 1980 in a traditional country and blues style and received very little attention from radio, the media, or the public. In 1988, she released her self-titled album, Lucinda Williams. This release featured Passionate Kisses, a song later recorded by Mary Chapin Carpenter, which garnered Williams her first Grammy Award for Best Country Song in 1994.
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Brenda's Beauty Blog | Tube Life S01 * E41 on Puša Studios
Hailing from the USA, Brenda has grown her cannel hitting 1K in just the last week! As the channel name states, Brenda's channel is all about looking and feeling great with makeup reviews, Hauls, tutorials and more!
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Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)