The Shocking Case of O.J. Simpson
Did O.J. really do it? Presented by Trial & Error. Tuesdays 9/8c only on NBC.
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O.J. Simpson Attends Bail Hearing On Robbery Charges
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(YEARENDER 13) O.J. Simpson looks at a new pair of
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Malibu City Council Meeting November 12, 2019
San Francisco Bay Area
The San Francisco Bay Area, commonly known as the Bay Area, is a populated region that surrounds the San Francisco and San Pablo estuaries in Northern California, United States. The region encompasses the major cities and metropolitan areas of San Francisco, Oakland, and San Jose, along with smaller urban and rural areas. The Bay Area's nine counties are Alameda, Contra Costa, Marin, Napa, San Francisco, San Mateo, Santa Clara, Solano, and Sonoma. Home to approximately 7.44 million people, the nine-county Bay Area contains many cities, towns, airports, and associated regional, state, and national parks, connected by a network of roads, highways, railroads, bridges, tunnels and commuter rail. The combined urban area of the region is the second-largest in California (after the Greater Los Angeles area), the fifth-largest in the United States, and the 56th-largest urban area in the world.
The United States Office of Management and Budget (OMB) does not use the nine-county definition of the San Francisco Bay Area. The OMB has designated a more extensive 12-county Combined Statistical Area (CSA) titled the San Jose-San Francisco-Oakland, CA Combined Statistical Area which also includes the three counties of San Joaquin, Santa Cruz, and San Benito that do not border San Francisco Bay, but are economically tied to the nine counties that do.
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Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The 25th Stamp / The Incorrigible Youth / The Big Shot
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: Gildy's Campaign HQ / Eve's Mother Arrives / Dinner for Eve's Mother
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
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Washington DC, Consumer Credit Counseling Service | (888) 551-1270
Washington, District of Columbia Free Consumer Credit Counseling Service call (888) 551-1270 Credit Repair, Bankruptcy Counseling, Foreclosure Prevention, Student Loan Debt Consolidation, Wage Garnishment and Vehicle Repossession solutions, Mortgage Loan Modification, and Debt Settlement through chapter 13. Credit counseling starts with the parent and may include intermediaries later in life empowered by the individual debtor to act on their behalf to negotiate with creditors and resolve debt that is beyond a debtor’s ability to pay. Credit counseling is a generic name and is not a brand name owned or controlled by any agency or company. Consumer credit counseling services are provided by attorneys, accountants, finance and tax professionals, for-profit, and non-profit credit counseling companies. Regulations on credit counseling and credit counseling agencies varies by country and sometimes within regions of the countries themselves.
AIR Dibrugarh Online Radio Live Stream
ALL INDIA RADIO: DIBRUGARH
PROGRAMME SCHEDULE: FOR THURSDAY 02.01.2020 & FRIDAY 03.01.2020
M.W 529.1m/KHz.567 F.M. 101.30 MHz
PROGRAMME SCHEDULE: FOR THURSDAY 02.01.2020
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28AIR Signature Tune/Opening Announcement
3.30 Mishing Geet: Artist: Moneswar Chayengia
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wanchoo
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summery
6.10 Vrindagaan:
6.15 LAKHIMI: (Gaya Mahilar Anusthan)
6.45 Sandhiyar Anchalik Batori
6.55 Aajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “YUVABANI”: (Youth Programme) Amar Atithi Shilpi Interview with Ankur Ranjan Phukan
7.45 Adhunik Geet: Artist: Ditimoni Baruah
8.00 Time & Meter Reading: Sponsored Programme: GYANMALINI, Dibrugarh University:
8.30 Gnan Bijnan Talk on “Popiya Torar Kotha” By Dr. Pranabjyoti Chaliha Part-1
8.40 Programme Highlight
8.42 Commercial Spot:
8.45 Samachar Sandhya:
9.00 News at Nine
9.15 Commercial Spot:
9.16 Bare Rahania: (New Year Special Chorus)
9.25 Nichar Anchalik Batori:
9.30 National Prog. Of Regional Folk & Light Music
10.00 Classical Music: (Sitar) (Stand by) Artist: Pt. Mani Lal Nag Rag: Manj Khamaj & Dhun
10.30 Close Down.
PROGRAMME SCHEDULE: FOR FRIDAY 03.01.2020
TRANSMISSION I (5.28 PM to 09.35 AM)
5:28 AIR Signature Tune:
5:30 Vandemataram/Opening Announcement Mangal Badya
5:35 Bhaktigeeti: 1. Artist: Romen Dutta (Borgeet-Madhabdev) Porobhate Shyam Kanu… 2. Artist: Arun Ch. Bora (Naam Prasanga) Potit Pawon… 3. Artist: Ashish Khound (Lokageet) He Probhu… 4. Artist: Umakanta Boiragi & Pty (Tokarigeet) Dehot Jilikala… 5. Artist: Sangita Chamua (Bhajan-Meera Bhajan) Koruna Chun-Cham…
6:00 News in Hindi
6:05 Gandhi Chinta & Programme Summary
6:10 Swasthya Charcha: Interview on “Jaundice” With Dr. Bipul Ch. Kalita Part: III
6:15 Bidyarthir Anusthan:
6:30 Gandhi Prarthana
6: 45 Folk Music: (Zikir) Artist: Altaf Ahmed & Pty
7: 05 News in Assamese
7: 15Ajir Dinto: /(Morning Information Service)
7.30 Quotation: GEETANJALI: 1.Artist: Ranjita Baruah Lyc: Samsuddin Ahmed Nisthur Aghatot…2. Artist: Runjun Baruah Phukan Lyc: Geeta Hatikakoti Samay Balit…. 3. Artist: Ruby Sinha Lyc: Dwijendra Mohan Sarmah Bon Polakhore…4. Artist: Rumi Anjana Dutta Lyc: Dinesh Baishya Sharator Prothom… 5.Artist: Reeta BaruahLyc: Nirmal Prabha Bordoloi Aag Phagunor…
7:55 Commercial Spot:
8:00 Samachar Prabhat:
8:15 Morning News:
8:30 North East News Bulletin in English:
8:35 “SURAR PANCHOI” (Composite) Assamese Film Songs
8:50 Puwar Anchalik Batori:
9:00 Jilar Rehrup:
9:05 “ANTARA” (Composite) Hindi Film Songs/
9.35 Close Down.
TRANSMISSION II (11.28 AM to 3.30 PM)
11.58 AIR Signature Tune/Opening Announcement
12.00 News in English
12.05 LIVE PHONE IN SURAR SATSORI (Live Phone in Request Programme)
1:00 News in English:
1:05 News in Hindi :
1:10 Troops Programme/
1.40 News in Assamese
1:50 Adhunik Geet: Artist: Dolly Ghosh Sadhya
2.00 Khetir Diha
2.05 Ghazal: Artist: Ashok Khosla
2.15 Dopahar Samachar
2.30 Western Music:
3.00 Close Down.
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/Opening Announcement
3:30 Deori Song: Artist: Indian Deori & Pty
3:45 Programme in Mijumishimi
4:05 Porogramme in Khampti
4:25 Programme in Wanchoo
4:45 News in Hindi
4.55 News in English
5:00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6:00 Anchalik Batori
6.05 Programme Summary & Highlight
6.10 Vrindagaan:
6.15 “GANYA RAIJOR ANUSTHAN” (Rural Programme) /Interview on “Hinamanyata Aru Atma Biswas” With Dr. Saumitra Ghosh
6:45 Sandhiyar Anchalik Batori
6:55 Ajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “CHAH SRAMIKAR ASOR”/ (T.G. Programme)/ Variety Programme Presented by the Students of AMC Girls Hostel On the occasion of New Year
7.45 Adhunik Geet: Artist: Dolly Ghosh Sadhya
8.00 Time & Metre Reading: Jivanar Digh Bani (Radio Autobiography) Interview with Bhogeshwar Baruah (Renowned Athlete & Recipient of “Arjun” Award) Interviewer Rupjyoti Dowerah
8.30 University B’cast Talk on “Man in Society” By Ashimabha Dutta
8.40 Programme Highlight
8.42 Commercial Spot:
8.45 Samachar Sandhya:
9.00 News at Nine:
9.15 Commercial Spot:
9:16 Bare Rahania: (Lokageet) Artist: Bhupen Hazarika
9:25 Nishar Anchalik Batori
9.30 Assamese & Hindi Film Song Film: Raja Harichandra, Arpan, Rajani Gondha, Prem Rog, Rangdhali, Shan
10.00 Classical Music: (Vocal) Artist: Pradyut Mishra Rag: Bihag
10.30 Close Down
NOTE: SCHEDULE IS SUBJECT TO CHANGE
AIR Dibrugarh Online Radio Live Stream
AIR Dibrugarh Online Radio Live Stream
The Great Gildersleeve: Laughing Coyote Ranch / Old Flame Violet / Raising a Pig
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.