Chamber philharmonia Cologne
German Orchestra playing at St. Finbar's Cathedral in Cork, Ireland. A truly magnificent concert.
Cologne Cathedral - Kölner Dom - Plenum of 11 Bells ????
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Part 1 - Recording on each bell - 00:04
Part 2 - Plenum (All Bells Ringing) - 05:18
This cathedral has 11 bells.
The Bordon's cathedral bell is the greatest in Germany.
The weight of bells:
280kg
425kg
763kg
830kg
1400kg
2110kg
2550kg
3800kg
5500kg
10500kg
24000kg
The note of bells:
E2
H1
GIS1
G1
E1
D1
C1
H0
A0
G0
C0
#CathedralBells #CologneBells #RaydenMizzi
At the church for John's baptism in Cologne, Germany, Part 3.
Places to see in ( Cologne - Germany ) Shrine of the Three Kings
Places to see in ( Cologne - Germany ) Shrine of the Three Kings
The Shrine of the Three Kings, Tomb of the Three Kings, or Tomb of the Three Magi is a reliquary traditionally ascribed as containing the bones of the Biblical Magi, also known as the Three Kings or the Three Wise Men. The shrine is a large gilded and decorated triple sarcophagus placed above and behind the high altar of Cologne Cathedral. It is considered the high point of Mosan art and the largest reliquary in the western world.
The relics of the Magi were originally situated at Constantinople, but brought to Milan in an oxcart by Eustorgius I, the city's bishop, to whom they were entrusted by the Emperor Constantine in 314. The relics of the Magi were taken from church of Saint Eustorgio in Milan by Holy Roman Emperor Fredrick Barbarossa and given to the Archbishop of Cologne, Rainald of Dassel, eight centuries later, in 1164. The Three Kings have since attracted a constant stream of pilgrims to Cologne.
The Shrine of the Three Kings is approximately 43 inches (110 cm) wide, 60 inches (153 cm) high, and 87 inches (220 cm) long. It is shaped like a basilica: two sarcophagi stand next to each other, with the third sarcophagus resting on their roof ridges. The ends are completely covered, so there is no space visible between the sarcophagi. The basic structure is made of wood, with gold and silver overlay decorated with filigree, enamel, and over 1000 jewels and beads. The latter include a large number of cameos and intaglio pieces, some pre-Christian.
The entire outside of the shrine is covered with an elaborate decorative overlay. There are 74 high relief figures in silver-gilt in all, not counting smaller additional figures in the background decoration. On the sides, images of the prophets decorate the lower part, while images of the apostles and evangelists decorate the upper part. On one end, there are (across the bottom, from left to right) images of the Adoration of the Magi, Mary enthroned with the infant Jesus, and the Baptism of Christ, and above, Christ enthroned at the Last Judgement. The other end shows scenes of the Passion: the scourging of Christ (lower left) and his crucifixion (lower left) with the resurrected Christ above. This end also has a bust of Rainald of Dassel in the center.
( Cologne - Germany ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Cologne . Through a series of videos we will try to show you recommended places to visit in Cologne - Germany
Join us for more :
Romanic church: St. Maria im Kapitol (Köln, Cologne)
Sveta Marija na Kapitolu je jedna od dvanaest romaničkih crkava u Kölnu.
Sie ist eine der zwölf romanischen Basiliken in der Altstadt Kölns.
Aerialmovie St. Johann Baptist zu Herrenstrunden, (Rollei bullet S5)
Ein paar Luftaufnahmen von der wunderschönen Kirche im Bergischen Land.
A few aerial photos of the beautiful church in the Bergische Land.
AJKB Excursion to Köln 26.04.2015
Our First big excursion to Köln with the Assyrian Youth Group in Kreis Borken Germany
Chamber Philharmonia Cologne
Performance by Chamber Philharmonia Cologne at the St Michael & All Angels Church, Christchurch on 18.02.2014.
I don't know the title of this work. But sounds quite familiar to me. If anyone knows the the title, please let me know.
Ferdinand Hiller, Ouverture Ein Traum in der Christnacht
Ferdinand Hiller, Ouverture Ein Traum in der Christnacht
R. Schumann Philharmonie, Chemnitz
Dieter-Gerhard Worm, conductor
Ferdinand (von) Hiller (24 October 1811 – 11 May 1885) was a German composer, conductor, pianist, writer and music director.
Ferdinand Hiller was born to a wealthy Jewish family in Frankfurt am Main, where his father Justus (originally Isaac Hildesheim, a name that he changed late in the 18th century to conceal his Jewish origins) was a merchant in English textiles – a business eventually continued by Ferdinand’s brother Joseph. Hiller’s talent was discovered early and he was taught piano by the leading Frankfurt musician Alois Schmitt, violin by Jörg Hofmann, and harmony and counterpoint by Georg Jacob Vollweiler; at 10 he performed a Mozart concerto in public; and two years later, he produced his first composition.
In 1822, the 13-year-old Felix Mendelssohn entered his life. The Mendelssohn family was at that time staying briefly in Frankfurt and the young Hiller visited them where he was immensely impressed by the playing of Felix (and even more so by that of his sister Fanny Mendelssohn). When their acquaintance was renewed in 1825 the two boys found an immediate close friendship, which was to last until 1843. Hiller tactfully describes their falling out as arising from social, and not from personal susceptibilities. But in fact it seems to have been more to do with Hiller’s succession to Mendelssohn as director of the Leipzig Gewandhaus Orchestra in 1843.
From 1825 to 1827, Hiller was a pupil of Johann Nepomuk Hummel in Weimar; while he was with Hummel at Beethoven’s deathbed, Hiller secured a lock of Beethoven's hair. From 1828 to 1835, Hiller based himself in Paris, where he was engaged as teacher of composition at Choron's School of Music.
In addition to Mendelssohn, he attracted the attention of Rossini who assisted him to launch his first opera, Romilda (which was a failure), at Milan. Mendelssohn obtained for Hiller an entrée to the Gewandhaus, and afforded an opportunity for the public presentation of Hiller's oratorio Die Zerstörung Jerusalems (The Destruction of Jerusalem, 1840). After a year of study in Church music at Rome, Hiller returned to Leipzig, and during the season of 1843-44 conducted the Gewandhaus concerts. By this time his position in the musical world was established, and honors and appointments were showered upon him. In 1845 Robert Schumann dedicated to Hiller his piano concerto. Hiller became municipal kapellmeister of Düsseldorf in 1847, and in 1850 received a similar appointment at Cologne, where he founded Cologne Conservatoire that year and remained as Kapellmeister until 1884. During this time, he was twelve times festival director of the Lower Rhenish Music Festival, and conducted the Gürzenich concerts. He worked in Dresden as well. Thus he played a leading part in Germany's musical life. And he was conductor at the Italian Opera in Paris during the season of 1852-53.
The music on my channel is meant to introduce a large audience to music by unknown classical composers and unknown classical music by famous composers in the music period of about 1870 till about 1970.
The program presents works by relatively unknown composers and unknown music by well-known composers and has no commercial purposes.
Tens of thousands of people around the world learn about unknown music through our channel (educational task) and unite the people from the many countries who give their comments and reactions. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
EPK Henning Sieverts Symmethree: Triple B feat. Nils Wogram (tb) & Ronny Graupe (git)
EPK Henning Sieverts Symmethree: Triple B feat. Nils Wogram (tb) & Ronny Graupe (git), recorded live and in studio june 14,15 and 16, 2019 at Loft Cologne (Germany)
Henning Sieverts, an acclaimed German composer, bass and cello player, is sending off his longstanding trio „Symmethree“ on a new journey through symmetric landscapes. Together with interrnationaly renowned trombonist Nils Wogram and 7-string-guitarist Ronny Graupe, „Henning Sieverts Symmethree“ takes a bow to the timeless art of Johann Sebastian Bach, with its third CD production „Triple B“.
Since Sieverts´ early childhood, Bach has been a constant companion, with church concerts, cantatas, passions and – above all – the six suites for violoncello solo.
Obviously Sieverts is not the first (jazz) musician to deal with Bach but he is following an unusual, highly personal approach.
While Jacques Loussiers „Play Bach“ preserves the barock originals, only underlaying them with a swinging beat, Sieverts creates his own music using mainly Bach´s name: the four note motif B(b)-A-C-H which appears in various forms: melody, bass line, chords,etc.
Within the octave, the B(b)-A-C-H motif can be transposed two times: to D-C#-E-Eb and to Gb-F-Ab-G.
With these three four-tone-motifs, Sieverts gets a great variety of twelve tone rows –Triple B(ach) in deed!
In addition, „Triple B“ recalls, in an ironic sense, the language of rating agencies, grading the creditworthiness of states. While „Triple A“ means best mark, „Triple B“ is already junk level. What a promising grading!
Beside B(b)-A-C-H, Sieverts pays tribute to a few Bach masterpieces like the „Sarabande“ from the fifth suite for violoncello solo in c minor.
In general, Sieverts tries to transmit the „special mood“ of Bachs music into his own: not only Bachs clarity, swing and structuring but also his severity, and beyond all this remains pure beauty!
Taizé Nacht der Lichter in Köln mit Frère Alois
domradio.de überträgt die Nacht der Lichter aus St. Agnes am 04.03.12 ab 18 Uhr. Live on sunday from St. Agnes-Church in Cologne/Germany. Taizé-Prayer with Frère Alois. Live-Stream on domradio.de, 6 pm
Cologne Bell tower
Recorded on May 31, 2010 using a Flip Video camcorder.
St. Kunibert Koln - Organ Concert inopinat
Stuttgart St. Johannes
Sonderplenum 2007
cis'
dis'
fis'
gis'
BERNICE EHRLICH Live @Cologne – Altes PFANDHAUS – Franz Schubert – Der Lindenbaum
Great performance of BERNICE EHRLICH (Johannes Grote – Piano) at Deutsch-Georgische-Begegnungen (German-Georgian Encounters) at Altes Pfandhaus in Cologne, Germany.
The official Deutsch-Georgisches Jahr (German-Georgian Year), is a cultural event in 2017/2018 under the motto Inheriting the Future, which is organized in Georgia and Germany by the Deutsche Pressering e.V.
Further information:
Deutsch-Georgische-Begegnungen (German-Georgian Encounters) is a forum for interested people from both countries to know each other's culture and way of life even better and to make personal friends.
The festival includes a top-class cultural program with performances from music, dance, theater, literature and fine arts.
Altes PFANDHAUS is a popular event house located in the Vringsveedel (South Town) of Cologne just a few steps from Saint Severin. Saint Severin is the oldest church in Cologne and dates back to the 4th century.
BERNICE EHRLICH is one of the most sought-after singers in Cologne and works among others as soloist in the musical productions Best of Musical Starnights and the Musical and Operetta Gala.
Further information:
Chamber Philharmonia Cologne @ St. Ann's Church Dublin
Small glimpse at the awesome performance of the Kammer Philharmonie Köln at St. Ann's on August 5th, 2010. With solist Ana Palacios playing the Suite No.2 in B Minor for flute and orchestra from J. S. Bach.
La cathedral de cologne
Scene aus dem Film - Wie ich nach Köln kam
Elisabeth Fügemann cellö
Cologne Cathedral Treasure - Ave Maria, Johann Sebastian Bach
Fotos aus der Schatzkammer des Kölner Doms 6.3.2017
Musik: Ave Maria von Johann Sebastian Bach.
Fotos of the treasury of the Cologne Cathedral March 6th, 2017
Music: Ave Maria of Johann Sebastian Bach
Produziert mit CyberLink PowerDirector 12
Cologne Cathedral Stills
Cologne Cathedral Still Pics
(Handle - Concerto Grosso Op. 6-12 in B minor - Allegro)
Johann Valentin Rathgeber (1682-1750) - Missa Sanctorum Apostolorum (1738)
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Composer: Johann Valentin Rathgeber (1682-1750)
Work: Missa Sanctorum Apostolorum (1738)
Performers: Kammerchor des Hans Sachs-Chores Nürnberg; Fränkisches Kammerorchester Nürnberg; Wolfgang Riedelbauch
Missa Sanctorum Apostolorum, Opus XIX (1738)
01 Kyrie 0:00
02 Gloria 4:25
03 Concerto, Allegro-Adagio-Allegro 12:29
04 Credo 16:38
05 Sanctus 23:55
06 Benedictus 25:30
07 Agnus dei 28:12
Drawing: Daniel Marot (1661-1752) - Design for a Ceiling (c.1712)
Further info:
Listen free: No available
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Johann Valentin Rathgeber
(Oberelsbach, 3 April 1682 - Banz, 2 June 1750)
German composer. He received his earliest musical education from his father, who held the combined posts of village organist and schoolmaster. In 1701 he entered the University of Würzburg to study theology, and in 1704 became a schoolmaster and organist at the Juliusspital in Würzburg. He went to the Benedictine abbey of Banz early in 1707 as chamber musician and servant to the abbot, and by the end of the year had become a novice. In 1711 he was ordained, and about the same time was appointed choirmaster at Banz, a post which he held, with one interruption, for the rest of his life. In 1721 the Augsburg firm of Lotter issued the first of his many publications, a volume of masses. Eight years later, when he had established a considerable reputation as a composer of church music, he sought permission to leave Banz for a European tour; he was refused and left without it. He visited Würzburg, Augsburg, Bonn, Cologne, Trier and Benedictine houses in Swabia and around Lake Constance. One of his reasons for making this tour seems to have been to gather information about performance conditions and liturgical customs in the Catholic areas of Germany; in the preface to his op.9 Vespers he said that he had added settings of the Compline psalms as, though sung Compline was not customary in his part of Germany, it was more common in the Rhineland and he had been asked to provide music for it. He also turned his attention to secular vocal music. The first two volumes of the Ohren-vergnügendes und Gemüth-ergötzendes Tafel-Confect, a collection of popular songs which he edited and arranged, were published by Lotter in 1733 and 1737 respectively. Although he was reinstated as choirmaster after his return to Banz and readmission to the community, Rathgeber produced no more church music after 1739. He continued to work on the Tafel-Confect, whose last volume appeared in 1746, and in 1743 his last original composition was published, a set of short and simple keyboard pieces. He died in 1750 after a long illness.