Deutsche Oper Berlin ベルリン・ドイツオペラ
Places to see in ( Berlin - Germany ) Deutsche Oper Berlin
Places to see in ( Berlin - Germany ) Deutsche Oper Berlin
In the Deutsche Oper Berlin, the city’s largest opera house, you can enjoy world-renowned operas with a great view of the stage from all 2000 seats. Behind its linear design and unadorned façade, the Deutsche Oper Berlin presents the world of opera to a broad audience of music lovers. Inside, the architectural elements focus on the essentials, with all seats in the auditorium offering an unimpeded view of the stage. The spacious foyers are ideal for a stroll, a drink or a snack in the interval, and the impressive façade windows provide a view out across the vibrant Bismarckstraße. But the star here, naturally, is opera – with the Deutsche Oper Berlin showcasing stunning productions of the best in grand opera.
Traditionally, the Deutsche Oper Berlin is home to classical nineteenth-century opera, in particular Verdi, Puccini, Wagner and Strauss. But the spectrum of works also regularly includes French composers and Italian bel canto operas, as well as rediscovered works from the early twentieth century. For the 2017|18 seasons, General Manager Dietmar Schwarz and Scottish conductor Donald Runnicles, the General Music Director, are also planning new productions of works by Giacomo Meyerbeer and Benjamin Britten.
Together with the grand opera repertoire, there is now a new emphasis on showcasing contemporary opera composers. Here, the Deutsche Oper Berlin is renowned for its promotion programme dedicated to young talents and enriching the world of opera through its series of commissioned works. Over the years, the Deutsche Oper Berlin has also garnered an enviable reputation for productions by such renowned directors as Götz Friedrich, Hans Neuenfels and Achim Freyer.
Founded in the early 1900s, the Deutsche Oper showcases grand, modern operas for a broad audience. In that democratic spirit, the original auditorium had no opera boxes and all seats offered a good view of the stage. This building, though, was largely destroyed in the Second World War. In the post-war years, a new opera house was constructed on the same site with an auditorium seating nearly 2000. This new venue, designed by architect Fritz Bornemann, remained true to its roots, with all seats offering an unimpaired view of the stage. The new opera house – named the Deutsche Oper Berlin – was inaugurated in 1961 with a performance of Mozart’s Don Giovanni. During the years of a divided Berlin, the Deutsche Oper Berlin was the only opera house in the western part of the city.
( Berlin - Germany ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Berlin . Through a series of videos we will try to show you recommended places to visit in Berlin - Germany
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Wagner: Tristan and Isolde, Act 1 (Deutsche Oper Berlin in Tokyo, 1993)
Recorded in Tokyo in 1993. Produced in High Definition!
René Kollo - Tristan
Robert Lloyd - King Marke
Gwyneth Jones - Isolde
Gerd Feldhoff - Kurwenal
Peter Edelmann - Melot
Hanna Schwarz - Brangäne
Orchestra of the Deutsche Oper Berlin
Chorus of the Deutsche Oper Berlin
Jirí Kout - conductor
Götz Friedrich - stage director
Go to Act 2:
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This performance was recorded in Tokyo during the Deutsche Oper Berlin's 1993 Japan tour in Götz Friedrich's highly respected, much-discussed staging.
Deutsche Oper Berlin - Va, pensiero Gefangenenchor (Nabucco) 2013
Deutsche Oper Berlin - Va, pensiero Gefangenenchor (Nabucco) 2013
Gefangenenchor aus der Oper 'Nabucco' von Giuseppe Verdi
German Opera Berlin:
Chorus of the Hebrew Slaves from the opera 'Nabucco' 3rd act by Giuseppe Verdi
Va, pensiero, sull'ali dorate;
va, ti posa sui clivi, sui colli,
ove olezzano tepide e molli
l'aure dolci del suolo natal!
Del Giordano le rive saluta,
di Sionne le torri atterrate.
O, mia patria, sì bella e perduta!
O, membranza, sì cara e fatal!
Arpa d'or dei fatidici vati,
perché muta dal salice pendi?
Le memorie nel petto raccendi,
ci favella del tempo che fu!
O simile di Sòlima ai fati
traggi un suono di crudo lamento,
o t'ispiri il Signore un concento
che ne infonda al patire virtù
che ne infonda al patire virtù
che ne infonda al patire virtù
al patire virtù.
DEUTSCHE OPER BERLIN + BERLINER PHILHARMONIKER, NOVEMBER 2016
BERLINER PHILHARMONIKER FROM 13:28
Giacomo Meyerbeer at Deutsche Oper Berlin, 2020 [Introduction]
Best of Meyerbeer
You think that the 19th music century was ruled by Giuseppe Verdi and Richard Wagner? Well, before all of them, you should name Giacomo Meyerbeer on the list, the most important and actually most successful composer in the 19th century as well as the inventor of the „Grand opéra“!
From 2 February to 8 March 2020 the Deutsche Oper Berlin will feature three operas of this Berlin composer (LES HUGUENOTS, LE PROPHETE and a concert version of DINORAH OU LE PARDON DE PLOËRMEL) –dramaturge Jörg Königsdorf gives an introduction and knows details.
Best of Meyerbeer – the special:
LES HUGUENOTS
LE PROPHETE
DINORAH OU LE PARDON DE PLOËRMEL
Video by Chris and the FATSOX
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DEUTSCHE OPER BERLIN - ДОЙЧЕ ОПЕРА БЕРЛИН
Дойче опера Берлин в программе АБСОЛЮТНЫЙ СЛУХ.
DEUTSCHE OPER BERLIN in Absolute pitch.
„Ich ging zu ihm“ sung by Sara Jakubiak, Deutsche Oper Berlin 2018 (Highlights)
From: Erich Wolfgang Korngold DAS WUNDER DER HELIANE, directed by Christof Loy, conducted by Marc Albrecht with the Orchestra of Deutsche Oper Berlin.
Aids Gala 2018 - Deutsche Oper Berlin - Bob Geldof
03.11.2018. (English text below). Aids Gala in der Deutschen Oper Berlin. Mit viel Prominenz und bedeutenden Redner, wie z.B. Sir Bob Geldof, der den diesjährigen World Without Aids Award für sein großes soziales Engagement bekam und der noch einmal ermahnte, dass die HIV Erkrankung noch lange nicht besiegt und nach wie vor große Vorsicht geboten ist. Das Deutsche Opern Orchester spielte unter der Leitung von Enrique Mazzola zusammen mit internationalen Sängerinnen und Sängern bekannte Werke der klassischen Musik.
Lesen Sie dazu auch unseren Bericht auf kultur24.berlin
Video von Holger Jacobs für kultur24 TV.
English text
03/11/2018. Aids Gala at the Deutsche Oper Berlin. With much prominence and important speakers, such as Sir Bob Geldof, who received this year's World Without Aids Award for his great social commitment and once again warned that HIV is far from being conquered and that great caution still needs to be exercised. Under the direction of Enrique Mazzola, the German Opera Orchestra played together with international singers well-known works of classical music.
Please also read our report on kultur24.berlin
Video by Holger Jacobs for kultur24 TV.
Die Deutsche Oper Berlin (Raphaelas Welt)
Seit fast 6 Jahren wohnen wir nun fast direkt an der Oper und haben sie am 15. April 2016 zum ersten Mal von innen gesehen: Ballett Romeo und Julia
FIDELIO- Deutsche Oper, Berlin, 1963
Don Fernando – William Dooley
Don Pizarro – Walter Berry
Florestan – James King
Leonore – Christa Ludwig
Rocco – Josef Greindl
Marzelline – Lisa Otto
Jaquino – Martin Vantin
First Prisoner – Barry McDaniel
Second Prisoner – Manfred Röhrl
Berlin Deutsche Opera Chorus and Orchestra
(chorus master: Walter Hagen-Groll)
Arthur Rother, conductor
Rengha Rodewill + Eva Strittmatter - Deutsche Oper Berlin
Deutsche Oper Berlin - Zwischenspiel in den Kulissen von Rengha Rodewill & Eva Strittmatter. Fotoausstellung und Buchpräsentation ZWISCHENSPIEL am 13.10.2010.
Lesung der Gedichte Eva Strittmatters, Schauspielerin Barbara Schnitzler vom Deutschen Theater Berlin.
... Berliner Morgenpost: Wie kam es zur Verbindung zwischen Ihren Fotos, den Gedichten und der Oper?
... Rengha Rodewill: Die Gedichte von Eva Strittmatter sind von einer Wortgewalt und Kraft, die für mich etwas mit der unbändigen Energie der Oper zu tun hat. Kulissen, Musik, Licht und Tanz sind immer wieder Motive in ihrer Lyrik. Sie spricht von Requisiten des Glücks, und es gibt viele Passagen, die zu Opernfiguren wie Tosca passen würden. Sie beschreibt die große Bühne des Lebens mit Hass, Liebe, Tod und Verzweiflung. Die Dichterin wohnt draußen in Schulzenhof in ihrer selbst gewählten Einsamkeit, zurückgezogen zwischen Feldern, Wiesen und Tieren. Ich habe in ihren Gedichten aber eine ganz andere Innenwelt abgelesen. Es hat sie überrascht, als ich sie damit konfrontiert habe.
All images © copyright: VG Bild-Kunst, Bonn. No reproduction without written permission.
All rights reserved, for copyright issues and permission
Agentur Wort + Kunst 2015
Deutsche Oper Berlin / Берлинская опера
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About „Bel canto“ at Deutsche Oper Berlin 2019 [Interview]
As a synthesis of tonal beauty, emotional expression and virtuosity, “bel canto” has symbolised, for over 400 years, the power of the human voice on the opera stage to fascinate audiences. Yet ever since Claudio Monteverdi penned the first-ever aria di bravura (“possente spirto” in L’ORFEO) there has been a tension between, on the one hand, the art of “beautiful singing” and, on the other, both the operatic storylines and the audiences who are called upon to decipher the coded language of feelings. Each new generation has their own idea of what is beautiful and how a feeling should be credibly expressed – which is why composers like Rossini, Donizetti, Verdi and Meyerbeer were innovators and dramatists within the genre. And even as opera took a different direction, the way in which the singers, conductors and directors approached bel canto kept changing.
This symposium, hosted by the Deutsche Oper Berlin and Deutschlandfunk Kultur, explores the history of this development in talks and discussions and asks how bel canto opera is being sung and presented today in the 21st century. What is beautiful to our ears? What is the modern relationship between credibility onstage and virtuosity? And how should the staged drama respond to this musical language?
Explore all details about this program focus:
Video by Chris and the FATSOX (fasox.de)
DIOA - Associate to the Artistic Director of the Deutsche Oper Berlin, Germany
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재단법인 대구오페라하우스
702-851, 대구광역시 북구 호암로 15
daeguoperahouse.org
T. +82-53-666-6000 / F. 053-666-6019
doh2013@hanmail.net
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100 seconds with: Matthew Newlin at the Deutsche Oper Berlin [Feature]
Tags: Feature, Behind the scene, Interview, Insights, Short, Close-up, Opera singer, Tenor, Deutsche Oper Berlin, 2018
Tenor Matthew Newlin is opening the new season of our popular feature-serie 100 SECONDS: He is talking about his upcoming role debuts (in total eight!), the secrets of supporting roles, acting skills and instincts. Tune in.
See and hear this busy boy soon in LA TRAVIATA as Alfredo (13/21/27 September), in TRISTAN AND ISOLDE as Seaman (23/29 September; 3 October 2018), in WOZZECK as Andres (5/10/13/19 October; 8/15 November 2018) plus in forthcoming shows of THE BARBER OF SEVILLE, BORIS GODUNOV, THE MAGIC FLUTE, EUGEN ONEGIN, LA RONDINE, TURANDOT and DON GIOVANNI.
All episodes of 100 SECONDS you may find here:
100 Sekunden
Ensemble-Tenor Matthew Newlin eröffnet für uns die neue Staffel der beliebten Kurzfeature-Serie 100 SEKUNDEN und spricht u. a. über seine acht(!) Rollendebüts in dieser Saison, das Geheimnis von Nebenrollen, Charakterstudien sowie Instinkte.
Sehen Sie Matthew Newlin demächst als Alfredo in LA TRAVIATA (13., 21 und 27. September), als Seemann in TRISTAN UND ISOLDE (23., 29. September; 3. Oktober 2018), als Andres in WOZZECK (5., 10., 13., 19. Oktober; 8., 15. November 2018) sowie in dieser Spielzeit noch in DER BARBIER VON SEVILLA, BORIS GODUNOW, DIE ZAUBERFLÖTE, EUGEN ONEGIN, LA RONDINE, TURANDOT und DON GIOVANNI.
Alle Folgen unserer Porträt-Reihe „100 Sekunden“ finden Sie hier:
A video by Chris and the FATSOX (fatsox.de)
FRÜHLINGSSTÜRME (SPRING STORMS) Weinberger - Komische Oper Berlin
In stormy Manchuria, Japanese spies infiltrate the Russian army command, a young widow makes the officers’ blood race, and a nauseating German reporter who tells corny jokes attempts to ensnare the saucy, smart-mouthed daughter of the general.
Created by the extremely successful Jewish-Czech composer Jaromír Weinberger, Spring Storms was premiered in Berlin just ten days before the National Socialists seized power. The curtain soon fell permanently and irrevocably on this idiosyncratic operetta. Now, 87 years later, it will be lifted again for Barrie Kosky’s new production.
Streamed live on OperaVision on 25 January 2020 at 19:00 CET and available for 6 months:
CAST
General Wladimir Katschalow: Stefan Kurt
Tatjana: Alma Sadé
Lydia Pawlowska: Vera-Lotte Boecker
Roderich Zirbitz: Dominik Köninger
Ito: Tansel Akzeybek
Grand Duke Michailowitsch: Luca Schaub
Shibato and Hotel director: Arne Gottschling
Kawa-Kami and Peter: Yannik Heckmann
Colonel Baltischew: Tino Lindenberg
Captain Strotzky: Sascha Goepel
Dancers: Alessandra Bizzarri, Claudia Greco, Marika Gangemi, Martina Borroni, Azzurra Adinolfi, Jaslyn Reader, Lauren Mayer, Sophie Merrison, Meri Ahmaniemi, Tara Randell, Livia Delgado, Sarah Stanley
Dance Captain/Swing: Sara Pamploni
Orchestra: Komische Oper Berlin
Music: Jaromír Weinberger
Text: Gustav Beer
Conductor: Jordan de Souza
Director: Barrie Kosky
Costume Designer: Dinah Ehm
Choreographer: Otto Pichler
Dramaturg: Ulrich Lenz
Stage and lighting designer: Klaus Grünberg
Associate Stage designer: Anne Kuhn
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Staatsoper Berlin nach Sanierung wiedereröffnet
Sieben Jahre haben die Umbauarbeiten gedauert, jetzt eröffnet die Staatsoper Berlin wieder. Und nun, nach endlosen Debatten, Planungen und einer mehr als doppelt so lange dauernden Umbauphase beginnt für die Staatsoper erneut ein neuer Lebensabschnitt. Iris Marx berichtet in den tagesthemen vom 30. September von den Eröffnungsfeierlichkeiten.
Mehr Informationen zum Thema gibt es hier:
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Anatevka - Wenn ich einmal reich wär - Komische Oper
3.12.2017. Premiere of the musical ANATEVKA (music by John Bock, lyrics by Joseph Stein and Sheldon Harnick) at the Komische Oper Berlin. Actor/ singer Max Hopp as milkman Tewje.
Direction by Barrie Kosky. Conductor: Koen Schoots, Choreography: Otto Pichler, Stage Design: Rufus Didwiszus, Costumes by Klaus Bruns, Dancer of the Komische Oper.
Please read our report on kultur24.berlin. Video by Holger Jacobs for Kultur24 TV.
A MIDSUMMER NIGHT'S DREAM - Deutsche Oper Berlin
26.01.2020. (English text below) Premiere von A MIDSUMMER NIGHT'S DREAM von Benjamin Britten an der Deutschen Oper Berlin.
Das Video zeigt die Szene im 2. Akt zwischen Elfenkönigin Tytania und dem Handwerker Bottom, der in einen Esel verwandelt wurde. Tytania bekam ein Zaubermittel verabreicht, durch das sie sich in das erste Wesen verliebt hat, welches ihr begegnete - und dies war der Esel.
Musikalische Leitung: Donald Runnicles, Inszenierung: Ted Huffman, Bühne: Marsha Ginsberg, Kostüme: Annemarie Woods, Licht: D.M. Wood, Choreographie: Sam Pinkleton, Kinderchor: Christian Lindhorst, Dramaturgie: Sebastian Hanusa.
Orchester und Kinderchor der Deutschen Oper Berlin
Mit:
Siobhan Stagg (Tytania), James Platt (Bottom/ Pyramus), James Hall (Oberon), Jami Reid-Quarrell (Puck), Gideon Poppe (Lysander), Samuel Dale Johnson (Demetrius), Karis Tucker (Hermia), Jeanine De Bique (Helena), Padraic Rowan (Theseus), Annika Schlicht (Hippolyta).
Aufgezeichnet während der TV/ Photo Probe am 23.01.2020
Video von Holger Jacobs für kultur24 TV.
English text
01/26/2020. Premiere of A MIDSUMMER NIGHT'S DREAM by Benjamin Britten at Deutsche Oper Berlin. The video shows the scene in Act 2 between Elf Queen Tytania and the artisan Bottom, who has been transformed into a donkey. Tytania was given a magical drug that made her fall in love with the first being she met - and this was the donkey.
Musical direction: Donald Runnicles, production: Ted Huffman, stage: Marsha Ginsberg, costumes: Annemarie Woods, lighting: D.M. Wood, choreography: Sam Pinkleton, children's choir: Christian Lindhorst, dramaturgy: Sebastian Hanusa.
Orchestra and children's chorus of the Deutsche Oper Berlin
With:
Siobhan Stagg (Tytania), James Platt (Bottom / Pyramus), James Hall (Oberon), Jami Reid-Quarrell (Puck), Gideon Poppe (Lysander), Samuel Dale Johnson (Demetrius), Karis Tucker (Hermia), Jeanine De Bique (Helena), Padraic Rowan (Theseus), Annika Schlicht (Hippolyta).
Recorded during the TV / Photo rehearsal on January 23rd, 2020
Video by Holger Jacobs for kultur24 TV.