Town Hall: Disability, Race, and the Practice of Dance
Disability. Dance. Artistry. (Inter)national Voices Series
Town Hall: Disability, Race, and the Practice of Dance
September 20, 2016, at New York Live Arts, 219 W 19th Street New York, NY 10011
#DDAvoices #TownHall
Dance/NYC hosts a series of conversations at the intersection of disability and dance. Each event pairs a New York City dance leader with an (inter)national guest working at this nexus. Our goal is to forge a place for disabled artists/artistry in New York’s cultural ecosystem – a place where disabled artists can flourish. We invite you to work with us to create new places for disabled artists in NYC’s cultural landscape.
The series extends Dance/NYC's Disability. Dance. Artistry. initiative, which aims to advance professional development, and further the artistry of disabled dancers in integrated settings and in settings exclusively for disabled dancers. It will bring new (inter)national voices together with NYC dance leaders. It also coincides with a national initiative and set of convenings across the United States undertaken by AXIS Dance Company with support from the Doris Duke Charitable Foundation and Dance/USA, the national service organization for professional dance. Dance/NYC works in alliance with Dance/USA.
For this second Town Hall in the series, Dr. Carrie Sandahl and Dr. Aimee Meredith Cox explored the ways in which systemic forces of oppression have influenced dance practice and scholarship. They will consider such questions as: Whose movement is counted as dance? How do cultural biases around race, gender, class, and sexuality affect the creation and study of dance? How do aesthetics of the body inform the practice and scholarship of dance?
Moderator: DDA (Inter)national Voices Curator Alice Sheppard
Special thanks to Alice Sheppard, Dance/NYC Board Member and Disability. Dance. Artistry. Task Force Member, and Simi Linton, Disability. Dance. Artistry. Task Force Member, for their leadership in shaping this program as both curators and moderators for the series.
Chicago Tonight full episode: November 18, 2019
The legacy of so-called sundown towns where African Americans were not welcome. The story of Chicago’s rise as a Polish American hub. And bankruptcy for a local celebrity chef.
Chicago Tonight full episode: Aug. 13, 2019
What a new study says about a Chicago casino. A safe home on the South Side. Why vaping is increasingly sending folks to the hospital. A new study on Asian carp. And the perils of sitting too much.
1803-1913 : An american journey through 200 westerns (sous-titres français)
History of america told only through excerpts of 200 westerns all edited in a chronological order from 1803 to 1913, with a year indicator on the top left of the screen all along.
There are all the major stages of the west: wagon train, the Indian wars, the wilderness, the American Civil War, the big bandits, the heroes and their often tragic destinies, General Custer, OK Corral, Wild Bill Hickok, Wyatt Earp, Billy the kid, Jesse James, Judge Roy Bean, the arrival of the train, the transformation of the continent, the gradual end of the cowboys from the 1880s, the gold rushes , industrialization, automobiles, the Mexican revolution.
This description will contain the full list of the films used with the timecodes (still being edited - A link with the complet list is coming) :
0:00:18 The Far Horizons - Rudolph Maté (1955)
0:00:52 The Fighting Kentuckian - George Waggner (1949)
0:04:46 The Kentuckian - Burt Lancaster (1955)
0:02:13 Man in the Wilderness - Richard C. Sarafian (1971)
0:02:41 The Revenant - Alejandro G. Iñárritu (2015)
0:03:14 A Man Called Horse - Elliot Silverstein (1970)
0:03:39 How the West Was Won - John Ford, Henry Hathaway, George Marshall (1962)
0:04:43 The Big Trail - Raoul Walsh (1930)
0:05:11 Across the Wide Missouri - William A. Wellman (1951)
0:05:43 The Big Sky - Howard Hawks (1952)
0:06:11 The Alamo - John Wayne (1960)
0:08:13 Distant Drums - Raoul Walsh (1951)
0:09:09 The Way West - Andrew V. McLaglen (1967)
0:09:56 The Ballad of Buster Scruggs - Joel & Ethan Coen (2018)
0:10:26 The Comancheros - Michael Curtiz (1961)
0:10:55 Meek's Cutoff - Kelly Reichardt (2010)
0:11:17 Bend of the River - Anthony Mann (1952)
0:11:47 How the West Was Won - John Ford, Henry Hathaway, George Marshall (1962)
0:12:44 Paint Your Wagon - Joshua Logan (1969)
0:13:45 Jeremiah Johnson - Sydney Pollack (1972)
0:14:15 The Scalphunters - Sydney Pollack (1968)
0:14:45 The Frisco Kid - Robert Aldrich (1979)
0:15:43 The Sisters Brothers - Jacques Audiard (2018)
0:16:13 Red River - Howard Hawks (1948)
0:16:40 Westward the Women - William A. Wellman (1951)
0:17:41 Band of Angels - Raoul Walsh (1957)
0:18:29 The Homesman - Tommy Lee Jones (2014)
0:18:57 Santa Fe Trail - Michael Curtiz (1940)
0:19:27 They Died with Their Boots On - Raoul Walsh (1941)
0:19:57 Django Unchained - Quentin Tarantino (2012)
0:20:25 Little Big Man - Arthur Penn (1970)
0:20:54 Dark Command - Raoul Walsh (1940)
0:21:21 The Iron Horse - John Ford (1924)
0:22:05 How the West Was Won - John Ford, Henry Hathaway, George Marshall (1962)
0:22:57 Dark Command - Raoul Walsh (1940)
0:23:31 Django - Sergio Corbucci (1966)
0:24:00 Dark Command - Raoul Walsh (1940)
0:24:30 Western Union - Fritz Lang (1940)
0:25:25 The Iron Horse - John Ford (1924)
0:26:17 The Good, the Bad and the Ugly - Sergio Leone (1966)
0:26:47 The Red Badge of Courage - John Huston (1951)
0:27:53 Dances with Wolves - Kevin Costner (1990)
0:28:36 The Horse Soldiers - John Ford (1959)
0:29:06 Escape from Fort Bravo - John Sturges (1953)
0:29:36 Shenandoah - Andrew V. McLaglen (1965)
0:30:03 Springfield Rifle - Andre DeToth (1952)
0:30:27 Alvarez Kelly - Edward Dmytryk (1966)
0:31:25 Major Dundee - Sam Peckinpah (1965)
0:32:12 Soldier Blue - Ralph Nelson (1970)
0:33:00 Little Big Man - Arthur Penn (1970)
0:33:29 The Man from Dakota - Leslie Fenton (1940)
0:34:37 Woman They Almost Lynched - Allan Dwan (1953)
0:36:14 The Outlaw Josey Wales - Clint Eastwood (1976)
0:36:45 Woman They Almost Lynched - Allan Dwan (1953)
0:36:57 The Outlaw Josey Wales - Clint Eastwood (1976)
0:37:20 Woman They Almost Lynched - Allan Dwan (1953)
0:37:37 The Outlaw Josey Wales - Clint Eastwood (1976)
0:38:13 Woman They Almost Lynched - Allan Dwan (1953)
0:38:50 The Birth of a Nation - D.W. Griffith (1915)
0:39:00 Lincoln - Steven Spielberg (2012)
0:39:12 The Birth of a Nation - D.W. Griffith (1915)
0:39:33 Lincoln - Steven Spielberg (2012)
0:39:51 The Birth of a Nation - D.W. Griffith (1915)
0:40:12 Run of the Arrow - Samuel Fuller (1957)
0:42:45 Union Pacific - Cecil B. DeMille (1939)
0:44:03 Wyatt Earp - Lawrence Kasdan (1994)
0:44:30 The Great Northfield Minnesota Raid - Philip Kaufman (1972)
0:45:14 Woman They Almost Lynched - Allan Dwan (1953)
0:45:53 The Great Northfield Minnesota Raid - Philip Kaufman (1972)
0:46:38 Run for Cover - Nicholas Ray (1955)
0:47:18 Johnny Guitar - Nicholas Ray (1954)
0:47:40 Rio Lobo - Howard Hawks (1970)
0:48:18 Dodge City - Michael Curtiz (1939)
0:49:07 The Tall Men - Raoul Walsh (1955)
#Documentaire #Cinéma #Westerns
When Artists Deploy Their Assets Outside Arts Sectors at The Gathering on Saturday 11 May 2019
Civic Practice: When Artists Deploy Their Assets Outside Arts Sectors
11:00 a.m. - 12:00 p.m. EDT (New York UTC-4) / 15:00 - 16:00 UTC+0 / 4:00 p.m. - 5:00 p.m. BST (London UTC+1)
Jasmin Cardenas, Arts Activist, Deviser, Storyteller, Facilitator, Actor, Chicago Workers Collaborative
Mark Valdez, Mark Valdez, Artist, Organizer
Michael Rohd (Moderator), Lead Artist for Civic Imagination, Center for Performance and Civic Practice
Chicago Youth Ultimate - Jan 2013
This is our monthly google hangout of chicago area ultimate frisbee coaches.
Blue Span Ranked with RawDota
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IMPOSSIBALL ???? Flat Earth Documentary (2017)
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Gardening and chat
New game plus food chat, probably
Welbon Whitmire - African Americans in Europe: London, Copenhagen, and Paris
African Americans have been traveling to and living in Europe since and before the end of slavery, right up to the present; perhaps most famously noted in the writing of James Baldwin. Join us for a discussion of some of the varied aspects of the long and wonderfully complex story.
Survivor Series Kickoff: Nov. 24, 2019
Get all of the late-breaking news from a panel of experts, rivalry analysis and exciting kickoff matches before all of the action at Survivor Series 2019!
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David Bromwich, Lincoln as Realist and Revolutionist: Director's Lecture, February 11, 2016
David Bromwich
Neubauer Collegium Director's Lecture
Lincoln is often portrayed as a constitutional moderate and often as a radical. Both pictures are based on convincing evidence. In this Neubauer Collegium Director's Lecture, David Bromwich considers the prudence of Lincoln's rejection of abolitionism in the 1850s and his adherence to the Republican platform that disclaimed interference with slavery in the states where it already existed. By contrast, proof of his radicalism lies in the House Divided speech of June 16, 1858 and the Emancipation Proclamation of January 1, 1863. The speech indicated Lincoln's readiness to fight a civil war on the issue of slavery; and the legal measure pointed the way to an end of slavery as a probable consequence of the war. The speech and the measure were both qualified, in moderate and prudential-sounding ways; but they indicate choices within a larger emergency when a president ceased to follow and definitively led.
Opening Remarks delivered by Jonathan Lear, Roman Family Director of the Neubauer Collegium for Culture and Society and John U. Nef Distinguished Service Professor at the Committee on Social Thought and in the Department of Philosophy.
David Bromwich is Sterling Professor of English at Yale. Bromwich is a fellow of the American Academy of Arts and Sciences. He has published widely on Romantic criticism and poetry, and on eighteenth-century politics and moral philosophy. His book Politics by Other Means concerns the role of critical thinking and tradition in higher education, and defends the practice of liberal education against political encroachments from both Left and Right. His essays and reviews have appeared in The New Republic, The New York Review of Books, the London Review of Books, and many other U.S. and British journals. He is a frequent contributor of political blog posts on the Huffington Post. Bromwich's Skeptical Music was awarded the PEN/Diamonstein-Spielvogel Award for the Art of the Essay in 2002.
February 11, 2016
Neubauer Collegium
The University of Chicago
If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to the Neubauer Collegium at collegium@uchicago.edu.
Orwellian levels of ugh
We're probably playing ORWELL, and chatting behind the scenes stuff.
Soundwaves of Feminism: The Women's Music Movement
Women's history professor Bonnie J. Morris discussed on the women's music movement. Her talk explored rare materials and cultural changes introduced onstage by feminist and lesbian artists.
Speaker Biography: Bonnie Morris has taught women's studies at Georgetown University and George Washington University for more than 20 years and is the author of 15 books, including three Lambda Literary Award finalists (Eden Built By Eves, Girl Reel and Revenge of the Women's Studies Professor).
For transcript and more information, visit
2015 AAA Session: CHEFS, CUISINE AND CONVERGENCE
Contemporary work in the food industry continually seeks to make the strange familiar and the familiar strange, and food innovators have been particularly effective in transforming contemporary notions of edibility, deliciousness, nutrition and authenticity. Chefs, for example, combine the need for both scientific artistry and artistic innovation and may cultivate a celebrity status that carries their influence beyond the kitchen and into the scientific, media, and business worlds. Food scientists, on the other, may work at the interstices of melding food preferences with the challenges facing contemporary food production. The cultural influences of these food innovators go far beyond their brick and mortar establishment to screens and airwaves across the mediascape. While anthropologists have long discussed the important connections between the realms of food, media, science, and culture, research documenting the contemporary relationships between these fields is scarce. This panel examines contemporary culinary worlds and the food innovators that inhabit them with a focus on the role media, science, and technology play in individual and corporate production cultures. We ask: who are the players in the new creative class most responsible for generating, maintaining or altering food culture and what is the extent of their impact? How do their understandings of taste, edibility, nutrition, ecology and authenticity play a role in their transformation of specific cuisines? To what extent do the paths of chefs and other food innovators from food science and the media cross and with what results? These papers explore contemporary culinary culture, focusing on the individuals and/or groups whose perspectives are structuring the discourse and future of food culture today.
Speaking Freely and Being Seen Prisons, Justice, and Performance at The Gathering from the CrossCur
Speaking Freely and Being Seen: Prisons, Justice, and Performance
4:20 p.m. - 5 p.m. EDT (New York UTC-4) / 20:20 - 21:00 UTC+0 / 9:20 p.m. - 10 p.m. BST (London UTC+1)
Marc Howard, Professor of Government and Law; Founding Director, Prisons and Justice Initiative, Georgetown University
Student Presentation from Prof. Marc Howard’s “Making an Exoneree” Course
Video Presentation from The Graduates:
Kathy Randels, Founding Artistic Director, ArtSpot Productions, Founding Co-Director of LCIW Drama Club and The Graduates
Pop-Up Performance – The Arts in Cambodia
5:00 p.m. - 5:20 p.m. EDT (New York UTC-4) / 21:00 - 21:20 UTC+0 / 10 p.m. - 10:20 p.m. BST (London UTC+1)
Sophia Skiles, Actor, Teacher, Policymaker
Phounam Pin, Performer, Phare Circus; Young Leader from Battambang Province, Cambodia
Introduced by Members of The Lab’s Course Politics and Performance: Confronting the Past, Shaping the Future
Pop-Up Performance – Excerpt from Four Quartets
5:15 p.m. - 5:20 p.m. EDT (New York UTC-4) / 21:15 - 21:20 UTC+0 / 10:15 p.m. - 10:20 p.m. BST (London UTC+1)
Raw Food Diet Documentary - part 1 of 2
Raw For Life: The Ultimate Encyclopedia of the Raw Food Lifestyle
Director: Kathy Close
Writers: Kathy Close, Chris Toussaint (co-writer)
Topics Include:
Starting out of a raw food diet
Weight reduction
Detox and cleansing
Nutrition
Rejuvenation and longevity
Recipes
Health and wellness
Wisdom of eating raw
Optimal athletic performance
Spiritual aspects
Beating diabetes
Celebrity & Expert Interview Include:
Food for Thought: “Exploring Your World Through Three Cultural Moments”- Part I
Part I: Women, Art, and Social Change: The Newcomb Pottery Enterprise
Presented by:
Susan DeMay
Ceramicist and Professor, Department of Art, Vanderbilt University
Vivien Green Fryd
Professor, History of Art, Vanderbilt University
Trinita Kennedy
Curator, Frist Center
Megan Robertson
Associate Curator of Interpretation, Frist Center
SECSRT 066 Are the Mayans on Central Standard Time?
It's Bowl Season and SEC Sports Roundtable is ready to talk about 4 more bowl games. This week, Shane Bailey and Drew Young discuss Texas A&M vs Oklahoma; South Carolina vs Michigan; Georgia vs Nebraska; and Florida vs Louisville. The Roundtable talks about new from Knoxville that Bray is entering the draft and is that the right decision. All this and more on this week's SECSRT.