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That stark layout regarding shining Modernist temples is made up of most of Manhattan’s most important effectiveness spaces: Avery Fisher Lounge (home on the Big apple Philharmonic), Brian H Koch Movie theater (site on the New york city ballet), and the iconic City Safari Home, as their internal rooms tend to be dressed up with gaily saturated murals through painter Marc Chagall. A few other settings tend to be tucked near this 16-acre campus, including a new theater, two movie screening focuses and the distinguished Juilliard Institution.
Integrated this 60s, that awe-inspiring campus swapped out several tenements termed San Juan Hillside, a new primarily African american neighborhood in which the outside images for that motion picture Western world Area Account were shot. Not only is it a new suspect downtown preparing
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State Funeral | Trailer | NYFF57
Sergei Loznitsa's State Funeral is a Spotlight on Documentary selection at the 57th New York Film Festival, presented by Film at Lincoln Center from Friday, September 27 – Sunday, October 13. See ticket info, the schedule, and more:
As proven in his recent documentaries Maidan, The Event, and The Trial, versatile Ukrainian filmmaker Sergei Loznitsa has become one of the contemporary masters of the found-footage documentary, using the form to study the nature of the Soviet regime and uncover its darkest legacies for contemporary and future generations. In State Funeral, he has uncovered a wealth of astonishing, mostly unseen archival footage of the “Great Farewell” in the days following the death of Joseph Stalin in March 1953: the teeming mass of mourners clogging Moscow’s Red Square, the speech announcing the hasty appointment of Malenkov, and finally Stalin’s burial in Lenin’s Tomb. While speeches about the Soviet Union’s unyielding fortitude and unity in the face of tragedy blare endlessly on speakers, and the pomp and ostentation grows increasingly surreal, the brilliantly edited and sound-designed State Funeral becomes an ever-relevant meditation on not just the horrors but also the absurdity of totalitarianism and the cult of personality.
A centerpiece of New York culture since 1963, the New York Film Festival will introduce the most essential new cinematic works from around the world to U.S. audiences in its Main Slate. NYFF will also continue to feature a variety of titles in different sections and sidebars, including Spotlight on Documentary, newly rejuvenated classics in Restorations and Revivals, a diverse selection of international and locally made Shorts, the ever-expanding experimental showcase Projections, and the immersive storytelling experiences of the cutting-edge Convergence. Additionally, there will be an exciting lineup of special events, free filmmaker talks and panel discussions, and the latest editions of our annual Industry and Critic Academies.
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Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.
Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; the presentation of podcasts, talks, and special events; the creation and implementation of Artist Initiatives; and our Film in Education curriculum and screenings. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned arts complex Lincoln Center, making the discussion and appreciation of cinema accessible to a broad audience, and ensuring that it remains an essential art form for years to come.
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'13TH' Red Carpet | New York Film Festival
Director Ava DuVernay, Common, and film subjects Malkia Cyril and Kevin Gannon talked on the red carpet about '13TH' before its Word Premiere at the 54th New York Film Festival.
The title of Ava DuVernay’s extraordinary and galvanizing documentary refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis. A Netflix original documentary.
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New York (EWR) Airport and full Manhattan night view take-off
Newark Liberty International Airport during cross wind conditions. United aircraft's pilots pre-flight check recorded from United Club Lounge. United flight UA-30 from Newark to Munich (EWR-MUC) with B767-300 with fantastic night view to New York City with Manhattan, Central Park and much more. Inflight Video.
Used Equipment:
- Medium Manfrotto Tripot
- Light Tripot
- GoPro Hero 3
- Suction Camera Adapter
- Sony Cyber Shot DSC-HX-90
- Panasonic HC-V757
- Video cutting software: Magix Video Deluxe
hvdh-plane-spotter.de
hvdh-film.de
hvdh-sport.de
hvdh.info
Treasures of New York: Stanford White
Hosted by Dick Cavett, the film explores the landmark buildings and career of the man who transformed New York City during the Gilded Age - Stanford White - one of the most prominent American architects during the nineteenth and twentieth centuries.
Chapo Trap House on Paul Verhoeven's Starship Troopers
The acclaimed, provocative, and hilarious podcast Chapo Trap House (authors of the New York Times best-selling The Chapo Guide to Revolution) joined the Film Society of Lincoln Center for a special presentation of a film they have selected: Paul Verhoeven’s thrilling and subversive sci-fi spectacle Starship Troopers. After the screening, Chapo’s hosts participated in an extended onstage discussion.
Chapo Trap House on Starship Troopers:
The Hollywood films of Dutch director Paul Verhoeven have been foundational to the comedic and political sensibilities of our podcast. From the gore drenched sci-fi satire of Robocop and Total Recall to the trashy sex satire of Basic Instinct and Showgirls, Verhoeven’s self-consciously obscene and absurd visions of American culture have been consistently ahead of their time by about twenty to thirty years. What happens, though, when the reality we’re currently living in has finally caught up to the grotesque visions of Verhoeven’s films?
Perhaps nowhere does this uncannily prophetic phenomenon find a more pure or hilarious expression than in his adaption of Robert Heinlein’s Starship Troopers. By presenting an essentially fascist narrative of humanity’s war on a race of giant bugs as straight-up and true to Heinlein’s material as possible, Verhoeven creates a dual context in which the heroes of his film all believe in its insane militaristic politics but the movie itself deftly underscores the suicidal death drive and cheapness of human life endemic to the fascist state. Verhoeven, who himself grew up under the Nazi occupation of Holland, creates something like “Triumph of the Will meets Saved by the Bell” and demonstrates the heights of what irony can achieve in cinema. Starship Troopers is a satirical masterpiece that we should all return to again as our own deeply moribund democracy slouches towards an uncertain future.
The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex Lincoln Center to shine a light on the everlasting yet evolving importance of the moving image, this nonprofit organization was founded in 1969 to celebrate American and international film. Via year-round programming and discussions; its annual New York Film Festival; and its publications, including Film Comment, the U.S.’s premier magazine about films and film culture, the Film Society endeavors to make the discussion and appreciation of cinema accessible to a broader audience, as well as to ensure that it will remain an essential art form for years to come.
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Treasures of New York: American Museum of Natural History
Hosted by Tom Brokaw, this episode gives viewers an unprecedented, inside look at the Museum and the recent renovations of the Theodore Roosevelt Memorial and the Bernard Family Hall of North American Mammals.
Lama Tashi singing his unique multi-phonic chant
Hear Grammy nominated Lama Tashi in chanting action!
Ngawang Tashi Bapu was born on 22nd Feb 1968, in the village of Thembang, state of Arunachal Pradesh, North East India. He was born into a large farming family of three brothers and four sisters. Lama Tashi entered Drepung Loseling Monastery in June 1983. This monastery was one of the largest and most important in Tibet. After the Chinese invasion of the 1950's, the Drepung Loseling Monastery relocated to South India, where it was slowly rebuilt and now flourishes as a major center for Tibetan Buddhism. One of Lama Tashi's brothers has also studied at this monastery and received his Geshe degree (the equivalent of a doctorate in Buddhist philosophy) in 2000. An excellent student, Lama Tashi began to formally study in 1983, at the age of 15. He later perfected the Tibetan Deep Voice, a multi-phonic singing technique utilized in sacred prayer. Sixteen years later, his extraordinary abilities lead to his enthronement as Umzey, or Principal Chant Master, of Drepung Loseling Monastery.
The compassion, wisdom and vocal abilities of Lama Tashi so impressed his teachers and spiritual leaders of the monastery that in 1991 he was chosen as one of the monks to travel the world on the Sacred Music and Dance tour of 1991-1992. For 11 months, he travelled throughout the United States, Mexico and Canada performing on the tour. He is a multi-phonic chanter and has performed twice at the Carnegie Hall in New York City. Tashi has also performed with popular recording artists such as Natalie Merchant, Michael Stipe (R.E.M.), Ben Harper and Sheryl Crow. Currently, he lives in Bomdila and is the Principal of the Central Institute of Himalayan Culture Study, at Dahung in Bomdila. Affectionately known as the Singing Monk, Tashi was one of the nominees for the Best Traditional World Music category at the 2006 Grammy Awards. On his nomination, Tashi said, I do not have much knowledge of Western music although I love listening to Indian Hindi music and folk songs. In 1998, he performed with Philip Glass at the premier showing of the award winning film Kundun at Lincoln Center in New York City. In 2002, he performed with Kitaro at Denver's City Light's Pavilion.
Lama Tashi again toured North America for 19 months beginning in 1996 as part of another tour sponsored by the Drepung Loseling Institute and Richard Gere Foundation. In April 1999, he performed for H.H., the Dalai Lama in Curitiba, Brazil, alongside renowned Brazilian artists like Gilberto Gil. Later the same year, he led multi-phonic chant before H.H., the Dalai Lama at the World Festival of Sacred Music at the Hollywood Bowl in Pasadena, California and at Central Park in New York City. In December, 1999, Lama Tashi was formally appointed Umzey, or Principal Chant Master, of Drepung Loseling Monastery. The following summer he again visited the United States. He was Head Chant Master of the Monlam Chenmo (Great Prayer Festival), which was presided over by H.H., the Dalai Lama on the National Mall in Washington, D.C, before an audience of over 50,000 people. In January of 2002, Lama Tashi led the prayer as Choyang Umzey at the traditional Great Prayer Festival at Bodhgaya, India where over 250,000 people attended.
Throughout Lama Tashi's world travels, he has taught extensively and performed and recorded both independently (THE LOST CHORD, CHANT MASTERS and MEDICINE BUDDHA), and with monks of the Drepung Loseling Monastery (SACRED TIBETAN CHANTS, SOUNDS OF THE VOID,SACRED MUSIC/ SACRED DANCE and COMPASSION).
Source:
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and admin@wildfilmsindia.com.
America's Great Divide, Part 2 (full film) | FRONTLINE
An investigation into America’s increasingly bitter, divided and toxic politics.
Part Two of the documentary examines how Donald Trump’s campaign exploited the country’s divisions and how his presidency has unleashed anger on both sides of the divide.
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Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Major funding for FRONTLINE is provided by the John D. and Catherine T. MacArthur Foundation and the Ford Foundation. Additional funding is provided by the Abrams Foundation, the Park Foundation, The John and Helen Glessner Family Trust, and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation.
Trailer: 25th Columbia University Film Festival
The Official 25th Columbia Film Festival Trailer, written and directed by Daniel Zimbler, produced by Rob Cristiano. The festival runs from May 4 -- 10 at the Film Society of Lincoln Center. Tickets and more info:
US Flag, World Trade Center, 1980s, 1990s, New York in HD
US Flag, World Trade Center, 1980s, 1990s, New York in HD from the Kinolibrary Archive Film Collections. To order the clip clean and high res or to find out more visit
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September 2013 | Arts in the City
Host Magalie Laguerre-Wilkinson takes a look at The New York Pops' upcoming 31st season;
Graham Douglass takes us on a tour through some of Long Island City's most exciting venues for contemporary art;
Tinabeth Piña sits down with modern Renaissance man John Forté to hear his amazing success story;
Pat Collins looks at some of the upcoming blockbuster movies;
Donna Hanover explores the story behind author Linda Stasi's novel, The Sixth Station;
Barry Mitchell talks with comedian Carmen Lynch about her rising career;
Plus some of best events happening around New York City this fall.
For More Information:
The Noguchi Museum
Socrates Sculpture Park
SculptureCenter
Museum of the City of New York
Peter Gurnz Photography
Le Castle
New York City Ballet
nycballet.com
Linda Stasi, The Sixth Station
thesixthstation.com
Apt C3
Dumbo Arts Festival
dumboartsfestival.com/
Open House New York
Film Society of Lincoln Center
filmlinc.com/
Brooklyn Academy of Music
bam.org
The Jewish Museum New York
thejewishmuseum.org
The Armory Show
thearmoryshow.com
Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis
Taped: 09-13-13
Magalie Laguerre-Wilkinson hosts Arts in the City, a monthly look at the lively arts scene -- film, theatre, art, dance, music and events -- in the New York metropolitan area. This fast-moving half hour explores all aspects of the arts....from conception to completion. It looks at the most sophisticated of presentations to the most singular street musician toiling at his/her art. Art in all its forms is introduced and examined throughout the tri-state area.
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Lincoln Highway Groundbreaking - 1913
A promotional film for the Lincoln Highway from 1913, this short reel shows a groundbreaking ceremony for Carl G. Fisher's dream project, the first coast-to-coast automobile highway. Conceived by headlight entrepreneur Fisher, also said to be the first car dealer in US history, the man, like many an American, seems to have become a visionary in the eternal quest of making the almighty buck.
In fact, the Lincoln Highway was the first memorial to Abraham Lincoln, predating the monument in Washington, DC by perhaps more than ten years.
Although Thomas Edison and Theodore Roosevelt were active boosters and financiers of Fishers idea, it is hard to say if these are the two men orating in this film. Hundreds of towns across the US lobbied to have the Lincoln Highway pass through their way with songs, articles and public events dedicated to the new interstate. This appears to be one such film.
Ultimately, the highway would follow a historically American path, stretching from Times Square in New York City, along the Chambersburg Turnpike so associated with Gettysburg, then in tandem with portions of the legendary Pony Express, up and over the dreaded Donner Pass and on to the final destination of Lincoln Park in San Francisco, California.
Carl G. Fishers Lincoln Highway would go on to become the major influence of Eisenhowers future Interstate System and Germanys Autobahn.
See more at:
weirdovideo.com
Brave Presidents and How They Changed America: 1789-1989
Read a book excerpt:
Michael Richard Beschloss[1] (born November 30, 1955) is an American historian[2][3] specializing in the United States presidency. He is the author of nine books, the most recent of which, Presidents of War, was published by Crown/Penguin Random House in 2018.[4]
Beschloss has been a frequent commentator on the PBS NewsHour and is the NBC News Presidential Historian. He is a trustee of the White House Historical Association and the National Archives Foundation and he also sits on the board of the Smithsonian's National Museum of American History. He has been a trustee of the Thomas Jefferson Foundation (Monticello), the Urban Institute, the University of Virginia's Miller Center of Public Affairs and the PEN/Faulkner Foundation. He also sits on the advisory board to the Abraham Lincoln Bicentennial Commission and was a member of the President's Commission on White House Fellowships. He has held appointments in history at the Smithsonian Institution,[8] a Senior Associate Member at St. Antony's College (University of Oxford),[8] a Visiting Scholar at the Harvard University Russian Research Center,[8] a Senior Fellow of the Annenberg Foundation, and a Montgomery Fellow and Dorsett Fellow at Dartmouth College.
Beschloss has appeared on The Daily Show in 2003, 2005, 2006, 2007, and 2010. He was portrayed by Chris Kattan on NBC's Saturday Night Live on February 14, 1998.[9]
He started a Twitter account, @BeschlossDC, in October 2012.[10][11] It appears on Time magazine's list of Best Twitter Feeds of 2013.[12] He also contributes columns on history to The New York Times.[13]
Beschloss is also the editor of Washington by Meg Greenfield (2001) and Essays in Honor of James MacGregor Burns (with Thomas Cronin) (1988).
Beschloss received a 2005 News & Documentary Emmy Award for the Discovery Channel's Decisions That Shook the World, of which he was the host; the category was Outstanding Individual Achievement in a Craft: Research. He has also received the Williams College Bicentennial Medal,[14] the State of Illinois's Order of Lincoln (the State's Highest Honor), the Harry S. Truman Public Service Award, the Ambassador Book Prize, the Rutgers University Living History Award, the New York State Archives History Award and the Founders Award of the Historical Society of Pennsylvania. He has received honorary doctorates from Lafayette College, Williams College, St. Mary's College of Maryland, Saint Peter's College, Governors State University and Allegheny College.
Michael Beschloss was inducted as a Laureate of The Lincoln Academy of Illinois and awarded the Order of Lincoln (the State’s highest honor) by the Governor of Illinois in 2004 in the area of Communications and Education.[15]
Interview with Amos Vogel, 16 February 1954
NBC
Interviewer: Pauline Frederick
amosvogel.com
Amos Vogel was born on 18 April 1921, in Vienna, Austria, to intellectual left-wing middle-class Jewish parents. In the fall of 1938, six months after the Nazis had annexed the country, Vogel and his parents left Austria for the United States. In preparation for his planned move to Palestine, he accepted a scholarship in agricultural training from the National Youth Administration and took classes at the University of Georgia in agricultural sciences.
After deciding to remain in America, Vogel took a degree in economics from the New School for Social Research in New York. From 1947 until 1963, he and his wife Marcia ran Cinema 16, the most successful and influential membership film society in North American history, at its height boasting seven thousand members. Cinema 16 also became the most important distributor of non-mainstream cinema in the United States.
After the demise of Cinema 16, Vogel founded the Lincoln Center Film Department and was co-founder of the New York Film Festival, of which he became the first director where he programmed until 1968. In 1963 he published the children's book How Little Lori Visited Times Square, with illustrations by Maurice Sendak. His 1974 book Film as a Subversive Art details the accelerating world-wide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored.
Vogel worked a film consultant to Grove Press and National Educational Television, a program director of the National Public Television Conference, and served as Chairman of the American Selection Committee for the Cannes, Moscow, Berlin and Venice film festivals. He taught at Harvard University, the New School for Social Research, New York University, and for several years at the University of Pennsylvania's Annenberg School.
Amos Vogel died in his Greenwich Village apartment, where he had lived with his family for several decades, on 24 April 2012.
Lincoln's Gettysburg Address
President Lincoln pursued a goal of creating a government of the people, by the people, and for the people. We should not lose sight of that goal.
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★ Join the political revolution at berniesanders.com
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Bernie Sanders is a Democratic candidate for President of the United States. He is serving his second term in the U.S. Senate after winning re-election in 2012 with 71 percent of the vote. Sanders previously served as mayor of Vermont’s largest city for eight years before defeating an incumbent Republican to be the sole congressperson for the state in the U.S. House of Representatives. He lives in Burlington, Vermont with his wife Jane and has four children and seven grandchildren.
Bernard “Bernie” Sanders was born in Brooklyn, New York, to immigrant parents and grew up in a small, rent-controlled apartment. His father came to the United States from Poland at the age of 17 without much money or a formal education. While attending the University of Chicago, a 20-year-old Sanders led students in a multi-week sit-in to oppose segregation in off-campus housing owned by the university as a Congress of Racial Equality (CORE) officer. In August of 1963, Sanders took an overnight bus as an organizer for the Student Nonviolent Coordinating Committee to hear Martin Luther King Jr.’s historic “I Have a Dream” speech firsthand at the March on Washington for Jobs and Freedom.
After graduation, Bernie moved to Vermont where he worked as a carpenter and documentary filmmaker. In 1981, he was elected as mayor of Burlington as an Independent by a mere 10 votes, shocking the city’s political establishment by defeating a six-term, local machine mayor. In 1983, Bernie was re-elected by a 21 point margin with a record amount of voter turnout. Under his administration, the city made major strides in affordable housing, progressive taxation, environmental protection, child care, women’s rights, youth programs and the arts. In 1990, Sanders was elected to the House of Representatives as the first Independent in 40 years and joined the Democratic caucus. He was re-elected for eight terms, during which he voted against the deregulation of Wall Street, the Patriot Act, and the invasion of Iraq.
In 2006, Sanders defeated the richest man in Vermont to win a seat in the U.S. Senate as an Independent. Known as a “practical and successful legislator,” Sanders served as chairman of the Committee on Veterans’ Affairs where he authored and passed the most significant veteran health care reform bill in recent history. While in the Senate, Sanders has fought tirelessly for working class Americans against the influence of big money in politics. In 2010, he gave an eight-and-a-half hour filibuster-like speech on the Senate floor in opposition to extending Bush-era tax breaks for the wealthy. In 2015, the Democratic leadership tapped Bernie to serve as the caucus’ ranking member of the Senate Budget Committee.
Known for his consistency on the issues, Senator Sanders has supported the working class, women, communities of color, and the LGBT community throughout his career. He is an advocate for the environment, unions, and immigrants. He voted against Keystone XL, opposes the Trans-Pacific Partnership deal, wants to expand the Voting Rights Act, and pass the Equal Rights Amendment.
To learn more about Bernie on the issues, click here:
Lawrence Leritz- Director/Choreographer: Broadway, Film, TV, Ballet- MSA/NY
Lawrence Leritz is one of America's best known dance personalities. Leritz began his career with a Ford Foundation Scholarship to Balanchine's NEW YORK CITY BALLET and HARKNESS BALLET (with Patrick Swayze) danced with the PARIS OPERA at New York's Metropolitan Opera & the Kennedy Center, the CHICAGO BALLET, Placido Domingo's LOS ANGELES MUSIC CENTER OPERA, Germany's HAMBURG BALLET, Israel's BAT DOR DANCE COMPANY, in FONTEYN & NUREYEV ON BROADWAY and as a guest artist throughout the world. Leritz's own dance company, DANCE CELEBRATION, represented the United States at the International Choreographic Competitions in Paris and received special congratulations from the White House. Lawrence appeared three times on the cover of DANCE PAGES MAGAZINE. Lawrence is proud to have danced for a Who's Who of international dance choreographers, including George Balanchine, Jerome Robbins, Robert Joffrey, Tommy Tune, Ruth Page, Lee Theodore, Joe Layton, Sir Frederick Ashton, John Neumeier and Alvin Ailey.
Leritz made his theatrical debut in the children's chorus of the World Stage Premiere of Rodgers and Hammerstein's musical STATE FAIR, starring Ozzie & Harriet Nelson at the St. Louis Municipal Opera. STATE FAIR was supervised by Richard Rodgers, directed by James Hammerstein and choreographed by Tommy Tune. Lawrence made his Broadway debut in Sir Frederick Ashton's production of FONTEYN & NUREYEV ON BROADWAY, in the legendary duo's farewell engagement at the Gershwin Theatre. Leritz returned to Broadway when he was chosen by Jerome Robbins for his revival of FIDDLER ON THE ROOF at the New York State Theatre, starring Herschel Bernardi & Maria Karnilova. Leritz returned to co-star with Judy Kaye, John Reardon, John Schuck, Beth Leavel and Lorene Yarnell (Shields & Yarnell) at the St. Louis Municipal Opera in Cole Porter's CAN-CAN, garnering rave reviews.
Audiences will recognize Lawrence Leritz from his television appearances, including the 2012 Comedy Central's Night Of Too Many Stars, performing in Call Me Maybe with Carly Rae Jepsen and Harvey Keitel at NY's historic Beacon Theatre. Films include Universal's THE ADJUSTMENT BUREAU with Matt Damon and Emily Blunt and Julie Taymor's musical ACROSS THE UNIVERSE. as the Groom in DUMMY, starring Adrien Brody, EASY MONEY with Rodney Dangerfield & the HBO's feature film STAG, which features an ensemble cast including Ben Gazzara, Andrew McCarthy, Taylor Dayne and Jerry Stiller.
Lawrence produced and choreographed the hit show, BOOBS! THE MUSICAL, which opened at The Triad Theatre, May 20th, 2003 to rave reviews. Lawrence received New York's 2004 MAC AWARD BEST MUSICAL nomination & won the New Orleans 2005 BIG EASY AWARD & AMBIE AWARD for BOOBS! Lawrence returned to the Triad Theatre, Oct.3, 2012, directing and producing Welcome Back Kotter's Ron Palillo Tribute Celebration, hosted by Tyne Daly.
Leritz produced The 50th Anniversary Gala of The American Guild of Musical Artists, featuting 300 stars of oprea and ballet, at The New York State Theatre at Lincoln Center in 1986. Leritz produced The 50th Anniversary Gala of The American Guild of Musical Artists, featuring over 300 stars of ballet and opera at The New York State Theatre at Lincoln Center in 1986. The Gala's hosts, New York City Opera's Beverly Sills and New York City Ballet's Peter Martins provided the show's highlight, dancing together in the restaged opening of Balanchine's Vienna Waltzes. Lawrence also choreographed the Motown/Sony Pictures hit, The Last Dragon, the mime duo Shields & Yarnell, and for MTV. Leritz is the Spectrum Records recording artist of the dance hit single Crank It Up produced by Cory Wade, performing live during the final month of the Las Vegas Stardust Hotel.
Lawrence Leritz had success as a producer for three seasons of the annual television event, DAY OF COMPASSION, which became the largest one day event in television history with over 200 shows on the air. TIME MAGAZINE named Lawrence as their LOCAL HERO in June 1996 for his contribution.
Lawrence Leritz appeared as CIA villain Edgar, The Villain in the spy spoof, FUNDING THE ARTS at the Baryshnikov Arts Center, spring 2010.
LawrenceLeritz.com
THE NEW YORK TIMES: The six-person cast is expertly choreographed by Lawrence Leritz
LONDON FINANCIAL TIMES: Brendan Lemon- With only a piano for accompaniment, Boobs! has been inventively choreographed by Lawrence Leritz
NEW YORK MAGAZINE: John Simon Boobs! is subtitled The World According to Ruth Wallis, and a canny, tuneful, and niftily naughty world it is. Lawrence Leritz's choreography is appealing apposite
SHOWBUSINESS: Boobs more than any other production I've seen off-Broadway or Broadway do the offstage figures deserve commendation. Lawrence Leritz's choreography and musical staging are exceptional-flawless!
McDonald/Selznick Agency NY
TEACH OUR CHILDREN - Trailer - TWN
TEACH OUR CHILDREN - Trailer - TWN
EDUCATIONAL STREAMING NOW AVAILABLE: twn.tugg.com/titles/teach-our-children
Educational DVD: twn.org/catalog/pages/cpage.aspx?rec=867&card=price
Public Performance Rights: email: twn@twn.org
Stock footage: email distribution@twn.org
This film focuses on the historic 1971 Attica prison rebellion in upstate New York. It targets the conditions that caused prisoners to take drastic steps toward securing their basic rights. The film questions the reactions of prison warden Oswald, New York governor Nelson Rockefeller and President Nixon, as well as the death of 31 inmates and prison guards from bullets fired by the National Guard. Through on-site footage taken during and following the rebellion, and follow-up interviews with inmates, this film relates a powerful message concerning prisoner's rights and provides an important historical document. A Third World Newsreel production.
TEACH OUR CHILDREN was preserved thanks to the efforts of UC Berkeley Art Museum and Pacific Film Archive, MIAP alumna Pamela Jean Smith and Cinemalab. This preserved version is now available for public screening and educational purchases on DVD and BluRay formats.
Reviews
A landmark film... TEACH OUR CHILDREN was the first Third World Newsreel effort, in 1972, after the self-identified Third World members took the filmmaking collective back from the white New Leftists who had dominated it. It’s rough around the edges, but a powerful analysis of the interlocking systems of oppression that kept (and keep) people of color subjugated in the United States despite the nation’s self-congratulatory exclamations of equality... A useful teaching tool on so many levels—including as an embodiment of the “internal colony” thesis that marked much Black Power thought of the era (and continues to resonate today). With Christine Choy and Susan Robeson as the primary directors, it not only moves beyond the often white-oriented narratives of the old Newsreel, but also foregrounds women’s voices and forms of resistance.
- Prof. Whitney Strub, Rutgers Univ Newark, Strublog: Everything is Archival
The work of veteran filmmaker Christine Choy has often been concerned with revising our commonly and uncritically held views, most often with hard-hitting footage that simply marvels.
- All Movie Guide
Screenings
We Wanted a Revolution, Brooklyn Musuem, 2017
Organizing/Filmmaking/Archiving, New York University, 2016
Tell It Like It Is, Film Society of Lincoln Center, 2015
AFI Silver Theater, 2015
Billy Wilder Theater, UCLA, 2015 For educational streaming, visit twn.tugg.com
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We Need to Talk About Latin American Cinema | Carlos Gutiérrez | TEDxIndianapolis
How Latin America became an international epicenter of cinema. It’s been almost 20 years since the emergence of the ‘New Argentinean cinema,’ which fostered the arrival of a new generation of filmmakers that would drastically change local modes of production and narratives. The Argentinean case served as inspiration for many Latin American countries, creating an impressive artistic outburst, and breaking film production as well box office records throughout the region. Yet, despite of the greatness of recent Latin American cinema, it remains largely overlooked.
Carlos A. Gutiérrez is a film/video programmer, cultural promoter and arts consultant based in New York City. As a guest curator, he has presented several film/video series at different cultural institutions, including The Museum of Modern Art, the Solomon R. Guggenheim Museum, Film Society of Lincoln Center, and BAMcinématek. Along with Mahen Bonetti, he curated the 53rd edition of the Robert Flaherty Film Seminar. He is a contributing editor to BOMB Magazine and has served as a member of the jury and the selection committees for various film festivals including the Morelia Film Festival, Margaret Mead Film Festival, SANFIC – Santiago Film Festival, and DocsDF, among others. He has served as both expert nominator and panelist for the Rockefeller Fellowship Program for Mexican Film & Media Arts and for The Rolex Mentor and Protégé Arts Initiative, as well as a screening panelist for the Oscars’ Academy Awards for film students. He holds MA in Cinema Studies from New York University and a BA in Communications from Universidad Iberoamericana (Mexico City).
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at
Where to Invade Next Press Conference | Michael Moore | NYFF53
Michael Moore discussed his new documentary Where to Invade Next at a press conference before its premiere at the 53rd New York Film Festival. More info:
Where are we, as Americans? Where are we going as a country? And is it where we want to go, or where we think we have to go? Since Roger & Me in 1989, Michael Moore has been examining these questions and coming up with answers that are several worlds away from the ones we are used to seeing and hearing and reading in mainstream media, or from our elected officials. In his previous films, Moore has taken on one issue at a time, from the hemorrhaging of American jobs to the response to 9/11 to the precariousness of our healthcare system. In his new film, he shifts his focus to the whole shebang and ponders the current state of the nation from a very different perspective: that is, from the outside looking in. Where To Invade Next is provocative, very funny, and impassioned—just like all of Moore’s work. But it’s also pretty surprising.
The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FSLC Director of Programming; Marian Masone, FSLC Senior Programming Advisor; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.
Since 1963, the New York Film Festival has brought new and important cinematic works from around the world to Lincoln Center. In addition to the Main Slate official selections, the festival includes newly restored classics, special events, filmmaker talks, panel discussions, an Avant-Garde showcase, and much more.
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