Hester Street Fair in New York City
A Gesture Fight in Hester Street
SUMMARY
Opens on a street scene with a sidewalk and backdrop of storefronts, including a liquor store and pharmacy, apparently meant to represent Hester Street in New York City. A bearded, dark-haired street peddler in a long dark coat and hat hawks suspenders and perhaps neckties. A young woman in a long skirt and long-sleeved white blouse with a flowered hat walks quickly past, and the peddler turns to gesture angrily after her. Behind him enters another bearded peddler, also identified through his clothing as Jewish, and his pushcart. The cart bumps the first peddler, who turns and argues with the interloper. The argument escalates into a pushing match and then a brawl, with the men's hats knocked off and the pushcart turned over by their wrestling. A policemen enters and tries to break up the fight with his nightstick.
From Biograph picture catalogue, Nov. 1902 [MI], p. 36: 26 feet. A comical fight between two Hebrews: one a pushcart man, and the other a suspender peddler.
CREATED/PUBLISHED
United States: American Mutoscope and Biograph Company, 1903.
NOTES
Copyright: American Mutoscope & Biograph Co.; 19Aug1903; H34815.
Camera, Arthur Marvin.
Filmed June 8, 1900, in the Biograph New York City studio.
SUBJECTS
Peddlers and peddling--New York (State)--New York--Drama.
Jewish men--New York (State)--New York--Drama.
Affray--New York (State)--New York--Drama.
Commercial strips--New York (State)--New York--Drama.
Streets--New York (State)--New York--Drama.
Police--New York (State)--New York--Drama.
New York (N.Y.)--Commerce--Drama.
Silent films.
Comedies.
Vaudeville.
Shorts.
RELATED NAMES
Marvin, Arthur W., 1861-1911, camera.
American Mutoscope and Biograph Company.
Paper Print Collection (Library of Congress)
DIGITAL ID
(m) varsmp
New York Hotel Eventi - A Kimpton Hotel & Restaurants 4 **** New York 2015
Eventi - A Kimpton Hotel & Restaurants 4 **** New York 2015
851 Avenue of the Americas (Sixth Avenue), Midtown South Central, New York City, United States
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Rhode Island Street Comp 2011
Song- One
Artist- PMac
Video Filmed by John Greene & Tim Donovan
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Edited by Living Color Productions
1st Place- Dylan Hopp
2nd Place- Tom Burch
3rd Place- Pat Curran
The Most Segregated Hour in America: Overcoming Divisions to Pursue MLK’s Vision of Racial Harmony
This message from Charlie Dates was delivered at the MLK50 Conference in Memphis, TN on April 4, 2018.
On April 3–4, 2018, in Memphis, TN The Ethics & Religious Liberty Commission and The Gospel Coalition hosted a special event titled “MLK50: Gospel Reflections from the Mountaintop,” to reflect on the 50th anniversary of Dr. Martin Luther King Jr.’s tragic death.
The 50th anniversary of King’s tragic death marked an opportunity for Christians to reflect on the state of racial unity in the church and the culture. It created the occasion to reflect on where Christians have been and look ahead to where we must go as we pursue racial unity in the midst of tremendous tension.
See and download all conference media here:
Left Behind: Homeless Crisis in San Francisco
In the summer of 2019, Fox News embarked on an ambitious project to chronicle the toll progressive policies has had on the homeless crisis in four west coast cities: Seattle, San Francisco, Los Angeles and Portland, Ore. In each city, we saw a lack of safety, sanitation, and civility. Residents, the homeless and advocates say they've lost faith in their elected officials' ability to solve the issue. Most of the cities have thrown hundreds of millions of dollars at the problem only to watch it get worse. This is what we saw in San Francisco.
FOX News operates the FOX News Channel (FNC), FOX Business Network (FBN), FOX News Radio, FOX News Headlines 24/7, FOXNews.com and the direct-to-consumer streaming service, FOX Nation. FOX News also produces FOX News Sunday on FOX Broadcasting Company and FOX News Edge. A top five-cable network, FNC has been the most watched news channel in the country for 17 consecutive years. According to a 2018 Research Intelligencer study by Brand Keys, FOX News ranks as the second most trusted television brand in the country. Additionally, a Suffolk University/USA Today survey states Fox News is the most trusted source for television news or commentary in the country, while a 2017 Gallup/Knight Foundation survey found that among Americans who could name an objective news source, FOX News is the top-cited outlet. FNC is available in nearly 90 million homes and dominates the cable news landscape while routinely notching the top ten programs in the genre.
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A Tough Dance
SUMMARY
From either side of a white, apparently outdoors, setting enter a man and woman, both wearing ragged street clothes and caps. As they approach center stage, the man grabs the woman's arm and pulls her to him, then slaps her. Still holding her arm, the man and his partner cockily strut towards the camera. The man grabs the woman in a crouched, bear-hug type of hold and they perform a rough little dance that almost seems a parody of a waltz. In a jerky type of jitterbug, the man twirls the woman out of his hold and back again, a movement which is repeated often within their spinning dance. They finally fall to the ground, still clutching each other, and roll around.
From K.R. Niver, Early motion pictures, 1985: Two people imitate the celebrated dance of the French apache. As the film begins, a man dressed in rough clothing approaches a woman, also dressed in tattered garments, who is standing near the center of camera position. They begin to accentuate their shoulder movements and, at the end of the film, are hitting one another and rolling about on the floor. The participants were Kid Foley and Sailor Lil, who claimed to be the champion performers of this popular Bowery dance.
NOTES
Copyright: American Mutoscope & Biograph Co.; 9Dec1902; H24891.
CREATED/PUBLISHED
United States: American Mutoscope and Biograph Company, 1902.
Camera, Bonine.
Performers: Kid Foley, Sailor Lil.
Filmed June 19, 1902, at the Biograph New York City studio, perhaps on the roof.
SUBJECTS
Dance--New York (State)--New York.
Hoodlums--New York (State)--New York--Drama.
Dancers--New York (State)--New York.
Bowery (New York, N.Y. : Street)--Drama.
Silent films.
Dance.
Vaudeville.
Shorts.
RELATED NAMES
Kid Foley, performer.
Sailor Lil, performer.
Bonine, R. (Robert K.), camera.
American Mutoscope and Biograph Company.
Paper Print Collection (Library of Congress)
DIGITAL ID
(m) varsmp
Introducing Potion CBD Gummies
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New York's Favorite Local CBD Products - Leafly
Delicious assortment of CBD edibles by young entrepreneurs - Hester Street Fair
We use these gummies every day to combat the everyday stressors that we have. - NowThis Weed
Just having gummy worms that help you chill is so nice. - Kpiss.fm Radio
DISCOVER CBD
CBD is prominently found in the hemp plant and is known to have soothing, anti-inflammatory properties that target cannabinoid receptors throughout the body.
We all have Endocannabinoid systems within our bodies, which is known for regulating our body’s equilibrium, mood, and physiological state.
CBD relieves anxiety that can sometimes result from consuming THC, affecting your mental and physical states differently.
Unlike THC, CBD is non-psychoactive, so you won’t get that “stoned” feeling.
Some effects of CBD hemp may include: Body Resting, Relaxation, Mood Uplifting, Promotes Mind/Body Balance.
Our mission at Potion is to make everyone that experiences our products a healthier, happier and better-informed person.
We know life in the city can get fast paced and stressful, while more people today suffer from anxiety than ever before.
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The Extra Turn
SUMMARY
Camera is positioned as if in the audience of a vaudeville show. A man and two women, all in evening clothes, are seated in a theater box to the left of a stage with curtains and a painted backdrop of trees. A young woman in a white dress, identified by a sign as Dolly Lightfoot, performs a simple dance with leg kicks. The audience in the box applaud as she finishes, takes a curtsy, and exits. When they continue to clap, the dancer returns for an encore bow, and the man in the box throws her a bouquet of flowers. After she again exits, a man comes on the stage and changes the sign to Extra, indicating an extra turn or act. A man in evening dress and holding sheet music takes the stage, and begins to sing with broad gestures. The trio in the box grumble and angrily gesture at the stage, then they throw their fans and hats at the oblivious singer and cover their ears. More hats and other objects are thrown by the off-camera audience, until one succeeds in knocking down the vocalist. He runs off stage, but quickly returns with an umbrella and continues to sing undaunted, even when the man in the box throws his seat cushion. Finally, two stagehands enter and drag and push the offending singer off stage, to the relief of the theater patrons.
From Edison films catalog: This scene opens with a view of a stage setting and private box. After Miss Dolly Lightfoot has finished a clever dance, a card is placed upon the stage announcing an extra turn. An Italian vocalist appears and starts to sing. He is received with a shower of missiles, to which he pays no attention, until he is finally floored. He rushes from the stage and reappears with an umbrella for protection. He defiantly continues to sing. Two stage hands rush from the wings, seize him, and drag him from the stage. Length 90 feet. Class B. $10.80.
CREATED/PUBLISHED
United States: Edison Manufacturing Co., 1903.
NOTES
Copyright: Thomas A. Edison; 3Oct1903; H36496.
Filmed in Edison's New York City studio.
SUBJECTS
Vaudeville--United States--Drama.
Theater audiences--United States--Drama.
Singers--United States--Drama.
Women dancers--United States--Drama.
Silent films.
Comedies.
Vaudeville.
Shorts.
RELATED NAMES
Porter, Edwin S., camera.
Thomas A. Edison, Inc.
Paper Print Collection (Library of Congress)
DIGITAL ID
(m) varsmp
Mendez, Squadron, Kavanagh Endorse Chin
Margaret Chin doesn't exactly have a lot of anxiety about her prospects in the upcoming General Election. She shouldn't have much trouble prevailing over Republican Irene Horvath, her opponent in the District 1 City Council contest. Nevertheless, she was happy to have gotten the official endorsements of several key Downtown Democrats this afternoon.
Columbia U., Race, Class and the Gentrification of Harlem
Nellie Bailey: Ethnic cleansing in Harlem led by Columbia U., whose Chair is also chair of the New York Fed
NYS SENATOR DAVID STOROBIN SLAMS FELDER AND SHELLY SILVER
06.28.2012
BROOKLYN,NY
Old-Time TOTW #36: Tulsey Waltz (3/3/19)
This week’s tune is Tulsey Waltz, from the playing of James Samuel (J. S.) Price (14 October 1876 – 22 July 1962) of Pottawatomie Co., OK, and is found in Marion Thede’s Fiddle Book. As far as I know, this is the first and only recording of Price's version of tune on the Internet (or anywhere else, for that matter).
James Samuel (J.S.) Price is not a fiddler we hear much about, though he contributed many tunes to Marion Thede’s book, some of which are unique. He was born on 14 October 1876 in Baldwyn, MS to Elizabeth A. Yeager and Joe S. Price. The family moved to Texas in 1883, then to Oklahoma by 1900 (Greer and Beckham counties). Price married Hester Winifred Stringer (1883-1964) on 5 May 1912. His residence in 1930 was Shawnee, Pottawatomie County, OK. Thede mentions Price was a left handed fiddler who strung his fiddle in the conventional manner. She also states “Mr. Price’s violin is a fine old instrument with an Italian coat of arms carved in relief on the back. He makes a wonderful picture, with his white hair, the old violin held in the right hand, and the left bowing arm high in the air when playing on the E string.” I’m glad that Thede took a photo of Price and included it in her book, but how I wish she had included a close up of the back of his fiddle!
Tulsey, or Tulsey Town, refers to the city of Tulsa. I am not sure if these are names locals still use for the city, so if there are any people from Tulsa here, please let me know in the comments below.
Tulsey Waltz shows marked similarities to many popular waltzes of the late 1800s and early 1900s. The waltz song was very popular during that era. This craze lasted approximately two decades and seems to have begun with “Comrades” by Felix McGlennon in 1887. Some that followed were “Daisy Bell” (Harry Dacre, 1892), “The Sidewalks of New York” (Lawlor & Blake, 1894), “Sweet Rosie O’Grady” (Maude Nugent, 1896), “In the Good Old Summertime (Shields & Evans, 1902), and “My Gal Sal (Paul Dresser, 1905). I’d like to point out “Sweet Rosie O’Grady” because it was not very common for a woman to compose popular music in the 1800s, let alone a song that reached the status of what would be considered a “hit” today.
Andrew Kuntz informed me that Tulsa Waltz was written by Howard L. Cawley, fiddler for Jack Cawley's Oklahoma Ridge Runners (Howard Cawley, fiddle; Leonard C. Fulwider, guitar; and Forrest A. Turner, mandolin). They played the tune in D and recorded it in Memphis, Tennessee, in June 1930 for Victor Records. More elaborated versions of the tune were recorded by Lon Johnson (1941) and a home recording by Burrell Reed (year unknown), both found on Larry Warren's Slippery Hill site (slippery-hill.com). None of these versions are identical to the written notation of Price's Tulsey Waltz (including Cawley's), but the shape is there. However, I see the shape/phrasing/overall sound as being a bit of a musical idiom that is found in many of the popular waltz songs I listed above. Although not identical, all of these waltzes sound quite a bit alike and were clearly influenced by one another.
No chords are given in the transcription by Thede (which is not unusual at all), and the melody modulates in ways that most older folk songs do not--an indication of its later origin. The chords we are playing in this video are ones that I set to the melody. I was guided in my chord choices by the walzes listed above, especially “Sweet Rosie O’Grady” and “In the Good Old Summertime” since there were strains in Tulsey Waltz that directly correspond to those songs. The first four bars just cried out to me for a descending bass line, and I think it works very well with the character of the tune.
Tulsey Waltz is in the key of C, but I discovered that I enjoy playing it in cross G tuning (GDGD). I admit, this is rather unusual, but I like the effect of the drones in this tuning as well as the timbre of the fiddle. Price apparently played it in standard tuning (GDAE), which would be much more common and expected.
Joining me are Stephen Rapp on banjo (Kent, OH), and Bill Braun on guitar (Cleveland, OH). This was recorded at a concert we gave at St. Paul’s Episcopal on 16 October 2018.
Subscribe to my YouTube channel and Stay Tuned for the next Old-Time TOTW, a different tune airing each Sunday morning.
Next week I will feature fiddler Amanda Morrison again…see you then!
Rainbow Valley by Lucy Maud Montgomery | Full Audiobook with subtitles
Rainbow Valley (version 2) by Lucy Maud MONTGOMERY
The story moves from Anne and Gilbert to their six children, and their new neighbours, the children of the new Presbyterian minister. - Summary by Karen Savage
Genre(s): Published 1900 onward
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Casino Tells Jackpot Winners Machine Malfunctioned
More from Inside Edition:
While some people are lucky enough to win big at casinos, the hardest part can sometimes be collecting the winnings. Inside Edition’s investigative team has found people who thought they'd be taking home huge earnings, only to discover that wasn't the case. Katrina Bookman, 44, hit a $42.9 million jackpot at Resorts World Casino in Queens, N.Y. She posed next to the winning machine as it displayed her earnings. As a crowd started gathering around, security showed up.
Celebrating the East Building Twentieth-Century Art Series, Part 9: Abstract Expressionism
David Gariff, senior lecturer, National Gallery of Art. From the mid-1940s through the 1950s painters in New York imbued their work with a heady new confidence, scale, and energy. Before and during World War II European émigrés poured into New York, including artists Max Ernst, Fernand Léger, Piet Mondrian, and the writer and surrealist leader André Breton. Their influence led to the exploration of biomorphic forms, archaic themes, and accidental processes designed to unleash the unconscious, like dripping and scraping. It is in the large canvases of the 1950s, by Jackson Pollock and others, that what one critic called “the triumph of American painting” can really be felt. These paintings increased ambition and introduced new techniques: Pollock’s rhythmic pours and drips, Clyfford Still’s dry palette-knifing, Newman’s masking-taped “zips,” Franz Kline’s chiseled gestures, and Joan Mitchell’s flurries of strokes. This generation of artists revealed new horizons in the practice of painting and the experience of viewing. As part of the series Celebrating the East Building: 20th-Century Art, senior lecturer David Gariff explores the triumph of American painting in postwar America. This lecture was presented on August 14, 2018, at the National Gallery of Art.
Anders Walker '98 | The Burning House: National Library Week Celebration
The 2019 National Library Week Alumni Author event featured Anders Walker (JD/MA 1998), Lillie Myers Professor of Law at St. Louis University School of Law. In his new book, The Burning House: Jim Crow and the Making of Modern America (2018), he presents a dramatic reexamination of the Jim Crow South from the perspectives of some of the most important American intellectuals, and explores their lasting impact on U.S. Supreme Court jurisprudence.
With an introduction by James Coleman Jr.
Sponsored by the Goodson Law Library.
Re: Housing: Detroit Symposium
Chicago Tonight full episode January 3, 2019