The Life and Adventures of Nat Love by Nat Love | Audio book with subtitles
The Life and Adventures of Nat Love
Nat LOVE
Nat Love was born a slave, emancipated into abject poverty, grew up riding the range as a cowboy and spent his maturity riding the rails as a Pullman Porter. For me, the most amazing thing about him is that despite the circumstances of his life, which included being owned like a farm animal solely because of the color of his skin and spending later decades living and working as an equal with white coworkers, he was an unrepentant racist! Convinced that the only good Indian was a dead one, and that all Mexicans were greasers and/or bums, he rarely passed up a chance to shoot a member of either group, whether in self-defense or cold blood, and shows no sign of having appreciated the difference. At one point, he fell in love with a Mexican girl but, apparently unable to tolerate this reality, considered her Spanish. Nat Love was a fascinating character who lived in equally interesting times, and one only wishes his autobiography was much longer and more detailed. summary by ohsostrange
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The Great Gildersleeve: Gildy Considers Marriage / Picnic with the Thompsons / House Guest Hooker
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Political Figures, Lawyers, Politicians, Journalists, Social Activists (1950s Interviews)
Interviewees:
Harold Himmel Velde, United States political figure
Hugh D. Scott, Jr., American lawyer and politician
John V. Beamer, U.S. Representative from Indiana
Orland K. Armstrong, Republican United States Representative, journalist, and social activist
Edward L.R. Elson, Presbyterian minister and Chaplain of the United States Senate
Richard Russell, Jr., American politician from Georgia
Richard Brevard Russell, Jr. (November 2, 1897 -- January 21, 1971) was an American politician from Georgia. A member of the Democratic Party, he briefly served as Governor of Georgia (1931--33) before serving in the United States Senate for almost 40 years, from 1933 until his death in 1971. As a Senator, he was a candidate for President of the United States in the 1952 Democratic National Convention, coming in second to Adlai Stevenson.
Russell was a founder and leader of the conservative coalition that dominated Congress from 1937 to 1963, and at his death was the most senior member of the Senate. He was for decades a leader of Southern opposition to the civil rights movement.
Russell competed in the 1952 Democratic presidential primary, but was shut-out of serious consideration by northern Democratic leaders who saw his support for segregation as untenable outside of the Jim Crow South. When Lyndon Johnson arrived in the Senate, he sought guidance from knowledgeable senate aide Bobby Baker, who advised that all senators were equal but Russell was the most equal—meaning the most powerful. Johnson assiduously cultivated Russell through all of their joint Senate years and beyond. Russell's support for first-term senator Lyndon Johnson paved the way for Johnson to become Senate Majority Leader. Russell often dined at Johnson's house during their Senate days. However, their 20-year friendship came to an end during Johnson's presidency, in a fight over the Chief Justice nomination of Johnson's friend and Supreme Court justice Abe Fortas in 1968.
While a prime mentor of Johnson, Russell and the then-president Johnson also disagreed over civil rights. Russell, a segregationist, had repeatedly blocked and defeated civil rights legislation via use of the filibuster and had co-authored the Southern Manifesto in opposition to civil rights. He had not supported the States Rights' Democratic Party of Strom Thurmond in 1948, but he opposed civil rights laws as unconstitutional and unwise. (Unlike Theodore Bilbo, Cotton Ed Smith and James Eastland, who had reputations as ruthless, tough-talking, heavy-handed race baiters, he never justified hatred or acts of violence to defend segregation. But he strongly defended white supremacy and apparently did not question it or ever apologize for his segregationist views, votes and speeches.) Russell was key, for decades, in blocking meaningful civil rights legislation that might have protected African-Americans from lynching, disenfranchisement, and disparate treatment under the law. After Johnson signed the Civil Rights Act of 1964, Russell (along with more than a dozen other southern Senators, including Herman Talmadge and Russell Long) boycotted the 1964 Democratic National Convention in Atlantic City.
A prominent supporter of a strong national defense, Russell became in the 1950s the most knowledgeable and powerful congressional leader in this area. He used his powers as chairman of the Senate Armed Services Committee from 1951 to 1969 and then as chairman of the Senate Appropriations Committee as an institutional base to add defense installations and jobs for Georgia. He was dubious about the Vietnam War, privately warning President Johnson repeatedly against deeper involvement.
The Great Gildersleeve: Gildy Gets Eyeglasses / Adeline Fairchild Arrives / Be Kind to Birdie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Dancing School / Marjorie's Hotrod Boyfriend / Magazine Salesman
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
Calling All Cars: Escape / Fire, Fire, Fire / Murder for Insurance
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Kent Hovind - Seminar 6 - The Hovind Theory [MULTISUBS]
SUBTITLES:
Afrikaans, Belarus, Chinese_CS, Chinese_CT, Croatian, English, Estonian, French, German, Indonesian, Latvian, Norwegian, Portuguese, Romanian, Russian, Spanish, Tajik, Ukrainian
The Hovind Theory blends scientific observations with Scripture in a fascinating explanation of what caused Noah's Flood, the ice age, the formation of coal, mountain ranges, and the Grand Canyon. Dr. Hovind gives logical answers to the physical anomalies that geologists cannot explain with the evolutionary theory. This seminar aims to answer the following questions:
What caused Noah's flood? How could the world be completely covered with water? Where does the ice age fit into the Bible
No ratings enabled because truth is not based on opinions.