Parampara students @Swartaal 2018, Jagriti Theatre, Bangalore
Sadinchene - Arabhi - Adi - Thyagaraja Pancharatna kriti.
Students of PARAMPARA CREATIVE ARTS FOUNDATION - Vibha, Varshika,Sharanya,Rishabh,Ananyaa,Shreya,Sathvika,Vanshika,Prakruthi, Mridula, Kaavya along with Shrikar (violin), Kaushik ( mridangam) at Swartaal, 2018 ( Music and Dance Festival ) @ Jagriti Theatre, Bangalore.
Odissi dance program in Jagriti Theatre at Bangalore
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Mahesh - Try (Emotion and Words: Live at Jagriti Theatre)
This is the first single off Emotion and Words: Live at Jagriti Theatre; a concert movie shot and recorded on 19 Oct 2018 as part of the launch for the EP Accept.
Listen to Accept on your favorite music service (Spotify, Apple Music etc):
Inquiries: oafrecords@gmail.com
*** Credits ***
Try is a song written and performed by singer-songwriter Mahesh.
|
*Cinematography*
Vishnujith Varma (Empty Squares)
Sabareesh Arumugam (Empty Squares)
Siddhart Varma (Empty Squares)
Shreyas Bhat (The Doobious Minds)
Piyush Kumar (The Doobious Minds)
*Production Crew*
Recorded by Stained Class Productions | Engineer: Mrinal M |
Mixed and Mastered at RMC Studios | Engineer: Rohan Kamath |
Lights Engineer: Mriganka Boruah
Editing: Mahesh Raghunandan
Color grading: Sabareesh Arumugam
Photography: Abheet Anand
Concert artwork: Arundathi Manakkad
*Location Credits*
Thanks to Deeya Laki Rajan, Shlok Menon and Babu from Jagriti Theatre, Bangalore
*Additional Thanks*
.oaf Records
Astha Guitars
RC7 Records
Songstuff
Furtados Music
Siddharth Nair
John Moxey
Leslie Charles
Johanson Prabu Kumar
Ramanan Chandramouli
Prabhu Muraleedharan
Anirudh Ravi
All Rights Reserved © 2019 | Signed to RC7 Records | Managed by .oaf Records
A tribute of Simon and Garfunkel by Ananth Menon and Vedanth Bharadwaj.
A tribute of Simon and Garfunkel by Ananth Menon and Vedanth Bharadwaj.
Paul Simon and Art Garfunkel were childhood friends who learned to harmonize with each other and went on to become one of America’s favourite musical acts of the 60s, and their songs remain popular to this day. They also released a single called Hey Schoolgirl under the name Tom and Jerry which saw a modicum of success, but after the poor reception of their debut Simon and Garfunkel album Wednesday Morning 3 am, the duo disbanded, only to reunite year later when a remix of the track The Sound of Silence achieved chart success. Plagued by personal issues and artistic differences, the duo finally parted ways four albums later in 1970, with 10 Grammy Awards to their credit. They were inducted into the Rock and Roll Hall Of Fame in 1990.
Ananth Menon is a guitarist and singer from Bangalore. He was part of the popular rock band Galeej Gurus and currently performs in the acoustic trio By2 Blues. Vedanth Bharadwaj is a singer, songwriter, and music producer from Chennai. He runs a recording studio there called SaMa Studios. The two first met in boarding school, and shared a mutual interest in the harmonies and guitar, and consequently also shared a common obsession with Simon and Garfunkel’s work. They reunite again 20 years later to reprise their S&G repertoire. Their set will comprise of some chart-topping favourites and some lesser known tracks that were released by the legendary duo.
Book Your Tickets -
Wipro Corporate Workshop | 2019 May | Jagriti Theatre
Transitions - Parvaaz live at Jagriti Theatre
Buy a special edition audio-video bundle of Transitions here:
The film, “Transitions”, is an attempt to capture the band Parvaaz's musical transitions through and from their EP, Behosh, to their album, Baran, to yet another direction with their latest songs.
Being a dedicated theatre space, Jagriti was a brave, if odd, choice for a rock concert. Therefore, it is safe to say that everyone involved with this performance - the employees at Jagriti, the band, the light, sound and camera crew and the audience themselves - was way out of his/her comfort zone. Out of this discomfort, though, arose a challenge for the band and the crew that pulled us closer to each other and to the vision behind this concert.
The average concert video today bombards our senses with fancy lights, camera movements and gimmickry while the average concert itself comes with its various distractions that, unfortunately, have not much to do with the performers on stage.
The vision behind this concert - and hence the film - is to draw the viewer into the mood of the performance and provide an unadulterated gateway to the intimate and powerful visual and aural experience that can be a Parvaaz concert.
The result is this approximately 90-minute long cut of a feature that premiered exclusively on MTV Indies on Mar 22, 2016, followed by twice-a-day encores on that channel until Mar 28, 2016.
The crew behind Transitions:
Sound:
Rahul Samuel (Live Sound)
Rahul Ranganath (Recorded Sound)
Jason Zachariah (Mixing and Mastering)
[Mixing and Mastering was done at the Nathaniel School of Music.]
Lights:
Guru Somayaji
Camera:
Mithun Bhat (Director of Photography; Camera - Centre)
Raghul Sridharan (Camera - Stage left)
Karthik Shetty (Camera - Stage right & Behind the Scenes)
Deepti (Camera - Catwalk)
Amyth Venkataramaiah (Camera - Backstage)
Production team:
Gokul Chakravarthy and Parvaaz (Producers)
Anusha Didige (Production Assistant)
Concept, Editing and Direction
Gokul Chakravarthy
Collaborating Artists (in order of appearance):
Sanjeev Nayak (Swarathma)
Alexis D'Souza (Alexis)
Rauf Abdul (Ministry of Blues)
Band jam sessions conducted at Centerstage, Bangalore
Special thanks to
Sudha Sudanthi
Harini Pinto
Bharavi
Chetan Banandur and
Ramanan Chandramouli
Parvaaz are:
Khalid Ahamed (Vocals and guitar)
Mir Kashif Iqbal (Guitar and vocals)
Fidel D'Souza (Bass)
Sachin Banandur (Drums)
Uktopia Creations (c) 2016
Set list
1. Itne Arsey Ke Baad 1:21
2. Dil Khush 8:52
3. Gul Gulshan 22:12
4. Ab Ki Yeh Subah 31:34
5. Roz Roz 41:16
6. Baran 45:57
7. Ziyankar 1:03:45
8. Shaad 1:13:11
9. Colour White 1:18:49
Sneak Peek: Yayati by Girish Karnad- A Jagriti Theatre Production
Yayati is Girish Karnad’s first play that immediately established his ability to turn an epic story into an exciting dramatic experience. In this play, King Yayati’s story from the Mahabharata becomes a roller coaster ride of events, sparked off by one sexual encounter. Set against a background of lust, jealousy and social prejudice, six strong characters fight to assert their own rights.
Directed by Arundhati Raja
Cast: Divya Jain, Rohn Malhotra, Swati De, Urvashi Goverdhan, Vandana Prabhu and Vivek Vijayakumaran and Jagdish Raja
The Pillowman - Multi-Award Winning Play in Bangalore (Jagriti Season 2016)
Tickets:
Synopsis: A writer is brought in for interrogation regarding a series of gruesome child murders bearing striking similarities to his stories. Just like the manner of the killings, the investigating detectives are ruthless and show no mercy in trying to get a confession. They even drag the writers mentally challenged brother amidst a tangle of fantastical revelations, whimsical stories and peeling layers of what seems to be the truth. Eventually, a punishment is delivered and justice is served. Perhaps. Almost. Well...
Set in an imaginary totalitarian police-state, 'The Pillowman' is a comedy so dark that the color black seems pale. Twisted, mysterious and outright funny in generous proportions, this play is bound to leave the audiences spellbound with its plot and imagery.
REVIEWS OF THE PLAY
“Martin McDonagh's Tony-winning comedy definitely makes Kafka seem like Neil Simon on happy pills; the laughs are howlingly nightmarish.”, Times Colonist (Victoria)
“McDonagh smugly informs us that writing and writers are very good things and worth getting your elbows broken for”, The Guardian
“Comedies don't come any blacker than The Pillowman, the spellbinding stunner of a play by Martin McDonagh”, The New York Times
“Somebody must have been spreading lies about Katurian K Katurian, for his predicament, in Martin McDonagh’s The Pillowman, could have come directly from the pages of a Kafka novel”, The Irish Times
Sometimes you don't even know what you've been craving until the real thing comes along. New York Times
McDonagh is more than just a very clever theatrical stylist. His tricks and turns have a purpose. They are bridges over a deep pit of sympathy and sorrow, illuminated by a tragic vision of stunted and frustrated lives. Irish Times
Transitions | Parvaaz live at Jagriti Theatre | Trailer
It's been three years since we were at a very special concert at Jagriti Theatre in Bangalore which spawned a first for us and a rarity in Indian independent music; an end-to-end, themed concert video titled 'Transitions'.
Trailer edited by Sachin Banandur
Get your copies of the audio-video set which includes bonus footage.
Get it here -
Bharathanatyam to Muralidhara Kauthuvam by Niharika at Jagriti Theater
Niharika of Nandini's 9th Count Dance Academy, Bengaluru
Dancing to Muralidhara Kauthuvam composed by Madurai Muralidharan
As part of Swar Taal Indian Classical Music and Dance Festival
At Jagriti Theater, Bengaluru on Sep
Parvaaz - Ab Ki Yeh Subah | Rock from Bangalore, India
Khalid Ahamed: Vocals & Guitar
Kashif Iqbal: Guitar & Vocals
Fidel Dsouza: Bass
Sachin Banandur: Drums
Written by: Khalid Ahamed, Kashif Iqbal & Umer Allhie
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Parvaaz came together in 2010 when Khalid Ahamed and Kashif Iqbal, childhood friends from Kashmir, met in Bangalore after a hiatus of about 3 years and decided to jam together. They initially came up with a few basic melodies, but slowly realized that their collaboration had something more to yield than just a few songs. After a different initial line-up, the band finally turned into a four-piece act with Sachin Banandur and Fidel D’Souza.
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Video Editing: Amir Tal
Recording: Yotam Agam, TJ Varghese, Yoav Rosenthal
Production Assistant: Remya Nair
Mix: Yotam Agam
Additional Sound Editing: Yoav Rosenthal
Camera: Mithun Bhat, Tarun Achpal
Content Editing: Sonya Mazumdar, Anna Philip, Nandini Nayar, Nirupama Belliappa
Produced by: Earthsync & IndiEarth
Special Thanks: Sonya Mazumdar, Sastry Karra, Roy Dipankar, Yogisthaan - Ajitsingh Tapaswi, Katharine Sneyd, Maud Chuffart (Yoga House Mumbai)
© & ℗ EarthSync India Pvt. Ltd. All Rights Reserved
Parampara Creative Arts Foundation - 20th Anniversary Celebrations - August 04, 2019
Carnatic music ensemble ‘ A JOURNEY THROUGH LIFE: RUMINATIONS AND ILLUMINATIONS ‘ by Smt Savitha Kartik and her disciples, Sri Anand Vishwanathan- Violin, Sri HS Sudhindra - Mridangam.
A vibrant event that depicts the growth and evolution of Parampara over the last 20 years. This presentation was beautifully co created along with the students of Parampara, and the parent community, interspersing music with creative skits and interludes that align with the spiritual theme.
Date : 4th August 2019
Venue : Indiranagar Sangeetha Sabha Purandara Bhavana, 8th Main Rd, HAL 2nd Stage, Indiranagar, Bengaluru.
#Worldtour2015 MADE IN ILVA - Performance in Bangalore
MADE IN ILVA 15th Sept at Jagriti theatre in Bangalore - INDIA
MADE IN ILVA Theatre World tour 2015 - INDIA
MADE IN ILVA World tour 2015 INDIA
27 - 30 Aug Workshop NSD New Delhi
30 Aug MADE IN ILVA NSD New Delhi
31 Aug Lecture Shiv Nadar University Noida
11 Sep MADE IN ILVA ICCR Kolkata
15 Sep MADE IN ILVA Jagriti Auditorium Bangalore
19 Sep MADE IN ILVA Adi Shakti Pondicherry
MADE IN ILVA
International awards
Total Theatre Awards Nomination at the Edinburgh Festival Fringe 2014
16° IIFUT Best International Show Award - Iran
STOFF Stockholm Fringe Fest Jury Selection - Sweden
National awards
Cassino OFF Teatri di Vita
“Landieri” Civil Commitment Theatre Award “Ermo Colle”
Poetry & Music Critics’ Award
12° “Museo Cervi” Festival of Resistenza Award
“Kilowatt” Contemporary Theatre Festival Jury Selection
“OffX3” Residency Prize at Theatre Spazio OFF
Director: Anna Dora Dorno
Performer: Nicola Pianzola
Original songs and vocals: Anna Dora Dorno
Original music: Riccardo Nanni
Video: Nicola Pianzola
Original script based on poems and testimony of factory workers of
ILVA of Taranto - Italy, the biggest Steelworks of Europe.
Production: Instabili Vaganti | LIV Performing Arts Centre Bologna | 7 floor
Sponsored by:
fUNDER 35 | Del Monte Foundation of Bologna and Ravenna
Regione Emilia- Romagna | Bologna UNESCO City of Music
Italian Cultural Institute Edinburgh
What is more topical in Italian society than the ILVA tragedy? The biggest steelworks of Europe was a dream of prosperity and employment for an entire land. Who does not remember the advertisement “Made in Italy, made in Ilva”? Now it is a nightmare called environmental damage, a poisoned land and the impossible choice between jobs and health.
A man, a factory worker lives with the conflict of wishing to escape from the incandescent steel cage and needing to carry on working in that hell to survive. He is imprisoned in a mechanical and repetitive existence, in a post-modern landscape where the alienation of the production line reduces the human being to an artificial machine. The scene is set with metal structures continuously transformed by the lights, the video projections and the performer's actions interacting with music and sounds that become obsessive rhythms, while a persuasive voice orders him “work, produce, act, create…”.
“Nicola Pianzola, alone on stage, compelled and driven by impulse, manifest in robotic motion: he goes up and down, up and down again and again inside a perch which has become the inside of a factory. Now he sits on the factory, now he falls from it, now he dies in it. Contemporary biomechanics, further evolution of American “Taylorism” and of soviet “proizvòdstvo”, makes the empty space a laboratory of mechanical movements, of levers and gears through tensions, rotations and expansions of the body, its beat, its breath. Mejerchòl'd would have said “qualified performer”. (Arteatro)
Beginning with diary excerpts of an ILVA steelworker, including testimonies and emotions of other factory workers, the performance goes beyond specific cases, turning the worker into a “status symbol” of contemporary man, alienated from himself and from a society that relegates him to the condition of “hermit”.
“Body as a vehicle to tell, and this is the great news, the drama came alive with all the physicality”. (Teatrionline)
MADE IN ILVA is the result of intense physical work and vocal experimentation between organic, inorganic movement and voice. A critique to the current alienating production system and its impact on the environment and the population.
More about ILVA steelworks’ scandal,
The factory employs 12,000 people and breathes life into the depressed local economy and has long been accused of killing off the locals by belching into the air a mix of minerals, metals and carcinogenic dioxins (90% of the total dioxins emitted in Italy). Prosecutors say emissions have killed more than 400 people in 13 years. In 2012 a magistrate ordered the total shutdown of the most polluting furnaces, described ILVA as an environmental disaster. Yet even now this “monster” is still active and continues to cause several terrible workplace deaths and injuries.
Chaturang in Raag Des at SWARTAAL 2018 (Jagriti Theatre)
Soho Theatre and Talawa Theatre presents Half Breed
Half Breed is a semi-autobiographical comic drama about finding your voice, written and performed by the exciting new British talent, Natasha Marshall.
Directed by Miranda Cromwell
Following its successful world premiere at Edinburgh Festival Fringe and Soho Theatre, Half Breed makes its Indian premiere at Jagriti Theatre in Bangalore as part of its 2017 Indian tour, supported by Arts Council England and British Council.
‘I am that mixed raced kid, like 50/50, on the fence, lukewarm, in-between maybe. Trust me, around here I’m about as black as it goes…’
Jazmin feels different. She doesn’t want to stay in the village. She doesn’t want to have a baby. She doesn’t want to laugh at racist jokes in the local pub. She’s got to get out.
At Jagriti Theatre on Oct 4 - 8
Tickets on BookMyShow --
Jagriti Theatre Walkthrough
Emma Bangalore Promo
UNLYRICS is a concert where the soulful musicians Tomasz Pajak and Emma Tillu will take you on a poetic journey without words by masters of the western classical violin and piano repertoire- Mozart, Beethoven, Debussy and more.
Book your tickets here:
Akshayambara Full (Kannada Yakshagana) | Dance Drama | Dramanon | Jagriti Theatre
'Akshayambara' is an experimental Kannada play that uses both modern theatrical tools and the dance drama form of Yakshagana to create a contemporary narrative that raises questions on female representation and male ownership. A male artiste in ‘Streevesha’ plays ‘Draupadi’ while in a tradition-defying move a woman is cast as the ‘Pradhana Purushavesha’ of the Kauravas. What happens to the interpretation of gender when a man plays the Streevesha and the Purushavesha is played by a woman? Who is the real woman and who is the real man? When tradition can accept a man as a Streevesha, can that same tradition accept a woman as a Purushavesha?
Directed by Sharanya Ramprakash
Event Venue: Jagriti Theatre, Bengaluru
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Future of Jagriti
Raj Krishnamurthy, board member of Jagriti, shares the three horizon approach of Jagriti for future