Discover Marfa, TX
Marfa, TX, an unassuming west Texas community of approximately 2,000 people, will astound you with culture, talented people and 5-star entertainment. Check in at the El Paisano Hotel where you will slip back a few decades in time to a more genteel time.Marfa is your oyster. If you're an art aficionado, visit the the Chinati Foundation and experience Donald Judd's passion with the space of Marfa. In the early 1970's, Judd transformed WW II buildings into a compound for artists which continues today. The Book Company is the heart of Marfa where talented people meet, plan and exchange ideas. Great place to browse, slow down and breathe. Grab lunch at the Food Shark. Great Falafel. Around dark, drive a few miles outside of town to view the infamous Marfa Lights and share stories of aliens or unexplainable (no one can determine why) phenomenon. Take in some history at the beautiful Presidio County Courthouse. As artist Sam Schonzeit said ...you can breathe here.
Opps... Charles Bassett built the El Paisano Hotel in 1930, not 1920 as Annie says on the video.
MARFA, TEXAS VLOG
MARFA, Texas is a cool town where, Donald Judd brought piece of desert & over time he brought lot of properties there. The Chianti foundation was a unique experience. The concrete sculptures, fluorescent lights & many more artistic stuff was so beautiful & inspiring. I definitely recommend people visiting Marfa if you’re close by. Alpine, Texas was nice too! The best part of Alpine was the calmness & the small town vibes.
PLACES WE WENT TO VISIT-
ALPINE , Texas ( Panda, buffet)
Plain coffee
Marfa lights
Marfa, Texas ( Judd foundation)
Chianti Foundation
Do your thing coffee
THE Hotel Paisano
Frama Coffee & Ice Cream
The connivance BBQ
El Cosmico
Marfa Prada.
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Marfa, Texas - Prada, Chinati Foundation, Cosmico Hotel
Hey there everybody! If you follow me on Instagram: you know I recently went to Marfa, Texas because I won't stop posting pictures from there. But it was an incredibly fun and interesting trip with my friend Whitney to go to our friends' wedding. Along the way to Marfa we visited the Odessa Meteor Crater, the Monahans Sandhills State Park, Balmorhea State Park, and more!
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In Marfa, we stopped at Prada, the Hotel Paisano, and the Chinati Foundation concrete art.
We stayed at the amazing Cosmico Hotel (BEYONCE STAYED HERE!) and the Thunderbird Hotel.
SUCH A FUN TRIP!
ENJOY!
Music is royalty free and usable under Creative Commons License... Sneaky Snitch by Kevin MacLeod of incompetech.com ISRC: USUAN1100772
Travel to Marfa, Texas
Visit the charming town of Marfa, Texas - a hub of contemporary art in the West Texas desert. Special highlights are the Chinati Foundation (home of Donald Judd's artworks) and Prada Marfa, a replica store and surreal art installation.
For the video I wore some of my favorite western wear and added a little California style from Pam and Gela and House of Harlow 1960.
Follow me Instagram for more travel and fashion @the.upside.of.joy
Glamour and gentrification go hand-in-hand in artsy ranch town Marfa
It's sometimes weird, often wonderful, definitely off the beaten path. Marfa, Texas, is a tiny rural town in the middle of dusty ranchlands, as well as an internationally renowned creative mecca. In the last few decades, as artists and nonprofits moved in, drawing tourists and upscale development, Marfa has become the model of the arts as economic engine in rural America. Jeffrey Brown reports.
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Opendox 1. Marfa, TX
In the first installment of the Opendox series we visit Marfa, a small town in the high desert of far West Texas that has become a center for site specific art.
Directed by Petter Ringbom.
Executive produced by Openbox.
Music by Tim Harrington.
Where is Marfa?
Trailer for C.M. Mayo's Marfa Mondays Podcasting Project, 2012-2013: Exploring Marfa, Texas and environs in 24 podcasts, as part of a book project. By the author of Miraculous Air (Milkweed Editions) and Mexico: A Traveler's Literary Companion (Whereabouts Press). Find out more and listen to the podcasts at cmmayo.com
Chinati Weekend | Part 1/2 | Prepping & Arriving!
Part 1.
Warning: these videos contain so much silliness and I love it!
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Thumbnail: Work of Dan Flavin at Chinati Foundation - October 2018
Hotel Paisano, Marfa, Texas
The Hotel Paisano in Marfa, Texas. The Movie Giant, starring Rock Hudson, Elizabeth Taylor, and James Dean, was filmed in the Marfa area in 1955, and the crew stayed at the Hotel Paisano.
Marfa, Texas: A Place Where Art Must Be Seen In Person
Full video from the World Monuments Fund available at:
Phaidon Press Editorial Director Amanda Renshaw describes Marfa, Texas, a place featured in the book Art & Place, as an example of site-specific art which can only be experienced in person.
Engineer’s Approach to Forecast the Long-Term Effects of Thermal Cycles on the Aluminum Works
Two single-story concrete and brick buildings constructed at Fort D. A. Russell in Marfa, Texas in 1938 are now known as the Artillery Sheds and house internationally important works of art by the renowned minimalist artist Donald Judd (1928 –1994). In 1979 Judd purchased the then-derelict structures. Judd planned significant architectural modifications to the buildings and the 100 mill aluminum works of art they contain together as one vision. Judd’s installation of 73 story-high glass and aluminum windows, of his design, create nearly fully transparent facades. The transparency, in turn, creates an important contextual relationship between the works of art and the landscape, and admits enormous amounts of natural light, the nature of which changes continuously from sun up to sun down. The Judd-designed glass windows and the subsequent addition of aluminum barrel arches on the once-flat roofs, known in the vernacular as the huts, have made the Artillery Sheds iconic of Judd’s works in Marfa.
The Sheds and their works of art are now cared for and opened to the public by the Chinati Foundation. The buildings remain preserved as Judd created them: building elements and materials bare and exposed; interior environment unconditioned and unlit by artificial light; and experience in the space acoustically unaltered by building mechanical and electrical systems. However, the single pane, clear glass of the windows allow for tremendous solar radiation into the space. The aluminum works comprised of rectangular aluminum plates creating box-like sculptures become great sources of heat within the space when they are being struck by sunlight. The surface temperatures of the aluminum in the direct light are much higher than other parts of the given work creating thermal gradients that migrate throughout the day and stress the aluminum. The diurnal and annual temperature fluctuations of the space are well outside ranges commonly sought for the preservation of art. Paradoxically, common strategies to affect the indoor climate, for example sun screens, window shades, coated glass and HVAC systems, all alter the architecture and arguably change the observer’s intrinsic experience with the installation.
Thirty years after installation, the mill aluminum works are undoubtedly changed from their original condition though certainly not detrimentally to the experience of current visitors. Their current condition relative to their original condition is part of an on-going archival study. Some of the works’ locations have shifted over time. Observers have heard pinging sounds emitting from the works as the works heat and cool during the day. There are slight gaps between plates in some of the works, and certain threaded fasteners have needed to be re-torqued; the gaps and loosening of fasteners are plausibly the result of, or at least exacerbated by, the unconditioned environment and resulting thermal cycles on the aluminum works. The extent to which this is the case is unknown. Furthermore, if the gaps and loose fasteners are the result of thermal cycles, it is unknown if the conditions have reached a state of equilibrium, or are degrading at an increasing or decreasing rate. Engineering analysis of the aluminum works can help answer these questions.
This paper presents an engineering approach to determine the effects of the diurnal and annual temperature fluctuations on the mill aluminum works to forecast the probable long-term effects of
continued exposure. The approach includes scientific gathering of material properties, advanced computer modeling for dynamic thermal stress analysis, mechanical testing of replica parts and data logging to validate computer modeling. Knowledge gained from the engineering study could prove helpful in making decisions concerning preservation and conservancy of the Artillery Sheds.
Yun Hyong–keun 楊·亨根 (1928-2007) Dansaekhwa Korean Monochrome Painting South Koreans
tonykwk39@gmail.com
Yun Hyong-keun (1928-2007) was born in Seoul and received his BFA from the School of Fine Arts at Hongik University in 1957. One of the most significant Korean artists of the twentieth century, Hyong-keun became associated with the influential Dansaekhwa (monochromatic painting) movement of Korean artists who experimented with the physical properties of painting and prioritized technique and process in the 1960s. The scarcity of materials following the Korean War (1950-1953) and the country’s relative isolation from the international art world led the artists to construct their own sets of rules and structures in relation to abstraction.
Using a restricted palette of ultramarine and umber, Yun created his distinctive compositions by adding layer upon layer of paint onto raw canvas or linen, often applying the next coat before the last one had dried. He then diluted the pigments with turpentine solvent, allowing them to seep into the fibers of the support, staining it in a similar way to traditional ink on absorbent paper. Working directly on his studio floor, he produced simple arrangements of intensely dark, vertical bands surrounded by untouched areas. The division was softened by the blurred edges caused by the uneven rates of absorption of oil and solvent, and the compositions often developed over several days, even months, with the artist adding further layers or letting the pigments bleed out gradually.
Since 2016, David Zwirner has represented the work of Yun Hyong-keun in New York. The artist’s work has been the subject of solo exhibitions at prominent institutions worldwide, including Total Museum of Contemporary Art, Seoul (1994); Stiftung für konkrete Kunst, Reutlingen, Germany (1997); Musée d’Art moderne et contemporain de Strasbourg (2002); and Art Sonje Museum, Gyeongju, Korea (2002). He has participated in recent group exhibitions held at National Museum of Modern and Contemporary Art, Seoul (2015); Gyeonggi Museum of Modern Art, Korea (2013); and Daegu Art Museum, Daegu, Korea (2011). His work was included in the São Paulo Biennial in 1969 and 1975; the 46th Venice Biennale in 1995; and the Gwangju Biennale in 2000. Other notable solo exhibitions have been held at Inkong Gallery, Daegu, Korea (1986); Gallery Ueda, Tokyo (1990); Gallery Hyundai, Seoul (1996); Blum & Poe, New York; PKM Gallery, Seoul (both 2015); among others. In 2018, the National Museum of Modern and Contemporary Art in Seoul will host a major solo exhibition of the artist’s work.
Yun visited New York in 1974, where he encountered the work of American postwar artists including Mark Rothko, which led him to further explore ways to divide pictorial space. The inherent physicality of his works, in turn, impressed artists such as Donald Judd, who invited Yun to exhibit at his spaces on Spring Street in New York and in Marfa, Texas (Chinati Foundation) during the 1990s in what would be the artist’s first solo presentations in the United States.
Work by the artist is represented in permanent collections internationally, including the Chinati Foundation, Marfa, Texas; Fukuoka Art Museum, Fukuoka, Japan; Leeum, Samsung Museum of Art, Seoul; and National Museum of Modern and Contemporary Art, Korea. The artist has been the recipient of awards including the 5th Korean Fine Art Grand-Prix Exhibition (1978).
楊·亨根（（1928-2007）出生於首爾，於1957年獲得弘益大學美術學院的博士學位。二十世紀韓國最具影響力的藝術家之一，韓承坤與有影響力的丹沙華（單色繪畫）運動，他們在20世紀60年代對繪畫的物理特性進行了實驗，並優先考慮了技術和工藝。朝鮮戰爭（1950-1953）之後的材料稀缺以及國家與國際藝術界的相對孤立，導致藝術家們在抽象的基礎上構建自己的一套規則和結構。
運用受限制的深藍色和棕褐色調色板，通過在未加工的帆布或亞麻上添加層層塗料，創造出獨特的作品，通常在最後一層乾燥之前塗上下一層。然後，他用松節油溶劑稀釋顏料，使其滲入載體的纖維中，以與吸水紙上的傳統墨水相似的方式對其進行染色。直接在他的工作室工作，他製作了一個由未被觸及的區域環繞的強烈黑暗的垂直樂隊的簡單佈置。由於油和溶劑的吸收速率不均勻，造成邊緣模糊，使得分部變軟，組合物經常在幾天甚至幾個月內發展，藝術家進一步添加層或使顏料逐漸滲出。
自2016年以來，David Zwirner代表了尹亨in在紐約的工作。藝術家的作品一直是全球知名機構的個人展覽的主題，包括當代藝術總館，首爾（1994年）; Stiftungfürkonkrete Kunst，德國羅伊特林根（1997）; Muséed'Art moderne et contemporain de Strasbourg（2002）;和韓國慶州的Art Sonje博物館（2002年）。他參加過最近在漢城國立現代美術館舉辦的展覽（2015年）;京畿道韓國現代美術館（2013年）;和韓國大邱的大邱美術館（2011年）。他的作品被列入1969年和1975年的聖保羅雙年展; 1995年的第46屆威尼斯雙年展;和2000年的光州雙年展。其他著名的個展在韓國大邱的Inkong畫廊舉辦（1986）;上田美術館（1990）;畫廊現代，首爾（1996）; Blum＆Poe，紐約;首爾PKM畫廊（2015年）;等等。 2018年，首爾國立現代美術館將舉辦藝術家作品的大型個展。
楊·亨根於1974年訪問紐約，在那裡他遇到了包括馬克羅斯科在內的美國戰後藝術家的作品，這導致他進一步探索分割繪畫空間的方法。反過來，他的作品的內在物質性給唐納德賈德等藝術家留下了深刻的印象，他在20世紀90年代邀請了Yun在紐約春街和德克薩斯州瑪法（中國基金會）的展位上展出他的作品，在美國進行個人演講。
楊·亨根於1974年訪問紐約，在那裡他遇到了包括馬克·羅斯科（Mark Rothko）在內的美國戰後藝術家的作品，這使他進一步探索分割繪畫空間的方法。他的作品的內在物質性反過來給諸如唐納德·賈德（Donald Judd）這樣的藝術家留下了深刻的印象，他在20世紀90年代邀請了Yun在紐約春街和得克薩斯州瑪法（中國基金會）的空間裡展出他的作品，在美國進行個人演講。
藝術家的作品在國際上被永久收藏，其中包括得克薩斯州馬爾法的中國基金會（Chinati Foundation）福岡美術館，日本福岡;首爾三星美術館Leeum，韓國國立現代美術館等。曾獲得過第五屆韓國美術大獎（1978年）等獎項。
Tony Feher | March 2012
Buzz-Worthy Art Talk with Tony Feher
Internationally recognized artist Tony Feher draws attention to the often-overlooked beauty of common objects with simple, eloquent gestures. Working with such ordinary items as plastic drink containers, rope, packing crates, and plastic bags, he creates installments that focus on the extraordinary properties of materials. His arrangements also highlight the spaces that we often ignore-- the rafters of a building, the corner of a room, or branches of a tree passed daily. His arrangements also highlight the spaces that we often ignore-- the rafters of a building, the corner of a room, or branches of a tree passed daily. By turns poetic and whimsical, calculated and improvisational, these beguiling installations put minimal material to maximum effect. Feher has an impressive record of exhibitions from New York to Istanbul. A retrospective of his work organized by the Blaffer Art Museum, University of Houston, opens this May at the Des Moines Art Center in Iowa. Feher is represented by The Pace Gallery, a premiere New York gallery. His talk will include discussion of his most current project, a spring 2012 sculptural intervention in WSU's Martin H. Bush Outdoor Sculpture Collection. With the galleries closed for renovation, Feher's installation with animate the Wichita State University campus outdoor gallery spaces.
Tony Feher spoke in conjunction with Buzz-Worthy Art Talks, which feature prominent voices in today's visual culture, bringing fascinating trends and personalities to Wichita.
Toby Kamps | May 2011
Curator Toby Kamps gave an illustrated talk, All Together Now, at the Ulrich Museum of Art on May 19, 2011.
Kamps earns critical praise for his engaging exhibitions and insightful scholarship. In addition to analyzing such canonical contemporary artists as Bruce Nauman and Ellsworth Kelly, Kamps pursues compelling thematic projects, most recently examining the role of folklore in contemporary art. In his Ulrich talk, he will discuss the historic importance of artists' collaboratives and the breadth of cooperative production in today's art world. His presentation set Wichita's Fisch Haus artist collaborative in context, as their anniversary exhibition appeared at the Ulrich from April 16-August 7, 2011. Kamps' distinguished career has included posts at the Walker Art Center, Minneapolis; Museum of Contemporary Art, San Diego; and Contemporary Arts Museum, Houston. He is now curator of modern and contemporary art for The Menil Collection in Houston.
This event was the final presentation in Buzz-Worthy Art Talks, a new lecture series featuring prominent voices in today's visual culture. Buzz-Worthy Art Talks, have been generously supported by Don and Lora Barry.
Anxious Abstraction: Exhibition Reception Lectures
The views expressed in these presentations are not sponsored nor endorsed by JCCC. Artists are fully and solely responsible for the content of their presentation.
Nerman Museum programs include artists’ lectures at exhibition openings, Third Thursday Visiting Artists’ Presentations, and Noon at the Nerman gallery talks.
Paul Cowan 00:22, Chris Daharsh 16:09, Cristina Muñiz 30:01, Jered Sprecher 44:41
For more information on this and other happenings at the college, visit
Convenience West- Marfa, Texas - Small Town Texas BBQ Review
Had a great time with Mark Scott and his wife Kaki out at Convenience West BBQ in Marfa,Texas. Great BBQ with eclectic sides that are perfectly paired with the meats.
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こんな田舎にプラダが？！アメリカのセレブに人気な街マーファ☆ 〔#628〕【????????横断の旅 45】
????????アメリカ横断の旅 No.45☆ (Marfa, TN)
テキサスの西側にある小さな街「マーファ」どの都市からも遠くかなり不便な場所にありますがw フォトジェニックなスポットが多くここ数年はアメリカのセレブやアーティストに大人気！ニューヨークで出会った方におすすめいただき、ルート変更して行っていました！
♡ グランピング場
El Cosmico
♡ レストラン
Hotel Saint George
♡ Prada Marfa
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☆ アメリカ横断の総集編↓
☆ アメリカ横断の動画リスト↓
☆ 横断の写真はインスタで！
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SA Live - 9/11/15
SA Live - 9/11/15
Margaret McCurry Lecture: Ross Lovegrove
Ross Lovegrove is a designer and visionary whose work is widely considered to be the very apex of his field, stimulating a profound change in the physicality of our three-dimensional world. Inspired by the logic and beauty of nature, his designs embrace technology, materials science, and intelligent organic form, creating what many industry leaders regard as the aesthetic expression of the 21st Century. Lovegrove's designs reflect his deeply human and resourceful approach; he strives to imbue everything he designs—from cameras to cars to trains, aviation, and architecture—with optimism, innovation, and vitality. His work has been published widely in design journals and he is author of Supernatural: The work of Ross Lovegrove (Phaidon, 2004) with essays by Greg Lynn, Tokujin Yoshioka, and Cecil Balmond. Lovegrove has won numerous international awards and his work has been exhibited internationally for over twenty years, including shows at the Museum of Modern Art in New York, the Guggenheim Museum NY, Axis Centre Japan, Pompidou Centre, Paris and the Design Museum, London.
Conor Clarke and Stephen Kavanaugh - Partners, Design Factory
Conor Clarke is Co-Founder and Director of Design Factory, an award-winning design studio based in Dublin, Ireland. Established in 1985, the company specializes in Brand Identity and Communications Design and is highly regarded both nationally and internationally.
Conor’s work has been featured in international publications such as Who’s Who in Graphic Design, Graphis, Novum Gebrauchsgrafik, the New York Art Directors Club Annual, Worldwide Identity: Inspired Design from 40 Countries published by Icograda and Art Marks published by Counter-Print. His work was exhibited at the New York Art Directors 5th International Exhibition in 1992; The Boundaries of the Postage Stamp, at the Jan Van Eyck Academie in Maastricht, the Netherlands in March 1993; Posters for Cultural Diversity at the Icograda World Design Congress 2007, in Havana, Cuba; The Good 50×70 exhibition in Milan in 2009 and the ADP Design Tour exhibition, Tokyo in October 2017.
His book ‘Oranje & Green’, Holland - Ireland Design Connections 1951-2002, was published by BIS Publishers Amsterdam in 2002. The monograph Design Factory: On the Edge of Europe was published by BIS Publishers in 2009. He has served as both Board Member and Awards Jury Chairman of ICAD (The Institute of Creative Advertising and Design) and the IDI (Institute of Designers in Ireland). He was a member of the International Design Jury at the ADC Awards in New York in March 2016.
Conor was the Acting Head of the Department of Visual Communication at the National College of Art & Design in Dublin from 2013 – 2016. He is currently Regional President for Ireland on the Asia Designer Communication Platform. He is the Founder and Course Leader at Design West, Ireland’s first International Design Summer School.
Stephen Kavanagh is Co-Founder and Director of Design Factory, an award-winning design studio based in Dublin, Ireland. Established in 1985, the company specializes in Brand Identity and Communications Design and is highly regarded both nationally and internationally.
Stephen is an Honors Graduate of the National College of Art & Design in Dublin. He was a Co-Founder and Board Member of the GDBA (Graphic Design Business Association) and is a member of ICAD (Institute of Creative Advertising & Design) and the IDI (Institute of Designers in Ireland). Stephen received the prestigious Donside Papers (UK) Award for the Best Overall Entry from Ireland for his ESB Annual Reports for two consecutive years.
His work has been published in respected international design journals such as ‘Worldwide Identity: Inspired Design from 40 Countries’, ‘Around Europe Logos’, ‘Creative Review’, ‘Graphis’, ‘Who’s Who in Graphic Design’ and the ‘Good50x70’ Anthology – 5 Years of Social Communication through Posters. Stephen specializes in Brand Identity and Communications Design for The Built Environment. He is an external assessor to the Dublin Institute of Technology.