The Goddess of Love, Phra Nang, Krabi, Thailand: Anak-anak terkejut
???????? ДОСТОПРИМЕЧАТЕЛЬНОСТИ ПХУКЕТ КРАБИ WAT RAT UPATAM ☸ GREAT TEMPLE NEAR PHUKET KRABI PHANG NGA
За пределами АО НАНГ, на окраине провинции КРАБИ, находится потрясающий храмовый комплекс: WAT BANG RIANG (WAT RAT UPATHAM). Он расположен на вершине горы KHAO LAN, в 30 км от города PANG NGA. Главными достопримечательностями храмового комплекса - две огромные статуи: статуя Будды и статуя богини милосердия Гуаньинь. Это была вторая цель нашего путешествия. Храм находится вдали от проторенных туристических маршрутов, и здесь очень мало туристов. The Bang Riang Temple расположен в 80 км от AO NANG. Если вы поедете из ПХУКЕТА, вам потребуется от 1,5 до 2-х часов. От храма WAT SUWAN KHUHA CAVE TEMPLE мы добирались около 40 минут.
Немного истории ...
Храм в основном известен как Ват Банг Рианг (WAT RAT UPATAM). Его строительство началось по приказу короля Рамы IX, и история его создания довольно интересна. В 1980-х годах монах по имени Lung Por Chai приехал в маленькую деревню Thap Put, куда недавно переехала его мать и заболела. Он заметил, что в районе Тап-Пут нет храма, и местные жители не могут устраивать похороны. Поэтому при поддержке местных жителей он решил построить для всех желающих прекрасный храм. По его словам, идея такого величественного сооружения заключалась в том, чтобы привлечь людей в храм и пробудить интерес к буддизму. Он считал, что чем красивее место, тем больше вероятность его посещения. Название WAT RAT UPATAM переводится как «храм, поддерживаемый местными жителями». Стоимость строительства Wat Bang Riang составляла 70 миллионов тайских бат.
Храмовый комплекс BANG RIANG, несомненно, оставит след в вашей памяти, от его панорамных перспектив, невероятных статуй и гобеленов. WAT BANG RIANG сочетает в себе тайский и китайский архитектурные стили. Около 15% населения Таиланда являются потомками китайских эмигрантов, и их национальная религия широко распространилась по всей стране. Храмовый комплекс состоит из трех основных зон: одна, где монахи хранят религиозные артефакты, в центре находится гигантская статуя сидящего Будды, и последняя область видна на расстоянии от главной Храмовая зона, это богиня Гуань Инь, окруженная зелеными тропическими лесами. WAT RAT UPATAM - самый высокий храм на юге Таиланда.
Chedi Phutthathambanlue стоит на высоте сто девять метров на вершине холма Khao Lan. Внутри Чеди вы можете увидеть алтарь, на котором лежат частицы костей Будды, стены украшены древними картинами и габеленами религиозных сцен и изображениями мифических существ из жизни Будды. Статуи трехглавого слона Эравана, львов и птицы Гаруда, напоминают изваяния, которые можно увидеть в Бангкоке, в храме Изумрудного Будды и храме Утренней Зари.
При входе в чеди не забудьте поменять 60 бат на монеты, чтобы вы могли провести буддийский ритуал. Выйдя в открытый двор, вы увидите коридор вокруг Чеди, украшенный 60-ю золотыми скульптурами Будды. Загадайте желание и обойдите круг, помещая монеты в копилку у каждой скульптуры Будды. История гласит, что если после того, как последняя монета будет брошена и ты сможешь вспомнить свое желание, тогда оно сбудется.
Прогуливаясь вокруг Чеди, вы увидите смотровую площадку с садом и террасой, с которой открывается великолепный вид на зеленые горы, окружающие храм, а также массивную статую Будды и Гуань Инь. Слева на террасе находится спуск к статуе Гуань Инь. Перед памятником находится небольшой бассейн со скульптурой Phra Mae Thorani - богини из буддийской мифологии. За статуей небольшая дорога ведет к статуе Будды, медитирующего в позе лотоса. Эта скульптура Будды относится к субботнему дню и называется Pang Nak Prok (ปางนาคปรก).
Китайская богиня Гуань Инь (Guan Yin по-китайски) или Куан Им (Kuan Im по-тайски) известна в Таиланде как богиня милосердия. Многие тайцы также верят, что Гань Инь приносит им удачу и процветание. В буддийской иерархии богиня Гуань Инь стоит на ступеньку ниже Будды, она охраняет женщин и детей и всех, кто страдает, благословляя их пробуждением и просветлением. Любопытный факт, что Гуань Инь на самом деле не «она», богиня просто условно относится к женскому роду. Гуань Инь - это скорее божественное существо, которое может появиться как в женском, так и в мужском облике. В индийских и древнекитайских традициях Гуань Инь был представлен как человек. В сегодняшнем буддизме она выглядит как женщина.
✓ Часы работы: с 8 утра до 5 вечера
✓ Стоимость посещение 40 бат
★ PHUKET ATTRACTIONS / ПХУКЕТ КРАБИ ДОСТОПРИМЕЧАТЕЛЬНОСТИ. КРАБИ ЧТО ПОСМОТРЕТЬ? СМОТРИТЕ НАШИ ВИДЕО И ЧИТАЙТЕ ИНФОРМАЦИЮ
✓ БУДДИЙСКИЕ ХРАМЫ КРАБИ -
✓ КРАБИ ХРАМ ТИГРА -
✓ БУДДИЙСКИЙ МОНАСТЫРЬ TIGER CAVE TEMPLE -
✓ ПЕЩЕРНЫЙ ХРАМ WAT SUWAN KHUHA CAVE TEMPLE -
#ЭкскурсияПхукет #БуддийскийХрам #WatRatUpatam #Phuket #Krabi #PhangNga #Пхукет #ПхукетКраби #KrabiAttractions #КрабиЧтоПосмотреть #КрабиДостопримечательности #ТурПхукет #TravelVlog #ЭкскурсииНаКраби #ЭкскурсииТайланд #ЭкскурсияПхукет #KrabiAttractions
The Great Gildersleeve: Leroy's Laundry Business / Chief Gates on the Spot / Why the Chimes Rang
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Halloween Party / Hayride / A Coat for Marjorie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Calling All Cars: Body on the Promenade Deck / The Missing Guns / The Man with Iron Pipes
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.