Survival Lilly wins Austrian Video Award 2017
Hi guys, I won the Austrian Video Award in the category Travel & Food. Thanks to everyone who voted for me.
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Lilly Singh is infantilizing me !!
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I recently got a P.O. Box !!
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Michelle Moé
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Email: shellymoee@hotmail.com
ISIAH MENTOR aka LILLY MELODY live - with PROPAGANJA SOUND / BUBBLE WITH WE & TREASURE ISLE - Vienna
The first minutes of the ISIAH MENTOR aka LILLY MELODY live show - hosted by TREASURE ISLE SOUND & PROPAGANJA SOUND / BUBBLE WITH WE - 07.06.13 in Vienna/Austria.
IT WAS A NICE SHOW AND A DANCE FULL OF VIBES!!!!
isiahmentor.net
facebook.com/Propaganjasound
soundcloud.com/treasureisle
LILLY MELODY is a Jamaican reggae artist whose career started in the 1980s. Nowadays he is also known under the name ISIAH MENTOR.
In the 1980s Lilly Melody performed as a top vocalist in dancehall longside artists like Anthony Redrose, Johnny Osbourne, Little John, Lt. Stitchie, Papa San and many many more.
Soon he became a member of King Tubby's Fire House Crew and started recording in their studio in Water House, Kingston. Lilly Melody recorded dub plate specials for top-class sound systems all over the world. He toured all over America and England and his singles were played in every radio station.
Nowadays, Lilly Melody is also known under the name Isiah Mentor. He is maintaining links with the early dancehall and soundsystem scene, but his output became more spiritual and uplifting.
Isiah Mentor established his own recording label called Village Roots and toured the USA, the UK and Europe.
WATCH OUT FOR MORE ISIAH MENTOR RELEASES - COMING SOON!
THANKS TO MAD HIAZ & RUNTIN.net for the video shooting!!!
RUNTIN.net
THE RUFF PACK plays Hook Up live @ University of Music and Performing Arts Vienna, Austria
live @ University of Music and Performing Arts Vienna, Austria on 03.13.2014
Hook Up from the latest release #WithYou Available Now
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Staying OPEN @ The Unity Dance Camp 2018 — Vienna, Austria
Starting the year off with a deep breath.
We were able to achieve these results within a 3 hour class. Through exercises and discussion, we brought awareness to both the physicality and emotionality that contact improv requires. We are vulnerability in expression and communication and conversation. This exchange that you’re watching specifically prompted the students to have their eyes CLOSED. Thus, we connect to a higher power, in trust of the flow and alignment of the universe, and allow ourselves to fuse with one another. No room for judgement or prejudice, we free ourselves of the conditioning that has been programmed into our vision. In doing so, we ingrain EMPATHY into our movement and submit to pure coexistence and acknowledgment. In this moment we are truth. We are free. We are human. We are OPEN.
I am in awe from the events of this past week. I feel reinvigorated and inspired to continue on this journey through movement, artistry, and connectivity with others. Thank you from the ceiling of my heart, to the students, teachers, organizers, everyone involved. I am blown away by this trip, it felt like it flew by too quickly but it also seemed like so much had happened in a matter of days, almost like I had known you all for years... idk where I’m going with this now, but I genuinely hope to reconnect someday soon, friends. Love you all and wishing you the best in your own endeavors. LETS GROW. ❤️????????????????????
NO COVER -VIENNA
“No Cover” is a project of dance and science inspired by the geometric form of a dodecahedron. Conceptually, it is based on the study of the temporal and spatial observations of phenomena under the laws of quantum mechanics. The work is composed of 6 different geometric costumes, which allow the development of 6 choreographies. The result is an experience that will be performed in front of an audience. The central idea revolves around the experiment of the performance itself, where failure in execution will be observed in relation to costume appropriation. The 18-month long research project comes to a close at the time and space of the Mise-en-scène. Here the audience will witness the entire process of the project; ranging from testing and exercising, to consuming the costumes.
Credits
Artistic directors and collaboration: Lilly Pfalzer and Sergio Valenzuela.
Creation and Performance: Isabel B., Irati Alonso, Paula Montecinos, Francesca Manfreda, Lilly Pfalzer, Domi Dorf, Danilo Sepúlveda, Jakob Egger y Sergio Valenzuela.
Theoretical collaboration: Robert Bücker, Renate Quehenberger and Elisabeth Zimmenmann.
Stage Design Collaborator: Jenny Schleif
Photography: Max Kropitz.
Graphic Design: Zahra Shahabi.
Video shooting Anja Kohlweiss and Alex Anders.
Edition: Sergio Valenzuela.
Institutions: NHM- Natural Historian Museum, University of Applied Arts Vienna –MA Arts & Science, Fine Arts Academy of Vienna –Art and Communication.
January 2014. Vienna, Austria.
CLOCKWORK, Vienna Country Weekend 2018
Choreo: Lilly Hollnsteiner
Music: Clockwork - Lennon & Maisy Stella
Typ: Intermediate / 48 Counts / 4 Wall / 1 Tag / 1 Restart marioandlilly.com
Eating Flowers Mukbang / INTENSE ASMR #9 (FOR ART)
Thank you for watching !
Flowerjuice Painting:
No worries , the flowers I'm eating are all safe to eat.
I recently got a P.O. Box !!
If you want to send me some stuff + see me opening it in a video:
Michelle Moé
P.O. Box 0001
1193 Vienna
Austria
My p.o.box technically only receives letters so if your planning to send me a package please E-Mail me for my other address .????
Email: shellymoee@hotmail.com
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Farc Madalin | Testimonials | Vienna, Austria | The Unity Dance
#theunitydance #farcmadalin #testimonials
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Business: madalin.farc@gmail.com
NOTE: All the dancers and choreographers in this video would like to express that they do not wish to reflect or promote any of the inappropriate lyrics or vulgarity in the songs included in this video. We simply wish to show our knowledge of our bodies through the rhythm of voice and beat with out causing offence to anyone. Respect the art form! :)***NO COPYRIGHT INFRINGEMENT INTENDED*** This video uses copyrighted material in a manner that does not require approval of the copyright holder. It is a fair use under copyright law.
quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author's observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.
theartVIEw – City of Women / Stadt der Frauen at Lower Belvedere
Artists such as Elena Luksch-Makowsky, Helene Funke, and Erika Giovanna Klien contributed significantly to Viennese Modernism and artistic trends that manifested after the First World War. To commemorate these artists, their art, and their emancipatory achievements, a long overdue retrospective has now been staged in the Lower Belvedere. The exhibition City of Women Female Artists in Vienna from 1900 to 1938 focuses on those women who actively helped shape the art scene at the beginning of the twentieth century. At that time, women who wanted to become artists were still at a severe disadvantage. They were denied access to education and artists’ associations, and thus to exhibition opportunities. In spite of these hurdles, some of them managed to successfully build a career. In the predominantly male art business, they had to fight hard to gain a foothold. They found training opportunities and developed strategies to market themselves. By establishing their own artists’ associations, they were able to network and become active in the art scene. Many of them exhibited at the Secession, the Hagenbund, the Salon Pisko, and the Miethke Gallery. Despite the fact that, in recent years, the lives and works of some of these formerly renowned artists have been researched and compiled into retrospectives, their work is still underestimated in importance and barely appreciated for what it is. On view, in part, are rediscovered works – some of which are being presented for the first time ever – by those artists who were known in their time, but whose eminence today has completely vanished. They were nonetheless able to leave their marks on art movements such as Atmospheric Impressionism (‘Stimmungsimpressionismus’), Secessionism, Expressionism, Kinetism, and New Objectivity.
Artists: Ilse Bernheimer, Maria Cyrenius, Friedl Dicker, Marie Egner, Louise Fraenkel-Hahn, Helene Funke, Greta Freist, Margarete Hamerschlag, Fanny Harlfinger-Zakucka, Hermine Heller-Ostersetzer, Johanna Kampmann-Freund, Elisabeth Karlinsky, Erika Giovanna Klien, Broncia Koller-Pinell, Frida Konstantin Lohwag, Elza Kövesházi-Kalmár, Leontine von Littrow, Elena Luksch-Makowsky, Mariette Lydis, Emilie Mediz-Pelikan, Teresa Feodorowna Ries, Mileva Roller, Frieda Salvendy, Emma Schlangenhausen, Anny Schröder-Ehrenfest, Lilly Steiner, Helene Taussig, Ilse Twardowski-Conrat, My Ullmann, Olga Wisinger-Florian, Grete Wolf Krakauer and Franziska Zach. Kuratorin: Sabine Fellner.
Heute sind sie kaum mehr bekannt, auch wenn sie ein Stück Kunstgeschichte geschrieben haben: Künstlerinnen wie Elena Luksch-Makowsky, Helene Funke oder Erika Giovanna Klien leisteten mit ihren Werken einen wesentlichen Beitrag zur Wiener Moderne und den künstlerischen Strömungen nach dem Ersten Weltkrieg. Ihnen, ihrer Kunst und ihrer emanzipatorischen Leistung ist nun im Unteren Belvedere eine längst überfällige Retrospektive gewidmet. Die Ausstellung Stadt der Frauen, Künstlerinnen in Wien von 1900 bis 1938 erweitert den Blick auf die Wiener Moderne, und stellt jene Frauen in den Fokus, die Anfang des 20. Jahrhunderts aktiv das Kunstgeschehen mitgestaltet haben. Zu jener Zeit wurden Frauen, die Künstlerinnen werden wollten, immer noch massiv benachteiligt. Der Zugang zu Ausbildung und Künstlervereinigungen, und damit zu Ausstellungsmöglichkeiten, war ihnen verwehrt. Trotz dieser Hürden gelang es einigen von ihnen, erfolgreich eine Karriere aufzubauen. Im vorwiegend männlichen Kunstbetrieb mussten sie sich ihren Weg hart erkämpfen. Sie fanden Ausbildungsmöglichkeiten und entwickelten Strategien zur Eigenvermarktung. Über die Gründung eigener Künstlerinnenvereinigungen vernetzten sie sich und waren in der Kunstszene aktiv. Viele von ihnen stellten in der Secession, im Hagenbund, im Salon Pisko und in der Galerie Miethke aus. Obwohl in den vergangenen Jahren das Leben und Werk einzelner der damals renommierten Künstlerinnen erforscht und in Retrospektiven aufgerollt wurden, werden ihre Arbeiten bis heute in ihrer Bedeutung unterschätzt und kaum wahrgenommen. Diese Frauen werden durch die Schau wieder ins Blickfeld gerückt. Gezeigt werden zum Teil wiederentdeckte oder gar erstmals präsentierte Werke von jenen Künstlerinnen, die zu ihrer Zeit angesehen waren und heute so gut wie unbekannt sind. Sie haben jedoch einen wesentlichen Beitrag zu Kunstrichtungen wie dem Stimmungsimpressionismus, Secessionismus, Expressionismus, Kinetismus oder der Neuen Sachlichkeit geleistet.
Lil Bit x Chris Brown | Lilly Leithner | @The Unity Dance
Lilly, it was a pleasure to have you in our studio :)
sound:frame x Improper Walls - Translation of Complexity
Translation of Complexity was a group show and art tour in the 15th district in Vienna. Initiated by sound:frame and improper walls it was the first collaboration in this form between them and Aa Collections, Artivive, MetaWare Vault, OMAi Tagtool, Ein Affe and Rhiz. From January 10 to 12 2019 around 400 people visited us in the off-spaces. National and international artists were part of the exhibition, performance and open studio program. This was only the start for many more collaborations in the Reindorfgasse to come.
Artsits: Morehshin Allahyari, Anna Ridler, Cat Jimenez, Benjamin Weber, Arno Deutschbauer, Herwig Scherabon, Lukas Fliszar (101), Michael Ari (101), nita., MNCLR, Litto, OMAi Tagtool, Dalia, Joja, Hidéo SNES.
Music:
Till Till - Shit so hot
Musik von TillTill:
joja -OK
Taken from the upcoming debut album STILL by joja
will be released febuary 28th 2019 on duzzdownsan
GTVNA - when i think about you
stunning Future Garage Vibes from Vienna, Austria
show some ❤ for GTVNA , i do :)
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fabuleux Lilly
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Logo - Animation by Stefan Habicht
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Performance Marathon – Destination Wien 2015
Kurdwin Ayub
Kurdwin Ayub supplies her performance for the visitors as they require. For an entire evening the artist will be linked from her home to the exhibition space by livestream and in this way will receive the wishes of the public. She aims to set herself apart with her made-to-measure offering and looks after her recipients individually during the performance marathon. Ayub supplies her art as a service and in doing so plays with the concept of the exhibition space: what is possible within the framework of art? How far will the spectators go with the demands they make of her? How seriously or humorously is the situation dealt with?
Aldo Giannotti
Aldo Giannotti stages situations and constellations, using seemingly simple formations and encounters of people within a space to express social structures, social inequalities and the mechanisms of power relationships. Giannotti often takes on the role of subject and narrator in his performances or sees himself as an actor who is part of the social structure that is being presented in scenes. Thus becoming the subject matter of his study within the framework of a cultural or social formation.
Rebekka Hagg
What do you tell someone about an exhibition? What will be remembered, how defining is the atmosphere and what eludes the mere descriptive? Rebekka Hagg conducts a tour through an exhibition that cannot be perceived at this location and perhaps might not even exist. She elucidates the art, the choreography of the display and the viewer's movement through the spaces. The audience is permitted to ask questions and receives answers. Afterwards, they are invited to describe or even review the exhibition they just experienced. Their texts are added to a steadily growing collection of such secondary exhibition reviews.
Denise Palmieri
Como nossos pais (“As lived our Parents”), a song by the Brazilian composer Belchior dating from the country’s years under dictatorship, is a tune full of metaphors describing the young generation’s struggle against the censorship and oppression of the ruling regime. The song however also tells how the young people will still end up living just like their parents in the end, regardless of their ambitions or ideals. Denise Palmieri sings Como nossos pais in two different ways: in its original key and then just a bit higher. Clothed in a cocktail dress, she kneels on the floor. Her body is shielded from her surroundings by a cloak made of plaster, which protects but also isolates her.
Lilly Pfalzer / Sergio Valenzuela
Shot and reverse angle. Single takes and montage. Edit me please revolves around the subject of filming from a person’s perspective. The performers film their movements with a hand-held camera and one attached to their bodies. The relationship between artist and audience is recorded in order to make it possible to experience the action from the point of view of a common subject: “you” and “we” become a singular “I”. The artists enter the exhibition space and fix their gazes on the situation. At a certain point, they change roles, donning their costumes and becoming performers: the dancer and the singer. In the end, the recorded material is edited, creating two different films, which show the collaboration from two different perspectives: the “I” splits once more into an “I” and a “you”.
THUNDERROAD , Vienna Country Weekend 2018
Thunder Road country western line dance, choreographed by Adriano Castagnoli, 64 count, 2 wall level intermediate, music Blues by Addison Johnson
Italian Austrian Family
Vienna country 2017
ALPINE DWELLER - change [OFFICIAL VIDEO]
First professional studio album Among Others (Release 13.09.2019, Friday the 13th - a lucky day.
© & ℗ No Fear Records, Alpine Dweller Music GesbR
CD & VINYL:
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Spotify:
Apple:
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Tidal:
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On Tour:
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Music by ALPINE DWELLER
Matthias Franz Elias Schinnerl
Flora Marlene Dorothea Geisselbrecht
Joana Marialena Karácsonyi
ALPINE DWELLER performing || change || DOP: Jakob Schweighardt, Kobenstein/OteloEgen | Light: Felix Krisai | Grading: Simon Kaefer | Graphics: Anna Dopler | Concept & Script: Matthias Schinnerl | directed by Jakob Schweighardt & Matthias Schinnerl | Audio Production: David Furrer, Aurora Studios | Mastering: Alexandr Vatagin | © & ℗ Alpine Dweller Music GesbR (Schinnerl, Karácsonyi, Geisselbrecht) | No Fear Records, 2019 | Vienna, Austria (EU) || change || supported by Österreichischer Musikfonds
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Simone, Jimmy e Lilly
Country 4 friends
So Oli London wants to be asian?
Thank you for watching !
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MY LINKS:
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I recently got a P.O. Box !!
If you want to send me some stuff + see me opening it in a video:
Michelle Moé
P.O. Box 0001
1193 Vienna
Austria
My p.o.box technically only receives letters so if your planning to send me a package please E-Mail me for my other address .????
Email: shellymoee@hotmail.com