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Longmen Grottoes

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Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Longmen Grottoes
Phone:
+86 379 6598 0972

Hours:
Sunday8am - 5:30pm
Monday8am - 5:30pm
Tuesday8am - 5:30pm
Wednesday8am - 5:30pm
Thursday8am - 5:30pm
Friday8am - 5:30pm
Saturday8am - 5:30pm


The Longmen Grottoes or Longmen Caves are some of the finest examples of Chinese Buddhist art. Housing tens of thousands of statues of Buddha and his disciples, they are located 12 kilometres south of present-day Luoyang in Henan province, China. The images, many once painted, were carved as outside rock reliefs and inside artificial caves excavated from the limestone cliffs of the Xiangshan and Longmenshan mountains, running east and west. The Yi River flows northward between them and the area used to be called Yique . The alternative name of Dragon's Gate Grottoes derives from the resemblance of the two hills that check the flow of the Yi River to the typical Chinese gate towers that once marked the entrance to Luoyang from the south.There are as many as 100,000 statues within the 2,345 caves, ranging from 1 inch to 57 feet in height. The area also contains nearly 2,500 stelae and inscriptions, hence the name “Forest of Ancient Stelae, as well as over sixty Buddhist pagodas. Situated in a scenic natural environment, the caves were dug from a 1 kilometre stretch of cliff running along both banks of the river. 30% date from the Northern Wei Dynasty and 60% from the Tang Dynasty, caves from other periods accounting for less than 10% of the total. Starting with the Northern Wei Dynasty in 493 AD, patrons and donors included emperors, Wu Zetian, members of the royal family, other rich families, generals, and religious groups.In 2000 the site was inscribed upon the UNESCO World Heritage List as “an outstanding manifestation of human artistic creativity,” for its perfection of an art form, and for its encapsulation of the cultural sophistication of Tang China.
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