Lost Island Spice - Game Play - Diamond Plaza Saigon
Diamond plaza Saigon visit with game play of Lost on the Island of Spice.
THỬ THÁCH VƯỢT NGỤC TẠI LOST - ESCAPE ROOM | Woossi có phải đi vào nhà ma một mình?
THỬ THÁCH VƯỢT NGỤC TẠI LOST - ESCAPE ROOM
Lần đầu tiên Woossi trải nghiệm Escape room luôn đó các bạn. Lúc đầu Woossi còn nghĩ là mình sẽ không ra được cơ. Lúc ra được thì vui quá trời quá đất luôn
Nếu các bạn muốn trải nghiệm thử thì các bạn có thể lên lầu 2 của Nowzone để trải nghiệm nhé!
HÃY nhấn SUBSCRIBE/ĐĂNG KÝ tại ngay để theo dõi những video mới nhất từ Woossi!
사랑해요 친구들~^^
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SUBSCRIBE/ĐĂNG KÝ tại để theo dõi những video hay và mới lạ!
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THỬ THÁCH NHÀ MA TẠI LOST - ESCAPE ROOM | Minh Bùi quậy banh nhà ma
Vậy là phần 2 đã ra lò rồi nè! Có bạn nào chơi thử rồi thì giơ tay nè! Xem hết video để biết phần bất ngờ nhé.
HÃY nhấn SUBSCRIBE/ĐĂNG KÝ tại ngay để theo dõi những video mới nhất từ Woossi!
사랑해요 친구들~^^
► YOUTUBE CHANNEL OF WOOSSI:
► FACEBOOK FANPAGE OF WOOSSI:
► INSTAGRAM OF WOOSSI:
SUBSCRIBE/ĐĂNG KÝ tại để theo dõi những video hay và mới lạ!
► WEBSITE CREATORY:
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Superbowl Diamond Plaza
Lầu 5 Diamond Plaza, 34 Lê Duẩn, F Bến Nghé , Quậu 1 , Tp. Hồ Chi Minh
Trung tâm thương mại Diamond Plaza - TP.Hồ Chí Minh - Việt Nam
Trung tâm thương mại Diamond Plaza
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Escape 2013 at Diamond Island Sai Gon
VIP Autumn Event tại Diamond Plaza Q1 Tp Hcm
Video mô tả quy trình sản xuất & lắp đặt chương trình Sales chủ đề VIP Autumn tại trung tâm thương mại Diamond Plaza Q1 Tp Hcm. Đăng ký kênh để xem các video tiếp theo.
Memorial House
Lost Escape Room
Haunted House
Lầu 5 Diamond Plaza - 34 Lê Duẩn, P.Bến Nghé, Q.1, TPHCM
Phải làm gì khi bạn trai bị đồn là đồng tính? | LOVE IS BLIND | Tập 2 Mùa 1
Để có cơ hội tham gia chương trình talk show về hẹn hò giấu mặt mới nhất của Dustin On The Go, bạn hãy thực hiện 2 bước sau đây:
Bước 1: Đăng kí online casting chương trình Love Is Blind ????
Bước 2: Quay 1 đoạn video tự giới thiệu 2 phút (tên, tuổi, nghề nghiệp, miêu tả bản thân và người mà bạn hứng thú muốn tìm hiểu, friendly and fun) quay bằng điện thoại cũng được. Gửi về địa chỉ email loveisblindshow@gmail.com
Và các bạn đừng quên đăng kí kênh DOTG và theo dõi Instagram @loveisblindshow để cập nhật những thông tin mới nhất nhé!
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Misoa là hình mẫu của một cô gái Việt Nam truyền thống nhưng chủ động đi tìm hạnh phúc cho mình. Với vẻ ngoài của một cô cái quyến rũ sắc sảo, đầy tính lí trí và “có sự cuồng tình của một người đàn bà” như Guru Trác Thuý Miêu chia sẻ, Misoa liệu có dễ dàng tìm thấy hình mẫu người bạn trai lí tưởng như cô nàng mong muốn?
Thực ra, Love Is Blind là một thử nghiệm thu nhỏ của đời thực, có đôi khi chúng ta không muốn cũng phải có lúc đối diện với nỗi đau và quá khứ. Hẹn hò không phải lúc nào cũng có kết cục hoàn hảo, và có những tâm hồn không dễ đồng điệu với nhau.
Có nên cho cả hai một cơ hội để làm những người bạn tốt? Hãy cùng mong chờ điều tích cực nhất cho cả hai nhé!
#LoveIsBlind #DustinOnTheGo #LIB
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CREDITS
Ý Tưởng / Creative
DUSTIN PHÚC NGUYỄN
RICHARD VŨ
Chỉ Đạo Nghệ Thuật / Art Direction
HUYỀN COCO
Sản Xuất / Production
DUSTIN PHÚC NGUYỄN
MITU NGUYỄN
Trợ Lí Sản Xuất / Production Assisting
VŨ HUỲNH
Biên Tập / Scriptwriting
MITU NGUYỄN
Quay Phim / Video Photography
1987 TEAM
Hậu Kì / Post Production
LEO
Đồ Họa / Graphic Designs
MAXK NGUYỄN
Đồ Hoạ Chuyển Động / Animation
AN NGUYỄN
Make-Up
CHIYO
Hình Ảnh Hậu Trường / Behind The Scenes
NGỤY THẾ VINH
TUẤN TRẦN
Phụ Đề & Dịch Thuật / Subtitles & Translations
BETASUBBERTEAM@GMAIL.COM
Bài Hát Chủ Đề / Theme Song
Ông Thần Yêu (Love Is Blind Theme Song) – TIA HẢI CHÂU
Xin Chân Thành Cảm Ơn / Special Thanks To:
JOSE CUERVO TRADICIONAL TEQUILA
NỘI THẤT HOMMIE
Adict.
USAID, PEPFAR, PATH
CHỊ TÔ NHI A – GIẢNG VIÊN TÂM LÝ GIÁO DỤC
Ms To Nhi A – Psychology Education Lecturer
CHỊ HUYỀN COCO – STYLIST
Ms Huyen Coco – Stylist
EM VY TRẦN
------------------------------------------------------------------------
Dustin On The Go chính thức bắt đầu từ tháng 4 năm 2017 sẽ là ngôi nhà mới của VJ Dustin trên Youtube với các chương trình talk show vui nhộn, phóng khoáng, và hiện đại cùng với nhiều nghệ sĩ nổi tiếng. Hãy luôn cùng đồng hành với Dustin trong mọi chặng đường nhé!
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VUI LÒNG KHÔNG ĐĂNG TẢI LẠI (RE-UP) LÊN KÊNH CỦA BẠN. CHÚNG TÔI LÀ YOUTUBE PARTNER NÊN KHI PHÁT HIỆN RE-UP SẼ BỊ REPORT KHIẾN KÊNH BẠN CÓ THỂ BỊ XOÁ HOẶC HẠN CHẾ CHỨC NĂNG.
Calling All Cars: Crime v. Time / One Good Turn Deserves Another / Hang Me Please
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Suspense: The High Wall / Too Many Smiths / Your Devoted Wife
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Everything you think you know about addiction is wrong | Johann Hari
What really causes addiction — to everything from cocaine to smart-phones? And how can we overcome it? Johann Hari has seen our current methods fail firsthand, as he has watched loved ones struggle to manage their addictions. He started to wonder why we treat addicts the way we do — and if there might be a better way. As he shares in this deeply personal talk, his questions took him around the world, and unearthed some surprising and hopeful ways of thinking about an age-old problem.
TEDTalks is a daily video podcast of the best talks and performances from the TED Conference, where the world's leading thinkers and doers give the talk of their lives in 18 minutes (or less). Look for talks on Technology, Entertainment and Design -- plus science, business, global issues, the arts and much more.
Find closed captions and translated subtitles in many languages at
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Jocko Podcast 149 with Jim and James Webb: Fields Of Fire. US Marine Corps
Join the conversation on Twitter/Instagram:
@jockowillink @jimwebusa @echcharles
0:00:00 - Opening
0:08:12 - Jim Webb Sr.
2:58:26 - Jim Webb Jr.
3:18:59 - How to Stay on The Path.
3:49:31 - Closing Gratitude.
Doris Kearns Goodwin: What we can learn from past presidents
Historian Doris Kearns Goodwin talks about what we can learn from American presidents, including Abraham Lincoln and Lyndon Johnson. Then she shares a moving memory of her own father, and of their shared love of baseball.
889 Renounce Ego to Triumph Ourselves, Multi-subtitles
★EdenRules/伊甸園/Vườn Địa Đàng :
★Subscribe/訂閱/Đăng Ký :
清海無上師簡介
為了那一點點愛，我們上天下地探索，只為尋獲那一點點愛，
將此愛與眾生分享，無論他們在世上哪個角落。
—— 清海無上師
在無數與清海無上師相遇的人眼中，無上師可說是「愛」的化身！
她是一位知名的慈善家、藝術家和靈性導師。她的愛心和奉獻超越文化與種族的藩籬，嘉惠世界各地數以百萬計的人們。其中包括：窮困的人、醫學研究機構、孤苦的老人、身心障礙者、難民，以及遭受地震、水患等受難者，只要人們有需求，她便無私地奉獻所有。
經由這些善舉，我們見證「源源不絕的慈悲心」正是這位深具愛心女士的標誌。而「世界會」會員，也依循著她的愛心典範，成長茁壯。
清海無上師出生於悠樂中部。小時候，她總是盡其所能地幫助醫院裏的病人和窮苦的人。長大後，她到歐洲留學，擔任義務護理人員，以及為紅十字會翻譯。很快地，清海無上師便發現，痛苦存在於所有文化和世界上每個角落。因此，找尋解除這些苦難的方法，成為她生活中最重要的目標。
清海無上師曾與一位德國醫生結婚，過著幸福美滿的婚姻生活。儘管「分離」對他們來說，是個極為困難的抉擇，然而為了無上師高雅的理想，她的先生最後還是同意分離。隨後，清海無上師便展開靈性追尋之旅。
經過一段漫長旅程，最後，她在印度喜馬拉雅山的深山裡，找到一位開悟的明師，傳授她「觀音法門」——觀內在光和音的打坐法門。經過一段時間的精進修行之後，她達到完全證悟的境界。
“你必須把時間留給自己，往內靜思、回歸自己的本性，記起自己內在的本質，並發展它，讓自己像個藝術家般閒情逸致、滿懷愛心、沒有壓力，然後你才能給予。如果你不了解快樂，你就無法給予快樂；如果你沒有和平，你就無法給予和平。
—— 清海無上師
離開喜馬拉雅山後不久，在眾人的誠摯懇求下，清海無上師將「觀音法門」傳授給渴求真理的人們，鼓勵求道者往內找尋自己偉大的品質。
社會各階層的人士，經由修行「觀音法門」後，發現他們生活更滿足、平靜，充滿喜悅。隨後，美國、歐洲、亞洲、南美洲以及聯合國，均邀請清海無上師蒞臨演講，並傳授「觀音法門」。
“我們能分享什麼就開始分享，然後就可以感受到內在的微細變化，我們的意識會注入更多的愛力，這就是一個起步。我們來到這裡是為了學習成長，也為了學習使用我們無限的愛力和創造力，讓我們所處的任何環境變得更好！
—— 清海無上師
清海無上師本身是一位善行義舉的典範，同時她也鼓勵大家美化我們所居住的世界。
經由修行觀音法門，清海無上師發展出多樣渾然天成的才華，透過繪畫、音樂、詩作、珠寶和服裝設計等藝術創作，將來自天國的靈思融入生活之中。
1995年，在大眾的懇求下，首度在國際各流行重鎮，展開服裝設計巡迴展，其中包括倫敦、巴黎、米蘭和紐約等地。清海師父用這些藝術創作的收入從事慈善工作，以獨立的資金來源展現她的務實觀－－我們都應該靠自己的力量幫助他人。
雖然清海無上師不追求外界的認可，但世界各國的官方和私人組織，為表揚她的無我奉獻，在諸多場合頒發給她各式獎項，包括：「世界和平獎」、「顧氏和平獎」、「世界精神領袖獎」、「世界公民人道獎」以及服務大眾傑出人士和提升人權方面的獎章。
她以愛心消弭世上的仇恨，她為絕望的人帶來希望，
她以寛容化解誤會，她散發出偉人光芒，
她是全人類的慈悲天使。
—— 前夏威夷檀香山市長花士先生
清海無上師是當代致力於幫助他人發現及創造美好未來的人士之一。如同許多歷史上的偉人一樣，無上師也有她自己的夢想：
我有一個夢想
我夢想全世界和平
我夢想世界不再有殺生，小孩們可以過著和諧安樂的生活
我夢想國際間能彼此握手言和、互相保護、互相幫助
我夢想這個幾千百萬億年愛心造就的美麗的星球不會被摧毀
我夢想它將會在和平、美麗與愛中延續下去
Suspense: I Won't Take a Minute / The Argyle Album / Double Entry
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Suspense: Heart's Desire / A Guy Gets Lonely / Pearls Are a Nuisance
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
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Man admits to a TV crew that he set a house fire
ROCKVILLE, Md. - A man was arrested after confessing to a TV news crew that he set a house fire the station was covering.
The man identified himself as Carlos and said he wanted to bring attention to deplorable living conditions inside a Rockville home.
He said he had complained about the conditions to police but that they didn't take them seriously. So, he set the house on fire, and when news crews arrived on the scene, he told the photographer he set the fire to get news crews to the scene.
Full story at WMAR:
Suspense: The King's Birthday / The Singing Walls / Marry for Murder
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The final broadcasts of Yours Truly, Johnny Dollar and Suspense, ending at 7:00 pm Eastern Time on September 30, 1962, are often cited as the end of the Golden Age of Radio.