#10 - There Will Be Barrels!
The Chicago Film Scene strolls into the saloon and talks about Westerns!
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Elephant fun
Me and sum friends have alot of fun with elephants
THIS MOVIE HAS NOTHING TO DO WITH Mentos and Diet Coke equals a really fun time sports football baseball basketball hockey tennis ping pong soccer boxing wrestling judo taekwondo fantasy football draft
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Traded | FREE WESTERN MOVIE | Cowboy Film | Kris Kristofferson | English | Full Movie
Free Western Movie, Full Movie: Traded - In the 1880s western Traded, a father must leave his ranch for Dodge City to save his daughter from an old enemy, putting his reputation as the fastest draw in the west to the test.
Traded (2016):
Director: Timothy Woodward Jr.
Writer: Mark Esslinger
Stars: Kris Kristofferson, Trace Adkins, Michael Paré
Genre: Action, Western
Runtime: 1h 38min
Country: USA
Language: English
Filming Locations: Paramount Ranch - 2813 Cornell Road, Agoura, California, USA
Storyline:
In 1880s Kansas, sharpshooter turned rancher, Clay Travis (Michael Parè), goes from happily married father of two to a man on a mission after the tragic death of his son and the disappearance of his daughter. Determined to bring his daughter home safely, and to protect what little family he has left, Clay leaves his quiet ranch and heads to Wichita and then to Dodge City while tracking an evil brothel owner, LaVoie, with the help of an unlikely companion, Billy. Together they set out to destroy LaVoie and his henchman and save Clay's daughter while leaving a trail of gun smoke and dead bodies in their wake.
Review:
I saw trailers for this western over the past couple months. 2 of the actors Trace Adkins and Kris Kristoferson I am a fan. Trace Adkins is a country music superstar AND also a veteran actor. Trace Adkins with a 20 year career in country music and climbing has millions of fans worldwide! Yes I did watch this movie because both Trace and Kris were in this movie, however, wow this is indeed the best western I have ever seen! action from beginning to the end! trace was flawless in this movie he definitely went above and beyond! I have to also mention the casting for this movie, excellent choices! If you like westerns you will enjoy TRADED! Written by tracecowgirl.
Full Western Movie, Full Length Cowboy Film, English:
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C2C Care: Exploring Old Loans: A Quest for Resolution
Old loans are a challenge for most museums – whether large or small. And, with other competing priorities, it is easy to let them linger. Solving your old loans will give you a sense of accomplishment as well as lower the risk of insurance claims or even more unpleasant your museum’s potential involvement in a fight between a lender’s heirs.
There are many factors to consider when starting on this journey including staff time, whether the object is wanted as a part of the collection, how much storage space you will gain by returning old loans, and finally if your institution will support an old loan return program.
Whether you are in the middle of working through your old loans or you hope to begin your project in the future, we hope to give you practical advice including some success and failures to save you from becoming too weary of becoming free of old loans.
Presenters
Andrea Gardner received her undergraduate degree in Classical art and archaeology and Latin from Franklin and Marshall College in Lancaster, Pennsylvania. She received her master’s degree in art history from the University of Texas at Austin with a focus in ancient art. Andrea moved to Toledo in 2006 to work with Dr. Sandra Knudsen on the exhibition In Stabiano featuring frescoes from villas located on the Bay of Naples. After her internship, she took a permanent position at the Toledo Museum of Art as the Assistant Registrar for domestic loans and exhibitions. She was promoted to the Head Registrar position in July 2012 and took on the additional responsibilities of Assistant Information Officer in January 2013. Since 2018 she has been the Director of Collections and oversees the areas of Registrar, Exhibitions, Conservation, Library and Archives at the Toledo Museum of Art.
Rose M. Wood is the Chief Registrar at the Birmingham Museum of Art. Prior to working with one of the largest art collection in the South, Rose worked for nineteen years in contemporary art at the Des Moines Art Center.
Rose was raised in Jacksonville, Florida, but left after graduation to study international relations in Washington, D.C. After obtaining a B.A. from the American University, she continued her education at Texas Tech University and graduated with an M.A. in Museum Studies. Rose was fortunate to secure a National Endowment of the Arts’ registration internship at the Indianapolis Museum of Art. For about a decade this program was dedicated to training registrars to manage all collection care aspects. In 2013, Rose completed a Master of Family and Consumer Sciences (M.F.C.S.) in Family Financial Planning with an area of concentration on how families build art collections.
The Great Gildersleeve: Aunt Hattie Stays On / Hattie and Hooker / Chairman of Women's Committee
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.