Musuem of Modern Literature- Analyzed
STUDY/ PRECEDENT ANALYSIS COVERING THE BASIC 5 SYSTEMS OF ARCHITECTURE + MORE
[写真]平成4年 金沢 Kanazawa City, Japan in 1992
金沢市で平成4年6月に撮影した写真です。
Photos taken in Kanazawa City, Japan in June 1992.
0:05 金沢駅 Kanazawa Station
0:27 前田利家公像と金沢城 The statue of Toshiie MAEDA and Kanazawa Castle
1:20 金沢市街の眺望 宝泉寺の境内から
The view of Kanazawa City from Hōsen-ji Buddhist Temple
1:51 俵屋 Tawara-ya, a candy store
2:03 全性寺 Zenshō-ji Buddhist Temple
2:14 宇多須神社 Utasu-jinja Shinto Shrine
2:26 主計町 Kazuemachi
2:38 ひがし茶屋街 Higashi Chaya-gai
2:56 石川近代文学館(当時) Ishikawa Modern Literature Museum (then)
3:05 長町武家屋敷跡 Nagamachi Bukeyashiki (former residences of samurai) Area
3:31 新橋から犀川 Sai-gawa River from Shin-bashi Bridge
3:43 尾山神社 Oyama-jinja Shinto Shrine
4:00 兼六園 Kenroku-en, a garden
5:10 成巽閣 Seison-kaku
地図 Map
金沢駅 Kanazawa Station
音楽 Music is made by Band in a Box.
Japan School Trip to Kanazawa 金沢 !
It's been soooo long since I make a long VLOG!
If you enjoyed it, be sure to drop a LIKE ❤ Much love, thank you w
Let's shoot for 1,000 likes? (◕ ◡ ◕)
Miraie loves you ´ ▽ ` )ノ
What and where is Kanazawa?
During the Edo Period, Kanazawa (金沢) served as the seat of the Maeda Clan, the second most powerful feudal clan after the Tokugawa in terms of rice production and fief size. Accordingly, Kanazawa grew to become a town of great cultural achievements, rivaling Kyoto and Edo (Tokyo).
During World War Two, Kanazawa was Japan's second largest city (after Kyoto) to escape destruction by air raids. Consequently, parts of the old castle town, such as the Nagamachi samurai district and chaya entertainment districts, have survived in pretty good condition.
Today, Kanazawa remains an important city in its region and serves as the capital of Ishikawa Prefecture. The city boasts many historical attractions such as restored residences and districts, as well as modern museums. But Kanazawa's unchallenged main attraction is Kenrokuen, one of Japan's three best landscape gardens and by many considered the most beautiful of them all.
金沢市は本州にある石川県の県庁所在地です。江戸時代の面影が残る地区や、美術館、伝統工芸で知られています。17 世紀に造営がはじまった兼六園は、池や噴水などを取り入れた古典的な庭園で知られています。隣接する金沢城は、一向一揆の拠点であった浄土真宗の「尾山御坊」が攻め落とされた後、1580 年代に本格的な建城が行われました。
∥ Music
Village People - YMCA
Garden of Words - Rain
Medda - You're always there...
XXXTENTACION - Look At Me
Music by beco 騒音のない世界
EVISBEATS - ゆれる
Colorful Lemonade Mashup
Ruby (Laifu Remix)
Synthion - Comet
SMOKEYMON
GGO Re(a)son [if you're reading this Pitohui best girl]
We Love (AK Remix)
tymu - walk with me
Ugoku Ugoku!
Dabin - Hold
AK - Legacy
can we not talk about the pen apple song
RADWIMPS - ZEN ZEN ZENSE
mattdeguia - daylight
lando! - garden
whew, if you appreciate me writing down all the song names be sure to drop a like and let me know in the comment section! ily
∥ Outro
Milkoi - Setsuna
■Twitterページ
■YouTubeチャンネル
■SoundCloudページ
My videos are suppose to be taken as for entertaining purpose. Don't take everything I said in the video serious and sorry if I offended anyone in this video.
∥ Thanks for watching (・∀・ ) Miraie
Strange Object beside Kanazawa Station(金沢駅前の奇妙な物体)
Kanazawa is the largest city on the side of Japan Sea, and has many spots with historical importance, art and literature museums. The Kanazawa station building looks modern, as that of Kyoto station, and the inside the building tourists can enjoy shopping for souvenirs, local traditional sweets etc. In short, the city has full resource as a contemporary tourist spot. But one thing beside the Kanazawa station is a pure enigma. What does this memorable object mean?
Tokyo’s First World Cultural Heritage: The National Museum of Western Art
the entrance of Lee Ufan Museum @ Naoshima, Japan
Japan: Kyoto National Museum (5/7) 2013-01-14(Mon)1542hrs
- Le Bâtiment principal en style néo-Renaissance à la français du Musée national de Kyôto a été conçu par Tôkuma KATAYAMA (1854-1917). La construction a duré trois ans et s'est achevée en 1895. Le Musée a finalement été ouvert au public en mai 1897. Le bâtiment a été classé comme «Bien culturel important du Japon» depuis 1969.
- Das Hauptgebäude im französischen Neo-Renaissance-Stil des Nationalmuseums Kyōto wurde von Tōkuma KATAYAMA (1854-1917) entworfen. Der Bau dauerte drei Jahre und wurde im Jahr 1895 fertig gestellt. Das Museum wurde schließlich im Mai 1897 für die Öffentlichkeit eröffnet. Das Gebäude wurde seit 1969 als ein „wichtiges Kulturgut Japans klassifiziert.
- Kyoto National Museum's Main Building in French Neo-Renaissance style was designed by Tōkuma KATAYAMA (1854-1917). The construction took three years and was finished in 1895. The Museum was finally opened to the public in May 1897. The building has been classified as an Important Cultural Property of Japan since 1969.
佛蘭西ネオ・ルネサンス樣式の京都國立博物館本館は片山東熊(嘉永六年生、大正六年歿)の設計に拠つてゐる。建築には三年を要し明治拾八年に完成したが、一般公開は明治廿年のことである。近代日本に於る最初期の博物館建築として貴重であるゆゑ昭和四十四年以來、日本國の重要文化財に登錄されてゐる。
Books as objects
Wandering around the Ishikawa Museum of Modern Literature in Kanazawa, I started thinking about how it's a permissible pleasure to objectify books, even -- or especially -- books you can't understand. We're told that books are still books when they're funneled onto a Kindle, but I don't buy it. I also think old Japanese men from the Antique-Modernist period are cool.
Japan Travel: Chichu Art Museum Naoshima. Designed by Ando Tadao. Kagawa10
Japan Travel: Art Museum in Naoshima. Designed by Ando Tadao. Kagawa, Japan10
The Chichu Art Museum (地中美術館, Chichū Bijutsukan) is a unusual modern art museum built into a hillside overlooking the southern coast of Naoshima. The museum building, designed by Ando Tadao and itself a work of art, is mostly located underground and solely utilizes natural light to illuminate the artwork. This creates a viewing experience that is deeply influenced by the surrounding natural environment.
The museum has been built around quite a small collection of art. The first gallery shows large murals from Claude Monet's Water Lilies series. This is followed by a few works by James Turrell, who uses light as a medium. They include the Open Sky room from his Skyspaces series which has sister exhibits around the world including the 21st Century Museum in Kanazawa. Finally, the deepest part of the Chichu Museum houses the Time/Timeless/No Time installation by Walter De Maria.
Tickets are purchased at the museum's ticket center which is located a short walk downhill from the museum entrance. The ticket center has a small cafe and waiting area as only a limited number of visitors are allowed to the museum at one time. There are also coin lockers available since bags and cameras are not allowed in the museum and must be stowed before entering.
Access info There are one or two buses per hour from Miyanoura Ferry Terminal via Honmura to the Tsutsujiso bus stop at the east gate of the Benesse House (15 minutes, 100 yen), from where it is possible to walk (30 minutes) or take a free shuttle bus to the Chichu Art Museum (10 minutes). Or the museum is about a two kilometer bicycle ride (10 minutes) or walk (30-40 minutes) from the Miyanoura ferry terminal.
From the Chichu Art Museum it is just a few minutes on the free shuttle bus to either the Lee Ufan Museum or the Benesse House. It is also possible to walk between the museums (5 and 15 minutes respectively). Chichu Art Museum
Hours: 10:00 to 18:00 (until 17:00 from October to February)
Admission ends one hour prior to closing time
Closed: Mondays (or Tuesday if Monday is a national holiday)
Infrequent irregular closures for maintenance
Admission: 2060 yen
【The Best Savings--Ultimate Japan Coupon Site Moopon】
Official Website :
facebook:
【Our Sister YouTube Channel】
The Best Japan Trip ・Useful Information in Japan(English):
旅日首選旅館、飯店、餐飲及娛樂・旅日精選景點(中文繁体):
旅日首选旅馆、饭店、餐饮及娱乐・旅日精选景点(中文簡体): .
Wisata terbaik Jepang Informasi di Jepang(Bahasa Indonesia):
日本のおすすめ旅館・ホテル・レジャー・飲食店・日本のオススメ観光地(Japanese): .
【Our Sister YouTube Channel】
The Best Japan Trip ・Useful Information in Japan(English):
旅日首選旅館、飯店、餐飲及娛樂・旅日精選景點(中文繁体):
旅日首选旅馆、饭店、餐饮及娱乐・旅日精选景点(中文簡体):
Wisata terbaik Jepang Informasi di Jepang(Bahasa Indonesia):
日本のおすすめ旅館・ホテル・レジャー・飲食店・日本のオススメ観光地(Japanese):
Ai Weiwei Curator Mami Kataoka on Contemporary Art in Japan
On March 15, 2013, Mori Art Museum Chief Curator Mami Kataoka presented a lecture at the Art Gallery of Ontario titled Contemporary Art in Japan: Visions and Views of the Universe. The lecture was part of the Asia Contemporary Speaker series, which is presented in partnership by the Canadian Art Foundation and the Asia Pacific Foundation of Canada and its sponsors. This particular lecture was also presented in collaboration with the AGO.
Mami Kataoka has been the Chief Curator at the Mori Art Museum in Tokyo since 2003. Among the exhibitions she has curated at MAM is Ai Weiwei: According to What? (2009), which has subsequently toured to the Hirshhorn Museum and will arrive at the AGO in summer 2013. (Kataoka is guest curator for the touring edition.) At the MAM, she has also curated Roppongi Crossing (2004), Ozawa Tsuyoshi (2004), All About Laughter: Humor in Contemporary Art (2007) and Sensing Nature: Perception of Nature in Japan (2010). Most recently, she curated Lee Bul: From Me, Belongs to You Only.
Kataoka is extending her curatorial practice in many international projects: she is the Joint Artistic Director of the ninth Gwangju Biennale (2012) in South Korea and the curator of Phantoms of Asia: Contemporary Awakens the Past (2012) at the Asian Art Museum in San Francisco. From 2007 to 2009, she was the International Curator at the Hayward Gallery in London, where she curated Laughing in a Foreign Language (2008) and co-curated Walking in My Mind (2009). She was also Chief Curator at Tokyo Opera City Art Gallery from 1998 to 2002. Kataoka frequently writes and gives lectures on contemporary art in Asia.
The rise of Asia on the international scene is one of the most compelling stories in contemporary art. Provocative artworks command ever-higher prices as markets expand, and impressive new museums, schools and biennials continue to proliferate. Hong Kong, Singapore, Dubai, Tokyo and Beijing have established themselves as major art-world hubs, competing directly with London and New York. In order to understand this phenomenon and its connection to global movements of economic and political power, the Asia Contemporary Speaker Series was developed.
Other lectures in this series include Vishaka Desai of the Guggenheim Foundation at the Art Gallery of Ontario on November 14, 2012; Jane DeBevoise of Asia Art Archive at the Musée d'art contemporain de Montréal on January 23, 2013; Philip Tinari of the Ullens Center at the Vancity Theatre on March 11, 2013; and Zheng Shengtian of Yishu: Journal of Contemporary Chinese Art at the Glenbow Museum on April 18, 2013.
To enjoy more talks from this series, please visit To learn about upcoming lectures presented by the Canadian Art Foundation, please visit
The Museum, the City, and the University || Radcliffe Institute
The Museum, the City, and the University
Boston Art Museum Directors in Discussion
This panel brings together five distinguished museum directors to discuss their leadership of major cultural institutions in urban and university settings and to share personal perspectives on their work.
The directors and the moderator address questions about the role of museums in debates about public and private support for the humanities and arts; in research and learning endeavors, including creative efforts by living artists; and in conversations about citizenship, identity, and diversity.
Featuring:
Peggy Fogelman, Norma Jean Calderwood Director, Isabella Stewart Gardner Museum
Paul C. Ha, director, MIT List Visual Arts Center
Jill Medvedow, Ellen Matilda Poss Director, Institute of Contemporary Art/Boston
Martha Tedeschi, Elizabeth and John Moors Cabot Director, Harvard Art Museums
Matthew Teitelbaum, Ann and Graham Gund Director, Museum of Fine Arts, Boston
Moderated by Yukio Lippit, Johnson-Kulukundis Family Director of the Arts, Radcliffe Institute for Advanced Study, and professor of history of art and architecture, Harvard Faculty of Arts and Sciences
Introduced by Lizabeth Cohen, dean, Radcliffe Institute, and Howard Mumford Jones Professor of American Studies, Department of History, Harvard Faculty of Arts and Sciences
ARCHITECTURE - Kengo Kuma - Suntory Museum
...
Tea Story
February 10, 2016 - Enjoy a cup of freshly brewed tea! Representatives of the Hagajae Museum from Korea will demonstrate a traditional tea ceremony, compare the development of tea culture in Korea, China, and Japan, and show how to continue the tradition within one’s own family.
Hagajae Museum began as a collective desire to establish a non-profit art organization in 2013. Expanding the depth and range of the multifarious and inventive programs, Hagajae seeks to be a catalyst for dialogue between regions, art, cultures, academia and individuals. Hagajae believes that art can be a life-changing experience and will continue to actively strive to ignite a fascinating journey in learning about one's own curative power.
Ghim Roy is a representative of Hagajae and volunteer philosopher. He divides his time between caring for patients during the daytime, researching and lecturing the fundamental issues from a diverse spectrum of studies from East-West philosophy to literature at night. He majored in Biomedical Genetic Engineering in Seoul National University, College of Medicine and then studied Oriental Medicine in Kyung Hee University, College of Korean Traditional Medicine. Since then, he has taken a profound interest in the contraposition between Eastern and Western cultures, material and spirituality, historical tradition and future vision. Now he tries to seek healthy answers in humanities by throwing more questions for understanding oneself.
For more information, please visit the link below:
SANAA Architects: Rolex Learning Center, Lausanne, Interview.
Japanese architects Kazuyo Sejima and Ryue Nishizawa (SANAA) have won the 2014 Daylight Award (Tageslicht-Award) for the design of the Rolex Learning Center EPFL in Lausanne. With CHF 100,000 prize money the award is the highest architectural prize in Switzerland. It promotes buildings with an innovative use of daylight. In the run-up to the award presentation, VernissageTV had a closer look at the building in Lausanne and met with Kazuyo Sejima and Ryue Nishizawa in Paris, to learn more about the concept of the building. In this interview, Kazuyo Sejima and Ryue Nishizawa talk about the ideas behind the building, the challenges they were facing, the importance of natural light in their work, and how their building is received by the users of the building.
Watch also: SANAA Retrospective at New Museum of Contemporary Art, New York City:
The Daylight Award (Tageslicht-Award) is presented already for the fourth time by the Velux Stiftung in close collaboration with the Department of Architecture of ETH Zurich and the Swiss Council of Architecture. Previous laureates (winners and honorary awardees) are Annette Gigon and Mike Guyer, Peter Märkli, Peter Zumthor, James Turrell, Isa Stürm + Urs Wolf, Bob Gysin + Partner Architects BGP, Bearth & Deplazes Architects, Gramazio & Kohler Architects, Cruz & Ortiz, and Giraudi & Wettstein.
The Rolex Learning Center EPFL in Lausanne, Switzerland, is an extraordinary building in many ways, not least in regard to the use of natural light. Designed by Kazuyo Sejima + Ryue Nishizawa (SANAA), the building is conceived as one single space with openness and extensive use of natural light in mind. It houses a multimedia library, student workspaces, a multipurpose hall, a food court, a bookshop, a parking, among other facilities. It opened on February 22nd, 2010.
SANAA was founded in 1995 by Kazuyo Sejima (妹島 和世, born 1956) and Ryue Nishizawa (西沢立衛, born 1966). In 2004 they won the Golden Lion of the Venice Architecture Biennale for the most significant work, and in 2010, Sejima and Nishizawa were awarded the Pritzker Prize. Examples of SANAA's work include the Rolex Learning Center in Lausanne; the Toledo Museum of Art's Glass Pavilion in Toledo, Ohio; the Serpentine Pavilion in London; the Christian Dior Building in Omotesando in Tokyo; the 21st Century Museum of Contemporary Art in Kanazawa; and the Louvre-Lens Museum in France.
A visit to the Rolex Learning Center EPFL Lausanne and an interview with Kazuyo Sejima + Ryue Nishizawa (SANAA). Lausanne (Switzerland), February 6, 2014; Paris (France), January 21, 2014.
More videos on contemporary art, design, architecture:
Connect:
Become a Member:
Browse our Archive:
Find Artists, Designers, Architects:
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series No Comment and Interviews, art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
Johan Grimonprez
A talk by artist and SVA faculty member Johan Grimonprez (MFA 1992 Fine Arts). Grimonprez has created curatorial projects that have been exhibited at such museums as the Hammer Museum (Los Angeles) The Museum of Modern Art (New York City) and the Pinakothek der Moderne (Munich), and his works are included in the permanent collections of museums such as the 21st Century Museum of Contemporary Art (Kanazawa, Japan), Centre Georges Pompidou and the Tate Modern. His award-winning films include dial H-I-S-T-O-R-Y (1997) and Double Take (2009).
Azuchi-Momoyama Period | Japanese Art History | Little Art Talks
Art history of Japan's Azuchi-Momoyama Period and Early Edo period.
PREV PART: Muromachi Period
This video is a part of Japanese Art History Series by Little Art Talks. Hope you enjoyed it and learned something new. Keep watching more videos in this series:
Further Reading & Sources:
History of Japanese Art by Penelope Mason
Japanese Art by Joan Stanley-Baker
Mentioned
Palace-Castles
Shoin
Katsura Imperial Villa
Rakuchu Rakugai Funaki Set
Namban Screens
Blue and Gold Style
Monochromatic Style
Kano School
Kano Eitoku, Jukoin fusuma
Kano Eitoku, Cypress
Kano Mitsunobu, Flowers and Birds of the Four Seasons
Kangakuin, Onjoji
Kano Sanraku, Genji Monogatari - The Carriage Fight
Hasegawa Tohaku, Monkey Reaching for the Moon
Hasegawa Tohaku, Shounji, Maple Tree
Hasegawa Tohaku, Pine Forest
Tawaraya Sotatsu
Hon'ami (Honami) Koetsu
Shin kokinshu
Raijin, Gold of Thunder, and Fuujin, God of Wind
Subscribe to Little Art Talks for more art-filled educational videos:
Be sure to click the bell next to the “Subscribe button to be notified when new videos are published!
Help us caption & translate this video!
Support Little Art Talks directly on Patreon:
MERCHANDISE:
Arden Cove Bags & Backpacks:
Let’s Connect!
WEBSITE:
FACEBOOK:
TWITTER:
INSTAGRAM:
TUMBLR:
PINTEREST:
GOOGLE+:
GOODREADS:
Karin’s Links:
WEBSITE:
YOUTUBE:
INSTAGRAM:
TWITTER:
Thanks so much for watching! Here at Little Art Talks, I make free educational videos on art history and all things art related. From ancient Japanese paintings to Duchamp’s readymades, we want to talk about what makes these objects art, and attempt to better understand them. Come join us in the discussion :)
If you liked this video, please share it with your friends.
FAQ:
What camera equipment do you use?
Camera
Lights
Microphone
Edit in Premiere
———
Images: Wikipedia Commons, Public Domain, Fair Use
Exhibition of wood sculptures at Oideya gallery(nagasaka hokutosi Japan)
A2 Aging vid
What happens to us as we age in the modern world...
Music used from Man of Steel & Gladiator movies...
21st Century of Contemporary Art Museum - Arrangement of plan and section
Book Mountain Library in Netherlands [HD]
hotel / Resort is indispensable for those holiday,traveling, with family and friends we give you the video of the hotel / beautiful Resort reference and also the inspiration for the designers.we always welcome your like and comments.
for more pictures, design ideas and inspiration: