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Belgrade with Boris Malagurski | HD
Click CC to choose subtitles in English, French, German, Italian, Russian, Greek, Portuguese, Polish, Slovenian, Czech, Slovak, Swedish, Danish, Hungarian or Indonesian.
This is the story of Belgrade, the dazzling capital of Serbia. People from all over the world are attracted to this city for its charm and beauty. From the quiet cafes, to the sparkling nightlife, Belgrade is a city that never sleeps.
It has magnificent architecture, peaceful parks, splendid restaurants with authentic Balkan food, remarkable art and electrifying museums. A city between East and West, with a turbulent history to tell. But what makes Belgrade the most appealing is the spirit of its people.
Belgrade has the most interesting men and the most enigmatic women. Some of the best sportsmen in the world are from Belgrade. Anyone who experiences this city will undoubtedly fall in love with it. Welcome to Belgrade.
© Copyright by Malagurski Cinema, 2013
DISTRIBUTION
The film is available for worldwide distribution. Contact us for more information: info@belgradefilm.com
TECHNICAL INFORMATION
Full HD, widescreen 16:9, 1080p, 25p, audio Stereo, 48KHs, 16bits
TRIVIA
The film features an exclusive interview with perhaps the most famous Belgrader, tennis star Novak Djokovic.
Our Miss Brooks: Accused of Professionalism / Spring Garden / Taxi Fare / Marriage by Proxy
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
NYSTV - Nostradamus Prophet of the Illuminati - David Carrico and the Midnight Ride - Multi Language
Nostradamus is the most well known prophet of the millennium because his predictions came true. What was the true source of his visions? How deeply ingrained in the occult was he? What was his medical background? What innovations did he use to fight the Black Plague that was rampant at the time? Was he a puppet working for the Illuminati? Or were they working for him?
Now the real question is, was Nostradamus just a psyops planned hundreds of years ago and the demonic forces are just controlling events as Nostradamus predicted?
Some deep insights into the life and times of Nostradamus with David Carrico of The Midnight Ride.
In depth information you'd have to watch like 8 documentaries about Nostradamus to get.
Free Truth Productions
Truth should be Open Source...
freetruthproductions.com
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Thelema
babylon working
crowley
parsons
hubbard
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undead
dracula
vlad the impaler
Illuminati
mk ultra
werewolf
right of the pyramid
kings chamber
ark of the covenant
order of the garter
Afrikaans: gevalle engel
Arabic: ملاك ساقط
Azerbaijani: düşmüş mələk
Belarusian: Палы анёл
Bulgarian: паднал ангел
Bengali: পতিত দেবদূত
Bosnian: pali andjeo
Catalan: Àngel caigut
Cebuano: napukan nga anghel
Czech: padlý anděl
Welsh: angel syrthio
Danish: falden engel
German: fallen angel
Greek: έκπτωτος άγγελος
English: fallen angel
Esperanto: fallen angel
Spanish: Ángel caido
Estonian: Langenud ingel
Basque: Aingeru eroria
Persian: فرشته افتاده
Finnish: langennut enkeli
French: Ange déchu
Irish: aingeal tar éis titim
Galician: Anxo caído
Gujarati: ઘટી દેવદૂત
Hausa: mala'ika ya fadi
Hindi: गिरी हुई परी
Hmong: fallen angel
Croatian: pali anđeo
Haitian Creole: tonbe zanj
Hungarian: Bukott angyal
Armenian: ընկած հրեշտակ
Indonesian: Malaikat yang jatuh
Igbo: mmụọ ozi dara ada
Icelandic: fallinn engill
Italian: Angelo caduto
Hebrew: מלאך שנפל
Japanese: 堕天使
Javanese: widodari tiba
Georgian: დაცემული ანგელოზი
Kazakh: құлаған ангел
Khmer: ទេវតាធ្លាក់ចុះ
Kannada: ಬಿದ್ದ ದೇವದೂತ
Korean: 타락한 천사
Latin: fallen angel
Lao: fallen angel
Lithuanian: kritęs angelas
Latvian: kritušais enģelis
Malagasy: anjely nianjera
Maori: anahera hinga
Macedonian: паднат ангел
Malayalam: വീണുപോയ ദൂതൻ
Mongolian: унасан тэнгэр элч
Marathi: पडलेला देवदूत
Malay: malaikat yang jatuh
Maltese: waqa 'anġlu
Myanmar (Burmese): ပြိုလဲကောငျးကငျတမနျ
Nepali: गिर परी
Dutch: gevallen engel
Norwegian: Fallen engel
Chichewa: mngelo wakugwa
Punjabi: ਡਿੱਗ ਦੂਤ
Polish: upadły anioł
Portuguese: anjo caído
Romanian: inger decazut
Russian: падший ангел
Sinhala: වැටුනාවූ දූතයා
Slovak: padlý anjel
Slovenian: padli angel
Somali: malaa'igtii dhacday
Albanian: engjell i rene
Serbian: пали анђео
Sesotho: lengeloi le oeleng
Sundanese: malaikat fallen
Swedish: fallen ängel
Swahili: malaika aliyeanguka
Tamil: விழுந்த தேவதை
Telugu: స్వర్గం నుంచి పడిన దేవత
Tajik: фариштаи золим
Thai: เทวดาตกสวรรค์
Filipino: nahulog na anghel
Turkish: düşmüş melek
Ukrainian: занепалий ангел
Urdu: باغی فرشتہ
Uzbek: tushgan farishta
Vietnamese: Thiên thần sa ngã
Yiddish: געפאלן מלאך
Yoruba: angẹli ti o ṣubu
Chinese: 堕落的天使
Chinese (Simplified): 堕落的天使
Chinese (Traditional): 墮落的天使
Zulu: ingelosi ewile
Afrikaans: Lucifer
Arabic: إبليس
Azerbaijani: lucifer
Belarusian: Люцыпар
Bulgarian: Луцифер
Bengali: শয়তান
Bosnian: lucifer
Catalan: lucifer
Cebuano: lucifer
Czech: Lucifer
Welsh: lucifer
Danish: lucifer
German: Luzifer
Greek: Εωσφόρος
English: lucifer
Esperanto: lucifer
Spanish: lucifer
Estonian: lutsifer
Calling All Cars: The General Kills at Dawn / The Shanghai Jester / Sands of the Desert
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
My Friend Irma: Buy or Sell / Election Connection / The Big Secret
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
NYSTV - Transhumanism and the Genetic Manipulation of Humanity w Timothy Alberino - Multi Language
Is the real Mark of the Beast a genetic modification kids will want to get (like a tattoo)?
Will genetic mods be a trend and all the cool kids will have them?
Imagine in the not too distant future, where people will voluntarily have their limbs replaced with machines just to compete in the workforce.
Nowadays, robots are more like humans and humans are more like robots. Artificial Intelligence is here and the merging of man and machine has begun.
Implants to make you smarter and remember more? Downloading consciousness into a computer?
The future was yesterday, Timothy Alberino joins David Carrico and John Pounders for an in-depth overview of how the illuminati plan to bring trans humanism into the mainstream and the technology they are employing.
NYSTV - Best fringe programs you'll hear nowhere else...
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ಕನ್ನಡ
한국어
Kurdî / كوردی
Коми
Kırgızca / Кыргызча
Latina
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Lazuri / ლაზური
Lietuvių
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Māori
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Nederlands
Norsk (bokmål / riksmål)
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ਪੰਜਾਬੀ / पंजाबी / پنجابي
Norfuk
Polski
پښتو
Português
Romani / रोमानी
Kirundi
Română
Русский
संस्कृतम्
Sicilianu
सिनधि
Srpskohrvatski / Српскохрватски
සිංහල
Slovenčina
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Gagana Samoa
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Basa Sunda
Svenska
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తెలుగు
Тоҷикӣ
ไทย / Phasa Thai
Tagalog
Lea Faka-Tonga
Türkçe
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Українська
اردو
Ўзбек
Việtnam
Хальмг
isiXhosa
ייִדיש
Yorùbá
中文
isiZulu
中文(台灣)
tokipona
Latin: trans-humanism
Lao: trans-humanism
Lithuanian: trans-humanizmas
Latvian: trans-humanisms
Malagasy: Trans-hevitra maha olona:
Maori: trans-humanism
Macedonian: транс-хуманизам
Malayalam: ട്രാൻസ്-മാനുഷികത
Mongolian: trans-humanism
Marathi: ट्रान्स-मानवतावाद
Malay: trans-humanisme
Maltese: trans-umaniżmu
Myanmar (Burmese): trans ဆိုတဲ့-human
Nepali: trans-humanism
Dutch: trans-humanisme
Norwegian: trans-humanisme
Chichewa: trans-humanism
Punjabi: ਅੰਤਰ-ਮਨੁੱਖਤਾਵਾਦ
Polish: trans-humanizm
Portuguese: trans-humanismo
Romanian: trans-umanism
Russian: транс-гуманизм
Sinhala: ට්රාන්ස්-මානවවාදය
Slovak: trans-humanizmus
Slovenian: trans-humanizem
Somali: trans-humanism
Albanian: trans-humanizëm
Serbian: транс-хуманизам
Sesotho: trans-humanism
Sundanese: trans-humanisme
Swedish: trans-humanism
Swahili: trans-ubinadamu
Tamil: டிரான்ஸ் மனித
Telugu: ట్రాన్స్-మానవతావాదం
Tajik: транзистор
Thai: ทรานส์มนุษยนิยม
Filipino: trans-humanism
Turkish: trans-hümanizm
Ukrainian: трансгуманізм
Urdu: ٹرانس انسانیت
Uzbek: trans-gumanizm
Vietnamese: xuyên chủ nghĩa nhân văn
Yiddish: טראַנס-כיומאַניזאַם
Yoruba: trans-humanism
Chinese: 反人文主义
Chinese (Simplified): 反人文主义
Chinese (Traditional): 反人文主義
Zulu: ukudluliswa kwesintu
Thelema
babylon working
crowley
parsons
hubbard
H.G. Wells
undead
dracula
vlad the impaler
Illuminati
mk ultra
werewolf
right of the pyramid
kings chamber
ark of the covenant
order of the garter
Calling All Cars: The Bad Man / Flat-Nosed Pliers / Skeleton in the Desert
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: House Hunting / Leroy's Job / Gildy Makes a Will
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
CIA Archives: Buddhism in Burma - History, Politics and Culture
Buddhism in Burma (also known as Myanmar) is predominantly of the Theravada tradition, practised by 89% of the country's population. It is the most religious Buddhist country in terms of the proportion of monks in the population and proportion of income spent on religion. Adherents are most likely found among the dominant ethnic Bamar (or Burmans), Shan, Rakhine (Arakanese), Mon, Karen, and Chinese who are well integrated into Burmese society. Monks, collectively known as the Sangha, are venerated members of Burmese society. Among many ethnic groups in Myanmar, including the Bamar and Shan, Theravada Buddhism is practiced in conjunction with nat worship, which involves the placation of spirits who can intercede in worldly affairs.
With regard to the Daily Routines as Buddhists in Myanmar, there are two most popular practices: merit-making and vipassana (Insight Meditation). The weizza path is the least popular (an esoteric form somewhat linked to Buddhist aspiration that involves the occult).[4] Merit-making is the most common path undertaken by Burmese Buddhists. This path involves the observance of the Five Precepts and accumulation of good merit through charity and good deeds (dana) in order to obtain a favorable rebirth. The vipassana path, which has gained ground since the early 1900s, is a form of insight meditation believed to lead to enlightenment. The weizza path, is an esoteric system of occult practices (such as recitation of spells, samatha meditation, and alchemy) and believed to lead to life as a weizza (also spelt weikza), a semi-immortal and supernatural being who awaits the appearance of the future Buddha, Maitreya (Arimeitaya).[5] This last one is frowned upon by many practicing Buddhists and almost all Monks in Myanmar nowadays.
Burma (Listeni/ˈbɜrmə/ BUR-mə), also Myanmar (Listeni/ˌmjɑːnˈmɑː/ MYAHN--MAR), is a sovereign country in Southeast Asia. It is bordered by India, Bangladesh, China, Laos and Thailand. One-third of Burma's total perimeter of 1,930 kilometres (1,200 mi) forms an uninterrupted coastline along the Bay of Bengal and the Andaman Sea. At 676,578 km2 (261,227 sq mi), it is the 40th largest country in the world and the second largest country in Southeast Asia. Burma is also the 24th most populous country in the world with over 60.28 million people.[6]
Burma is home to some of the early civilizations of Southeast Asia including the Pyu and the Mon.[7] In the 9th century, the Burmans of the Kingdom of Nanzhao entered the upper Irrawaddy valley and, following the establishment of the Pagan Empire in the 1050s, the Burmese language and culture slowly became dominant in the country. During this period, Theravada Buddhism gradually became the predominant religion of the country. The Pagan Empire fell due to the Mongol invasions (1277--1301), and several warring states emerged. In the second half of the 16th century, the country was reunified by the Taungoo Dynasty which for a brief period was the largest empire in the history of Southeast Asia.[8] The early 19th century Konbaung Dynasty ruled over an area that included modern Burma as well as Manipur and Assam. The country was colonized by Britain following three Anglo-Burmese Wars (1824--1885). British rule brought social, economic, cultural and administrative changes. Since independence in 1948, the country has been in one of the longest running civil wars among the country's myriad ethnic groups that remains unresolved. From 1962 to 2011, the country was under military rule. The military junta was officially dissolved in 2011 following a general election in 2010 and a nominally civilian government installed, though the military retains enormous influence.
Burma is a resource-rich country. However, the Burmese economy is one of the least developed in the world. Burma's GDP stands at $42.953 billion and grows at an average rate of 2.9% annually -- the lowest rate of economic growth in the Greater Mekong Subregion.[9] Among others, the EU, United States and Canada have imposed economic sanctions on Burma.[10] Burma's health care system is one of the worst in the world: The World Health Organization ranked Burma at 190th, the worst performing of all countries.
The United Nations and several other organizations have reported consistent and systematic human rights violations in the country, including child labour, human trafficking and a lack of freedom of speech. In recent years, the country and its military leadership has made large concessions to democratic activists and is slowly improving its relations with the major powers and the UN.
Suspense: Sorry, Wrong Number - West Coast / Banquo's Chair / Five Canaries in the Room
Banquo is a character in William Shakespeare's 1606 play Macbeth. In the play, he is at first an ally to Macbeth (both are generals in the King's army) and they are together when they meet the Three Witches. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm during a public feast.
Shakespeare borrowed the character of Banquo from Holinshed's Chronicles, a history of Britain published by Raphael Holinshed in 1587. In Chronicles Banquo is an accomplice to Macbeth in the murder of the king, rather than a loyal subject of the king who is seen as an enemy by Macbeth. Shakespeare may have changed this aspect of his character in order to please King James, who was thought at the time to be a descendant of the real Banquo. Critics often interpret Banquo's role in the play as being a foil to Macbeth, resisting evil where Macbeth embraces it. Sometimes, however, his motives are unclear, and some critics question his purity. He does nothing to accuse Macbeth of murdering the king, even though he has reason to believe Macbeth is responsible.
Banquo's role, especially in the banquet ghost scene, has been subject to a variety of interpretations and mediums. Shakespeare's text states: Enter Ghost of Banquo, and sits in Macbeth's place.[28] Several television versions have altered this slightly, having Banquo appear suddenly in the chair, rather than walking onstage and into it. Special effects and camera tricks also allow producers to make the ghost disappear and reappear, highlighting the fact that only Macbeth can see it.[29]
Stage directors, unaided by post-production effects and camera tricks, have used other methods to depict the ghost. In the late 19th century, elaborate productions of the play staged by Henry Irving employed a wide variety of approaches for this task. In 1877 a green silhouette was used to create a ghostlike image; ten years later a trick chair was used to allow an actor to appear in the middle of the scene, and then again from the midst of the audience. In 1895 a shaft of blue light served to indicate the presence of Banquo's spirit. In 1933 a Russian director named Theodore Komisarjevsky staged a modern retelling of the play (Banquo and Macbeth were told of their future through palmistry); he used Macbeth's shadow as the ghost.[30]
Film adaptations have approached Banquo's character in a variety of ways. In 1936 Orson Welles helped produce an African-American cast of the play, including Canada Lee in the role of Banquo.[30] Akira Kurosawa's 1957 adaptation Throne of Blood makes the character into Capitan Miki (played by Minoru Chiaki), slain by Macbeth's equivalent (Captain Washizu) when his wife explains that she is with child. News of Miki's death does not reach Washizu until after he has seen the ghost in the banquet scene. In Roman Polanski's 1971 adaptation, Banquo is played by acclaimed stage actor Martin Shaw, in a style reminiscent of earlier stage performances.[31] Polanski's version also emphasises Banquo's objection to Macbeth's ascendency by showing him remaining silent as the other thanes around him hail Macbeth as king.[32] in the 1990 telling of Macbeth in a New York Mafia crime family setting, Men of Respect the character of Banquo is named Bankie Como played by American actor Dennis Farina.
The Great Gildersleeve: Iron Reindeer / Christmas Gift for McGee / Leroy's Big Dog
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
My Friend Irma: The Red Hand / Billy Boy, the Boxer / The Professor's Concerto
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
Dragnet: Big Gangster Part 1 / Big Gangster Part 2 / Big Book
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.
The Great Gildersleeve: Dancing School / Marjorie's Hotrod Boyfriend / Magazine Salesman
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.
Bill Schnoebelen - Interview with an ex Vampire (7 of 9) - Multi - Language
Part 7 of the most in depth information on vampires out there. There are vampire clubs where wannabe yuppies drink each other's blood and wear black and talk about the Lessor Keys of Solomon.
One detail is that the fangs actually grow out and it's mostly and automatic response.
Free Truth Productions
The Truth is still weird...
freetruthproductions.com
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Afrikaans: vampier
Arabic: رعب
Azerbaijani: vampir
Belarusian: вампір
Bulgarian: вампир
Bengali: রক্তচোষা
Bosnian: vampir
Catalan: vampir
Cebuano: vampire
Czech: upír
Welsh: vampire
Danish: vampyr
German: Vampir
Greek: βρυκόλακας
English: vampire
Esperanto: vampire
Spanish: vampiro
Estonian: vampiir
Basque: banpiroa
Persian: خون آشام
Finnish: vampyyri
French: vampire
Irish: vampire
Galician: vampiro
Gujarati: વેમ્પાયર
Hausa: vampire
Hindi: पिशाच
Hmong: vampire
Croatian: vampir
Haitian Creole: vanpir
Hungarian: vámpír
Armenian: վամպիր
Indonesian: vampir
Igbo: vampire
Icelandic: vampíru
Italian: vampiro
Hebrew: ערפד
Japanese: 吸血鬼
Javanese: vampir
Georgian: vampire
Kazakh: вампир
Khmer: បិសាច
Kannada: ರಕ್ತಪಿಶಾಚಿ
Korean: 흡혈귀
Latin: vampire
Lao: vampire
Lithuanian: vampyras
Latvian: vampīrs
Malagasy: Vampire
Maori: vampire
Macedonian: вампир
Malayalam: വാമ്പയർ
Mongolian: цус сорогч
Marathi: पिशाच
Malay: Pontianak
Maltese: vampir
Myanmar (Burmese): သွေးစုပ်ဖုတ်ကောင်
Nepali: पिशाच
Dutch: vampier
Norwegian: vampyr
Chichewa: vampire
Punjabi: ਪਿਸ਼ਾਚ
Polish: wampir
Portuguese: vampiro
Romanian: vampir
Russian: вампир
Sinhala: වැම්පයර්
Slovak: upír
Slovenian: vampir
Somali: vampire
Albanian: vampir
Serbian: вампире
Sesotho: moferefere
Sundanese: vampir
Swedish: vampyr
Swahili: vampire
Tamil: காட்டேரி
Telugu: పిశాచ
Tajik: vampire
Thai: แทตย์
Filipino: vampire
Turkish: vampir
Ukrainian: вампір
Urdu: ویمپائر
Uzbek: vampire
Vietnamese: ma cà rồng
Yiddish: וואַמפּיר
Yoruba: vampire
Chinese: 吸血鬼
Chinese (Simplified): 吸血鬼
Chinese (Traditional): 吸血鬼
Zulu: i-vampire