Mit 92 Jahren: Fürstin Paula zu Fürstenberg ist gestorben
Der deutsche Adel hat einen schweren Verlust zu verkraften: Fürstin Paula zu Fürstenberg ist im Alter von 92 Jahren gestorben! Bis zu ihrem Tod hatte die Ehefrau von Fürst Joachim zu Fürstenberg in Donaueschingen in Baden-Württemberg gelebt, wo ihr Gatte bis 2002 das Fürstenhaus geleitet hatte. Nach dessen Tod waren Paulas Sohn Fürst Heinrich (68) sowie ihr Enkel Erbprinz Christian (41) in Fürst Joachims Fußstapfen getreten.
Bodo Korsig
Trier, Germany-based Bodo Korsig makes an oversized monotype outside the Museum Biedermann, Donaueschingen, Germany, with the use of a road roller/compactor. Originally published 03/16/10 on NewArtTV.com. Produced by Robert Knafo.
Bewegte Skulpturen
Museum ART.PLUS, Donaueschingen
Künstlergespräch im Museum Biedermann mit Wolf Nkole Helzle, Moderation Rainer Zerbst
Am 6. Juli 2014 wurde die Ausstellung Homo universalis - Willkommen im Museum Biedermann von Wolf Nkole Helzle mit einem Künstlergespräch eröffnet. SWR-Kulturredakteur Rainer Zerbst befragt den Künstler nicht nur zu seiner aktuellen Ausstellung in Donaueschingen, er beleuchtet auch weitere Teile seines Schaffens.
Wolf Helzle begleitet das Museum Biedermann im Jubiläumsjahr und fotografiert Freunde, Anrainer, Gäste, Mitarbeiter und Besucher und fertigt Kollektivportraits daraus.
Arno Hennemann Malerfachbetrieb | in Donaueschingen
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Ökologisches und schadstofffreies Wohnen bietet das Fachgeschäft von Malermeister Arno Hennemann in Donaueschingen-Wolterdingen. Lassen Sie sich kompetent beraten, wenn es darum geht, Produkte für natürliches Wohnen zu erhalten oder in Ihrem Heim fachgerecht verarbeitet zu bekommen. Wählen Sie aus unterschiedlichsten ökologischen Farben für Innen und Außen, Putze, Öle Wachse sowie Reinigungs- und Pflegeprodukte. Oder Bodenbeläge aus Kork, Linoleum und Massivholzparkett sowie Teppiche aus Sisal und Wolle. Hennemann – Natur für Wand und Boden!
Arno Hennemann Malerfachbetrieb
Hallenbergstr. 27
78166 Donaueschingen
Fotografieren im Fürstlich Fürstenbergischem Schlosspark | Donaueschingen
Heute Fotografiere und unterhalte mich mit euch im Entenpark beim Fürstenbergischem Schloss. Es war ein sehr trüber Morgen im Herbst aber trotzdem sind die Bilder nicht schlecht geworden. Einige kleine Tipps zur Fotografie und Film habe ich euch auch noch parat. Viel Spaß mit diesem Video
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Instagram: @mdurul
Museumsbesuch junges Museum Frankfurt am Main ★Vlog★
Junges Museum
Saalhof, 60311 Frankfurt am Main
Zerbst-Simschek Kulturkanal: Kinder, Braith-Mali-Museum Biberach
Kinder, Braith-Mali-Museum Biberach
Text und Sprache: Dr. Rainer Zerbst
Film und Videobearbeitung: Horst Simschek
Anselm Kiefer 安瑟倫·基弗爾 (1945) Neo-Expressionism German
tonykwk39@gmail.com
Anselm Kiefer German painter. Early in his career he was a Conceptual artist, but he turned to painting and has become one of the chief exponents of Neo-Expressionism, with an international reputation. He produces large, heavily worked canvases, often with objects or vegetable matter (such as plants or straw) attached to them (he has also mixed blood with his paint). Sometimes the surface is further ‘distressed’ by such means as scorching it with a blowtorch. Many of his pictures refer to German history or Nordic mythology and show an attempt to come to terms with his country's Nazi past. Another subject that has interested him is the Chinese Communist leader Mao Zedong (Let a Thousand Flowers Bloom, 2000, Tate, London).
安瑟倫·基弗爾,德國畫家。在職業生涯早期，他是一個概念藝術家，但他開始畫畫，已成為新表現主義的主要代表人物之一，享有國際聲譽。他生產大，沉重的工作畫布，經常與物體或植物性物質（如植物或稻草）連接到他們（自己也混血與他的油漆）。有時表面是通過諸如用噴燈頂著它進一步'苦惱'。他的許多照片是指德國歷史或北歐神話，並顯示嘗試來與他國的納粹歷史方面。已經引起他的興趣另一個問題是中國共產黨領袖毛澤東（讓百花齊放，2000年，泰特，倫敦）。
Anselm Kiefer (born 8 March 1945) is a German painter and sculptor. He studied with Joseph Beuys and Peter Dreher during the 1970s. His works incorporate materials such as straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the spiritual concepts of Kabbalah.
In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting "Margarethe" (oil and straw on canvas) was inspired by Paul Celan's well-known poem "Todesfuge" ("Death Fugue").
His works are characterised by an unflinching willingness to confront his culture's dark past, and unrealised potential, in works that are often done on a large, confrontational scale well suited to the subjects. It is also characteristic of his work to find signatures and/or names of people of historical importance, legendary figures or historical places. All of these are encoded sigils through which Kiefer seeks to process the past; this has resulted in his work being linked with the movements New Symbolism and Neo–Expressionism.
Kiefer has lived and worked in France since 1992. Since 2008, he has lived and worked primarily in Paris and in Alcácer do Sal, Portugal.
The son of a German art teacher, Kiefer was born in Donaueschingen two months before the end of World War II. In 1951, his family moved to Ottersdorf, and he attended public school in Rastatt, graduating high school in 1965. He entered University of Freiburg, and studied pre-Law and Romance languages. However, after 3 semesters he switched to Art, studying at Art academies in Freiburg, Karlsruhe, and Düsseldorf. In Karlsruhe, he studied under Peter Dreher, an important realist and figurative painter. He received an Art degree in 1969.
Kiefer moved to Dusseldorf in 1970. In 1971 he moved to Hornbach, in southwestern Germany, where he established a studio. He remained there until 1992; his output during this first creative time is known at The German Years. In 1992 he relocated to France.
Kiefer began his career as a photographer with performances in which he, in paramilitary costume, mimicked the Nazi salute on various locations in France, Switzerland and Italy calling for Germans to remember and to acknowledge the loss to their culture through the mad xenophobia of the Third Reich. In 1969, at Galerie am Kaiserplatz, Karlsruhe, he presented his first single exhibition "Besetzungen (Occupations)" with a series of photographs about controversial political actions.
Kiefer is best known for his paintings, which have grown increasingly large in scale with additions of lead, broken glass, and dried flowers or plants, resulting in encrusted surfaces and thick layers of impasto.
Trailer VILLA GLOBAL
Trailer zur Ausstellung VILLA GLOBAL im Jugend Museum Berlin.
Die zerrissene Perlenkette / Überlingen
‚Die zerrissene Perlenkette‘ von Andrea Zaumseil, zwischen Brachenreuthe und Höllwangen, Stadt Überlingen.
(C) VG Bild-Kunst, Bonn 2019
Die installative Plastik besteht aus neun Edelstahl-Kugeln und einem gerissenen Stahlseil. Sie befindet sich in unmittelbarer Nähe zur Hauptabsturzstelle der aus Baschkortostan kommenden Passagiermaschine, nachdem sie in der Luft mit einer Frachtmaschine zusammenstieß. Weitere Kugeln befinden sich auf der gegenüberliegenden Seite des Waldes in Richtung Owingen und bei Taisersdorf.
Der plötzliche Abbruch von Lebensmöglichkeiten, das Zerreißen von Zukunft insbesondere für die getöteten Kinder kommt mit der Anordnung und der Gestaltung im Raum eindrücklich zum Ausdruck.
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donaueschingen_pptH264.mov
Kleine Welt Maschine (Donaueschingen) / Small World Machine (Donaueschingen)
Installation, Museum Biedermann, Donaueschingen, Germany
Turntable Construction: Ulrich Panzer
Soft- and Hardware construction: Sukandar Kartadinata and Christian Dietz
2011
The chandelier of the Museum Biedermann's mirror-room in Donaueschingen becomes part of a machine that scratches through different models of the world in different resolutions. The data handled by the machine materializes in the form of three vinyl records, one of the last Mohicans among the popular data storages of the analogue times. Like most of the other machines All in all the machine can be looked at as a tool and metaphor for sorting things out and lining them up. It is also a homage to The Edison Effect by Paul DeMarinis, the most amazing array of record players since there are records to be played with.
The Mechanism consists of four parts:
- A copper turntable that turns once a day.
- A rotary speaker that turns at 33 rpm.
- A swinging chandelier, executing a pendulum movement, functioning as the virtual stylus.
- 3 golden records.
The Record:
low resolution: Gene Autry & Jimmy Long - That silver haired daddy of mine
medium resolution: The Golden Voyager Record
high resolution: a sono-topographic map of the world with Donaueschingen as the center (the record's hole)
The height of the chandelier / length of the pendulum is alternating from high to low, manually changed from day to day.
Commissioned by the SWR for the Musik Tage Donaueschingen 2011.
Curated by Armin Koehler
Special thanks to Simone Jung and the Museum Biedermann, and the support of Georg Riedmann and the Bauhof of Donaueschingen.
The WORK of JAKOB STEINHARDT TEFEN ISRAEL
Anselm Kiefer - Teutonic Mythology
Anselm Kiefer was born in Donaueschingen, Germany in 1945. He has lived and worked in France since 1993. Anselm Kiefer has produced a diverse body of work comprising of painting, sculpture and installation that has made him one of the most important European artists of the past four decades.
After studying law, and Romance languages and literature, Kiefer devoted himself entirely to painting. He attended the School of Fine Arts at Fribourg-in-Brisgau, then the Art Academy in Karlsruhe, while maintaining contact with Joseph Beuys, but soon began to develop his own deliberately indigenous set of subjects and symbols that he used to explore the fraught territory of German history and identity. In his muscular artistic language, physical materiality and visual complexity enliven his themes and content with a rich, vibrant tactility. His subject-matter ranges from sources as diverse as Teutonic Mythology and history, alchemy and the nature of belief, all depicted in a bewildering variety of materials, including oil paint, dirt, lead, photography, woodcuts, sand, straw and all manner of organic material. By adding found materials to the painted surface of his immense tableaux, he invents a compelling third space between painting and sculpture. Recent work has broadened his range yet further, and in 2005 he showed a series of paintings based around the little-known work of the modernist poet Velimir Chlebnikov (1885-1922). Few contemporary artists match Kiefer's epic reach, and his work consistently balances powerful imagery with acute critical analysis.
Music; In Slaughter Natives - The Silence Shed A Tear
Anselm Kiefer-Mahler - Ich bin der Welt abhanden gekommen - Kožená / Abbado
Anselm Kiefer (Donaueschingen, 8 de marzo de 1945) es un pintor y escultor alemán, adscrito al Neoexpresionismo, una de las corrientes del arte postmoderno surgida en los años 80.
Apresentação XVII Semana de História - Iconografia do Diabo (Séculos X-XV)
Apresentação: Análise Historiográfica da Iconografia do Diabo na Idade Média entre os Séculos X-XV.
Projeto de Iniciação Científica: Pedro Augusto M. B. M. Gomes.
Orientador: Professor Dr. Alvaro H. Allegrette.
Imagens (em ordem alfabética):
- 15th century doom painting located at North Leigh, Oxfordshire.
- A rainbow of demons say good morning to Saint Anthony; as usual. Francesco di Ser Cenni ~ ca.1390 Getty Museum.
- Antonius von Pforr Buch der Beispiele. Schwaben ~ ca.1490.
- Apocalypse flamande ~ ca.1400; Bibliothèque nationale France.
- Apocalypse scenes, fresco. Basilica of St Catherine of Alexandria. Galatina, Apulia ~ 15th century.
- Ars Moriendi. Engraving with hand-colouring. Germany ~ ca.1470.
- Bible historiée toute figurée ~ 14th century BnF. Thanx Damien Kempf.
- Biblia Furtmeyr. Berthold Furtmeyr illum. Regensburg ~ 15th century. BSB.
- Breviari d'amor. Matfre Ermengau ~ ca.1292.
- Christ in Limbo. Michael Pacher ~ 15th century.
- Codex Donaueschingen Des Teufels Netz, Bodenseeraum ~ 1441.
- Crucifixion from Nové Sady, called the Rajhrad Altarpiece. Master of the Rajhrad Altarpiece ~ ca.1440 National Gallery in Prague.
- Dieric Bouts. Last Judgment, Hell Panel ~ ca.1450; Palais des Beaux-Arts Lille.
- Eat it. Believe me, it's good. German Speculum Humanae Salvationis ~ ca.1410 Bayerische Staatsbibliothek.
- Expulsion from the Garden of Eden. Nürnberg Chronicle ~ 1493 BSB.
- Final Judgement. Bicci di Lorenzo. Basilica di San Francesco, Arezzo ~ 1452.
- Giotto di Bondone. Exorcism of the Demons at Arezzo (detail) ~ ca.1297; Upper Church, San Francesco, Assisi.
- Girolamo di Benvenutto ~ 15th century. Fogg Art Museum, Cambridge.
- Hell for the greedy. Fresco. Chiesa di Solva, Alassio, Liguria ~ 1485.
- Hell, detail. Flemish School. Museo Correr Venice ~ 15th century.
- Hell. Anonymous Portuguese ~ 15th c. National Museum of Ancient Art, Lisbon.
- Hell. Dieric Bouts ~ 1450 Palais des Beaux-Arts, Lille, France.
- Hell. Mosteiro de tor de ' espelhos. Roma ~ 1468.
- Herbal. Italy, N. (Lombardy) ~ ca.1440 British Library.
- Il Leggendario Sforza-Savoia. Cristoforo de Predis ~ Milano, 1476; Biblioteca Reale, Torino.
- Inferno. Giovanni da Modena. Basilica of St Petronio, Bologna ~ 15th century.
- Jacques Le Grant. Le livre des bonnes moeurs ~ 15th c. Chantilly, Musée Condé.
- Jaws of Hell ~ 15th century.
- La selva dei suicidi. Dante's Divina Commedia illuminated by Giovanni di Paolo ~ ca.1450.
- Lateinischer Psalter aus England. Gloucester ~ 13th century. BSB.
- Litigatio Christi cum Belial. Jacobi de Ancharano (aka de Teramo). Straßburg ~ 1461.
- Livre de la vigne nostre seigneur ~ 1450-1470 Bodleian Library.
- Master of Cervera altarpiece ~ 1494; Museu Episcopal de Vic, Spain.
- Mettener Regel. Germany ~ 1414 Bayerische Staatsbibliothek.
- Michael Pacher (attr.) ~ ca.1475; Photo- Sailko.
- Nürnberg Chronicle. Michel Wolgemut ~ 1483 BSB.
- Pèlerinage de la vie humaine. Maître d’Antoine Rolin illuminator ~ 15th c. Bibliothèque de Genève.
- Peregrinação da vida humana. Mestre de António Rolin Illuminator ~ 15 TH C. Biblioteca de Genebra.
- Saint Michael & the Devil detail. Carlo Crivelli ~ 1476; National Gallery LondonSaint Michael & the Devil detail. Carlo Crivelli ~ 1476; National Gallery London.
- Saint Michael and the Devil. Anonymous. España ~ ca.1405 Met Museum.
- Sammelhandschrift. Süddeutschland oder Österreich ~ 1475 Österreichische Nationalbibliothek.
- Sammelhandschrift. Thomasin Circlaere ~ 12th century.
- St Augustine, De civitate Dei ~ 14th century. Strasbourg, Bibliothèque nationale et universitaire.
- Taddeo di Bartolo. The Last Judgment (detail) ~ ca.1394 Collegiata di San Gimignano, Tuscany.
- The Ottobeuren Collectar. Germany ~ 12th c. British Library.
- Traité des quatre dernières choses. Jean Le Tavernier. Brussels ~ ca.1455.
Trilha sonora:
Ager Sonus (Necropolis) - Shards of Umm el-Qaab (CD Baby: Cryo Chamber - All Rights Reserved)
Ager Sonus (Necropolis) - Valley of the Kings (CD Baby: Cryo Chamber - All Rights Reserved)
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14 TOP RATED - Best Tourist Attractions in Black Forest Germany
14 Top Rated - Best Tourist Attractions in the Black Forest
1. Baden-Baden: a spa town, located in the state of Baden-Württemberg in southwestern Germany
2. Freiburg im Breisgau: The Gateway to the Black Forest - A very impressive large, gothic cathedral with high ceilings and nice stained glass windows.
3. Kloster Maulbronn - The place is really well preserved and the staff very nice
4. Freiburg im Breisgau Minster - It's a very big and very Gothic church with three organs, a huge tower. Colourful windows and amazing portals.
5. The State Art Gallery - Great museum in a beautiful setting
6. The Black Forest by Car: Tourist Routes
7. The Augustinermuseum, Freiburg - Awesome, Huge Museum, you need to spend a day at least
8. The Picturesque Town of Pforzheim
9. The Schlossberg, Freiburg - Good views from the top right across the Rhine and into France.
10. Pforzheim Jewelry Museum - Beautiful display of jewelry through history
11. The Black Forest Museum - Very interesting outdoor museum with real farm houses from all over the Black Forest.
12. The Baths of Badenweiler - one of the sunniest regions in Germany
13. Donaueschingen and the Source of the Danube - Very nice place. Awesome sensation being in the sky.
14. Karlsruhe - Karlsruhe is the second-largest city in the state of Baden-Württemberg, in southwest Germany.
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15 TOP RATED - Tourist Attractions in Indonesia
#TouristAttractions
#BlackForest
14 Top Rated - Best Tourist Attractions in the Black Forest
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Please watch: WOW! 29 Crazy Waterfall in Bali, Indonesia | Travel Destinations
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Anselm Kiefer
Anselm Kiefer (born March 8, 1945, Donaueschingen) is a German painter and sculptor. He studied with Joseph Beuys during the 1970s. His works incorporate materials like straw, ash, clay, lead, and shellac. The poems of Paul Celan have played a role in developing Kiefer's themes of German history and the horror of the Holocaust, as have the theological concepts of Kabbalah.
Kiefer ranks among the best-known and most successful, but also most disputed German artists after World War II.[citation needed] In his entire body of work, Kiefer argues with the past and addresses taboo and controversial issues from recent history. Themes from Nazi rule are particularly reflected in his work; for instance, the painting Margarethe (oil and straw on canvas) was inspired by Paul Celan's well-known poem Todesfuge (Death Fugue). Polemical discussions in the media over the value of his artistic work have taken place for many decades.[citation needed]
His works are characterised by a dull/musty, nearly depressive, destructive style and are often done in large scale formats. In most of his works, the use of photography as an output surface is prevalent and earth and other raw materials of nature are often incorporated. It is also characteristic of his work to find signatures and/or names of humans, legendary figures or places particularly pregnant with history in nearly all of his paintings. All of these are encoded sigils through which Kiefer seeks to process the past; this often gets him linked with a style called New Symbolism.
[edit] Life and work
In 1951 he moved to Ottersdorf and attended grammar school in Rastatt. In 1966 he left law and Romance language studies at University of Freiburg to study at art academies in Freiburg, Karlsruhe, and Düsseldorf. Kiefer began his career as a body massager with performances in which he mimicked the Nazi salute calling for Germans to remember and to acknowledge the loss to their culture through the mad xenophobia of the Third Reich. In 1969 at Galerie am Kaiserplatz, Karlsruhe, he presented his first single exhibition Besetzungen (Occupations) with a series of photographs about controversial political actions.
Die Sammlung Reichmann im Museum Schloss Fürstenberg
Im Wohnzimmer eines Sammlers: Museum Schloss Fürstenberg präsentiert Sonderausstellung „Die Sammlung Reichmann“
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Quelle: Kulturgut Fürstenberg gGmbH / MUSEUM SCHLOSS FÜRSTENBERG