Leonardo Da Vinci La Scapigliata, Galleria Nazionale Parma, Parma, Emilia-Romagna, Italy, Europe
The Head of a Woman (also known as La Scapigliata) is a painting by the Italian Renaissance master Leonardo da Vinci, dating from perhaps around 1500 and housed in the Galleria Nazionale di Parma, Italy. The painting, a work of the table over and perhaps unfinished, remains a mystery regarding the date, origin and its destination. He is remembered for the first time in a home inventory Gonzaga in 1627 as a framework dipintovi the head of a woman disheveled, bozzata, the work of Leonardo da Vinci. It was probably the same work that Ippolito Calandra, in 1531, suggested to hang in the room of Margaret Paleologa, wife of Federico Gonzaga and daughter of Isabella d'Este. Even more ancient times, in 1501, we refer to the table in a letter to Peter the noblewoman from Novellara, dated May 27, in which the Marquise required to Leonardo Madonna for his private study. The dating of the work, which is in the Gallery of Parma from 1839, has seen alternating numerous assumptions. It was initially approached to other unfinished work in youth by Leonardo, which the Adoration of the Magi and St. Jerome; a more thorough stylistic analysis was then opted, mainly, for a dating linked to full maturity, close to the Virgin of the Rocks in London or the Cardboard of Burlington House (Carlo Pedretti, who proposed 1508). At the beginning of the nineteenth century, the painting was in the private collection of the painter Gaetano Callani Parma, whose son Francis sold it later at the Academy of Fine Arts, and the National Gallery. The attribution to Leonardo from critics is almost almost unanimous, with the exception of Corrado Ricci, director of the National Gallery, in a catalog of 1896, proposed that it was the work of the same Callani, and Wilhelm Suida (1929) that the thought of school. It is portrayed a female head, with a hint of the shoulders, turned three-quarters to the left and inclined downwardly. The features are very sweet, nose slightly pronounced, soft lips that mention a slight smile, and his chin is rounded. The strong chiaroscuro lying on his face with highlights enhances the sculptural relief of delicate face from the vibrant hair, artfully disheveled curly mossi.L'immagine recalls Leonardo's studies on movements of the soul, one of the key principles of his poetry.
Palatina Library, Palazzo della Pilotta, Parma, Emilia-Romagna, Italy, Europe
The Palatine Library of Parma is a public library located inside the Palazzo della Pilotta. The name derives from the temple of Apollo Palatine in Rome. It is accessed by climbing the staircase Imperiale, a grand double staircase that leads also to the National Gallery, the Farnese Theatre and the National Archaeological Museum. It was originally called the Royal Library Parma, in the Napoleonic period took on the names of the Bibliotheque Imperiale and Bibliothèque de la Ville de Parme, during the government of Maria Luigia was called Ducal Library after the unification of Italy and the National Library. It was founded in 1761 by the Dukes Philip and Ferdinand of Bourbon and was officially opened in May of 1769, in the presence of the Austrian emperor Joseph II. The palace of the Pilotta had already hosted the Farnese Library, moved to Naples by Charles III in 1734. The premises were adapted by the French architect Ennemond Alexandre Petitot. The work of organization was headed by Paolo Maria Paciaudi that, first in Italy, used the cataloging system for author card. Under the government of Maria Luigia library grew: the Duchess, by the librarian Angelo Pezzana, bought and then donated to the library's collection of Gian Bernardo De Rossi, consisting largely of precious ancient Jewish books, and had built in 1834 by Nicola Bettoli a new wing in the south of the palace, the Hall Maria Luigia, now used as a reading room. The unification of Italy is a state library. In 1889 he established a music section. From the original heritage of 40 thousand volumes, today the Palatine keeps 708,000 volumes, tracts, single sheets, periodicals ceased, 250 current periodicals, 6,620 manuscripts, 75,000 papers, 3,042 incunabula, 52,470 prints and drawings and a vast collection of Hebrew manuscripts, perhaps the world's largest preserved in a public library. It is active since 1889 a section of music at the Conservatory Arrigo Boito, with over 160,000 units and important historical funds. Among the important papers that related to correspondence between Giuseppe Verdi and Giulio Ricordi. In 2008, of the Association of Friends of the Palatine, whose purpose is to promote initiatives related to the enhancement, knowledge and operation of the Palatine Library and the Bodoni Museum of Parma. The association organizes various cultural events of a literary, historical and musical.
galleria nazionale di parma
Leonardo: Experience a Masterpiece | National Gallery
The Gallery becomes a painting studio, an imagined chapel and a room-sized experiment in this immersive exhibition that leads you through the mind of Leonardo da Vinci to explore his masterpiece, ‘The Virgin of the Rocks’.
Leonardo: Experience a Masterpiece
9 November 2019 - 12 January 2020
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
Trafalgar Square, London, WC2N 5DN
Verrocchio: Sculptor and Painter of Renaissance Florence
Made in conjunction with the exhibition Verrocchio: Sculptor and Painter of Renaissance Florence, this 17-minute documentary explores the career of an exceptionally versatile artist. Andrea del Verrocchio (c. 1435–1488) gained fame as a sculptor whose masterpieces in bronze rival ancient sculpture in their naturalism and expressiveness. A favorite of the Medici, the de facto rulers of Florence, Verrocchio was also a celebrated painter and draftsman whose workshop became a training ground for the preeminent painters of the High Renaissance, including his apprentice and pupil, Leonardo da Vinci. Narrated by Academy Award nominee Glenn Close, the film includes new footage of the original settings of the artist’s works in Florence, Pistoia, and Venice. Produced by the department of exhibition programs, National Gallery of Art.
Support for the film was provided by the Embassy of Italy in Washington, DC.
The film was also made possible by the HRH Foundation.
Leonardo Da Vinci Experience - Exhibition - National Gallery, London Nov2019
Leonardo Da Vinci Experience is an Exhibition at the National Gallery, London. The centre attraction of the exhibition is the painting called 'Virgin on the Rocks' by Leonardo Da Vinci. It shows the Virgin with the infant Saint John the Baptist adoring the Christ Child by an Angel. Painted about 1491/2-9 and 1506-8. Oil on Poplar thinned and cradled. Size: 189.5 x 120 cm.
The exhibition using cutting edge digital reality technology is an immersive one for the viewer. Projections around it recreate a chapel with an altar in front of the painting. In the background you hear church bells ringing and beautiful church choir music of 15th century Italy. Unfortunately, the rest of the exhibition is sparse with no other paintings by Leonardo on site. It relies too much on technology which I found distracting. It could have been done much better without all the modern tech stuff. For instance, they could have created more of an atmosphere of Leonardo's times by creating his art studio with a lifesize model of him dressed in 15th century clothes, and with all the artists materials around him. They could play music from that period in the background, and could even have incense burning in the chapel and with candles on the altar. They should have had more of his paintings and his drawings to make it a real experience of Leonardo. It is not worth the entance fee of £18 to £20. Usually this painting is on display for free in the National Gallery.
Antonio Allegri da Correggio An Italian Painter of the Parma School of the Italian Renaissance
Antonio Allegri da Correggio The Foremost Italian Painter of the Parma School of the Italian Renaissance
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Antonio Allegri da Correggio (August 1489 -- March 5, 1534), usually known as Correggio, was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century.
Correggio was remembered by his contemporaries as a shadowy, melancholic and introverted character. An enigmatic and eclectic artist, he appears to have emerged out of no major apprenticeship. In addition to the influence of Costa, there are echoes of Mantegna's style in his work, and a response to Leonardo da Vinci, as well. Correggio had little immediate influence in terms of apprenticed successors, but his works are now considered to have been revolutionary and influential on subsequent artists. A half-century after his death Correggio's work was well known to Vasari, who felt that he had not had enough Roman exposure to make him a better painter. In the 18th and 19th centuries, his works were often noted in the diaries of foreign visitors to Italy, which led to a reevaluation of his art during the period of Romanticism. The flight of the Madonna in the vault of the cupola of the Cathedral of Parma inspired many scenographical decorations in lay and religious palaces during those centuries.
Antonio Allegri da Correggio Paintings
Judith and the Servant (around 1510)—Oil on canvas--Musée des Beaux-Arts, Strasbourg
The Mystic Marriage of St. Catherine (1510--15)—National Gallery of Art, Washington
Madonna (1512--14)—Oil on canvas, Castello Sforzesco, Milan
Madonna with St. Francis (1514)—Oil on wood, 299 × 245 cm, Gemäldegalerie, Dresden
Madonna and Child (unknown, early 1500s)—Oil on canvas, National Gallery for Foreign Art, Sofia
Madonna of Albinea (1514, lost)
Madonna and Child with the infant Saint John the Baptist (1514--15)—Oil on wood panel, 45 × 35.5 cm, National Gallery of Victoria, Melbourne
Virgin and Child with the Young Saint John the Baptist (c. 1515)—Oil on panel, 64.2 × 50.2 cm, Art Institute of Chicago, Chicago
Madonna and Child with the Young Saint John (1516)—Oil on canvas, 48 × 37 cm, Museo del Prado, Madrid
Adoration of the Magi (c. 1515--1518)- Oil on canvas, 84 × 108 cm, Pinacoteca di Brera, Milan
Virgin and Child with an Angel (Madonna del Latte) (date unknown)—Oil on wood, 68 × 56 cm, Museum of Fine Arts, Budapest
Portrait of a Gentlewoman (1517--19)—Oil on canvas, 103 × 87.5 cm, Hermitage, St. Petersburg
Camera di San Paolo (1519)—Frescoes, Nunnery of St Paul, Parma
The Rest on the Flight to Egypt with Saint Francis (c. 1520)—Oil on canvas, 123.5 × 106.5 cm, Uffizi Gallery, Florence
Passing Away of St. John (1520--24)—Fresco, S. Giovanni Evangelista, Parma
Madonna della Scala (c. 1523)—Fresco, 196 × 141.8 cm, Galleria Nazionale, Parma
Martyrdom of Four Saints (c. 1524)—Oil on canvas, 160 × 185 cm, Galleria Nazionale, Parma
Deposition from the Cross (1525)—Oil on canvas, 158.5 × 184.3 cm, Galleria Nazionale, Parma
Noli me Tangere (c. 1525)—Oil on canvas, 130 × 103 cm, Museo del Prado, Madrid
Ecce Homo (1525--30)—Oil on canvas, National Gallery, London
Madonna della Scodella (1525--30)—Oil on canvas, 216 × 137 cm, Galleria Nazionale, Parma
Adoration of the Child (c. 1526)—Oil on canvas, 81 × 67 cm, Uffizi Gallery, Florence
Mystic Marriage of St. Catherine (mid-1520s)—Wood, 105 × 102 cm, Musée du Louvre, Paris
Assumption of the Virgin (1526--1530)—Fresco, 1093 × 1195 cm, Cathedral of Parma
Madonna of St. Jerome (1527--28)—Oil on canvas, 205.7 × 141 cm, Galleria Nazionale, Parma
The Education of Cupid (c. 1528)—Oil on canvas, 155 × 91 cm, National Gallery, London
Venus and Cupid with a Satyr (c. 1528)—Oil on canvas, 188 × 125 cm, Musée du Louvre, Paris
Nativity (Adoration of the Shepherds, or Holy Night) (1528--30)—Oil on canvas, 256.5 × 188 cm, Gemäldegalerie, Dresden
Madonna with St. George (1530--32)—Oil on canvas, 285 × 190 cm, Gemäldegalerie, Dresden
Danaë (c. 1531)—Tempera on panel, 161 × 193 cm, Galleria Borghese, Rome
Ganymede abducted by the Eagle (1531--32)—Oil on canvas, 163.5 × 70.5 cm, Kunsthistorisches Museum, Vienna
Jupiter and Io (1531--32)—Oil on canvas, 164 × 71 cm, Kunsthistorisches Museum
Leda with the Swan (1531--32)—Oil on canvas, 152 × 191 cm, Staatliche Museen, Berlin
Allegory of Virtue (c. 1532--1534)—Oil on canvas, 149 × 88 cm, Musée du Louvre, Paris
Places to see in ( Naples - Italy ) Museo Nazionale di Capodimonte
Places to see in ( Naples - Italy ) Museo Nazionale di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy.
The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma.
Over the years the palace was enlarged and filled with more art. In 1787, on the advice of Jacob Philipp Hackert, a laboratory for the restoration of paintings was created.
When the Parthenopaean Republic was declared in 1799, Ferdinand fled to Palermo on board Nelson's Vanguard, taking the most valuable items from the museum with him. What remained was looted by the French troops of General Championnet who were billeted there during the short life of the Republic in 1799. Later on during the ten years of French reoccupation (1806 to 1815), the art collection was transferred to the Naples National Archaeological Museum. When King Ferdinand returned from Sicily in 1815, he employed many painters and sculptors to work on the redecoration of the palace . It was finally completed in 1840, and a gallery housing contemporary art was added.
After the palace passed in 1861 to the House of Savoy, further pieces were added to the art collections, appointing Domenico Morelli as consultant for new acquisitions. They also added an extensive collection of historic firearms and other weapons. In 1866, the boudoir of Maria Amalia of Saxony was transferred to Capodimonte from the Palace of Portici, and in 1877 a Roman era marble floor was brought in from a Roman villa on Capri. After the end of the monarchy, the palace became purely a national museum in 1950, with many of the exhibits being returned from the National Museum.
The first and second floors house the Galleria Nazionale (National Gallery), with paintings from the 13th to the 18th centuries including major works by Simone Martini, Raphael, Titian, Caravaggio, Masaccio, Lorenzo Lotto, Giovanni Bellini, Giorgio Vasari, El Greco, Jacob Philipp Hackert and many others. The museum is by far the best place to see paintings of the Neapolitan School, often under-appreciated by the wider world, with large holdings of Jusepe de Ribera, Luca Giordano, the Neapolitan Caravaggisti and many others.
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Italian Art The Queen's Collection (1964)
Full title reads: Italian Art The Queen's Collection - Technicolor.
The Queen's Gallery, London.
Pan around top view of Queen's Art Gallery with people viewing paintings and sculptures.
Shots of Sir Anthony Blunt, Surveyor of the Queen's Pictures with Oliver Miller, his deputy.
Various close ups of pictures by artists such as Caneletto, Leonardo Da Vinci, and others.
Cataloguer's Note: Yes, it is the Blunt involved in the famous espionage case. Check copyright on close ups on all paintings and sculptures - MD.
FILM ID:1775.26
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British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website.
Places to see in ( Parma - Italy )
Places to see in ( Parma - Italy )
Parma is a university city in Italy's Emilia-Romagna region, famed for Parmesan cheese and Parma ham. Romanesque buildings, including the frescoed Parma Cathedral and the pink marble Baptistery, grace the city center. Classical concerts take place at the Teatro Regio, a 19th-century opera house. The Galleria Nazionale, inside the imposing Palazzo della Pilotta, displays works by painters Correggio and Canaletto.
If reincarnation ever becomes an option, pray you come back as a Parmesan. Where else do you get to cycle to work through streets virtually devoid of cars, lunch on fresh-from-the-attic prosciutto and aged parmigiano reggiano, quaff crisp, refreshing Lambrusco wine in regal art-nouveau cafes, and spend sultry summer evenings listening to classical music in architecturally dramatic opera houses. Smarting from its position as one of Italy's most prosperous cities, Parma has every right to feel smug. More metropolitan than Modena, yet less clamorous than Bologna, this is the city that gave the world a composer called Verdi and enough ham and cheese to start a deli chain. Stopping here isn't an option, it's a duty.
Dedicated to the Blessed Virgin Mary, Parma Cathedral is considered one of the finest examples of a Romanesque Cathedral in Italy, and is particularly known for its fantastic interior frescos. As the main Baptistery of Parma, this structure sits next to the cathedral but actually dwarfs it in size and stands higher than the central point on the roof of the cathedral.
Parma has a number of charming squares, but the most notable is the Piazza Giuseppe Garibaldi that can be found to the south of the cathedral in the historic town centre. Located within the Palazzo della Pilotta complex, the Teatro Farnese is one of the most renowned example of a wooden theatre that stands today.
Tucked behind the cathedral is another fantastic church – The Church of St. John the Evangelist that was created in the 1500’s during the Renaissance. Constructed in the late 1500’s, this complex served various functions including a royal palace and a court. Parts of the structure remained unfinished and thus create a strange combination of plain stone architecture together with decorated facades and beautiful arched walkways. Within the complex you can find The National Gallery, The Biblioteca Palatina and the magnificent Teatro Farnese.
Parma has several beautiful parks, but non as expansive and luscious as the vast Parco Ducale. Covering over 200 square metres, this park is one of the central places of recreation in Parma and is simply known as “The Garden”. Located across the river adjacent to the Palazzo della Pilotta, the park is easily accessible.
Another fine establishment that is located within the Palazzo della Pilotta complex, the National Archaeological Museum was founded in 1790 and has housed a fantastic collection of ancient artefacts and relics ever since. If you are looking for a day trip from Parma, the quite country village of Torrechiara offers a different experience.
( Parma - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Parma . Through a series of videos we will try to show you recommended places to visit in Parma - Italy
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Teatro Farnese, Parma, Emilia-Romagna, Italy, Europe
The Teatro Farnese in Parma, was the scene of the court of the Dukes of Parma and Piacenza. Today is inserted in the path of the National Gallery and has recently become home to some concert and opera performances at the Teatro Regio di Parma. It was built from 1618 by Ranuccio I, Duke of Parma and Piacenza, which was meant to celebrate with a play stop in Parma of the Grand Duke of Tuscany, Cosimo II, to Milan to honor the tomb of St. Charles Borromeo, canonized in 1610. the construction work was entrusted to the architect Giovan Battista Aleotti, said the Argenta (1546-1636) was built on the first floor of the Palazzo della Pilotta Parma, in a large room designed as Salone Antiquarium but always used as armory and as a venue for tournaments. The theater was completed in the fall of 1618 and dedicated to Bellona (goddess of war, in homage to the first destination of the environment) and the Muse: because of an illness that struck Cosimo II, forcing him to cancel the planned pilgrimage, the theater was neglected for almost ten years. Was finally opened on 21 December 1628, on the occasion of the wedding of Edward, son of Ranuccio, with Margherita de 'Medici, daughter of Cosimo. To celebrate the event was staged the show Mercury and Mars, with texts by Claudio Achillini and music by Claudio Monteverdi: in the course of the work was also flooded the auditorium and staged a naumachia. Because of the complexity and the high costs of the stands, the theater was used only eight more times, the last in 1732, upon the arrival of Don Charles of Bourbon in the duchy. The Argenta was inspired at the Teatro Olimpico in Vicenza, built by Palladio in 1580, and the Ancient Theatre of Sabbioneta, built between 1588 and 1590 by the architect Vincenzo Scamozzi. Housed in a large living room (87 meters long by 32 wide and 22 high), the auditorium U consists of fourteen steps on which they could be accommodated around 3000 spectators: the top of the auditorium are two orders of serliane, the lower Tuscan and the upper ion; the stage is 40 meters long, with an opening of 12 meters. The structure was made of wood (spruce del Friuli) and entirely covered with stucco painted to simulate marble (materials characteristic of ephemeral architecture, which was to be the Teatro Farnese).
The sculptural decoration (statues of mythological plaster cored with straw) was entrusted to a team of artists led by Luca Networks; painters, led by Giovanni Battista Trotti said Malosso, Lionello Spada, Sisto Badalocchio, Antonio Bertoja and Pier Antonio Bernabei, had to provide not only for wall, also to the now lost ceiling. It is considered by some one of the first theaters to be equipped with a permanent proscenium arch, however, when the theater was built no representations were held there. After the performance of 1732, the theater declined inexorably: was almost completely destroyed during World War II, in a bombing by the Allies on 13 May 1944. It was rebuilt between 1956 and 1960, according to the original drawings with the recovered material and inserted as prestigious entrance of the National Gallery of Parma.
Only recently, after inactivity lasted almost three centuries, the theater has returned to host theatrical events with a very first performance in front of 1500 spectators took place June 12, 2011 the maestro Claudio Abbado and his Orchestra Mozart. However, with the inclusion of the theater as a venue for some of the works of Verdi Festival 2011 organized by the Fondazione Teatro Regio di Parma that can be sanctioned his final rebirth. The first works on the bill held in the theater have been staged on 6 and October 10, 2011, respectively, with the Requiem (Verdi) and Falstaff (Verdi).
Parma Italy tour
Parma, in northern Italy, is famous for its art, architecture, and culinary specialties, but is somewhat off the radar of the millions of tourists who come to Italy every year. Parma is an elegant city with a compact historic zone and its Romanesque cathedral and 12th-century Baptistery are stunning. If you're touring northern Italy, Parma is certainly worth a day, or two or three days, of your time.
Parma Location & Transportation
Parma is in the Emilia Romagna Region between the Po River and the Apennine Mountains, south of Milan and north of Florence. Major cities nearby include Modena, Bologna, Reggio Emilia, and Piacenza.
Parma is on the train line from Milan to Ancona. There are also a few daily direct trains to and from Rome, otherwise, you can change trains in Bologna to reach Parma. By car, Parma is reached from the A1 Autostrada. There is also a small airport. Parts of Parma, including the historic center, have traffic restrictions but there are pay parking lots nearby. There are also free parking lots outside the city, connected to the city by a shuttle bus. Parma is served by a good network of public buses, both in the city and to outlying areas.
What to See in Parma
The tourist office is in the town hall, or comune, at Piazza Garibaldi 1.
Parma's Cathedral is a great example of Romanesque architecture. The Cathedral was completed in the 12th century and has an octagonal dome unusual for that time period. Lions guard the porch and the bell tower is topped by a gilt copper angel. The inside is heavily decorated with beautiful frescoes, including the astounding cupola, painted by Renaissance master Correggio.
The Baptistery, dating from the 12th century, is built of pink marble in an octagonal shape. Construction began in 1196 and was completed in 1307. The low part is decorated with bas-relief sculptures and the doors are all elaborately decorated. Inside are sculptures depicting the months, seasons, and Zodiac signs.
The Diocesan Museum displays items from the Middle Ages.
The National Gallery (Galleria Nazionale), housed in the massive Palazzo della Pilotta complex, has artwork from the 12th to 18th centuries. The Palazzo also houses the historic Farnese Theatre, an archaeological museum, a printing museum and a library of rare and ancient books.
In front of the Palazzo della Pilotta, the huge Piazza della Pace has an open lawn, a monument to WWII partisans and one to Giuseppe Verdi, and the footprint of a church — now defined by trees — of a church that was destroyed during wartime bombings.
The Palazzo del Governatore, Governor's Palace, in Piazza Garibaldi, has a beautiful facade that dates from 1760. The bell tower has a fascinating astronomical clock.
The Ducal Park, dating to the 16th century, is a nice place for a stroll and a visit to the Ducal Palace with its outstanding frescoes.
Parma has a number of cultural events including theater, music, and opera. Teatro Reggio di Parma is a beautiful, neoclassical theater with a schedule of concerts and opera.
Parma is a great shopping city, its main streets lined with name-brand and one-of-a-kind designer clothing stores, shoe stores and jewelers. There are many shops selling traditional Parma food specialties. Strada della Repubblica and Strada Cavour are both elegant shopping streets, with plenty of bars, gelaterias, and restaurants with outdoor seating for people-watching.
Food Specialties in Parma
Wonderful ingredients come from the Parma region, including Parma ham called Prosciutto di Parma and the famous cheese called Parmigiano Reggiano. Parma has good pasta dishes, food markets, wine bars, and many excellent restaurants. Plenty of tour providers offer food-focused half-day, daylong or multi-day tours of Parma and its surrounding farms.
Where to Stay in Parma
Parma's centro storico (historic center) is compact and flat, so anywhere you stay in town, you'll be within walking distance of the major sights. Hotel Torino is a well-run three-star property with a modern annex, set right off Strada Cavour. Park Hotel Pacchiosi is a five-star just outside of the center and is about a 15-minute walk to Piazza Garibaldi. There is also a cluster of affordable hotels near the train station, itself just a 20-minute walk to Parma Cathedral.
Near Parma - Castles, Villas, and Mountains
Between the Po River and the Appennino mountain range south of Parma lie a series of wonderfully preserved castles from the 14th and 15th centuries, well worth exploring if you're traveling by car. There are also some villas open to the public. The nearby Apennine Mountains provide lots of opportunity for hiking, outdoor activities, and beautiful landscapes.
Top 15 Things To Do In Parma, Italy
Cheapest Hotels To Stay In Parma -
Best Tours To Enjoy Parma -
Cheap Airline Tickets -
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Here are top 15 things to do in Parma, Italy
All photos belong to their rightful owners. Credit next to name.
1. Palazzo della Pilotta -
2. Parma Baptistery -
3. Museo archeologico Nazionale di Parma -
4. Parco Ducale -
5. Parma Cathedral -
6. Piazza Garibaldi -
7. Palazzo del Governatore -
8. The National Gallery of Parma -
9. Church of St. John the Evangelist -
10. Teatro Farnese -
11. Teatro Regio -
12. Visit Torrechiara -
13. Sanctuary of Santa Maria della Steccata -
14. Orto Botanico di Parma -
15. Museo Glauco Lombardi -
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16th century paintings go on exhibit at National Gallery
AP Television
Washington DC, 13 June 2006
1. Wide of Virgin and Saint Peter Enthroned with Saints John the Baptist and Paul, pull out to entrance of exhibition
2. Banner across entrance way, reading: Bellini, Giorgione, Titian and the Renaissance of Venetian Painting
3. Giovanni Bellini's Virgin with Blessing and Child (1510)
4. Close-up of Virgin with Blessing and Child
5. Palma Vecchio's painting Virgin and Child with Saints George and Lucy (1518-1520), pull out to wide of gallery
6. Set up of Co-Curator of Bellini, Giorgione, Titan exhibition, David Alan Brown in gallery
7. Close-up of Titian's Pastoral Concert
8. SOUNDBITE: (English) David Alan Brown, Co-Curator of Bellini, Giorgione, Titan exhibition, National Gallery of Art:
Well, it was put together by people like me, let's say with a lot of experience. But in a way it's really addressed to the young because it's about youth, love, carefree existence in nature represented by the pastoral landscape, about beauty, and about the pleasures of youth. But over all these there's a kind of melancholy awareness of their transience.
9. Wide of Titian's Virgin and Child with Saints Catherine of Alexandria and Dominic and a Donor (1513-1514)
10. Close pan across Virgin and Child with Saints Catherine of Alexander and Dominic and a Donor
11. Wide of portrait, Sabastiano del Piombo's Ferry Carondelet and His Secretary (1512-1513)
12. Detail of Ferry Carondelet and His Secretary (1512-1513)
13. Set up of Sylvia Ferino-Pagden, Co-Curator of Bellini, Giorgione and Titian exhibition, standing by Portrait of Woman by Sabastiano del Piombo
14. SOUNDBITE: (English) Sylvia Ferino-Pagden, Co-Curator of Bellini, Giorgione and Titian exhibition, Kunsthistorisches Museum:
A lot of work, a lot of competition, a lot of new ideas and invention became the new required capacity of the artist.
15. Zoom in from wide to close-up of Titian's Pastoral Concert, (1510)
16. SOUNDBITE: (English) David Alan Brown, Co-Curator of Bellini, Giorgione and Titian, exhibition, National Gallery of Art:
It's an absolutely key work of the time, and yet, no one mentions it. But in the 19th century it became famous among the Romantics and then for modern artists, like Manet, it was a standard against which to measure themselves.
17. Pan across Pastoral Concert (1510)
18. Sabatiano del Piombo's Woman as a Wise Virgin (1510)
19. Close shot of Titian's Concert (1511-1512)
20. Close-up of Bartolomeo Veneto's Portrait of A Gentleman (1515-1520)
21. Wide pan of gallery with portraits
VENETIAN ART GOES ON SHOW IN DC
An exhibition of 50 paintings from the works of Bellini, Georgione and Titian opens next weekend at the National Gallery of Art in Washington.
During the first 30 years of the 16th century, Bellini, Giorgione and Titian were all working side by side in Venice, drawing inspiration and a little friendly competition from each other.
The works are presented thematically beginning with religious, sacred works that were often painted for cathedrals, convents and churches.
But almost as often, rich patrons would ask for religious, symbolic works to be completed for private chapels and homes in Venice.
Also during this time the artists turned to new subjects drawn from classical antiquity and developed new styles and techniques to represent these ideas.
As co-curator, David Alan Brown of the National Gallery in Washington notes, these paintings often represent youth, passion and pleasure.
The paintings also reflected a new sophistication found in the patrons with their new mercantile wealth.
Several of these paintings were once owned by one Italian merchant and hung together in his home.
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Leonardo's techniques: a 30 second introduction | National Gallery
In what ways were Leonardo's techniques revolutionary? Find out in our 30-second introduction to his masterpiece, 'The Virgin of the Rocks'.
Leonardo: Experience a Masterpiece
9 November 2019 - 26 January 2020
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm.
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National Gallery London - The Virgin of the Rocks
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The focus of immersive #Leonardo exhibition, 'The Virgin of the Rocks' is a complex and mysterious painting which has intrigued people for centuries. Find out what you need to know about one of Leonardo da Vinci’s most famous paintings.
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Pinacoteca Nazionale di Bologna 2
The National Art Gallery of Bologna (Pinacoteca Nazionale di Bologna) is a museum in Bologna, Italy. It is located in the former Saint Ignatius Jesuit novitiate of the city's University district, and inside the same building that houses the Academy of Fine Arts. The museum offers a wide collection of Emilian paintings from the 13th to the 18th century and other fundamental works by artists who were in some way related to the city. - Wikipedia
Spray Art, Trevi Fountain, Piazza di Spagna, Naples pizza and Gallery Tour Roma, Italy
*Travel Information*
Italy, Switzerland, France (May 12, 2016 ~ Jun 28, 2016)
Spray Paint Art -
Trevi Fountain (Fontana di Trevi) -
Piazza di Spagna -
Poulet Rôti (Pizza) -
Supermarket -
Capitoline Museums (Musei Capitolini) -
National Gallery of Ancient Art in Barberini Palace -
Supreme Court (Corte Suprema di Cassazione) -
Borghese Gallery and Museum -
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Sony AS200 (Action cam)
Panasonic DMC-ZS110
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Orazio Gentileschi's Captivating 'Head of a Woman'
Mysterious, seductive and theatrical, Orazio Gentileschi’s Head of a Woman hails from the legendary collection of King Charles I of England. As this elegant work heads to auction in Sotheby's Master Paintings & Sculpture Evening sale on 25 January, n
Major extant pictures by Leonardo da Vinci
00:05 The Annunciationc. С. 1472, 98х217, Galleria delgi Uffizi, Florence
00:12 Ginevra de' Benci C.1474-76, 38.8х36.7, National Gallery of Art, Washington
00:19 Madonna of the Carnation C.1473-78, 62х47, Alte Pinakothek, Munich
00:25 The Baptism of Christ C.1475, 177х151, Galleria degli Uffizi, Florence
00:32 Benois Madonna C.1481, 48х31, St Petersburg, Hermitage
00:38 The Adoration of the Magi C.1481, 243х246, Galleria delgi Uffizi, Florence
00:45 St. Jerome in the Wilderness C.1480, 103х75, Pinacoteca vaticana
00:51 Madonna Litta C.1490-91, 42х33, Hermitage, St. Petersburg
00:58 Virgin of the Rocks C.1483-86, 197х119, Paris, Louvre
01:05 Portrait of a Musician C.1485, 43х31, Pinacoteca ambrosiana, Milan
01:12 Lady with an Ermine C.1490, 55х40, Kraków, Czartoryski Museum
01:18 The Last Supper C.1498, 460х880, Milan, Convent of Santa Maria delle Grazie
01:25 La belle ferronnière C.1490, 62×44 , Paris, Louvre
01:32 Sala delle Asse C.1498, Milan, Castello Sforzesco
01:38 The Virgin and Child with St Anne and St John the Baptist C. 1499-1500 or C. 1506-8, 142×105, London, National Gallery
01:45 Portrait of Isabella d'Este C.1499-1500, 63 × 46, Paris, Louvre
01:52 The Madonna of the Yarnwinder C.1501, 50х36, Edinburgh, Scottish National Gallery
01:59 The Virgin and Child with St. Anne C.1508-19, 168х130, Paris, Louvre
02:05 Mona Lisa C.1503-19, 77х53, Paris, Louvre
02:12 Head of a Woman C.1508, 24.7×21, Parma, Galleria Nazionale
02:18 St. John the Baptist C. 1513-16, 69х57, Paris, Louvre