Copenhagen Museum of Photography
Le musée de la photographie de Copenhage était vide à ce moment. Une expo sur la vie marginale au XIXe siècle du photographe Riis. Pas de gardien, juste deux visiteurs pas trop loin. Une salle de projection. Je remarque que la projection est issue d'Internet. Je bidouille, me connecte à mon site et affiche une de mes photos en 2x3m puis m'éloigne...
Denmark National Museum -Free to Entry (copenhagen )part 2
The National Museum of Denmark is the largest museum of cultural history in Denmark. It covers Danish history, from prehistory until modern times. Besides the Danish collections, an important part of the museum is its ethnographic collection.
The National Museum of Denmark is the world’s oldest ethnographical museum which opened in 1849 and was founded by Chr. J. Thomsen. The collection has its origins in the Royal Cabinet of Curiosities of King Frederik III and Ole Worm from the 17th century.
The permanent ethnographical exhibition takes the visitor on a journey around the world. From Asia it features artefacts such as Indian temple sculptures, priceless lacquer ware from China and Japan, Buddhist art and Javanese shadow-play figures. The oldest objects in the collection are from “The Indian Chamber”, which was once a part of the Royal Cabinet of Curiosities. This also includes objects from China, East India and several other places. During the 19th century, many objects were brought home from expeditions and European colonial possessions all over the world, which led to an expansion of the museum’s collection.
Collection size:
The collection size is about 6 million pieces. In the Ethnographic Department, there are around 200,000 pieces collected from all over the world. Moreover the Ethnographic Department also holds a collection consisting of 200.000 photographs from all the corners of the world.
Collection:
The museum contains a very large amount of Danish archaeological artefacts. The collections range from prehistoric Denmark up until current day. Besides the collections originating in Denmark, the Ethnographic collections count various sculptures, paintings, ceramics, textiles, metalwork, furniture etc. from each of the continents. In the Asian collections there are ethnographical and archeological artefacts from India, Indonesia, Japan, China, Korea and Siberia, and so on.
Denmark National Museum (Copenhagen) Free to entry Part1
The National Museum of Denmark is the largest museum of cultural history in Denmark. It covers Danish history, from prehistory until modern times. Besides the Danish collections, an important part of the museum is its ethnographic collection.
The National Museum of Denmark is the world’s oldest ethnographical museum which opened in 1849 and was founded by Chr. J. Thomsen. The collection has its origins in the Royal Cabinet of Curiosities of King Frederik III and Ole Worm from the 17th century.
The permanent ethnographical exhibition takes the visitor on a journey around the world. From Asia it features artefacts such as Indian temple sculptures, priceless lacquer ware from China and Japan, Buddhist art and Javanese shadow-play figures. The oldest objects in the collection are from “The Indian Chamber”, which was once a part of the Royal Cabinet of Curiosities. This also includes objects from China, East India and several other places. During the 19th century, many objects were brought home from expeditions and European colonial possessions all over the world, which led to an expansion of the museum’s collection.
Collection size:
The collection size is about 6 million pieces. In the Ethnographic Department, there are around 200,000 pieces collected from all over the world. Moreover the Ethnographic Department also holds a collection consisting of 200.000 photographs from all the corners of the world.
Collection:
The museum contains a very large amount of Danish archaeological artefacts. The collections range from prehistoric Denmark up until current day. Besides the collections originating in Denmark, the Ethnographic collections count various sculptures, paintings, ceramics, textiles, metalwork, furniture etc. from each of the continents. In the Asian collections there are ethnographical and archeological artefacts from India, Indonesia, Japan, China, Korea and Siberia, and so on.
Tour of Copenhagen - Big Danish Lunch + Canal Boat Tour in Denmark!
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Bicycle Ride - In order to really blend in with Danish culture in Copenhagen, you need to go around the city by bicycle. So on day one of our visit to Copenhagen, we jumped into a bicycle cart, and rode over the park. #Copenhagen #Denmark
Frederiksberg Have - Copenhagen has lots of beautiful parks, and we strategically went to one called Frederiksberg Have because it wasn’t far from where we were staying, and there was a restaurant I really wanted to try in the area.
Hansens Gamle Familiehave ( - I love legendary classic restaurants, and Hansens Gamle Familiehave is about as historical and classic as Danish restaurants in Copenhagen get. I went straight for the Hansens lunch platter, which included two platters - first the cold appetizers like herring, and next the hot dishes like pork. Total bill for this huge Danish lunch platter - 718 DKK ($106.43)
Hey Captain ( - One of the attractions I was most interested in doing during my time in Copenhagen, was to take a boat Copenhagen Canal Tour. Thanks to Visit Copenhagen and Hey Captain, for taking me on this fantastic and luxurious canal boat tour of Copenhagen. The drinks made it even better. Amazing boat tour, highly recommended in Copenhagen.
Folkehuset Absalon ( - Finally for dinner we went o Folkehuset Absalon, a former church that has been opened as a community center coffee shop, and a family style restaurant at dinner. The place is packed every night, people come looking for a social dining atmosphere, sharing tables, and delicious home cooked styles Danish food. Food was delicious. Price - 100 DKK ($14.82)
And that wraps up this tour of Copenhagen, including Danish food and attractions!
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SCANDINAVIA PHOTO TOUR
Trip through Scandinavia - Stockholm, Oslo, Bergen, Fjords, and Copenhagen.
Visit squiggl.es/blog for the top places to photograph in Scandinavia
Stockholm:
- Metro Stations
- Harbor
- Viking Museum
Oslo:
- Palace - Changing of the Guards
- Karl Johan Street
- National Gallery - The Scream Painting
- Harbor
- Opera House
- Oslo Fjord
Copenhagen:
- Boat Tour
- Mermaid statue
- Tivoli Gardens
- Opera House
- Stock Exchange building
- Oldest part of Copenhagen
Alesund:
- Museum
- Hike to top of the mountain for an overlook of Alesund
- Fjord
- Boat/Harbor
Bergen:
- Funicular
- Old Harbor
Norway: Fjords
- Gudvangen
- Naerofjord
- Flam Train
FILMING GEAR:
► Camera - Nikon D7100:
► Backup Camera - iPhone 6:
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DENMARK | Roadtrip to Vallo Castle and Roskilde
We happily head out on an excursion to a gorgeous Danish castle and then visit the town of Roskilde.
Sophie also tries out her new Canon EOS R!
Check out more videos from Denmark here:
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Gear used in this video:
Canon EOS R (Sophies Camera)
Nikon D750 (Tony's Camera)
ZHIYUN SMOOTH 4 (Official) 3-Axis Handheld Gimbal Stabilizer (with tripod)-Black
Rangers 57” Ultra Compact and Lightweight Aluminum Tripod with 360° Panorama Ball head (Tony's Tripod) Sirui T-005X Aluminum Tripod with C-10S Ball Head (Sophies Tripod)
GoPro Hero5 Black
Flexible Tripod for GoPro (mount adapter included)
Samsung Galaxy S9
Samsung Galaxy S8
ZOMEI Neutral Density Graduated Filter Kit
ZOMEI Neutral Density Filter Kit
Filter Holder
Polaroid Circular Polarizer Filter 77mm
Welcome to SMK - National Gallery of Denmark
SMK is the National Gallery of Denmark and the largest art museum in the country. We invite you to explore art in your own way as you join us for new exhibitions, performances, concerts, art talks, films, creative workshops, and tours of the Collections. Welcome to SMK. We look forward to seeing you!
Denmark's Open-Air Museum of Culture | Den Gamle By
Joshua Hanlon stops by Den Gamle By (The Old Town) in Aarhus, Denmark. It's a museum of
Find out more:
Sacred Gifts
Enjoy paintings of the Savior's life by three European masters set to Silent Night performed by BYU Women's Chorus. Learn more about these paintings, now on display in the Museum of Art, at sacredgifts.byu.edu
Music courtesy of BYU Records, from the album Merrily on High, available for purchase at the BYU Bookstore or at
Paintings (in order of appearance):
Carl Bloch (1834-1890)
The Shepherds and the Angel, 1879
Oil on copper, 41 x 37 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Frans Schwartz (1850-1917)
The Mocking of Christ and Mary the Annunciate and Mary the Elder, 1902-1908
Oil on canvas, five panels (panel 1: 64-7/8 x 26-5/8 inches; panel 2: 77-13/16 x 33 inches; panel 3: 84-1/8 x 33-1/8 inches; panel 4: 77-13/16 x 32-15/16 inches; panel 5: 64-7/8 x 26-1/4 inches)
Vor Frue Kirke, Aalborg, Denmark
Photograph courtesy of Hans Nyberg
Heinrich Hofmann (1824-1911)
Jesus in the Temple, 1880-81
Oil on canvas, 59-7/8 x 80-1/4 inches
Galerie Neue Meister, Staatliche Kunstsammlungen Dresden, Germany
Foto: Elke Estel/Hans-Peter Klut, SKD
Carl Bloch (1834-1890)
Sermon on the Mount, 1877
Oil on copper, 41 x 36-1/4 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Special thanks to Alan and Karen Ashton for making this loan possible
Photograph © IRI
Carl Bloch (1834-1890)
Healing of the Blind Man, 1871
Oil on copper, 41 x 36-1/4 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Photograph © IRI
Carl Bloch (1834-1890)
Let the Little Children Come Unto Me, no date
Oil on copper, 41 x 36-1/4 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Photograph © IRI
Heinrich Hofmann (1824-1911)
Christ and the Rich Young Ruler, 1888
Oil on canvas, 50 x 62 inches
The Riverside Church, New York City
Special thanks to Sam and Diane Stewart for making this loan possible
Carl Bloch (1834-1890)
Cleansing of the Temple, 1874
Oil on copper, 41 x 36-1/4 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Special thanks to Alan and Karen Ashton for making this loan possible
Photograph © IRI
Heinrich Hofmann (1824-1911)
Christ in Gethsemane, 1890
Oil on canvas, 59 x 45 inches
The Riverside Church, New York City
Special thanks to Sam and Diane Stewart for making this loan possible
Frans Schwartz (1850-1917)
Agony in the Garden, 1898
Oil on canvas, 66-9/10 x 53-1/2 inches
Nørresundby Kirke, Nørresundby, Denmark
Special thanks to Rondell and Joyce Hanson for making this loan possible
Photograph courtesy of Hans Nyberg
Heinrich Hofmann (1824-1911)
The Capture of Christ, 1858
Oil on canvas, 69-9/10 x 98-3/8 inches
Hessisches Landesmuseum Darmstadt, Germany
Foto: Wolfgang Fuhrmannek
Carl Bloch (1834-1890)
The Mocking of Christ, 1880
Oil on canvas, 40-1/2 x 34-1/4 inches
Ordrup Kirke, Charlottenlund, Denmark
Special thanks to Robert and Lisa Wheatley for making this loan possible
Photograph courtesy of Hans Nyberg
Carl Bloch (1834-1890)
The Denial of Peter, no date
Oil on copper, 41 x 32-5/8 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Photograph © IRI
Carl Bloch (1834-1890)
Christ on the Cross, 1870
Oil on copper, 41 x 32-5/8 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Photograph © IRI
Frans Schwartz (1850-1917)
The Mocking of Christ and Mary the Annunciate and Mary the Elder, 1902-1908
Oil on canvas, five panels (panel 1: 64-7/8 x 26-5/8 inches; panel 2: 77-13/16 x 33 inches; panel 3: 84-1/8 x 33-1/8 inches; panel 4: 77-13/16 x 32-15/16 inches; panel 5: 64-7/8 x 26-1/4 inches)
Vor Frue Kirke, Aalborg, Denmark
Photograph courtesy of Hans Nyberg
Carl Bloch (1834-1890)
The Burial, 1873
Oil on copper, 41 x 32-5/8 inches
The Museum of National History at Frederiksborg Castle, Hillerød, Denmark
Photograph © IRI
Carl Bloch (1834-1890)
The Resurrection, 1877
Oil on canvas, 148-3/8 x 117-3/8 inches
Sankt Jakobs Kirke, Copenhagen, Denmark
Special thanks to Ray and Rita Hingson for making this loan possible
Photograph courtesy of Hans Nyberg
Carl Bloch (1834-1890)
Christ at Emmaus, 1878
Oil on canvas, 107 x 84 inches
Löderups Kyrka, Löderup, Sweden
Carl Bloch (1834-1890)
Christus Consolator, 1875
Oil on canvas, 93-3/8 x 67-3/4 inches
Hörups Kryka, Hörup, Sweden
Heinrich Hofmann (1824-1911)
Portrait of Christ, the Savior: I am the Way, the Truth and the Light, 1894
Oil on canvas, 37 x 28 inches
The Riverside Church, New York City
Special thanks to Sam and Diane Stewart for making this loan possible
Frilandsmuseet Open Air Museum Greater Copenhagen
Christen Købke: Danish Master of Light | Exhibitions | The National Gallery, London
Introduction to the National Gallery exhibition, focusing on the work of the Danish artist Christen Købke. Discover the history behind a master of the Danish Golden Age.
Learn more on the National Gallery website:
The Royal Danish Navy and Copenhagen
Denmark is the greatest naval power in the Baltic Sea right up until the end of the 18th century. As can clearly be seen on Gedde's 1761 map, the Navy and its institutions make their mark on Copenhagen. Jacob Seerup is curator at the Royal Danish Naval Museum, Copenhagen.
LOUISIANA Museum Of Modern Art - Denmark
A walk around the Sculpture Garden at the Louisiana Museum of Modern Art, Humlebaek, Northern Zealand, Denmark.
Olafur Eliasson Interview: A Riverbed Inside the Museum
Like lava from a volcano, Olafur Eliasson’s fascinating installation ‘Riverbed’ runs through the Danish Louisiana Museum of Modern Art. The highly praised artist here shares his intriguing thoughts behind the installation.
“The currency of trust” is the fundament on which ‘Riverbed’ is built - an installation that, according to Eliasson, bears resemblance to both the contemplative power of a Japanese garden as well as of ancient Pompeii after the destructive outbreak of Mount Vesuvius. In our society, a lot of things are defined by exclusion, and public institutions such as museums have to show that they have full trust in the artwork, the artist and the visitor in order for the latter to feel completely included. “If an audience feels trusted, then they dare to get involved”, says Eliasson. To fully experience the installation, the visitors have to feel comfortable destabilizing themselves on purpose, in this case e.g. by rethinking their way of walking on the many rocks of his work.
The concept of reality intrigues Eliasson, who finds that the way we engage in the world is based on our ‘model’, whether it be a social, cultural or other type of model: “The way we take in the world is not natural, it’s cultural.” Thereby, it becomes a construction in which “the authorship of reality lies within the beholder and the museum is constituted by the visitor.” In other words, reality becomes the way in which you choose to perceive or handle your model. ‘Riverbed’ is thus a part of this unreality, for as Eliasson concludes, “There are no real things.”
Olafur Eliasson (b. 1967) works with sculpture, painting, photography, film and installations. He grew up in Iceland and Denmark and studied at the Royal Danish Academy of Fine arts from 1989-1995. In 1995 he moved to Berlin where he founded Studio Olafur Eliasson. Eliasson is behind many major exhibitions and projects around the world, such as ‘The Weather Project’ at Tate Modern’s Turbine Hall in 2003, ‘Take Your Time: Olafur Eliasson’ organized by SFMOMA in 2007, which travelled until 2010 to major venues such the Museum of Modern Art, New York, and ‘Riverbed’ at Louisiana Museum of Modern Art, Denmark in 2014. Among Eliasson’s projects in public space are ‘Green River’, carried out in various cities from 1998-2001 and ‘The Serpentine Gallery Pavilion’ in 2007 in collaboration with Kjetil Thorsen of Snøhetta. He lives and works in Copenhagen and Berlin.
Olafur Eliasson was interviewed by Marc-Christoph Wagner at Louisiana Museum of Modern Art, Denmark in 2014.
Camera: Klaus Elmer
Edited by: Kamilla Bruus
Produced by: Marc-Christoph Wagner, 2014
Copyright: Louisiana Channel, Louisiana Museum of Modern Art
Supported by Nordea-fonden
View from the top
An hour from the Danish capital city of Copenhagen, visitors at an unusual spiraling walkway, meant to both stand out and blend in with the surrounding forest, can soar 14 stories high, above the canopy of trees, to experience a rare view of nature. Seth Doane talked with Jesper Mathiesen, a former Danish Navy SEAL behind the project, called Camp Adventure, and with architect Tue Foged, whose team designed the unique observation tower.
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Copenhagen - Danmark
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Christian Alsing - Christian Lindgren - Christoffer Sandager - Copenhagen Marriott Hotel
Daniel Rasmussen - Frederikssund Turistbureau - Giuseppe Liverino - Jacob Schjørring & Simon Lau
Jens Bangsbo - Jens Markus Lindhe - Kaj Lergaard - Kim Hansen - Klaus Bentzen - Kurhotel Skodsborg
Lasse Salling - Malthe Zimakoff - Martin Heiberg - Morten Bjarnhof - Morten Jerichau - Nimb, Tivoli
Palle Bo Nielsen - Pernille Klemp - Peter Holliday - Radisson Blu Royal Hotel - Rasmus Flindt Pedersen
Rasmus Hjortshøj - Robert Thomason - Robin Skjoldborg - Royal Arena - Signe T. Lundgren - Strömma Danmark
The National Museum of Denmark - Thijs Wolzak - Thomas Høyrup Christensen - Thomas Rahbek, SLKE - Tivoli PR
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Ny Carlsberg Glyptotek art museum by Layu Flo Photography !
Jim Campbell: Reconstruction 1, 2002.
From Jim Campbell: Material Light
11 February - 16 April 2011
The National Museum of Photography
The Black Diamond
The Royal Library - Copenhagen
(C) The Royal Library and Jim Campbell
Jesper Just Interview: On 'Interpassivities'
The internationally recognized Danish artist Jesper Just here talks about his spectacular cross-disciplinary performance ‘Interpassivities’ – an inimitable audio-visual experience combining ballet dancers, a border fence, self-playing instruments and Sonic Youth bass player Kim Gordon in a tutu.
“I’m very interested in performativity, also in terms of architecture performing.” Just usually starts with the location, and in ‘Interpassivities’ this meant a ballet stage, where the floor was stripped of seating and divided into 200 pieces with self-playing instruments and speakers placed underneath: “The audience and the ballet dancers enter together, and there is nothing in the space but sound and people.” The audience is on stage with the dancers and becomes aware of not only the dancers but also each other. Moreover, as the pieces in the floor are moved and stacked one by one – by four workers – the dancers, as well as the audience, have to be mindful of their position in the performance space: “Your own physicality is in the way, constantly being challenged.”
In ‘Interpassivities’ we also meet musician Kim Gordon, donning a tutu and cowboy boots and running a stick along the border fence between the U.S. and Mexico. By this, Gordon is creating a rhythm and the wall is suddenly rendered a musical instrument: “It’s filmed as an instrument this border performs, which is then being danced to by two of the dancers.” The borders, Just adds, is not only in the landscape but also the body.
Jesper Just (b. 1974) is a Danish artist, who works primarily in film. Solo exhibitions include Portland Art Museum in Portland, Palais de Tokyo in Paris, National Museum of Modern and Contemporary Art in Seoul, James Cohan Gallery and Brooklyn Museum of Art in New York, Stedelijk Museum in Amsterdam and Victoria Miro Gallery in London. Just’s work is included in public collections such as Tate Modern in London, Louisiana Museum of Modern Art in Humlebæk and Guggenheim Museum in New York. In 2013 Just participated in the 55th Venice Biennale, Danish Pavilion. Just is the recipient of the prestigious Carnegie Art Award 2008 and the Eckersberg Medal (2014). He lives and works in New York City. For more see:
Jesper Just was interviewed by Kasper Bech Dyg at the Louisiana Museum of Modern Art in Humlebæk, Denmark in March 2017.
Camera: Anders Lindved
Produced and edited by: Kasper Bech Dyg
Recordings of the performance ‘Interpassivities’ (2017) by Jesper Just was filmed at The Royal Danish Theatre in Copenhagen, Denmark. Courtesy of CORPUS and Jesper Just
Cover photo: From ‘Interpassivities’ (2017) by Jesper Just
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2018
Supported by Nordea-fonden
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Copenhagen - Danmark
Música de Jazzy Cruise Club - Share This Dream
Créditos Fotográficos
Visit Copenhagen -
Copenhagen Media Center
©New Art Production AB
AC Bella Sky - Adrian Lazar - Anders Bøggild - Anders Sune Berg - Arp-Hansen Hotel Group
Astrid Maria Rasmussen - Bax Lindhardt - Brøchner Hotels - Cebra Architecture - Cees van Roeden
Christian Alsing - Christian Lindgren - Christoffer Sandager - Copenhagen Marriott Hotel
Daniel Rasmussen - Frederikssund Turistbureau - Giuseppe Liverino - Jacob Schjørring & Simon Lau
Jens Bangsbo - Jens Markus Lindhe - Kaj Lergaard - Kim Hansen - Klaus Bentzen - Kurhotel Skodsborg
Lasse Salling - Malthe Zimakoff - Martin Heiberg - Morten Bjarnhof - Morten Jerichau - Nimb, Tivoli
Palle Bo Nielsen - Pernille Klemp - Peter Holliday - Radisson Blu Royal Hotel - Rasmus Flindt Pedersen
Rasmus Hjortshøj - Robert Thomason - Robin Skjoldborg - Royal Arena - Signe T. Lundgren - Strömma Danmark
The National Museum of Denmark - Thijs Wolzak - Thomas Høyrup Christensen - Thomas Rahbek, SLKE - Tivoli PR
Tuala Hjarnø - Ty Stange - Wichmann+Bendtsen Photography - Wonderful Copenhagen