Pedesaan Di GUNMA Ota Jepang
EconAlanya 2019 - Interviews: Prof. Fuminobu Mizutani
Interview with Prof. Fuminobu Mizutani from Kanto Gakuin University, Japan - EconAlanya 2019
Nepal Festival 2019 in Gunma ken, Japan
Nepal Festival 2019
Ringo Gare in Gunma Ken (Megu Lv)
Camping & Ride in Gunma 2013
Valter Cam
ROLLER COASTER ISESAKI GUNMA JAPAN
ROLLER COASTER
our beautiful memories (PPI komsat Gunma 2013-2015)
please, don't be cry
Kasumigaura Lake in Ibaraki, Japan
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
【HD等倍】 茨城県 筑波山ぶらりドライブ 「Ibaraki Tsukuba drive」
茨城県にある筑波山周辺をヴェルファイアでドライブしてきました。
※ 今回の主なドライブルート
板倉東洋大前駅（群馬県板倉町） → R125 → R4 → 道の駅まくらがの里こが（茨城県古河市） → R125 → 筑波山（筑波スカイライン・つつじヶ丘駐車場・表筑波スカイライン・フルーツライン・風返峠・湯袋峠など） → R294 → 道の駅しもつま（茨城県下妻市） → R125 → 道の駅はにゅう
The Groucho Marx Show: American Television Quiz Show - Door / Food Episodes
Contestant teams usually consisted of one male and one female, most selected from the studio audience. More Groucho:
Occasionally, famous or otherwise interesting figures were invited to play (e.g., a Korean-American contestant who was a veteran and had been a prisoner of war during the Korean War).
After his signature introduction of Here he is: the one, the only... by Fenneman and finished by a thunderous GROUCHO! from the audience, Marx would be introduced to the music of Hooray for Captain Spaulding, his signature song. After which, Groucho would be introduced to the contestants and engage in humorous conversation for a lengthy period of time where Groucho both improvised his responses and employed prepared lines written by the show's writers using preshow interviews.
Some show tension revolved around whether a contestant would say the secret word, a common word revealed to the audience at the show's outset. If a contestant said the word, a toy duck resembling Groucho with a mustache and eyeglasses, and with a cigar in its bill, descended from the ceiling to bring a $100 bill. A cartoon of a duck with a cigar was also used in the opening title sequence. In one episode, Groucho's brother Harpo came down instead of the duck, and in another a model came down in a birdcage with the money. Marx sometimes slyly directed conversation to encourage the secret word to come up. The duck was also occasionally replaced with a wooden Indian figure.
After the contestants' introduction and interview, the actual game began. Couples chose from a list of 20 available categories before the show, then tried to answer a series of questions within that category. From 1947--1956, couples were asked four questions.
1947--1953 -- Each couple began with $20, wagering part or all of their bankroll for each question.
1953--1954 -- Each couple now began with $0, but selected values from $10 to $100 (in $10 increments). A correct answer added the value of the question to their bankroll, while an incorrect answer did nothing. According to co-director Robert Dwan in his book As Long As They're Laughing, Guedel changed the scoring format because too many couples were betting, and losing, most or all of their money.
1954--1956 -- The format was slightly altered to start each couple with $100. Incorrect answers now cut their bankroll to that point in half.
1956--1959 -- Two couples (reduced from three) answered questions until they either gave two consecutive incorrect responses or answered four consecutive questions correctly for a prize of $1,000.
1959--1961 -- For the last two seasons, couples picked four questions worth $100, $200, or $300 each, potentially winning up to $1,200. Winning at least $500 qualified the team to go for the jackpot question.
From 1947--1956, if the couple ended with $25 or less, Marx asked an elementary consolation question for a total of $25 (later $100) which did not count toward the scores. The questions were made easy in hopes that nobody would answer incorrectly, and included such examples as Who is buried in Grant's Tomb?, When did the War of 1812 start?, How long do you cook a three-minute egg?, and What color is an orange? The question about Grant's Tomb became such a staple of the show that both Marx and Fenneman were shocked when one man got the question wrong by answering No one. As the contestant then pointed out, Grant's Tomb is an above ground mausoleum.
In all formats, one of the two players on the team could keep their half of the winnings while the other risked their half. In this case, all amounts being played for were divided in half.
1947--1956 -- The highest-scoring couple was given one final question for the jackpot, which began at $1,000 and increased by $500 each week until won (reaching $6,000 at least once, in 1952). In the event of a tie, the tied couples wrote their answers on paper and all couples who answered correctly split the jackpot.
1956--1957 -- For a brief period following the format change, couples who won the front game could wager half on another question worth $2,000.
1957--1959 -- Winning couples now faced a wheel with numbers from 1--10, selecting one number for $10,000. If the number selected was spun, a correct answer to the jackpot question augmented the team's total winnings to that amount; otherwise, the question was worth a total of $2,000.
1959--1961 -- For the last two seasons, the format was slightly altered to eliminate the risk and add a second number for $5,000.
Calling All Cars: The General Kills at Dawn / The Shanghai Jester / Sands of the Desert
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The 25th Stamp / The Incorrigible Youth / The Big Shot
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
NYSTV - Nostradamus Prophet of the Illuminati - David Carrico and the Midnight Ride - Multi Language
Nostradamus is the most well known prophet of the millennium because his predictions came true. What was the true source of his visions? How deeply ingrained in the occult was he? What was his medical background? What innovations did he use to fight the Black Plague that was rampant at the time? Was he a puppet working for the Illuminati? Or were they working for him?
Now the real question is, was Nostradamus just a psyops planned hundreds of years ago and the demonic forces are just controlling events as Nostradamus predicted?
Some deep insights into the life and times of Nostradamus with David Carrico of The Midnight Ride.
In depth information you'd have to watch like 8 documentaries about Nostradamus to get.
Free Truth Productions
Truth should be Open Source...
freetruthproductions.com
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Afrikaans: gevalle engel
Arabic: ملاك ساقط
Azerbaijani: düşmüş mələk
Belarusian: Палы анёл
Bulgarian: паднал ангел
Bengali: পতিত দেবদূত
Bosnian: pali andjeo
Catalan: Àngel caigut
Cebuano: napukan nga anghel
Czech: padlý anděl
Welsh: angel syrthio
Danish: falden engel
German: fallen angel
Greek: έκπτωτος άγγελος
English: fallen angel
Esperanto: fallen angel
Spanish: Ángel caido
Estonian: Langenud ingel
Basque: Aingeru eroria
Persian: فرشته افتاده
Finnish: langennut enkeli
French: Ange déchu
Irish: aingeal tar éis titim
Galician: Anxo caído
Gujarati: ઘટી દેવદૂત
Hausa: mala'ika ya fadi
Hindi: गिरी हुई परी
Hmong: fallen angel
Croatian: pali anđeo
Haitian Creole: tonbe zanj
Hungarian: Bukott angyal
Armenian: ընկած հրեշտակ
Indonesian: Malaikat yang jatuh
Igbo: mmụọ ozi dara ada
Icelandic: fallinn engill
Italian: Angelo caduto
Hebrew: מלאך שנפל
Japanese: 堕天使
Javanese: widodari tiba
Georgian: დაცემული ანგელოზი
Kazakh: құлаған ангел
Khmer: ទេវតាធ្លាក់ចុះ
Kannada: ಬಿದ್ದ ದೇವದೂತ
Korean: 타락한 천사
Latin: fallen angel
Lao: fallen angel
Lithuanian: kritęs angelas
Latvian: kritušais enģelis
Malagasy: anjely nianjera
Maori: anahera hinga
Macedonian: паднат ангел
Malayalam: വീണുപോയ ദൂതൻ
Mongolian: унасан тэнгэр элч
Marathi: पडलेला देवदूत
Malay: malaikat yang jatuh
Maltese: waqa 'anġlu
Myanmar (Burmese): ပြိုလဲကောငျးကငျတမနျ
Nepali: गिर परी
Dutch: gevallen engel
Norwegian: Fallen engel
Chichewa: mngelo wakugwa
Punjabi: ਡਿੱਗ ਦੂਤ
Polish: upadły anioł
Portuguese: anjo caído
Romanian: inger decazut
Russian: падший ангел
Sinhala: වැටුනාවූ දූතයා
Slovak: padlý anjel
Slovenian: padli angel
Somali: malaa'igtii dhacday
Albanian: engjell i rene
Serbian: пали анђео
Sesotho: lengeloi le oeleng
Sundanese: malaikat fallen
Swedish: fallen ängel
Swahili: malaika aliyeanguka
Tamil: விழுந்த தேவதை
Telugu: స్వర్గం నుంచి పడిన దేవత
Tajik: фариштаи золим
Thai: เทวดาตกสวรรค์
Filipino: nahulog na anghel
Turkish: düşmüş melek
Ukrainian: занепалий ангел
Urdu: باغی فرشتہ
Uzbek: tushgan farishta
Vietnamese: Thiên thần sa ngã
Yiddish: געפאלן מלאך
Yoruba: angẹli ti o ṣubu
Chinese: 堕落的天使
Chinese (Simplified): 堕落的天使
Chinese (Traditional): 墮落的天使
Zulu: ingelosi ewile
Afrikaans: Lucifer
Arabic: إبليس
Azerbaijani: lucifer
Belarusian: Люцыпар
Bulgarian: Луцифер
Bengali: শয়তান
Bosnian: lucifer
Catalan: lucifer
Cebuano: lucifer
Czech: Lucifer
Welsh: lucifer
Danish: lucifer
German: Luzifer
Greek: Εωσφόρος
English: lucifer
Esperanto: lucifer
Spanish: lucifer
Estonian: lutsifer
The Great Gildersleeve: Christmas Eve Program / New Year's Eve / Gildy Is Sued
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Real Men in Black - Black Helicopters - Satanism - Jeff Rense and Jim Keith - Multi - Language
Men in Black instances straddle the lines between mysticism and science. Occultism and UFOs. Material reality and fantasy. Partaking of all, defined by none. Since ancient times, these mysterious beings have stalked the planet and in recent years, they have tried to silence witnesses of UFO sightings with threats of harassment and even worse.
Who are these strange beings garbed all in black?
Are they Government agents?
Aliens?
Creatures from another dimension?
Casebook by Jim Keith
This was a radio broadcast of a show called Sightings Radio with Jeff Rense.
rense.com
His guest is Jim Keith and they ddiscuss topics ranging from Nicotine found in the blood of cattle mutilations, lips removed from cattle, the actual documents that created AIDS, not just a paper trail, blood and it's relation to the Mothman, Implants of Whitley Streiber and how he (whitley) thinks he might be mind controlled, The Monatak Project, Cathy Obrien, Satanism and how it is involved with UFOs and how recently, abductees are taken to fancy hotels instead of space ships.
Free Truth Productions
Truth and Freedom go hand in hand...
FreeTruthProductions.com
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Armenian: Սեւազգեստ տղամարդիկ
Indonesian: laki-laki di baju hitam
Igbo: ndị ikom ojii
Icelandic: menn í svörtu
Italian: uomini in nero
Hebrew: גברים בשחור
Japanese: 黒い服装の男
Javanese: wong ing ireng
Georgian: კაცი შავებში
Kazakh: қара адамдар
Khmer: បុរសឆុតខ្មៅ
Kannada: ಕಪ್ಪು ಪುರುಷರು
Korean: 맨 인 블랙
Latin: men in black
Lao: ຜູ້ຊາຍໃນສີດໍາ
Lithuanian: vyrai juodais drabužiais
Latvian: vīri melnā
Malagasy: lehilahy mainty hoditra
Maori: he mangu nga tane
Macedonian: човек во црно
Malayalam: കറുത്തവർഗ്ഗക്കാർ
Mongolian: хар эрчүүд
Marathi: काळा मध्ये पुरुष
Malay: lelaki dalam hitam
Maltese: irġiel bl-iswed
Myanmar (Burmese): အနက်ရောင်ယောက်ျား
Nepali: पुरुषमा कालो
Dutch: men in black
Norwegian: menn i svart
Chichewa: amuna akuda
Punjabi: ਕਾਲਾ ਲੋਕ
Polish: facet w czerni
Portuguese: homens de Preto
Romanian: bărbați în negru
Russian: люди в черном
Sinhala: කළු මිනිසුන්
Slovak: muži v čiernom
Slovenian: možje v črnem
Somali: ragga madow
Albanian: burra në të zeza
Serbian: људи у црном
Sesotho: banna ba batsho
Sundanese: lalaki hideung
Swedish: men in black
Swahili: watu katika nyeusi
Tamil: கருப்பு உள்ள ஆண்கள்
Telugu: నల్ల జాతీయులు
Tajik: мардон дар сиёҳ
Thai: ผู้ชายในชุดดำ
Filipino: mga lalaki sa itim
Turkish: siyah Giyen Adamlar
Ukrainian: люди в чорному
Urdu: آدمی سیاہ میں
Uzbek: qora tanli kishilar
Vietnamese: đàn ông mặc đồ đen
Yiddish: מענטשן אין שוואַרץ
Yoruba: awọn ọkunrin dudu
Chinese: 黑衣人
Chinese (Simplified): 黑衣人
Chinese (Traditional): 黑衣人
Zulu: amadoda amnyama
The Great Gildersleeve: The House Is Sold / The Jolly Boys Club Is Formed / Job Hunting
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
You Bet Your Life: Secret Word - Door / Heart / Water
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
NYSTV - Ancient Aliens - Flat Earth Paradise and The Sides of the North - Multi Language
Is the North Pole the site of the original EDEN? Were the mythological times of titans and gods just an account of our antediluvian past? Were the Fallen Angels posing as gods of old? Will they reinvent themselves as Ancient Aliens so they can take credit for engineering the human race as is the case with Annunaki and Sumerian accounts of creation?* Was this their plan from the beginning and the Sumerian Texts was a sort of psyops for future generations?
Join David Carrico of FOJC Radio and Jon Pounders of NYSTV for information you won't hear anyone else talking about.
*According the the Sumerian Tablets, some of the oldest recorded written documents in the world, The annunaki (sky gods) came down to the Middle East and engineered the human race by combining their DNA with the DNA of primitive man, thus jump starting our evolution and giving birth to the human race.
This account is utter BS.
Here's the proof. If you go read any magazine or newspaper or history book in the mainstream, you'll read about an utterly distorted and skewed account of history from the winners (History is written by the winners). Why should the Sumerian Tablets be any different? It was all just a long planned psyops to get people into falsely believing that ENKI aka Lucifer, and not GOD spawned the human race... He's tricky one with the ability to plan his moves thousands of years in advance....
Free Truth Productions
Truth is its own reward...
freetruthproductions.com
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