Lake Garda # Sirmione # Italy # Church of Santa Maria Maggiore.
Sirmione is one of the most popular and busiest resorts on the shores of Lake Garda. It is located just 4km from the southern lakeside shore. An attractive historical town that has become a tourist mecca, thanks to its fairy tale 13th century castle, Roman Ruins, old churces and cobbled old town.
The church of Santa Maria Maggiore, built in the fifteenth century on the ruins of an ancient basilica Lombard, represents one of the most significant examples of architecture of the fifteenth century of Lake Garda. The interior mononavata, is of late Gothic setting.
Chiesa di Santa Maria Assunta
La chiesa parrocchiale di Santa Maria Assunta domina la collina su cui sorge il paese di Gissi. Con molta probabilità essa fu costruita sulle fondamenta di una preesistente chiesa di campagna che, nella visita pastorale del 1496, viene fatta risalire al IV o VII secolo d.C..
Eretta nel 1568, la chiesa fu ampliata e trasformata nel '700. Il nucleo originario era costituito da un'aula unica, allungata. La facciata principale, un tempo in pietra, è stata modificata con mattoni rossi intorno agli anni '50, insieme al portone e ai tre rosoni.
A fianco della gradinata laterale, sorge l'odierno campanile, alto più di 30 metri. Risale al XVIII secolo, ma fu interessato da ristrutturazioni nel corso del XIX-XX secolo. Lungo le pareti della torre campanaria occhieggiano feritoie che danno aria e luce ad una gradinata a chiocciola.
L'interno presenta una navata centrale e due laterali, a tre campate, dove sono collocate otto cappelle, quattro per lato. Le cappelle del Sacro Cuore e dell'Immacolata sono state aggiunte nel XVIII secolo, insieme alla sacrestia. Sopra l'ingresso principale, in una cantoria in muratura sorretta da colonne riccamente decorate con motivi floreali, spicca un grande organo, vero gioiello d'arte barocca.
The parish church of Santa Maria Assunta dominates from the hill where the village of Gissi is located. Very likely it was built over the ruins of a pre-existing countryside church, which, during the 1496 pastoral visit, seems to date back to the IV or VII century AD.
Built in 1568, the church was then expanded and transformed in the eighteenth century. The original core was formed by a single elongated room. The main façade, once originally in stone, was modified in red bricks in the '50s, along with the portal and the three rose windows.
Next to the lateral stairs, now there's the bell tower which is over 30 meters tall. It dates back to the XVIII century, but it was restructured over the XIX-XX centuries. Along the walls of the bell tower there are embrasures that give light and air to a spiral stair.
The interior offers a central nave and two lateral naves, with three bays, where eight chapels are located, four on each side. The Sacro Cuore chapels and the chapel of the Immacolata were added in the XVIII century, along with the sacristy. Above the main entrance, in a stone choir supported by richly decorated columns featuring floral motifs, there's a majestic organ: a true jewel of Baroque art.
Santa Maria Assunta ai Gesuiti Church, Venice I Wedding in Venice
Santa Maria Assunta ai Gesuiti Church, Venice I Wedding in Venice
Riva del Garda 2016 UHD chill-version
Riva del Garda - Urlaubsvideo / vacanze video / holiday video.. Musik Quelle: jamendo.com (licensed), Titel: Summer Peace, Künstler: EIVISSA SALINAS feat. DJ HSERES, Album: Summer Peace
00:00 Bastione
00:50 Torre Apponale
00:58 Rocca di Riva
01:02 Chiesa Parrocchiale di S. Maria Assunta
01:07 Porta San Michele
01:12 Chiesa di S. Maria Inviolata
01:35 Centrale idroelettrica
01:42 Monumento Ai Caduti Del Mare
01:49 Piazza 3 Novembre
02:00 Torre Apponale
02:51 Rocca di Riva
02:58 Reptiland
03:05 Piazza delle Erbe
03:13 Chiesa Parrocchiale di S. Maria Assunta
03:23 Porta San Michele
03:31 Chiesa di S. Maria Inviolata
03:38 Monument Guiseppe Verdi
03:50 Vecchia Stazione
04:11 Chiesa San Tommaso di Canterbury
04:18 Cascata Varone
04:35 La Grotta Inferiore
04:54 La Grotta Superiore
05:18 Prospettive Sulla Valle
A romantic wedding day in Italy
The most precious day of your life in one of the best places in Italy, what else? ????
Cathedral of Crema, Crema, Lombardy, Italy, Europe
The Cathedral of Santa Maria Assunta is the main and oldest place of Catholic worship in the city of Crema, the bishop's seat of the diocese of the same name. The gabled and wind-like façade is divided into three parts by large Romanesque arches, as well as Romanesque are the portal with cordon arches, the capitals with plant motifs and the cuspidal decorative loggia with thirty-three marble columns. The central Saltrio stone rosette is typically Gothic with sixteen radial columns intertwined with small round arches. If the numerous decorative elements of the façade were the starting point for learned and suggestive spiritual allegories (a sort of ascent of the sinner soul towards salvation), their numerical symbolism falls instead into the classical medieval canons. Thus the 3 spiers indicate perfection and the Trinity, the 33 columns of the loggia refer to the years lived by Jesus, the 16 of the rose window correspond to the 12 apostles plus the 4 evangelists. The façade has other symbolisms: a square stone under the left mullioned window indicates the undifferentiated raw material, departure for human and Christian salvation; the pentacles, which represent the stylized image of man with open arms and spread legs, symbol of the perfect man who is the Christ; the vine shoots and vine leaves that surround the wind windows symbolize the Eucharist and the Christ; a panel on the left lateral buttress contains seven circles, or the seven planets known at the time of construction; on the right buttress, on the other hand, a checkered rhombus recalls the ambiguity of life and reality and is dominated by a palm, a sign of victory. On the semi-columns are also two stone plaques that testify to what point the construction had arrived in 1301 and in 1305. The sides appear as restored after the restoration of the mid-twentieth century. Four buttresses divide the southern wall into five bays, the central nave (with mullioned windows to illuminate the interiors) and the lateral nave. In this there are long single lancet windows except on the third bay where the 14th-century side portal is located. This is in a misaligned position with respect to the rosette above it. In the lunette of the portal there is a walled sculpture called the Madòna dal Póm (the Madonna of the Pomo), because if with the left arm it supports the child Jesus, with the right hand he holds an apple. At the second bay there are also two faces on twisted columns inside a niche. The northern side is similar to the southern one; at the first bay, however, we find a decentralized blind mullioned window, while the second one shows the signs of a small door. At the third bay there is the decentralized side entrance (an explanation for this anomaly was not found); the next part of the side is covered by the New Sacristy and the Bishop's Palace. All the under-eaves of the naves and buttresses have a decoration with intertwined terracotta arches. The bell tower dates back to the period between the 13th and 14th centuries and although it is an integral part of the church, grafting onto the chapel of San Pantaleone, it appears almost as an architectural element and itself. The Duomo of Crema has a three-nave plan: the central one ends with a flat apse in the Cistercian manner while the lateral ones are concluded by chapels. From the square you go down a step to the level of the ancient earthenware floor. The powerful columns that divide the aisles are leaning towards the central one of the cylindrical semi-columns that continue towards the transversal arch with a pointed arch. The vaults of each span of the nave are cross-vaulted. The columns that support the triumphal arch (round-headed) have different capitals. The one on the right also has a lower triumphal arch attack: probably in the first post-siege reconstruction project by Barbarossa it was thought that the nave was lower than the current one. The windows of the central nave have for each span: at a lower level two single-lancet windows (fake women's galleries that actually overlook the attic of the side aisles); on the upper level a mullioned window that gives light to the interior.
Places to see in ( Pavia - Italy ) Basilica di San Pietro in Ciel d'Oro
Places to see in ( Pavia - Italy ) Basilica di San Pietro in Ciel d'Oro
San Pietro in Ciel d'Oro is a Roman Catholic basilica of the Augustinians in Pavia, Italy, in the Lombardy region. Its name refers to the mosaics of gold leaf behind glass tesserae that decorates the ceiling of the apse. The plain exterior is of brick, with sandstone quoins and window framing. The paving of the church floor is now lower than the modern street level of Piazza San Pietro in Ciel d'Oro, which lies before its façade.
A church of Saint Peter is recorded in Pavia in 604; it was renovated by Liutprand, King of the Lombards (who is buried here) between 720 and 725. The present Romanesque church was consecrated by Pope Innocent II in 1132. The church is the resting place for the remains of Augustine of Hippo, who died in 430 in his home diocese of Hippo Regius, and was buried in the cathedral there, during the time of the Vandals. According to Bede's True Martyrology, the body was removed to Cagliari, Sardinia by the Catholic bishops whom the Arian Vandal Huneric had expelled from north Africa. Bede tells that the remains were subsequently redeemed out of the hands of the Saracens there—by Peter, bishop of Pavia and uncle of the Lombard king Liutprand—and deposited in the church of Saint Peter about the year 720.
In January 1327 Pope John XXII issued the papal bull Veneranda Santorum Patrum, in which he appointed the Augustinians guardians of the tomb of Augustine (the Arca di Sant'Agostino), which was remade in 1362 and elaborately carved with bas-reliefs of scenes from Augustine's life. The actual remains of Augustine, however, were no longer identified. Then, on October 1, 1695, illiterate stonemasons working in the crypt altar removed paving blocks and discovered a marble box. Within it were other boxes; in the third box were fragments of wood, numerous bones and bone fragments, and glass vials. Some of the workers later claimed to have seen the name Augustine written in charcoal on the top of the box. A factor complicating the authentication of the remains was that San Pietro in Ciel d'Oro was shared by the two Augustinian religious orders in bitter rivalry. The controversy on the authenticity of the bones resulted in broadsides, pamphlets and books. In 1728, Pope Benedict XIII's intervention in Pavia resulted in his approval of the authenticity of Augustine's bones discovered in the church of San Pietro in Ciel d'Oro. (Stone, Harold Samuel (2002). St. Augustine's Bones: A Microhistory. pp.90-93)
The Augustinians were expelled in 1700, taking refuge in Milan with the relics of Augustine, and the disassembled Arca, which were removed to the cathedral there. The erstwhile cathedral in Pavia fell into disrepair; it was a military magazine under the Napoleonic occupation. It was not reconstructed until the 1870s, under the urging of Agostino Gaetano Riboldi, later Cardinal Riboldi, and reconsecrated in 1896 when the relics of Augustine and the shrine were once again reinstalled.
( Pavia - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Pavia . Through a series of videos we will try to show you recommended places to visit in Pavia - Italy
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WeddingDrone - Matrimonio Amara & Lennard - Sirmione
Amara, Lennard e WeddingDrone: quando il #matrimonio è una favola che si avvera. Sulle rive del Lago #Sirmione i droni di #WeddingDrone hanno ripreso questa giornata indimenticabile!
Grazie ragazzi!
Sophie & Andrew - Wedding in Sirmione
Wedding Album
photo by Estella Lanti estelleweddingphotographer.com
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MUNICH: magnificent ART, 16th century BAROQUE church of SAINT MICHAEL (GERMANY) ⛪
SUBSCRIBE: - Let's go visit the spectacular St Michael which is a Jesuit church in Munich, southern Germany, the largest Renaissance church north of the Alps. The style of the building had an enormous influence on Southern German early Baroque architecture.
The church was built by William V, Duke of Bavaria between 1583 and 1597 as a spiritual center for the Counter Reformation. The foundation stone was laid in 1585.
Munich, Bavaria’s capital, is home to centuries-old buildings and numerous museums. The city is known for its annual Oktoberfest celebration and its beer halls, including the famed Hofbräuhaus, founded in 1589. In the Altstadt (Old Town), central Marienplatz square contains landmarks such as Neo-Gothic Neues Rathaus (town hall), with a popular glockenspiel show that chimes and reenacts stories from the 16th century.
Germany is a Western European country with a landscape of forests, rivers, mountain ranges and North Sea beaches. It has over 2 millennia of history. Berlin, its capital, is home to art and nightlife scenes, the Brandenburg Gate and many sites relating to WWII. Munich is known for its Oktoberfest and beer halls, including the 16th-century Hofbräuhaus. Frankfurt, with its skyscrapers, houses the European Central Bank.
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Sirmione photo shoot, wedding anniversary. Lake Garda
fabiofaccioli.com
I was contacted by this nice couple from Estonia for a photo session in Sirmione, Lake Garda, to celebrate their tenth wedding anniversary.
Sirmione is a very touristic town and always full of people but thanks to my knowledge of timing and places we managed to find excellent locations to create intimacy and work undisturbed.
I preferred to start at 6 pm in the historical park of the Grotte di Catullo. an hour just before it is closed to the public, so we found ourselves alone with two thousand years of history around us.
Subsequently we went up through the hill surrounded by olive groves to reach the Romanesque church of San Pietro in Mavino.
Finally we walked the Punta Staffalo walk at sunset.
Cremona Cathedral, Cremona, Lombardy, Italy, Europe
Cremona Cathedral, dedicated to the Assumption of the Blessed Virgin Mary, is a Roman Catholic cathedral in Cremona, Lombardy, northern Italy. It is the seat of the Bishop of Cremona. Its bell tower is the famous Torrazzo, symbol of the city and tallest pre-modern tower in Italy. Also adjoining is the baptistery, another important medieval monument. Originally built in Romanesque style, the cathedral has been restored and extended several times, with Gothic, Renaissance and Baroque elements. Construction began in 1107, but the works were damaged and halted after an earthquake in 1117. Construction resumed in 1129, and the building was probably finished in 1160-1170. The main altar, dedicated to the city's patron saints Archelaus and Himerius, was consecrated in 1196. The current façade was probably built in the 13th and the early 14th century. In the same period the arms of the transept were also added: the northern in 1288 and the southern in 1348. The main façade, together with the adjoining baptistery, is one of the most important monuments of Romanesque art in Europe. It has a portico with a narthex in the middle, to which a Renaissance loggia with three niches was added in 1491. This is surmounted by a large rose window, flanked by two orders of loggette (small loggias). The portal is probably from the early 12th century. On its side are the figures of the Four Major Prophets, each bearing a roll with the text of their prophecies. The narthex was made by masters from Campione in the following century: it incorporates an older frieze portraying the Labours of the Months (late 12th century, inspired by that in the Baptistery of Parma). The four statues on the upper loggia, portraying the Madonna with Child and two bishops, are of the Tuscan school (1310). The columns of the narthex stand on two lions in Verona marble. The left one is holding a dragon, symbol of Evil, in his paws, while the right one is holding a bear, which in turn is biting a bird's neck. On the façade are also two tombs: the more recent one (mid-14th century) is by Bonino da Campione. The façade of the northern arm of the transept (late 13th century) also has a narthex; and its columns also have two lions at the base. It is characterized by a sequence of mullioned windows and rose windows. The façade of the southern arm of the transept dates from 1342, and is in brickwork, as is typical in Lombard Gothic architecture. Its structure is similar to the northern arm, but has slightly more detailed decoration. The three apses are all surmounted by loggias with small columns, each having a human face stretching out from the capital. The central apse is much higher than the flanking ones. The interior houses important works of art. The oldest are the frescoes of the Stories of Abraham, Isaac, Jacob and Joseph in the southern and northern transept vaults (late 14th-early 15th century). Also from the Renaissance are the arch of the Stories of the Martyrs Marius and Marta, Audifax and Habakkuk, martyrs in Persia (best known as Arch of the Persian Martyrs, 1482), and the relief of Saint Himerius (1481-1484), both works by Giovanni Antonio Amadeo. Also notable is the urn of Saints Marcellinus and Peter, sculpted mostly by Benedetto Briosco (1506-1513), in the crypt. The wooden choir, with inlay work by Platina (1482-1490), and the contemporary large altar cross in silver and gold, by Ambrogio Pozzi and Agostino Sacchi (1478), in the right aisle of the northern transept, are also notable. The most important figurative complex of the cathedral is the fresco decoration on the side walls of the nave (early 16th century), portraying the Life of Mary and Christ. Different painters collaborated to its execution: the first was Boccaccio Boccaccino (with Annunciation to Joachim and Jesus with the Doctors), who, in 1506, had already painted a Redemeer with Cremona's Patron Saints in the apse vault. He was succeeded by Giovan Francesco Bembo (Epiphany and Presentation at the Temple) and Altobello Melone (Flight to Egypt, Massacre of the Innocents and the first four panels of the Passion of Christ), who both adopted a less classicist style. Next came Girolamo Romanino, author of the scenes from Jesus before Pilatus to Ecce Homo, who painted some of his masterworks here. The last scenes of the Passion were executed by Il Pordenone, who was also responsible of the large Crucifixion (1521), the Deposition (1521, counterfaçade) and the Schizzi Altarpiece (before 1523, on the first altar in the right aisles), the latter inspired by Giorgione's style. The complex was completed by Bernardino Gatti with the Resurrection (1529). Other frescoes were added in the mid-16th century by Mannerist painters, including Gatti himself, Bernardino Campi and others. In the 17th century Il Genovesino added the Life of St. Roch in the northern transept.
CAMPANE PLENUM PARROCCHIA S.AGOSTINO AMATRICE.mp4
Suonata a plemun delle 3 campane della Parrocchia S.Agostino di Amatrice,il campanone è stato suonato gentilmente dal parroco per mia richiesta poichè viene usato solo per le feste solenni,sono 4 campane tutte Pasqualini ma solo tre di esse sono state elettrificate,la campana mezzana giace appesa sul campanile sanza corda o telebattente,Don Savino,il parroco della congregazione de I Discepoli,non ha saputo spiegarmene la ragione,anzi,lui stesso pensava che le campane fossero solo tre.
Per me è stato una gioia poter suonare io stesso queste campane e programmare l'impianto che aveva dei piccoli errori,e nonostante fossi in vacanza ho offerto alla comunità parrocchiale priva di organisti,il suono dell'organo per tutta la settimana che ho passato là,le persone in paese erano molto contente e più di una volta in strada sono stato fermato assieme ai miei amici per ricevere ringraziamenti da parte di gente molto semplice,ma con un cuore molto grande.ringrazio il Buon Dio che mi ha dato questo talento.
Augurando un buon 2010 cominciato a tutti vi saluto e che Dio ci Benedica e ci conceda Pace e Serenità!
P.S ringrazio anche tutti voi per le mail e gli sms di auguri che ho ricevuto.
Con Amicizia.
Giacomo.
Plemun played at the 3 bells of the Parish of St. Augustine Amateur woman, the bell was rung by the parish priest kindly to my request because it is only for the feasts, they are 4 bells Pasqualini all but three of them have been electrified, the bell Mizzen lies hanging on the bell tower without rope or TELESTRIKER, Don Savino, the pastor of the congregation of the disciples did not know why that is, indeed, he himself thought that the bells had only three.
For me it was a joy to play myself these bells and schedule the installation that had some small mistakes, and although I was on vacation I offered to the community without the parish organists, the organ for the entire week I spent there , people in the village were very happy and more than once I was stopped in the street together with my friends to receive thanks from people very simple, but with a heart very grande.Devo thank the Good Lord gave me this talent , to pray and sing to people with the sweet sound of the organ from the church
Have a safe 2010 began to greet you all and may God bless us and grant us peace and serenity!
PS I also thank you all for the emails and sms New Year's greetings that I received.
With friendship.
James.
Plemun spielte bei der 3 Glocken der Pfarrkirche St. Augustinus Amateur Frau, wurde die Glocke des Pfarrers geklingelt freundlich auf meine Bitte, weil es nur für die Feste, sie sind 4 Glocken Pasqualini alle bis auf drei von ihnen wurden elektrifiziert, die Glocke Missen liegt auf dem Glockenturm ohne Seil oder TELESTRIKER hing, Don Savino, der Pfarrer der Gemeinde der Jünger wussten nicht, warum das so ist in der Tat, dachte er sich, dass die Glocken nur drei waren.
Für mich war es eine Freude zu spielen, mir diese Glocken und Zeitplan der Installation, dass einige kleine Fehler hatte, und obwohl ich auf Urlaub war ich angeboten, um die Gemeinschaft ohne den Organisten der Gemeinde, das Organ für die gesamte Woche habe ich dort verbrachte, Leute im Dorf waren sehr glücklich und mehr als einmal war ich auf der Straße zusammen mit meinen Freunden blieb stehen, um Dank von Menschen sehr einfache, aber mit Herz sehr grande.Devo danke dem lieben Gott gab mir dieses Talent , um zu beten und singen die Leute mit dem süßen Klang der Orgel aus der Kirche
Have a safe 2010 begann Sie alle begrüßen und Gott segne uns und gib uns deinen Frieden und Heiterkeit!
PS Ich danke Ihnen allen für die E-Mails und SMS Neujahrswünsche, die ich erhalten.
Mit der Freundschaft.
GIACOMO
Places to see in ( Gubbio - Italy ) Duomo di Gubbio
Places to see in ( Gubbio - Italy ) Duomo di Gubbio
The Cathedral of Saints Mariano and Giacomo is the main Catholic place of worship in Gubbio , in Umbria. The mother church of the diocese of the same name , is dedicated to the saints Mariano and Giacomo , martyrs at Lambaesis in Numidia , whose relics are kept under the central altar.
The current Cathedral in Gothic style , stands on the site of a previous Romanesque building before the year one thousand. The construction of the current building was started on a project by Giovanni da Gubbio around 1190-94 on the area granted by the bishop Bentivoglio. The church was completed in its essential forms in 1229 , and then expanded in 1336 and altered during the sixteenth and eighteenth centuries : restoration work carried out between 1913 and 1918 they restored the original appearance internally, eliminating the late-baroque superstructures, while the external appearance is still the original Gothic one.
The façade was built during the episcopate of Pietro Gabrielli ( 1326 - 1345 ), who at death became a mound in a niche on the inside of the same. It has a pointed portal, above which is a large window surrounded by five 13th century bas-reliefs depicting the symbols of the four evangelists and the Agnus Dei . Next to the building is a sturdy medieval bell tower.
The interior presents itself in the characteristic Eugubina structure, with a single aisle punctuated by a transversal sequence of ten imposing ogival arches, a trussed ceiling , and a rectangular choir with an apse . Recent restoration work has led to the discovery of a gothic style tomb, two stone statues depicting saints and above all of the original altar, consisting of a sarcophagus from the Roman era embellished in the Middle Ages by columns of pink marble: in this sarcophagus are the relics of the saints holders of the cathedral. Above the altar is an important wooden crucifix from the 13th century .
There are several side chapels with numerous works of art, including those of Benedetto and Virginio Nucci ( Madonna with Child and Saints ), Dono Doni , Antonio Gherardi ( Birth of the Virgin ), Sinibaldi Ibi , Giuliano Presutti ; other important works and objects of worship are preserved in the attached museum of the cathedral. The church also houses two 16th century organs. It is a recent work ( Augusto Stoppoloni 1916 - 1918 ) to decorate the apse and the triumphal arch, as well as some lateral chapels. The paving dates back to the 16th century and was built during the episcopate of Federico Fregoso .
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Veneto | Wikipedia audio article
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Veneto
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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Veneto ( or ; Italian: Veneto [ˈvɛːneto]; Venetian: Vèneto [ˈvɛneto]) is one of the 20 regions of Italy. Its population is about five million, ranking fifth in Italy. The region's capital and most populous city is Venice.
Veneto was part of the Roman Empire until the 5th century AD. Later, after a feudal period, it was part of the Republic of Venice until 1797. Venice ruled for centuries over one of the largest and richest maritime republics and trade empires in the world. After the Napoleonic Wars and the Congress of Vienna, the Republic was annexed by the Austrian Empire, until it was merged with the Kingdom of Italy in 1866, as a result of the Third Italian War of Independence.
Besides Italian, most inhabitants also speak Venetian, which is divided into five varieties.
Since 1971 the Statute of Veneto has referred to the region's citizens as the Venetian people. Article 1 defines Veneto as an autonomous Region, constituted by the Venetian people and the lands of the provinces of Belluno, Padua, Rovigo, Treviso, Venice, Verona and Vicenza, while maintaining bonds with Venetians in the world. Article 2 sets forth the principle of the self-government of the Venetian people and mandates the Region to promote the historical identity of the Venetian people and civilisation. Despite this affirmations, approved by the Italian Parliament, Veneto is not among the autonomous regions with special statute, differently from its north-eastern and north-western neighbours, Friuli-Venezia Giulia and Trentino-Alto Adige/Südtirol respectively.
Veneto is home to a notable nationalist movement, known as Venetian nationalism or Venetism. The region's largest party is the Liga Veneta, a founding component of the Lega Nord. The current President of Veneto is Luca Zaia (Liga Veneta–Lega Nord), re-elected in 2015 with 50.1% of the vote. Zaia II Government includes also Forza Italia and is externally supported by Independence We Veneto and the Brothers of Italy. An autonomy referendum took place in 2017: 57.2% of Venetians turned out, 98.1% voting yes to further forms and special conditions of autonomy.
Having been for a long period in history a land of mass emigration, Veneto is today one of the greatest immigrant-receiving regions in the country, with 487,493 foreigners (9.9% of the regional population; January 2018), notably including Romanians (25.2%), Moroccans (9.3%), Chinese (7.1%), Moldovans (7.0%) and Albanians (6.9%).
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