Travel Italy - Visiting Padua Duomo
Take a tour of Padua Duomo in Italy -- part of the World's Greatest Attractions travel video series by GeoBeats.
Looking out over the River Bacchiglione in Padua, Italy is an ancient cathedral which holds a rich and illustrious history.
Padua Duomo, also referred to as Pauda Cathedral, is a landmark structure in the Duomo Piazza.
Though the building has been remodeled many times, its history dates to the fourth century.
One such reconstruction took place between the 16th and 18th centuries using a design by Michelangelo.
Though the final reconstruction of this structure took nearly 200 years, the façade has remained unfinished.
Inside the Duomo's baptistery are skillfully hand-crafted and colorful frescoes which detail biblical scenes.
The Piazza del Duomo in Padua, after children have left school
I created this video with the YouTube Video Editor (
The Piazza del Duomo in Padua, after children have left school
I took this video in front of the Duomo in Padua last october. Children playin ON the church after school. What a relaxed relationship with religion...
Piazza dei Signori, Padua, Italy
Piazza dei Signori is a square of Padua, close to Piazza delle Erbe and Piazza delle Frutta.
Was the square on which overlooked the palace Carrara, whose front door has been replaced in the fifteenth century from the Clock Tower. On the square facing the Loggia della Gran Guardia and the Church of San Clemente.
Top 15 Things To Do In Padua, Italy
Cheapest Hotels To Stay In Padua -
Best Tours To Enjoy Padua -
Cheap Airline Tickets -
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Here are top 15 things to do in Padua, Italy
All photos belong to their rightful owners. Credit next to name.
1. Padua Canals/Rivers -
2. Basilica di Sant’Antonio -
3. Palazzo della Ragione -
4. Piazza dei Signori -
5. Musei Civici -
6. Cappella degli Scrovegni -
7. Padua Duomo -
8. Prato della Valle -
9. Orto Botanico -
10. Cafe Pedrocchi -
11. Brenta Canal -
12. Giardini dell’Arena -
13. Palazzo Zuckerman -
14. Sample some local cuisine at the Trattoria al Prato Restaurant -
15. Day trip to Venice -
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Padova città. italy. / 4K
Riprese con Sony FDR AX33 4K-Editing con Pinnacle 19, della città di Padova. Italy.
Luoghi Visitati.
Padova città: Chiesa di Santa Croce 0:12. Porta di Santa Croce 0:21. Prato della Valle 0:27-0:56. Abbazia di Santa Giustina 0:45. Basilica di Sant'Antonio 1:20. Piazza Duomo di Sant'Antonio 1:31. Porta di Ponte Corvo 1:37. vie del Centro Storico 1:43. via Umberto 1:48. Questura 1:54. Osservatorio Astronomico 2:01. via Roma 2:13. Chiesa di Santa Maria dei Servi 2:25. Dai Carrara a Giotto casa Medievale 2:35. Provincia di Padova 2:41. Palazzo Bo 2:48. Palazzo Zabarella 3:32. Municipio 3:38. Piazza delle Erbe 3:55. Palazzo della Ragione 4:02. Piazza della Frutta 4:14. Piazza dei Signori 4:21. Piazza del Duomo di Padova 4:44-4:55. Arco Vallaresco 4:50. Caffe Bertocchi 5:02. Piazza Cavour 5:14. Porta Altinate 5:20. via Santa Lucia 5:32. Piazza Garibaldi 5:38. Palazzo delle Poste 5:44. Piazza e Chiesa degli Eremitani 5:51. Porta Portello 6:04. Arena Romana 6:17. Cappella degli Scoveri 6:31. Porta Savonarola 6:47. Porta Ponte Molino 6:58. Porta Contarini 7:08. Monumento Memoria e Luce 7:15. Stazione Ferroviaria 7:34.
Ringrazio della Visualizzazione.
Places to see in ( Padova - Italy )
Places to see in ( Padova - Italy )
Padua is a city in Northern Italy’s Veneto region. It’s known for the frescoes by Giotto in its Scrovegni Chapel from 1303–05 and the vast 13th-century Basilica of St. Anthony. The basilica, with its Byzantine-style domes and notable artworks, contains the namesake saint’s tomb. In Padua's old town are arcaded streets and stylish cafes frequented by students of the University of Padua, established in 1222.
Though under an hour from Venice, Padua (Padova in Italian) seems a world away with its medieval marketplaces, Fascist-era facades and hip student population. As a medieval city-state and home to Italy’s second-oldest university, Padua challenged both Venice and Verona for regional hegemony. A series of extraordinary fresco cycles recalls this golden age – including in Giotto’s blockbuster Cappella degli Scrovegni, Menabuoi’s heavenly gathering in the baptistry and Titian’s St Anthony in the Scoletta del Santo. For the next few centuries, Padua and Verona challenged each other for dominance over the Veneto plains. But Venice finally settled the matter by occupying Padua permanently in 1405.
Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat. Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua.
Saint Anthony's Basilica is the best-known tourist site in Padova - millions of pilgrims visit every year. Built immediately after The Saint's death in the 1200s, it houses his tomb and notable relics. The statues and crucifix on the main altar are by Donatello, as is the statue of horse and rider in the square in front of the church (called Gattamelata - the honeyed cat).
St. George's Oratory (Oratorio di San Giorgio). A beautiful, frescoed, and generally empty hall on the south side of the piazza next to the Basilica di Sant'Antonio. The paintings were done by two of Giotto's students, and though they are not as magnificent as those in the Cappella degli Scrovegni, you can sit down and gaze at them undisturbed for as long as you like.
Scrovegni's Chapel (Cappella degli Scrovegni) is in the north of the city center, not far from the bus and train stations. The walls and ceilings are covered in frescos by Giotto, completed in 1303-1305. The chapel has been well preserved and the art is very impressive. Some of the techniques used were well ahead of their time. A must-see for art and art history fans.
At 90.000 square meters, Prato della Valle is the biggest square in Europe and probably one of the most beautiful in the World. Historically a Roman theater and later a fairground, it was redone in 1775 to the present layout: a large central grassy area, surrounded by a statue-lined canal, then a broad expanse of flagstones before a couple lanes of traffic are allowed to trickle around it in the distance.
Santa Giustina Basilica is along one side of Prato della Valle. When you visit, don't miss the Martyr's Hallway off of the right-front corner of the basilica. Roman ruins, including an Arena. The Arena is smaller and less impressive than those in Verona or Rome, but well-located in a lovely and well-maintained park.
Chiesa Eremitani, near Scrovegni's Chapel, has an unusual wooden ceiling. The church was badly damaged in WWII, and much of its artwork was destroyed, but what remains is beautiful. The Duomo, or cathedral, is smaller than the two basilicas but not by much - don't be misled by the relatively small façade on Piazza del Duomo. Michaelangelo was involved in the cathedral's design.
( Padova - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Padova . Through a series of videos we will try to show you recommended places to visit in Padova - Italy
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Padua Baptistery, Padua, Veneto, Italy, Europe
The Padua Baptistery, dedicated to St. John the Baptist, is a religious building found on the Piazza del Duomo next to the cathedral in Padua. Preserved inside is one of the most important fresco cycles of the 14th century, a masterpiece by Giusto de Menabuoi. The construction of the baptistery began in the 12th century, probably on top of an existing structure; it underwent various reworkings in the following century, and was consecrated by Guido, patriarch of Grado, in 1281. Between 1370 and 1379 it was restored and adapted as a mausoleum for prince Francesco il Vecchio da Carrara and his wife, Fina Buzzaccarini. The latter oversaw the decorative work, entrusting it to Giusto de' Menabuoi. With the fall of the House of Da Carrara in 1405, Venetian soldiers demolished the grand burial monuments and covered the numerous emblems of Francesco il Vecchio with green paint. After various partial restorations in the 20th century, the work is currently awaiting an important full restoration. The fresco cycle decorating the walls, painted between 1375 and 1376 by Giusto de' Menabuoi, is considered a masterpiece. With respect to previous works, Padua must have been struck by the Romanesque and Byzantine rigidity, as can be seen in the Paradise of the baptistery's cupola: the scene is organized around a Christ Pantocrator, around which turns a hypnotic wheel with multi-layered spokes made of angels and saints, whose golden halos as seen from below seem to be the work of a magnificent goldsmith. At the center of the Paradise is also the Mother of God. The paintings that cover the walls show scenes from the life of St. John the Baptist, Mary, and Jesus. On the walls adjacent to the altar are represented the Crucifixion and the Descent of the Holy Spirit, and a large polyptych, also by Guisto de' Menabuoi, sits on the altar itself. Painted on the walls surrounding the altar, in the apse, are monstrous figures and images of the Book of Revelation. In the tholobate are scenes from the book of Genesis, while prophets and evangelists look down from the pendentives; and here a less Byzantine flair is demonstrated, presenting figures that have been inserted into life-like spaces illusionistically depicted. Also in the stories of Christ and John the Baptist, frescoed on the walls, appear finely calculated architectural representations into which the painter has inserted his solemn, static images. The figures represented in the surrounding scenes, however, appear freer, for example in the Wedding Feast at Cana, where a group of servants moves naturally about the room in contrast to the static diners. From the analysis of these stylistic choices it is clear that the use of rétro effects was for Giusto a precise component willingly chosen to bring about an expressive and symbolic end: he was perhaps the only 14th century painter with the presence of mind to make conscious selections among these different pictorial languages. In the scene of the creation of the world the zodiac show Christ's function as Lord of cosmic time. God the Father can interrupt the course of natural events to manifest His will to mankind: which occurred during the three hours of darkness that accompanied the agony and death of Jesus. Through his angels, represented here, God dominates and neutralizes the influence of the planetary demons here in the world underneath the moon.
Walking in PADUA / Italy - Old Town to Prato della Valle - 4K 60fps (UHD)
The old city of Padua (Padova ) close to Venice is often overlooked by tourists. Less than one hour away from Venice it provides an authentic atmosphere of Northern Italy.
We start at the train station and walk the first 6 minutes towards the Scrovegni Chapel and eventually the Old Town. A stroll along nice Piazzas and the inner city of Padua follows. We end up at the elliptical Prato della Valle - the largest square in Italy - for the first part.
Filmed in February 2019
Camera: Osmo Pocket in 4K60
Mic: Zoom H1
#padua #italy #streetwalk
Padua Italy
St. Anthony's Basilica and Padua University
Padova, Padua Italy - Piazza Prato della Valle
Padova, Padua Italy - Piazza Prato della Valle
Palazzo della Ragione, Padua, Veneto, Italy, Europe
The Palazzo della Ragione is a medieval town hall building in Padua, in the Veneto region of Italy. The building, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5m, its breadth 27m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands on arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the Basilica Palladiana in Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440. A tornado destroyed the roof and damaged the building on 17 August 1756.
Il Duomo e il Battistero di Padova
Il cuore medievale di Padova è caratterizzato dall'ampio complesso di edifici che fa da cornice a Piazza Duomo, testimonianza del secolare potere religioso della città e splendido esempio di arte romanica e rinascimentale.
Montagnana (Veneto, Padova) (1/2) Piazza Comunale il Duomo e le Mura - videomix
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Prato Della Valle Padova (Padua, Italy)
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Prato della Valle (Prà deła Vałe in Venetian) is a 90,000 square meter elliptical square in Padova, Italy. It is the largest square in Italy, and one of the largest in Europe.
Today, the square is a large space with a green island at the center, l'Isola Memmia, surrounded by a small canal bordered by two rings of statues.
Prato della Valle has, from the very beginning, taken its place in the hearts of Padovans
who frequently refer to it as Il Prato.
At various times it was also known as valley without grass because the number of trees prevented much grass from growing there. Today, however, it is completely covered
with grass, and many small trees.
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Padua, Italy
A trip to Padua, Italy
Palazzo della Ragione, Padua, Veneto, Italy, Europe
The Palazzo della Ragione is a medieval town hall building in Padua, in the Veneto region of Italy. The building, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5m, its breadth 27m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands on arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440. A tornado destroyed the roof and damaged the building on 17 August 1756.
Florence, Italy: Famous Dome and Bronze Doors
Florence's landmark Duomo (cathedral) is crowned by Brunelleschi's majestic dome — the first Renaissance dome and the model for many domes to follow (climb it for a glorious view). Nearby the Baptistery features Ghiberti's magnificent bronze doors, which Michelangelo called the gates of paradise. These creations help define the Renaissance, when Florence blossomed and classical arts were reborn. Subscribe at for weekly updates on more European destinations.
For more information on the Rick Steves' Europe TV series — including episode descriptions, scripts, participating stations, travel information on destinations and more — visit
Duomo di Padova, Italia
The Cathedral of the Assumption of Mary of Padua (Italian: Basilica Cattedrale di S. Maria Assunta, also known as Duomo di Padova) is a Roman Catholic church and minor basilica in Padua, northern Italy. The cathedral is the see of the Diocese of Padua, and is dedicated to the Assumption of the Blessed Virgin Mary.
It is the third edifice built on the same site. The first one was erected after the Edict of Milan in 313 and destroyed by an earthquake on the 3 January 1117. It was rebuilt in Romanesque style: the appearance of the medieval church can be seen in the frescoes by Giusto de' Menabuoi in the annexed Baptistery.
The design of the existing cathedral is sometimes attributed to Michelangelo, but in fact it was the work of Andrea della Valle and Agostino Righetto, with much in common with earlier Paduan churches. Although construction work began on the new Renaissance edifice in 1551, it was only completed in 1754, leaving the façade unfinished.
Church of the Eremitani, Padua, Italy, Early December, 2013, Noon
Interior of the church looking down from the main altarto the nave, along the aisle and including the Cappella Maggiore and the magnificent fresco cycle of Saints Philip and Augustine by Guariento @ 1360.