FKJ live @ Salar de Uyuni for Cercle
FKJ playing an exclusive live set in world's largest salt flat Salar de Uyuni for Cercle.
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☞ FKJ
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Video credits:
Artist: FKJ
Venue: Salar de Uyuni
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Film directed by: Pol Souchier & Derek Barbolla
Directors of photography: Mathieu Glissant
Sound engineer: Laurent de Boisgisson & Thomas Cooksey
Assisted by: Aurélien Moisan
Sound mastering: Laurent de Boisgisson
Drone: Alexis Olas
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Special thanks to Terra Andina, Conacine, French Embassy in Bolivia , French Alliance in Bolivia & Live Buzz for all their support.
This artistic performance has been recorded live.
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Interview:
Derek (Cercle):
− So, I’m a bit moved because what we just experienced was incredible, but I wanted to ask how it felt to be playing in the middle of this natural landscape and not in front of people as you’re used to?
Vincent (FKJ):
− Well, there was a lot less pressure, less expectations,
− I didn’t see the reaction of the people in front of me that I usually interpret in a good or a bad way, sometimes I do interpret their reaction the right way but sometimes it completely wrong, in the end it’s all in my head but here there’s no audience so I’m by myself, I’m a bit like in my room except that have something incredible in front of me so it was easier to adventure myself in unknown territories…
Derek (Cercle):
− You lost yourself in your music tonight?
Vincent (FKJ):
− I was Lost
Derek (Cercle):
− It was really incredible.
− There are a lot of people that have been asking questions online but I will start with one which I believe was asked by Emero: How were you inspired by Bolivia and this specific location ?
Vincent (FKJ):
− Well exactly, the inspiration came from the location.
− Here I didn’t want the location to be just a background to my music but my music to be the soundtrack of the location.
− That’s why I didn’t play many of my songs, I played a few that I thought worked well with this location but for the rest I was just looking around and being inspired by this place, by the nature around
Derek (Cercle):
− It’s true that I heard many tunes that I didn’t know so there were a lot of unreleased.
Vincent (FKJ):
− It wasn’t even unreleased.
Derek (Cercle):
− They were never released.
Vincent (FKJ):
− Yeah, they were not unreleased, probably will never be released
Derek (Cercle):
− Well we were privileged to hear them.
Derek (Cercle):
− Often the themes that we find in your tracks are the skyline and the notion of going home: Why those two themes? What inspires you in those themes?
Vincent (FKJ):
− The skyline is a metaphor for trying to reach your goals in life, make your dreams come true
− And go back home is really about travelling
− The track I don’t want to go back home that I played; I played because it made sense here, I really didn’t want to go back home, I just wanted to keep traveling here
− go back home references the fact that I’m constantly traveling and that I feel good traveling
Derek (Cercle):
− Ok, I think we’re going to end the interview now with the mystery box which is a little gift that we are going to offer you. It’s a tradition but with all the emotions I forgot to take it with me, so someone is running to bring it
− As Aurelien arrives I wanted to thank you for this incredible live
Vincent (FKJ):
− Thank you for organizing all of this
Derek (Cercle):
− I also wanted to thank all the technical team, I think there were around 19 people involved who are really incredible people that worked really hard to prepare this show. So, a huge thank you to them because there wouldn’t have been a show without them, thank you
− And here is the gift, that we offer you with a strong wind. It was made by a local shop, Lam, and is 100% Alpaga
Vincent (FKJ):
− I’m going to put it right away because I’m freezing.
− Thank you very much guys, I had a wonderful time. I will listen to it tomorrow because I don’t know how the result sounded
Derek (Cercle):
− It was beautiful
− Thank you, you really honored this location
− Thank you to our partners whose names will appear on the screen and in the credits
− Thank you for being so many of you following us as always and see you in two weeks
Selena Gomez Carpool Karaoke
James calls on Selena Gomez to help him carpool to work, but not without a stop at an amusement park and a drive-thru first.
Song list:
Same Old Love - Selena Gomez
Come & Get It - Selena Gomez
Hands to Myself - Selena Gomez
Kill Em with Kindness - Selena Gomez
Love You like a Love Song - Selena Gomez & the Scene
Shake It Off - Taylor Swift
Promotional consideration furnished by The Coca-Cola Company’s North America Division and McDonald’s USA, LLC.
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Each week night, THE LATE LATE SHOW with JAMES CORDEN throws the ultimate late night after party with a mix of celebrity guests, edgy musical acts, games and sketches. Corden differentiates his show by offering viewers a peek behind-the-scenes into the green room, bringing all of his guests out at once and lending his musical and acting talents to various sketches. Additionally, bandleader Reggie Watts and the house band provide original, improvised music throughout the show. Since Corden took the reigns as host in March 2015, he has quickly become known for generating buzzworthy viral videos, such as Carpool Karaoke.
Places to see in ( Aigues Mortes - France ) Salin d'Aigues Mortes
Places to see in ( Aigues Mortes - France ) Salin d'Aigues Mortes
The Salins d'Aigues-Mortes is one of the 6 establishments of the company Salins du Midi, and the historic headquarters of this company. Located in the town of Aigues-Mortes , in the Camargue , in the Gard department , the salt marshes cover a large part of the Peccais marshes , to the south-east of the fortified village. They are accessible by the departmental road 46, southeast of Aigues-Mortes.
The exploitation of salt in Aigues-Mortes is an economic activity that goes back to ancient times . The first saline activity is attributed to a Roman engineer, Peccius , who left his name to the marsh of Peccais . During the Middle Ages , while the village of Aigues-Mortes is strongly influenced by the nearby Psalmodie Abbey , the economy is mainly focused on fishing and salt. During the reign of Louis IX , while the abbey passes under its domination, part of the marshes are sanitized, to facilitate the activity and trade of the region. Local development is continued under the reign ofPhilip III, said the Bold and Philip IV the Fair said , and sees the creation of the ramparts of Aigues-Mortes.
It is in 1856 that the Salins of Aigues-Mortes are constituted by company, by the regrouping of the owners, to become the company Renouard et Cie . In 1868 , the company changed its name. Compagnie des Salins du Midi then set up its headquarters in Montpellier. Salinas have been included in the general inventory of cultural heritage since 22 December 1995 , both for the production site and for administrative and housing buildings.
Aigues-Mortes saline production is a classic sea salt production, located along the Mediterranean coast, on a totally flat soil. The maximum activity is in summer, in order to benefit from optimal sunshine, for evaporation of water and crystallization of salt under the combined action of sun and wind. The operation of the salt is done, in stages, in five types of consecutive basins, interconnected by a circulation of water. The first basins, the parts , collect pumped seawater (salinity rate of about 38 g per liter) . The basins are, indeed, located a few meters above sea level, and the absence of important tides in the Mediterranean forces the use of pumps. The water then flows from basins to basins, its salinity increasing as and when. This circuit, with a length of several kilometers, causing the brine water to the basins reserve.
The salt tables (or crystallizers) , last basins, allowing the harvest of salt, are less deep than the previous ones. The salinity level then reaches 260 g of salt per liter of water. This is the most striking part of the production: on the one hand, by the color of the basins, due to the presence of microscopic algae in the water, Dunaliella salina ; on the other hand the mode of salt extraction. Once the water is drained, a layer of 8 to 15 centimeters of salt, the salt cake covers the bottom of the basins. Formerly harvested manually, by the salt workers (or salt workers )salt is collected mechanically by crawler tractors with shovels in the front. The salt thus harvested is stored in the form of mounds of 10 to 15 meters , the camels.
( Aigues Mortes - France ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Aigues Mortes . Through a series of videos we will try to show you recommended places to visit in Aigues Mortes - France
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Tours-TV.com: Production of Salt in Qinghai
China : Qinghai. See on map .
JAMAIS DE SELFIES LA NUIT!!Mademoiselle Sabina
Salut a tous! Voici ma nouvelle vidéo!
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Zoutwinning in werking
Zoutwinning in werking
Salin d'Aigues-Mortes
23 giugno 2013
Gros Sel Brut De Camargue - Saveur de l'Année 2012
Avec ses cristaux bruts si particuliers et plus importants qu'un gros sel « classique », le gros sel brut propose une richesse d'utilisation. Il est idéal pour les recettes en « croûte de sel » et apporte une cuisson uniforme. Pour des cuissons longues, ses cristaux vont fondre lentement pour une salaison à cœur des aliments. Plus d'informations sur saveurdelannee.com
American Sniper
U.S. Navy SEAL Chris Kyle is sent to Iraq with only one mission to protect his brothers-in-arms. His pinpoint accuracy saves countless lives on the battlefield and,as stories of his courageous exploits spread,he earns the nickname “Legend”. However,his reputation is also growing behind enemy lines,putting a price on his head and making him a prime target of insurgents. He is also facing a different kind of battle on the home front: striving to be a good husband and father from halfway around the world. Despite the danger,as well as the toll on his family at home,Chris serves through four harrowing tours of duty in Iraq,personifying the spirit of the SEAL creed to “leave no one behind.” But upon returning to his wife,Taya Renae Kyle (Sienna Miller),and kids,Chris finds that it is the war he can’t leave behind.
China high quality salt crushing plant for sale price in Philipine manufacturer
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Telephone: 0086-21-68911957
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Address: No.585, Gongye Rd, Fengxian District
Zip: 201404
Country/Region: China (Mainland)
Province/State: Shanghai
Company Name: Shanghai Dongmeng Road & Bridge Machinery Co., Ltd. Operational Address: No. 585, Industry Road, Jinhui Town, Fengixan Dist., Shanghai, China (Mainland)
190th Knowledge Seekers Workshop - Sept 21, 2017
This weekly on-going public series of Knowledge Seekers Workshops brings us new teachings, universal knowledge and new understandings of true space technology to everyone on Earth direct from the Keshe Foundation Spaceship Institute. Each Thursday, at 9 am Central European Summer Time, we broadcast live, the latest news, developments, and M.T. Keshe teachings on our zoom channel and other public channels. (see below for channel links)
If you wish to discover and learn more, please see our many categories of videos on our Youtube Channel:
Become a student at the world's first Spaceship Institute! For only 100 euros, you get a full calendar year of access to live and recorded private teachings. There are thousands of hours of extended Private Teachings stored in our private portal at the Keshe Foundation Spaceship Institute (KF SSI) that you have access to, and we teach Live classes six days a week in English, plus we also have live classes 7 days a week in 18+ languages. Apply today to become a student at the KF SSI. More information is at our website
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Don Verdean
From the creators of Napoleon Dynamite and Nacho Libre comes a comedy of biblical proportions. Hired by an ambitious small-town pastor to find sacred relics in the Holy Land, a self-proclaimed biblical archaeologist comes up short, and his attempt to cover up his failure fuels a comic conspiracy. (Original Title - Don Verdean) - 2015 Don Verdean the Movie LLC. All Rights Reserved.
You Bet Your Life: Secret Word - Water / Face / Window
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.