Rayappa Kasi Sangameswara Temple, UNESCO, Pattadakal, India
Sangameshwara temple, also called the Vijayeshvara temple, is a large, Dravida style east facing temple and immediately on the south side of the Chandrashekhara temple. The temple is dated to between 720 CE and 733 CE based on inscription and other evidence. It was left unfinished after its patron king Vijayaditya died in 734 CE, but work resumed intermittently in later centuries. The Badami Chalukyas reign saw other important Sangameshwara temples during their 543-757 CE reign, such as the one at KuDavelli and Alampur. The inscriptions found in this and other temples mention sponsor names from different centuries, some of them Hindu queens, suggesting early medieval era women were actively supporting the temple architecture and arts.
The temple is of imposing proportions with a crisp repeated square plan layout, though it is not the largest among the Pattadakal monuments. Its sanctum faces east for sunrise, housing a Shiva Linga. A Nandi faces the Linga sanctum to the east of the hall in front. The sanctum is surrounded by a covered pradakshina patha (circumambulatory path), the passageway lit by three carved windows. In front of the sanctum shrine is a vestibule with smaller shrines said to have been with Ganesha and Durga, but those images are now missing. Beyond the vestibule is a mandapa (hall space) with sixteen (4x4) massive pillars, which may have been added later.[
The vimana superstructure above the temple and the outer walls of the temple are well preserved. The superstructure over the sanctum is two tiered and crowned with a square kuta-sikhara and kalasha on the top. The temple walls show many devakostha (niches) with images of Vishnu and Shiva carved, some of which in different stages of completion. The temple is built on a raised moulded basement, with decorative friezes of elephant, yali and makara mythical creatures. Finely detailed friezes of ganas (playful dwarfs) run above the kapota (eaves), with the ganas shown as if struggling to hold the weight of the temple structure. The parapet displays hara (various kinds of string in Hindu temple texts). Included hara styles include karnakutas (square) and salas (oblong) that flow with the design below them and decorated with kudus.
The temple presents Shaivism, Vaishnavism and Shaktism themes. The Shaiva iconography carved in stone include dancing Nataraja, Ardhanarishvara (half Shiva, half Parvati as essential halves of each other), Shiva with Bhringi, Shiva spearing demon Andhaka and Lakulisha. The Vaishnava iconography include avatars of Vishnu such as Varaha lifting goddess earth (Bhudevi). The temple is archaeologically significant as parts of its foundation of its ruined hall were excavated between 1969 and 1971. It yielded evidence of a brick temple structure, leading to the proposal that the site had more ancient brick temple from possibly the 3rd century CE which was replaced with the Sangameshwara temple.
Pattadakal (ಪಟ್ಟದ್ಕಲ್ಲು) Temples, Karnataka || UNESCO World Heritage Site..
Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century Hindu and Jain temples in Karnataka, India. Located on the west bank of the Malaprabha River in Bagalakote district, this is a UNESCO World Heritage site 23 km from Badami and 10 km from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).
1) Kadasiddheshwara temple
2) Jambulingeshwara temple
3) Galaganatha Temple
4) Chandrashekhara Temple
5) Sangameshwara Temple
6) Kashi Vishwanatha Temple
7) Mallikarjuna Temple
8) Virupaksha Temple
9) Papanatha temple
10) Jain Narayana Temple
UNESCO has described Pattadakal as a harmonious blend of architectural forms from northern and southern India and an illustration of eclectic art at its height. The Hindu temples are generally dedicated to Shiva, but elements of Vaishnavism and Shaktism theology and legends are also featured. The friezes in the Hindu temples display various Vedic and Puranic concepts, depict stories from the Ramayana, the Mahabharata, the Bhagavata Purana, as well as elements of other Hindu texts, such as the Panchatantra and the Kirātārjunīya. The Jain temple is only dedicated to a single Jina. The most sophisticated temples, with complex friezes and a fusion of Northern and Southern styles, are found in the Papanatha and Virupaksha temples. The Virupaksha temple is an active house of Hindu worship.
Rayappa Kasi Galaganatha Temple, UNESCO Pattadakal, India
Sangameshwara Temple - Pattadkal
Sangameshwara Temple, Pattadkal A lot is known about this temple because of an ...
Sri Mahakooteswar Temple Near Badami
The Mahakuta group of temples is located in Mahakuta, a village in the Bagalkot district, a few kilometers away from Badami of Karnataka state, India. It is an important place of worship for Hindus and the location of a well-known Shaiva monastery. The temples were constructed by the early kings of the Chalukya dynasty of Badami.
The Mahakuta Group of Temples was built during the 6th to 8th century AD. The temples share the common Chalukya style found in Badami, Aihole and Pattadakal. The two inscriptions discovered in the Mahakuteswara temple make it an important site for historians.
Mahakuta is a place of religious and historic significance. The temples here are in the Badami Chalukyan style, reflecting the designs of temples in Aihole. Of special significance to historians are the two inscriptions found here- the Pillar Inscription and the Porch Inscription. The Pillar Inscription, especially, helps in the reconstruction of the Chalukyan Dynasty’s history.
Pillar Inscription Mahakuta also provides historians with two important inscriptions. The first one is a pillar inscription called Dharmavijayastambha. It dates back to Pulakesi I and records a grant of ten villages made by his queen Durlabhadevi to Lord Mahakuteswara. Interestingly, the villages include Pattadakal and Aihole. This inscription also records some details about the Chalukya lineage and their military expeditions and achievements.
Porch Inscription The other inscription, recorded on the porch of the Mahakuteswara temple, speaks of a grant of rubies and silver umbrella made to the Lord by a concubine of Vijayaditya, named Vinapoti.
These temples were built by the Badami Chalukyas, and reflect the Aihole style of temple building. The Chalukya style is a hybrid of the Nagara and Dravidian styles. The temples have tiered or curvilinear towers over the sanctum.
The most important temple here is the Mahakuteswara Temple, dedicated to Lord Shiva. It has a Shiva Linga in the shrine topped by a curvilinear tower. It is built in the Dravidian style. In the temple courtyard, there are several other small temples. There is a Nandi in front. The wall niches are decorated with carvings of various forms of Lord Shiva. There is a natural spring-fed tank inside the temple complex called Vishnu Pushkarini.
The Mallikarjuna temple on the other side of the tank is very similar to the Mahakuteswara temple. It has beautiful carvings on the walls and on the ceilings.
Mahakuta is 460 km away from Bangalore. You can reach Badami by rail or road. From Badami you can easily reach Mahakuta by local bus services.
Story of The Wonderful Pattadakal Temple - Hindi
Friends, on our channel, you are once again welcome,
In this video, I will tell you about the Pattadakal Memorial Group.
Pediatric city is situated on the banks of Malayaprabha river in Bagalkot district of the state of northern Karnataka.
There are ten temples in total, including a Jain Dharamsala.
Here are four temples of Dravid style, four are of Nagar style and Papnath temple is of mixed style.
The kings of the Chalukya dynasty constructed many temples here in the seventh and the eighth century.
Pattadakal is called a university of architecture.
Here are the temples of both Dravid (South Indian) and Nagar (North Indian or Arya) styles.
Pattadakal was declared a World Heritage Site by UNESCO in 1987.
Virupaksha temple is the best temple here.
This was made by Lokmahadevi, wife of Maharaja Vikramaditya II, in 745 AD, as a memorial of victory over the Pallava dynasty of Kanchi of her husband.
Apart from this, the Sangameshwar Temple is also very attractive.
This temple is incomplete. It was built by Maharaj Vijayaditya Satyashey. The Kashi Vishwanath temple here was built by the Rashtrakut dynasty in the eighth century. Sangameshwar Temple is the oldest temple here
The nearest is Mallikarjuna Temple.
It was built in 745 AD by the second queen of Vikramaditya Trilokamahadevi. This vairapaksha is a small representation of the temple.
In the Galganth temple, Lord Shiva is depicted as beating the darkness of darkness.
Kadasiddheshwar Temple has Shiva's Trishul Dhari statue.
Shivaling is established in Jambuling temple. Here is the statue of Goddess Parvati and Nand Ji.
The Jain temple is situated on Pathadkal-Badami road. These are manufactured in Dravidian style by the Rashtrakutas of Maynakhet. Here are the samples of some very beautiful craft of the ninth century. These were made by Amogvarsha first or by his son Krishna II.
Paptnath temple here is built in Vesara style. Built in 680 AD, this temple was first started in civil style, but later changed to Dravid style. The crafts here tell about the events of Ramayana and Mahabharata.
If our video looks good and do not forget to share it, thanks for watching our video
Aihole Temple
Aihole is a major archaeological site featuring over one hundred and twenty stone and cave temples spread along the Malaprabha river valley, in Bagalakote district. The documented history of Aihole is traceable to the rise of the Early Chalukya dynasty in 6th century.
Aihole has been a part of Hindu mythologies. It has a natural axe-shaped rock on the Malaprabha river bank north of the village, and a rock in the river show a footprint.Parashurama the sixth Vishnu avatar, is stated in these legends to have washed his axe here after avenging the death of his father .The blood and gore on the axe turned the river red. A woman saw this and screamed ‘Ayyo Hole’ or ‘Oh No Blood!’ in Kannada, hence the name Aihole. The Durga temple is the best known and studied of the Aihole temples
A 19th-century local tradition believed that rock footprints in the river were those of Parashurama. Aihole has historical significance and has been called a cradle of Hindu rock architecture.
sangameshwara temple pattadakal
Video
ವಿಶ್ವ ಪಾರಂಪರಿಕ ತಾಣ ಪಟ್ಟದಕಲ್ಲು ಜಲಾವೃತ | Rain Water Enter into Heritage City Pattadakal
#DighvijayNews #KannadaNewsChannel
#DighvijayNews- ದಿಗ್ವಿಜಯ ನ್ಯೂಸ್ 24x7: ಇದು ಕನ್ನಡಿಗರ ಧ್ವನಿ
ಸುದ್ದಿಯಲ್ಲಿ ಸದಾ ಮುಂದೆ
Watch Live at :
Youtube:
Facebook :
Livestream :
Mobileapp :
Follow Us On:
Facebook:
Twitter:
Monuments at Pattadakal and Aihole, Karnataka, India in 4K (Ultra HD)
Pattadakal was capital of the Chalukya dynasty of Karnataka in Southern India between the 6th and 8th centuries.
It is inscribed on the UNESCO List of World Heritage Sites, quote: Pattadakal, in Karnataka, represents the high point of an eclectic art which, in the 7th and 8th centuries under the Chalukya dynasty, achieved a harmonious blend of architectural forms from northern and southern India. An impressive series of nine Hindu temples, as well as a Jain sanctuary, can be seen there.
Recorded February 2016 in 4K (Ultra HD) with Sony AX100.
Music:
Bindi Society - Falling in Light - 04 - Shivoham
Licensed via ilicensemusic.com
--------------------------------------
About Amazing Places on Our Planet:
Immerse yourself in scenic beautiful places on our planet without the distraction of words.
New 4K video every Friday or every second Friday.
Video footage can be licensed out by contacting me.
Subscribe:
Facebook:
Twitter:
Google+:
Website:
Movies On Map:
Watch More Amazing Places on Our Planet: All 4K Ultra HD Videos:
US National Parks in 4K:
Canada in 4K:
China in 4K:
Southern Africa in 4K:
Amazing Trails:
Indonesia in 4K:
Iceland in 4K:
Best selection by year:
Durga Temple - Aihole, KARNATAKA...(Pt.-2)
14 kilometers away from Badami, Aihole is another historical place of Karnataka that has beautiful ancients temples situated on the banks of Malaprabha river , Sri Durga Temple is one of the famous temples of Aihole . . It is noted for its semicircular apsis, detailed sculptured art on the elevated plinth and the sculptured corridor that circumscribe the inner sanctum.
The interior is done with the most intricate designs in Dravidian art, which takes ones breath away. Sri Durga Temple Aihole houses the Chamundi Devi trampling the Narasimha and a ferocious image of the Devi Durga killing the demon Mahisarur.
Sangameshwara and Janneshwara Temples, Sindhaghatta
If you find the ekakuta Lakshmi Narayana Temple on the one end of the town of Sindhaghatta, the other end promises to showcase the dvikuta Sangameshwara - Janneshwara Temple.
The exact time frame when the temple was built is unclear, although, it is conservatively attributed to the period of Hoysala king Ballala the 3rd, in 1299 AD. There are conflicting gazetteer entries that date the temple back to 1179 AD too, and to the times of Vishnuvardhana and Ballala the 2nd.
More here:
Sangameshwara Temple - Kurnool || Shaiva Kshetram - 99tv
►Subscribe to 99tv Telugu:
►Like us on Facebook:
Pattadakal | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Pattadakal
00:01:23 1 Location
00:02:34 2 History
00:06:22 3 Description
00:06:31 3.1 Site layout
00:07:04 3.2 Style
00:08:10 3.3 Kadasiddheshwara temple
00:09:26 3.4 Jambulingeshwara temple
00:10:54 3.5 Galaganatha Temple
00:12:31 3.6 Chandrashekhara Temple
00:13:32 3.7 Sangameshwara Temple
00:16:44 3.8 Kashi Vishwanatha Temple
00:19:08 3.9 Mallikarjuna Temple
00:21:28 3.10 Virupaksha Temple
00:25:45 3.11 Papanatha temple
00:27:33 3.12 Jain Narayana Temple
00:29:09 3.13 Other monuments and inscriptions
00:30:53 4 Significance
00:32:55 4.1 Early medieval era music and arts
00:33:29 5 See also
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
You can upload your own Wikipedia articles through:
The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Pattadakal, also called Paṭṭadakallu or Raktapura, is a complex of 7th and 8th century CE Hindu and Jain temples in northern Karnataka (India). Located on the west bank of the Malaprabha River in Bagalakote district, this UNESCO World Heritage site is 14 miles (23 km) from Badami and about 6 miles (9.7 km) from Aihole, both of which are historically significant centres of Chalukya monuments. The monument is a protected site under Indian law and is managed by the Archaeological Survey of India (ASI).UNESCO has described Pattadakal as a harmonious blend of architectural forms from northern and southern India and an illustration of eclectic art at its height. The Hindu temples are generally dedicated to Shiva, but elements of Vaishnavism and Shaktism theology and legends are also featured. The friezes in the Hindu temples display various Vedic and Puranic concepts, depict stories from the Ramayana, the Mahabharata, the Bhagavata Purana, as well as elements of other Hindu texts, such as the Panchatantra and the Kirātārjunīya. The Jain temple is only dedicated to a single Jina. The most sophisticated temples, with complex friezes and a fusion of Northern and Southern styles, are found in the Papanatha and Virupaksha temples. The Virupaksha temple is an active house of Hindu worship.
Pattadakal Ancient Temples UNESCO World Heritage 5
Heritage is our legacy from the past, what we live with today, and what we pass on to future generations. Our cultural and natural heritage are both irreplaceable sources of life and inspiration. Pattadakal (Kannada - ಪಟ್ಟದ್ಕಲ್ಲು, Pattadakalu) is a village in Karnataka. It lies on the banks of the Malaprabha River in Bagalkot district. It is 22 km from Badami and about 10 km from Aihole. It is well known for its historic temples.The group of 8th century monuments in Pattadakal are the culmination of the earliest experiments in the vesara style of Hindu temple architecture. The town displays both Dravidian (Southern) and the Nagara (Northern, Indo-Aryan) styles of temple architecture.
• Another temple that of Sangameshvara, is in Dravidian style, and perhaps the oldest among the temples at this place, and consists of a sanctum, inner passage and navaranga. The sanctum and inner passage are enclosed by a path way for pradakshina, which has several lattices of different design, sculptured on the outer walls various figures like Ugranarasimha and Nataraja. The navaranga has 20 pillars in four rows. Its exterior walls have stone carved figures. The sanctum has a Dravidian tower. According to an inscription in Kannada dated 1162, it was built by the Early Chalukya king Vijayaditya and was named Vijayeshvara.
• To the north of the Virupaksha temple lies the Mallikarjuna which was formerly known as Trailokeshvara. It is in close proximity with the Sanghameshvara temple in design, construction and sculpture, but smaller in size. The porch has a beautiful image of Narasimha killing Hiranyakashipu and two female idols. Here are two grand images on both the sides of the entrance to the navaranga. The eighteen pillars of the navaranga have figures pertaining to Ramayana, Mahabharatha and those representing social conditions of those days. On the ceiling are beautiful figures of Gajalakshmi and Shiva-Parvathi with Nandi. On the external walls are sculptures like Shiva, Nandi, Lakulisha, Nataraja, etc. This temple was built by Trailokya Mahadevi, the queen of Vikramaditya II.'
•There is a Jaina temple on the Pattadakal-Badami road. It consists of a mukhamantapa, a navaranga, shukanasa and garbhagriha. Its construction may be of the 9th century.
•Galaganatha Temple lies to the north of the Virupaksha and faces the west. It has a navaranga, shukanasa and the sanctum with a linga. Around the sanctum is the circuit path way. In several niches are small figures of Kubera, Gajalakshmi and others. On the external wall niche of the circuit path way is a fine figure of Shiva. The rekhanagara style tower over the temple is very fine. It seems to have been constructed during the first half of the 8th century.
#Kudalasamgama# Karnataka 2018 ll By Govindrai Raikar
Kudalasangama karnataka.
thanks for watching share & SUBSCRIBE my Channel.
govindrairaikar
govindrai raikar
#kudalasangama #Govindrairaikar #Karnataka
Pattadakal Karnataka UNESCO World Heritage Group of Monuments
Pattadakal (Kannada - ಪಟ್ಟದ್ಕಲ್ಲು, Pattadakalu) is a village in Karnataka. It lies on the banks of the Malaprabha River in Bagalkot district. It is 22 km from Badami and about 10 km from Aihole. It is well known for its historic temples.The group of 8th century monuments in Pattadakal are the culmination of the earliest experiments in the vesara style of Hindu temple architecture. The town displays both Dravidian (Southern) and the Nagara (Northern, Indo-Aryan) styles of temple architecture.
UNESCO in 1987 included Pattadakal in its list of World Heritage sites.
Pattadakal (place for Chalukyas Coronation), the capital of the Chalukya dynasty of Southern India, who built the temples in the 7th and 8th centuries. There are ten temples including a Jain sanctuary surrounded by numerous small shrines and plinths. Four temples were built in Chalukya Dravidian style, four in Nagara style of Northern India and the Papanatha temple in mixed style.
•PATTADAKAL-HISTORY
•The place is a village and an important tourist centre in the state and is located on the left bank of the Malaprabha River and is 22 km from Badami and 514 km from Bangalore.
•It is a great centre of Chalukyan art, noted for its temples and inscriptions. According to inscriptions, the place was known by the names Kisuvolal (Red Town) or Pattada Kisuvolal. The literary work Hammira Kavya of 1540. quotes the place as Pattashilapura and Hammirapura. It has been mentioned in the 11th and 12th century inscriptions, as well as in the literary work Singirajapurana of 1500 and Hammira Kavya as the place where the Chalukya kings were crowned.
•The place continued to be an important centre under the Rashtrakutas and the Kalyana Chalukyas. It became a chief city for a small region called Kisukadu-70. The Sindhas of Yaramabarige (Yelburgi) also ruled it for some time.
•There are in all 10 major temples here, nine Shiva and one Jaina, situated along the northern course of the River, which is considered as very auspicious according to Holy Scriptures.
[edit]Chalukya style of architecture
The Chalukya style originated in Aihole (450), Architects experimented with different styles, blended the Nagara and Dravidian styles, and evolved their own distinctive style. At Pattadakal, the Chalukya kings were crowned, in the middle of the 7th century, temple building activity shifted from Badami to Pattadakal. There are 10 temples here, 4 are in Nagara style and 6 are in Dravidian style.
[edit]Kannada Inscription
There are numerous Kannada language inscriptions at Pattadakal. Important among them; at Virupaksha Temple, there is 8th (733--745) century Old Kannada inscription on victory pillar, in the Sangameshvara temple, there exists a large inscription tablet (696-733) describing grants made by King Vijayaditya for the construction of the temple.
Sangameshwara Temple Sinking in the water
.*
Shivoham*
Sri Sangameshwara Temple sinking in the water*
Jai Sangameshwaralingaya Pahimam Rakshamam*
Everyone must Remember the NAME of God anywhere*
UNESCO World Heritage dynasty Monuments at Pattadakal KARNATAKA india 4
Pattadakal, in Karnataka, represents the high point of an eclectic art which, in the 7th and 8th centuries under the Chalukya dynasty, achieved a harmonious blend of architectural forms from northern and southern India. An impressive series of nine Hindu temples, as well as a Jain sanctuary, can be seen there. One masterpiece from the group stands out -- the Temple of Virupaksha, built c. 740 by Queen Lokamahadevi to commemorate her husband's victory over the kings from the South. Pattadakal represents the high point of an eclectic art which, in the 7th and 8th centuries under the Chalukya dynasty, achieved a harmonious blend of architectural forms from northern and southern India. An impressive series of nine Hindu temples, as well as a Jain sanctuary, can be seen there.
Three very closely located sites in the State of Karnataka provide a remarkable concentration of religious monuments dating from the great dynasty of the Chalukya (c. 543-757). There are the two successive capital cities - Aihole (ancient Aryapura), Badami, and Pattadakal, the 'City of the Crown Rubies' (Pattada Kisuvolal). The latter was, moreover, for a brief time the third capital city of the Chalukya kingdom; at the time the Pallava occupied Badami (642-55). While Aihole is traditionally considered the 'laboratory' of Chalukya architecture, with such monuments as the Temple of Ladkhan (c. 450) which antedate the dynasty's political successes during the reign of King Pulakeshin I, the city of Pattadakal illustrates the apogee of an eclectic art which, in the 7th and 8th centuries, achieved a harmonious blend of architectural forms from the north and south of India.
Situated between the Malaprabha River to the north, and a minuscule village to the south, Pattadakal possesses a sort of holy city comprised of an impressive series of eight Hindu temples dedicated to Siva. Somewhat off to the side, towards the village, is the ninth Sivaite sanctuary, the Temple of Papanatha, as well as a Jain temple. In the monumental complex of the central zone are structures whose design was strongly influenced by the architecture of northern India: the temples of Galaganatha and of Kashi Vishveshvara, which are noteworthy for their square-shaped shikharas with curved edges. They stand along with other temples of a pure Dravidian style - Sangameshvara, built between 696 and 733, and Mallikarjuna, built consecutively from 733-44. Cornices decorate the walls of these temples and the roofs are the complex, storeyed type found in southern architecture.
The unexpected and yet harmonious mixture of these styles provided the inspiration for the masterpiece of Chalukya art, the temple of Virupaksha. This Sivaite sanctuary was erected around 740 by Queen Lokamahadevi to commemorate the victory in 731 of her husband, King Vikramaditya II, over the Pallava and other sovereigns of southern India. The king's admiration for the art of his conquered enemies is borne out by two inscriptions that offer proof that he brought in from the south an architect and a team of sculptors.
Prominently jutting out from the cruciform temple are three porches, a typical Chalukyan feature. They blend perfectly with the majestic three-storey tower and the walls with their overhanging cornices punctuated by narrow pilasters that separate niches filled with marvellous statuary. An overall concept dictated the choice of statues which illustrate the great themes of Siva theology and mythology.
The evocative ruins of the numerous abandoned sanctuaries within the enclosure may be reached, on the west and east sides, through two monumental gates. In the axis of the courtyard, in front of the temple, is a beautiful pavilion containing a colossal black stone statue of Siva's sacred bull, Nandi. The puja, the ritual washing of the bull, takes place there every morning. Enhanced by its relative isolation south of the principal zone, the temple of Papanatha illustrates once again the aesthetic achievement resulting from the incorporation of two different styles. Papanatha has two rooms where the faithful can worship.
On the west is the principal sanctuary, which is covered with a powerful tower in the northern style; to the east is a more modest room, whose roof is crowned with miniature reproductions of buildings in the purest Dravidian style. Experts have found in the detail of the niches, the pediments and the arcature, many contradictory architectural references. The plastic unity of this great monument, however, comes from the remarkable sculptured decoration illustrating the popular epic of the Ramayana, dedicated to Prince Rama, incarnation of Vishnu.
Bhakthi TV Report on Sangameshwara Temple in Kurnool District
Bhakthi TV - Bhakthi TV Report on Sangameshwara Temple in Kurnool District
Subscribe For More Videos: