Murcia, Museo de Santa Clara - Spain 4K Travel Channel
On our departure day in Murcia, we had time in the morning for a last visit to the city. We wanted to visit the Monastery Museum Santa Clara la Real. In the streets of Murcia, normality has returned, and nothing reminds of the phenomenal festival Entierro de la Sardina last week.
The Monastery Museum Santa Clara la Real is the most important building from the Moorish era. Besides, it also shows the changes and additions in the Gothic and Baroque periods. Thus, it is an outstanding testimony of different epochs and their architectural history.
King Taifa Murciano Ibn Mardanis (the Wolf King) built the palace in a residential area with adequate water outside the medina, in the 12th century. The simple palace was partially destroyed in 1172 when the Almohads took the city.
In the 13th century, King Ibn Hud al Mutawákkil of Murcia built in the same place the Alcácar Sequir (small palace) as a leisure palace. The official residence of the Muslim royal family was the Alcázar Nasir (Grand Palace), further south on the banks of the River Segura.
Ibn Hud was assassinated in 1238. In 1243, Murcia became a protectorate of the Crown of Castile. Ibn Hud al-Dawla (the predecessor's uncle) became the new king of Murcia. The Alcázar Seguir became the permanent residence of the royal family of Murcia.
After the take-over of the city by the Christians the Alcázar Sequir became a royal house of the Castilian monarchy. At that time the castle included not only the palace, but also other buildings, baths, and gardens.
In 1365, Peter of Castile called the Cruel, donated the palace to the Order of the Poor of Santa Clara. One built a Gothic cloister which is still preserved today. The courtyard of the palace, reminiscent of the Alhambra in Granada, became the center of monastic life.
Today's museum houses primarily sacred works of art of the Christian culture. But you also see important Shiite writing by the Muslim scribe of the Egyptian al-Azhar University, Hasan al-´Idwil al-Hamzawi, dating from 1886.
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An unserem Abreisetag in Murcia hatten wir am Vormittag noch Zeit für einen letzten Besuch in der Stadt. Wir wollten das Museum des Klosters Santa Clara la Real besuchen. In den Straßen von Murcia ist wieder Normalität eingekehrt und nichts erinnert an das phänomenale Fest Entierro de la Sardina in der letzten Woche.
Das Museum des Klosters Santa Clara la Real ist das bedeutendste Bauwerk aus der maurischen Epoche. Daneben zeigt es aber auch die Veränderungen und Ergänzungen in der Gotik und im Barock. Somit ist es ein hervorragendes Zeugnis verschiedener Epochen und deren Baugeschichte.
Ursprünglich wurde der Palast in einem Wohngebiet mit ausreichend verfügbarem Wasser außerhalb der Medina von König Taifa Murciano Ibn Mardanis (dem Wolfskönig) im 12. Jahrhundert errichtet. Der einfache Palast wurde 1172 teilweise zerstört, als die Stadt von den Almohaden eingenommen wurde.
Im 13. Jahrhundert baute König Ibn Hud al Mutawákkil von Murcia an der gleichen Stelle den Alcácar Sequir (kleiner Palast) als Freizeitpalast. Die offizielle Residenz der muslimischen Königsfamilie war der Alcázar Nasir (großer Palast) weiter südlich am Ufer des Flusses Segura.
1238 wurde Ibn Hud ermordet. 1243 wurde Murcia ein autonomes Protektorat der Krone von Kastilien. Ibn Hud al-Dawla (der Onkel des Vorgängers) wurde neuer König von Murcia. Der Alcázar Seguir wurde zur ständigen Residenz der Königsfamilie von Murcia.
Nach der Übernahme der Stadt durch die Christen wurde der Alcázar Sequir zum Königshaus der kastilischen Monarchie. Damals umfasste das Schloss nicht nur den Palast, sondern auch andere Gebäude, Bäder und Gärten.
1365 schenkte Peter I. der Grausame den Palast dem Orden der Armen von Santa Clara (Klarissen Orden). Ein gotischer Kreuzgang wurde errichtet und ist heute noch erhalten. Der Innenhof des Palastes, der an die Alhambra in Granada erinnert wurde zum Zentrum des klösterlichen Lebens.
Das heutige Museum beherbergt in erster Linie sakrale Kunstwerke der christlichen Kultur. Aber es beherbergt auch eine für die Schiiten bedeutende Schrift des Muslimischen Schreibers der ägyptischen al-Azhar Universität Hasan al ´Idwil al-Hamzawi aus dem Jahr 1886.
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MURCIA Spain - Exploring The Region Of Murcia, Lorca, Archena And La Manga Del Mar Menor
On this trip, we explore Murcia, the historic region of Spain and its coastline, the Costa Calida on the Southeast of Spain.
Just an hour from Alicante airport was our first stop in Murcia, Archena. The town of Archena is home to a hot water mineral spa dating back to Roman times.
Next, it’s off to the city of Murcia itself, the capital of the region. In Murcia, we visit the Santa Clara Monastery the Real Casino with its English library and elegant Viennese Ballroom and the impressive Cathedral de Santa Maria with its grand baroque facade.
In the historic town of Lorca, we visit the Museo Azul de la Semana Santa MASS and the Museo de Bordados del Paso Blanco MUBBLA
These two museums are full of ornate embroideries which are used in the Lorca Holy Week parades.
When you are in #Murcia you should also visit the Calblanque Regional Park one of the last unspoilt areas on the Mediterranean coast and nearby Cabo de Palos with its lighthouse.
If you want to look 10 years young try the Mar Menor mud baths, I don’t think it worked for me!
We end the day on a boat cruise leaving from La Manga del Mar Menor and cruising past the five islands of the Mar Menor which is a coastal saltwater lagoon.
Murcia also has some excellent wine and on the last day, we take a trip to one of the highest areas of Murcia, Bullas where they make some excellent wine.
#Spain
“ We visited Murcia and produced this video while on assignment with SolBooking, Spain”
‘MURCIA, Spain - Exploring The Historic Region Of Murcia, Lorca, Archena And La Manga Del Mar Menor’ - Filmed September 2019
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Convento de Santa Clara de Murcia (MURCIAenGPS)
Vídeo sobre el Convento de Santa Clara de Murcia, con el museo y la sala de exposiciones, incluido en la guía de viaje digital de Bluguía MURCIAenGPS, disponible en App Store (iTunes) y Android Market.
Best Attractions & Things to do in Murcia Spain
In this video our travel specialists have listed some of the best things to do in Murcia . We have tried to do some extensive research before giving the listing of Things To Do in Murcia.
If you want Things to do List in some other area, feel free to ask us in comment box, we will try to make the video of that region also.
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List of Best Things to do in Murcia
Cathedral de Santa Maria
Real Casino de Murcia
Museo Salzillo
Plaza Cardenal Belluga
Sanctuary of the Fuensanta
Santa Clara Monastery & Museum
Plaza de las Flores
Plaza Julian Romea
Teatro Circo Murcia
Romea Theatre
Places to see in ( Murcia - Spain )
Places to see in ( Murcia - Spain )
Murcia is a university city in southeastern Spain and the capital of a region also named Murcia. Plaza Cardinal Belluga is the city’s architectural showpiece, where the ornate cathedral, with its mash-up of styles from Gothic to baroque, and the colorful 18th-century Palacio Episcopal stand in striking contrast to the modern 1990s Ayuntamiento (city hall) annex by architect Rafael Moneo.
Murcia is a city in south-eastern Spain, the capital and most populous city of the Autonomous Community of the Region of Murcia, and the seventh largest city in the country , Murcia is located on the Segura River, in the Southeast of the Iberian Peninsula, noted by a climate with hot summers, mild winters, and relatively low precipitation.
Murcia was founded by the emir of Cordoba Abd ar-Rahman II in 825 with the name Mursiyah ( مرسية ) and nowadays is mainly a services city and a university town. Highlights for visitors include the Cathedral of Murcia and a number of baroque buildings, renowned local cuisine, Holy Week procession works of art by the famous Murcian sculptor Francisco Salzillo, and the Fiestas de Primavera (Spring Festival). The city, as the capital of the comarca Huerta de Murcia is called Europe's orchard due to its long agricultural tradition and its fruit, vegetable, and flower production and exports.
Murcia is located near the center of a low-lying fertile plain known as the huerta (orchard or vineyard) of Murcia. The Segura River and its right-hand tributary, the Guadalentín, run through the area. The city has an elevation of 43 metres (141 ft) above sea level and covers approximately 882 square kilometres (341 sq mi).
The Cathedral of Murcia was built between 1394 and 1465 in the Castilian Gothic style. Its tower was completed in 1792 and shows a blend of architectural styles.
Other noteworthy buildings in the square shared by the Cathedral (Plaza Cardinal Belluga) are the colorful Bishop's Palace (18th century) and a controversial extension to the town hall by Rafael Moneo (built in 1999).
The Glorieta, which lies on the banks of the Segura River, has traditionally been the center of the town. It is a pleasant, landscaped city square that was constructed during the 18th century. The ayuntamiento (city hall) of Murcia is located in this square.
Pedestrian areas cover most of the old town of the city, which is centered around Platería and Trapería Streets. Trapería goes from the Cathedral to the Plaza de Santo Domingo, formerly a bustling market square. Located in Trapería is the Casino, a social club erected in 1847, with a sumptuous interior that includes a Moorish-style patio inspired by the royal chambers of the Alhambra near Granada. The name Plateria refers to plata (silver), as this street was the historical focus for the commerce of rare metals by Murcia's Jewish community. The other street, Traperia, refers to trapos, or cloths, as this was once the focus for the Jewish community's garment trade.
Several bridges of different styles span the river Segura, from the Puente de los Peligros, eighteenth century stone bridge with a Lady chapel on one of its sides; to modern bridges designed by Santiago Calatrava or Javier Manterola; through others such as the Puente Nuevo, an iron bridge of the early twentieth century
Other notable places around Murcia include:
Santa Clara monastery, a Gothic and Baroque monument where is located a museum with the Moorish palace's remains from the 13th century, called Alcázar Seguir.
The Malecón boulevard, a former retaining wall for the Río Segura's floods.
La Fuensanta sanctuary and adjacent El Valle regional park
Los Jerónimos monastery (18th century)
Romea theatre (19th century)
Almudí Palace (17th century), a historic building with coats of arms on its façade. On its interior there are Tuscan columns, and since 1985 it hosts the city archives and usually houses exhibitions.
Monteagudo Castle (11th century)
Salzillo Museum
San Juan de Dios church-museum, Baroque and Rococo circular church with the remains of the Moorish palace mosque from the 12th century in the basament, called Alcázar Nasir.
( Murcia - Spain ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Murcia . Through a series of videos we will try to show you recommended places to visit in Murcia - Spain
Join us for more :
Top 15 Things To Do In Murcia, Spain
Cheapest Hotels To Stay In Murcia -
Best Tours To Enjoy Murcia -
Cheap Airline Tickets -
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Here are top 15 things to do in Murcia, Spain
All photos belong to their rightful owners. Credit next to name.
1. Santa Clara la Real Convent Museum -
2. Plaza de las Flores -
3. Real Casino de Murcia -
4. Salzillo Museum -
5. Plaza del Cardenal Belluga -
6. Monteagudo Castle -
7. Murcia Cathedral -
8. Floridablanca Garden -
9. Semana Santa and Bando de la Huerta -
10. Murcia Archaeological Museum -
11. Costa Cálida and Costa Blanca -
12. Almudí Palace -
13. Terra Natura Murcia -
14. Mercado de Verónicas -
15. Carrascoy and El Valle Regional Park -
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Monastery of Santa Clara-a-Velha
April 2015
Best Attractions and Places to See in Orihuela, Spain
Orihuela Travel Guide. MUST WATCH. Top things you have to do in Orihuela We have sorted Tourist Attractions in Orihuela for You. Discover Orihuela as per the Traveler Resources given by our Travel Specialists. You will not miss any fun thing to do in Orihuela
This Video has covered Best Attractions and Things to do in Orihuela.
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List of Best Things to do in Orihuela, Spain
Cathedral de Santa Maria
Real Casino de Murcia
Zenia Boulevard
Museo Salzillo
Plaza Cardenal Belluga
Sanctuary of the Fuensanta
Santa Clara Monastery & Museum
Plaza de las Flores
Puerto Deportivo
Las Salinas de Torrevieja
Convento de Santa Clara - Iglesia - Convent of Santa Clara - Church
El convento de Santa Clara, situado en Carmona (provincia de Sevilla), fue fundado en 1460, por la Bula Pontificia autorizando a Teresa y Beatriz de Salcedo para fundar este convento; se conoce documentalmente la protección que desde sus comienzos le prestó el Concejo Carmonés y el afecto de que repetidamente le dio pruebas a través del tiempo, así como algunos de los privilegios y mercedes, pontificias y reales, que disfrutó. Siendo una de las primeras muestras de arquitectura conventual existente en la ciudad.
Las primeras construcciones responden al estilo mudéjar de finales del siglo XV y principios del XVI, quedan reconocibles las bóvedas del presbiterio, de líneas muy decadentes, el arco toral y sus apeos.
El retablo mayor es pieza importante del barroquismo sevillano. Pese a su severidad compositiva y a la sencillez de su traza, corresponde a un momento en el arte regional en que se revalorizan los elementos estéticos de todo tipo para dar origen a formas avanzadas de la expresión artística. Las imágenes que en él se veneran son: San Francisco de Asís y San Buenaventura, en el primer cuerpo; Santa Clara, San Juan Beltrán y San Juan de Cipistrano, en el segundo; la Asunción, Santa Isabel de Hungría y Santa Isabel de Portugal en el último. Su autor es Felipe de Ribas, arquitecto y escultor cordobés,
La iglesia, de finales del siglo XV, presenta planta rectangular de una sola nave cubierta con armadura de par y nudillo con tirantes pareados, y presbiterio con bóveda gótica de tercelete, decorada en su totalidad con pinturas de dorado plano pertenecientes al siglo XVII. A esta misma época corresponde el programa hagiográfico de la nave que comprende 12 lienzos en los que se representan santas que procesionan hacia el altar mayor y 10 ángeles portando instrumentos musicales, ofrendas y armas.
Dos retablos de fecha avanzada dentro del siglo XVIII: uno dedicado a Jesús Crucificado, que con Nuestra Señora y San Juan, componen un Calvario, siendo estas figuras también de la época, en el lado del Evangelio; y el de San Antonio de Padua; donde recibe culto
Dos retablos de dicho siglo hallamos aun en la iglesia, dedicados a San José y a la Virgen del Valle, siendo ésta de interés artístico y de la época. Existen otros retablos más pequeños sin altares, de fecha análoga, dedicados a la Inmaculada (pequeña y bella imagen de dicha centuria), Santísima Trinidad, Virgen del Carmen y Corazón de Jesús.
The convent of Santa Clara, located in Carmona (Seville province), was founded in 1460, by the Papal Bull authorizing Beatriz Salcedo Teresa to found this convent documented protection known from the beginning that the council loaned Carmonés and affection that repeatedly gave evidence over time, as well as some of the privileges and favors, papal and royal, which he enjoyed. Being one of the first signs of existing convent architecture in the city.
The first buildings respond to the Mudejar style of the late fifteenth and early sixteenth domes are recognizable presbytery very decadent lines, the transverse arch and propping.
The main altarpiece is Baroque Sevillian important piece. Despite its severity and simplicity of composition of its trace, corresponds to a time when regional art which are revalued the aesthetic elements of all types to give rise to advanced forms of artistic expression. The images are worshiped in it are: St. Francis of Assisi and St. Bonaventure in the first body, Santa Clara, San Juan Beltran and San Juan de Cipistrano, in the second, the Assumption, St. Elizabeth of Hungary and St. Elizabeth of Portugal in the latter. Its author is Philip de Ribas, architect and sculptor Cordoba,
The church, in the late fifteenth century, presents a single rectangular nave with a pair and knuckle armor paired with suspenders and Gothic vaulted chancel tercelete, fully decorated with gold paintings plane belonging to the seventeenth century. At this same time the program corresponds ship hagiographic covering 12 canvases in which they are represented holy procession to the altar and 10 angels bearing musical instruments, gifts and weapons.
Two altarpieces late date in the eighteenth century: one dedicated to Jesus Crucified, with Our Lady and St. John, make a Calvary, with these figures also of the time, on the side of the Gospel, and St. Anthony of Padua; where is worshiped
Two altarpieces of this century we find even in the church, dedicated to St. Joseph and the Virgin of the Valley, and this is of artistic interest and time. There are other smaller altarpieces without altars, dated similarly dedicated to the Immaculate (small and beautiful image of the century), Holy Trinity, Virgen del Carmen and Heart.
Restauracion Convento Agustinas
Convento Agustinas
Avila -Convento de Santa Teresa de Jesus
Visita: Almazara / Monasterio de Santa Ana / Sendero Botánico (Jumilla) Murcia
Places to see in ( Xativa - Spain )
Places to see in ( Xativa - Spain )
Xàtiva is a town in eastern Spain, in the province of Valencia, on the right bank of the river Albaida and at the junction of the Valencia–Murcia and Valencia Albacete railways. During the Al-Andalus Islamic era, Arabs brought the technology to manufacture paper to Xàtiva. In the 12th century, Xàtiva was known for its schools, education, and learning circles. Islamic scholar Abu Ishaq al-Shatibi's last name refers to Xàtiva where he lived and died.
Xàtiva (Saetabis in Latin) was famous in Roman times for its linen fabrics, mentioned by the Latin poets Ovid and Catullus. Xàtiva is also known as an early European centre of paper manufacture. In the 12th century, Arabs brought the technology to manufacture paper to Xàtiva. It is the birthplace of two popes, Callixtus III and Alexander VI, and also the painter José Ribera (Lo Spagnoletto). It suffered a dark moment in its history at the hands of Philip V of Spain, who, after his victory at the Battle of Almansa during the War of the Spanish Succession, had the city besieged then ordered it to be burned and renamed San Felipe. In memory of the insult, the portrait of the monarch hangs upside down in the local museum of L'Almodí. Xàtiva was briefly a provincial capital under the short-lived 1822 territorial division of Spain, during the Trienio Liberal. The Province of Játiva was revoked with the return to absolutism in 1823.
Xàtiva is built on the margin of a fertile plain, and on the southern slopes of the Monte Vernissa, a hill with two peaks, each surmounted by a Castle of Xàtiva.
The Collegiate Basilica, dating from 1414, but rebuilt about a century later in the Renaissance style, was formerly a cathedral, and is the chief among many churches and convents. The town-hall and a church on the castle hill are partly constructed of inscribed Roman masonry, and several houses date from the Moorish period.
Other sights include:
Royal Monastery of the Assumption, Gothic and Baroque style, built during the 14th century and renovated in the 16th–18th centuries.
Natal house of the Pope Alexander VI.
Sant Feliu (St Felix) - 13th century church.
Sant Pere (St Peter)-14th century church. The interior has a Coffered ceiling decorated in Gothic-Mudéjar style.
Hermitage of Santa Anna (15th century), in Gothic style
Almodí, a 14th-century Gothic edifice (1530–1548) now housing a Museum
Casa de la Enseñanza, Xàtiva
Sant Francesc
Village of Anahuir
( Xativa - Spain ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Xativa . Through a series of videos we will try to show you recommended places to visit in Xativa - Spain
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Qué bien se está en el Monasterio de Santa Ana del Monte de Jumilla
¡Qué bien se está cuando se está bien!
Y en Jumilla, si los jumillanos/as tuvieramos que decir un lugar, todos coincidiríamos que sería: Santa Ana del Monte, ¿verdad?
Rescatamos un reportaje del Programa Qué bien se está cuando se está bien de 7RM TV, de 2011, sobre el Monasterio de Santa Ana del Monte y que podéis visualizar en su web: y en nuestro canal de youtube:
¡Vive la Historia, Vive la Cultura, Vive el Medio Natural, Vive las Tradiciones, Vive Jumilla!
Murcia Region, Spain - Top attractions in Murcia, Cartagena & Lorca
Discover the region of Murcia, Spain. While the Costa Calida coastline is beautiful, I ventured inland to discover the culture, history and top attractions in this lesser-explored region!
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*video produced on assignment for Sol Booking / Murcia Tourism*
OBRA PLASTICA, I, A (II) de J.M:M. Caminero//Plastic work, sculptures / philosophy.
ALGUNAS PINTURAS/PAINTINGS, ESCULTURAS/SCULPTURES REALIZADOS/REALIZED POR/BY J. M. M. Caminero (SPAIN) REALIZADOS/REALIZED ENTRE/BETWEEN 1974 - AGOSTO/AUGUST DE/OF 1992.
+ EXPOSCIONES INDIVIDUALES PÚBLICAS:
- Biperspectivismo (acrílicos sintéticos, dibujos y cerámicas, encuadernaciones). Octubre 1982. Casa de cultura de Ciudad Real.
-Libros de artista, ejemplares únicos. Museo Municipal Elisa Cendrero de
Ciudad Real. Junio y julio 1983. (Referencia de esta exposición en el País Artes, pág.,
ocho, dos de julio 1983. Exposición exclusiva de libros de artista) (Esta exposición, según los datos disponibles hoy, puede ser la primera hecha por un autor exclusivamente de libros de artistas en España. Referencia de esta exposición: El País Artes, Pág. 8, 2 de julio de 1983. Y González Ortiz, J: Diario Lanza, junio 1983.).
-Acrílicos sobre papel. (Casa de cultura de Puertollano. Octubre 1983).
(Se han realizado más de cien mil dibujos/pinturas/hojas de libros de artista y obras en
otros géneros, la inmensa mayoría en papel, de forma autónoma o formando libros de artista, que están repartidos en colecciones públicas y privadas. Posiblemente la obra más extensa en la dimensión plástica realizada por un solo autor en mi país y posiblemente en Occidente. Véase Manifiestos Artísticos).
-Metamorfosis (dibujos, encuadernaciones, 25 libros de artista, ejemplares únicos). Casa de cultura de Ciudad Real, enero 1984.
-37 libros de artista, ejemplares únicos. Del 24 al 31 de julio de 1990. Museo
Elisa Cendrero de Ciudad Real10.
-Instalación/pinturas-multi-poliperspectivismo. (13-31 de julio 1999). Museo
municipal Elisa Cendrero. Ciudad Real.
+ MUSEOS Y COLECCIONES PÚBLICAS.
- Meac. Madrid. (Antiguo Meac, cuando era Meac).
- Museo provincial de Cuenca.
- Museo archivo-municipal Elisa Cendrero de Ciudad Real.
- Museo Arqueológico Provincial de Huesca.
- Museo Palamos. Gerona.
- Museo Provincial de Segovia.
- Biblioteca Museo Cervantina, El Toboso, Toledo.
- Museo de los Caminos. Palacio Gaudí. Astorga. León.
- Museo Parroquial, Castillo Colegiata de Alquezar. Huesca.
- Museu Municipal de Molins de Rei. Barcelona.
- Casa de Cultura de Ciudad Real.
- Casa de Cultura de Puertollano.
- Museo de Pontevedra.
- Museo Nacional de Escultura de Valladolid.
- Biblioteca nacional. Madrid.
- Casa de Cervantes de Valladolid.
- Biblioteca del monasterio de Silos, Burgos.
- Biblioteca abadía cisterciense de Viaceli. Cobreces. Santander.
- Biblioteca, abadía cisterciense de san Isidoro de Dueñas. Venta de Baños. Palencia.
- Biblioteca monasterio san Jerónimo de Yuste. Cuacos. Cáceres.
- Biblioteca Abadía Real Monasterio de Huelgas de Burgos.
- Biblioteca Abadía de San Salvador de Leyre. Yesa. Navarra.
- Biblioteca Monasterio de Santa María del Parral. Segovia.
- Biblioteca Abadía Cisterciense de San Pedro de Cardeña. Burgos.
- Biblioteca Abadía de Buenafuente.Guadalajara.
- Biblioteca Abadía Cisterciense de Santa María de la Huerta. Soria.
- Biblioteca Abadía de Poblet.Tarragona.
- Biblioteca Real Monasterio de Santa María el Paular. Madrid.
- Museo Monasterio Madres Dominicas. Quejana. Álava.
- Biblioteca Monasterio de la Valvanera. La Rioja. Logroño.
- Biblioteca Monasterio de Santo Domingo de Silos, el Antiguo de Toledo.
- Biblioteca Convento de San Antonio. Ávila.
- Biblioteca Abadía de Montserrat. Barcelona.
- Biblioteca Museo Monasterio de Pedralbes. Barcelona.
- Biblioteca Real Monasterio de Santo Espíritu del Monte. Padres franciscanos. Gilet. Valencia.
- Museo Juan Calderón. Albaquercus. Extremadura.
- Museo Obispo Vellosillo. Ayllón. Segovia.
- C.e.i.p. Gerardo Martínez, Socuéllamos.
- Museo El Quijote. Ciudad Real.
- Fundación de las Edades del Hombre. San Bernardo. Valladolid.
- Biblioteca Convento Santa Clara, Zafra. Badajoz.
- Museo de Arte Contemporáneo, Santo Domingo. Cifuentes. Guadalajara.
- Biblioteca Museo San Juan de la Cruz. Úbeda. Jaén.
- Biblioteca. Abadía de Sacro Monte. Granada.
- Colección San Pedro de Gessa (Lérida). Archivo arciprestal de Viella.
- Museo Diocesano de Salamanca.
- Museo del Real Monasterio de Santa Clara. Carrión de los Condes. Palencia.
- Museo del Monasterio de Santa Isabel de Hermanas Clarisas de Valladolid.
- Iglesia Museo de Pintura Medieval de San Sebastián de los Caballeros. Toro.
Zamora.
- Museo Joaquín Peinado. Ronda. Málaga.
- Museo de Arte Sacro. Real Monasterio de Santa Clara. Allariz. Orense.
- Museo Siyasa. Cieza. Murcia.
- Museo de Arte Contemporáneo de Tarancón. Cuenca.
- Etc.
Gothic Art - 12 Spanish Painting
Twelfth video about the Gothic Art serie. Any doubt? Send me a message.
Historia del Arte:
Land of the Art:
Gothic flourishes in the second half of the XII century and comes till the Renaissance (in Italy until the XV century). It was born in northern France, and little by little was spreading and imposing itself on Romanesque. It is called so by the Goths, as a derogatory term.
The Renaissance people named them with the term of Goth due that they wanted to come back to the roman classicism. Gothic is consecuence of the new society with economic prosperity and the bourgeoisie. In XIII century, Francisco of Asis establishes the franciscans and Saint Domingo establishes the dominics. They are two mendicant orders, who lived in poverty. The monastic orders were lost in nature, in monasteries. There were epidemics of plague, famines, wars...
Franco-gothic style.
It begins in mid XIII century till end XIV century.
Cantigas.
In Cataluña the altarpieces has romanesque characteristics.
In Aragon changes to gothic. Altarpiece of Santo Domingo.
In Navarra is the altarpiece of Don Pedro López de Ayala.
About mural paintings, there are religious paintings, like the apses of Daroca or the chapel of Oil in the Old Cathedral of Salamanca, by Antón Sánchez. Profane paintings are, for example, the ones in the Sala de los Reyes in Alhambra of Granada, by a christian artist, probably from Seville.
Italo-gothic style.
It appears because imports of artworks and later because italian artists come to Spain to work.
Altarpiece of Santa Clara, by a unknown italian painter of Ducento.
In Trecento the italian artists come to Spain, like Gherardo Starnina, who does the altarpiece of Fray Bonifacio Ferrer. The altarpiece of the Virgin of Milk in Murcia is imported, and it is by Bernabé of Modena.
In Aragon and Cataluña rise a important group of trecentist painters. Ferrer Basa do the frescoes of the chapel of San Miguel in the monastery of Pedralbes. Maestro de Estopiñán do the altarpiece of San Vicente.
The most important artists are Jaume Serra and Pedro Serra. Jaume does the altarpiece of Fray Martín de Alpartir, the Virgen de Tobed and the Resurrection of Christ, among others. Pedro does the altarpiece of Venida del Espíritu Santo and the altarpiece of All the Saints in the monastery of Sant Cugat.
In Castilla is the florentine school, standing out the paintings in the walls of the chapel of San Blas, in the cathedral of Toledo.
International gothic style.
It appears in Spain in XV century.
In Cataluña I have to name Luis Borrassá, with the San Andrés negándose a adorar a un ídolo.
In Valencia is Berenguer Mateu, who does the altarpiece of San Jorge. Pedro Nicolau does the altarpiece of the Joyes of the Virgin.
In Aragon is Lorenzo Zaragoza, who does the Virgin of Milk. Pedro Zuera does the altarpiece of Huesca.
In Castilla work two very important artists. Dello Delli, italian, is the author of the altarpiece of the Old Cathedral of Salamanca. Nicolás Francés is the autor of the old altarpiece of the Cathedral of León.
Hispanic-flemish gothic style.
It appears in the second half of XV century.
In Cataluña is Luis Dalmáu, who does the Virgen de los Concelleres. Jaime Huguet does the altarpiece of the Saints Abdón and Senén and the altarpiece of the Condestable. The Vergós brothers (Jaime II, Rafael and Pablo) do the great fragmented altarpiece of San Esteban Protomártir (5 photos).
In Valencia works Jacomart, ith his altarpiece of Santa Ana de Játiva.
In Aragon works Bartolomé Bermejo, one of the best painters. He does San Miguel de Tous, the altarpiece of Santo Domingo de Silos and the Piedad del canónigo Desplá.
In Castilla there are court painters. Juan de Flandes does the altarpiece of the Cathedral of Palencia, the polyptych of Isabel la Católica (in images the scenes are Tentation of Christ and Noli me tangere), and also portraits, like the one of Isabel la Católica. Francisco Chacón does the Virgen de las Angustias.
In León works Fernando Gallego, who does the altarpiece of San Ildefonso in the Cathedral of Zamora, the celestial vault in the university of Salamanca, the Piety, the triptych of Virgen de la Rosa, Cristo Bendiciendo, Eva, etc.
In Toledo I have to name the Master of the altarpiece of the chapel of Don Álvaro de Luna.
In Andalucía, in Sevilla work a group that is not very good in quality. Juan Núñez does the Piety, Pedro Sánchez the Santo Entierro and Pedro de Córdoba does the Anunciation in the Cathedral of Córdoba.
Finally, the first stage of the art of Pedro Berruguete is hispanic-flemish with italian influence. He does the Virgin of Milk and the Anunciation of Cartuja de Miraflores.
Music: Se madame je puis veir by Guillaume Dufay
Photos taken in Google images.
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