Spinosaurus fishes for prey | Planet Dinosaur | BBC
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John Hurts tells the stories of the biggest, deadliest and weirdest Dinosaurs ever to walk the Earth. Massive carnivorous hunter Spinosaurus hunts the giant fresh water fish Onchopristis.
Planet Dinosaur tells the stories of the biggest, deadliest and weirdest creatures ever to walk the Earth, using the latest fossil evidence and immersive computer graphics. Narrated by John Hurt.
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Hurricane Katrina Documentary(2) OFFICIAL.
Directed by Spike Lee
Theme music composer Terence Blanchard
Country of origin United States
Original language(s) English
Production
Producer(s) Spike Lee
Samuel D. Pollard
Editor(s) Geeta Gandbhir
Cinematography Cliff Charles
Running time 240 minutes total for part 1 & 2.
Production company(s) 40 Acres and a Mule Filmworks
Release
Original channel HBO
Original release
August 23, 2010
If God Is Willing and da Creek Don't Rise is a 2010 documentary film directed by Spike Lee, as a follow-up to his 2006 HBO documentary film, When the Levees Broke: A Requiem in Four Acts. The film looks into the proceeding years since Hurricane Katrina struck the New Orleans and Gulf Coast region, and also focuses on the 2010 BP oil spill in the Gulf of Mexico and its effect on the men and women who work along the shores of the gulf. Many of the participants in Levees were also featured in this documentary.
It won a Peabody Award in 2010 for ambitiously chronicling one of the hugest disasters in American history, interrogating the well-known narratives and investigating other stories that could have easily fallen through the cracks.[1]
Calling All Cars: Sirens in the Night / The Two-Edge Knife / Death in the Forenoon
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Formal 05/14/13 Session - Norfolk City Council
13:44 PH-1 Public hearing on the application of Unique Auto by Robyn Thomas to operate an Automobile Repair and Sales and Service Establishment at 2406 Colonial Avenue and 420 and 430 West 24th Street
22:50 PH-2 Public hearing to amend the Zoning Ordinance, 35th Street Pedestrian Commercial Overlay District
23:40 PH-3 Public hearing to amend the Zoning Ordinance of the City of Norfolk, clarifying whom may initiate text amendments
24:28 PH-4 Public hearing to amend the Zoning Ordinance, 21st Street Pedestrian Commercial Overlay District
30:56 PH-5 Public hearing on the application of Troy Robertson, for a change of zoning located at 1532 Aspin Street and 1533-1539 Sewells Point Road
31:48 PH-6 Public hearing on the application of Norfolk Building Corporation, for a Conditional rezoning on property located at 3448 Thomas Street
35:52 CONSENT AGENDA AVAILABLE AT WWW.NORFOLK.GOV
35:56 R-1 An Ordinance appropriating $800,000 from the Land Acquisition/Revolving Fund balance, establishing a Healthcare Fund, authorizing Short-term Equipment Financing, increasing certain fines and fees, increasing the real estate property tax, allowing for National Fingerprint checks, accepting and authorizing HUD Entitlement Grants, providing funds for a real estate tax exemption and deferral and regulating the payment of money from the City Treasury.
01:10:18 R-2 An Ordinance approving the Capital Improvement Plan Budget for the Fiscal Year beginning July 1, 2013 and ending June 30, 2014
01:11:06 R-3 An Ordinance approving and adopting the Fiscal Year 2014 Compensation Plans for officers and employees of the City
01:11:38 R-4 An Ordinance appropriating Grant Funds totaling $49,371,032.00 to the School Board of the City of Norfolk for Title I Programs, other special programs and the School Nutrition Services Program
01:12:12 R-5 An Ordinance appropriating a sum equivalent to 50% of the revenues from the two-dollar flat tax per hotel room, authorizing the expenditure of that sum as a Grant to the entities that form the Norfolk Consortium
01:12:35 R-6 An Ordinance approving the Budget for the Norfolk Law Library
01:14:55 R-7 An Ordinance to permit the renovation of an Industrial Building for Mixed Uses at 945 to 949 Woodrow Avenue
01:15:30 R-8 An Ordinance to permit modifications to a retail building at 3212 Tidewater Drive
01:15:54 R-9 An Ordinance to permit the operation of a used merchandise sales establishment located at 2515 Granby Street
01:16:17 R-10 An Ordinance to operate and entertainment establishment on property located at 923 Glenrock Road
01:16:44 R-11 A Special Exception to operate an eating and drinking establishment on property located at 429 Granby Street
01:17:20 R-12 A Special Exception to permit the operation of an entertainment establishment on property located at 421 to 423 Granby Street
01:17:32 R-13 A Special Exception to permit the operation of an entertainment establishment on property located at 9583 Shore Drive
01:24:50 R-14 A Special Exception to permit the operation of an automobile and truck repair facility on property located at 742 to 756 East 25th Street and 745 East 26th Street
01:25:28 R-15 A Special Exception to operate an entertainment establishment on property located at 1309 Raleigh Avenue.
R-15A A Special Exception to permit the sale of alcoholic beverages for off-premises consumption on property located at 1309 Raleigh Avenue
01:26: 15 R-16 An Ordinance to schedule a City Council meeting on Tuesday, May 21, 2013 at 7:00p.m.
01:26:40 R-17 An Ordinance authorizing the purchase from CMC Steel Fabricators, Inc., designated as 1344 Ballentine Boulevard, for the sum of $2,300,000.00
02:08:00 R-18 An Ordinance authorizing the purchase from Bayview Loan Servicing, LLC, designated as 321 E. Little Creek Road for the sum of $179,000.00
A Day In the Sky,.. - ( news full video )
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Calling All Cars: Muerta en Buenaventura / The Greasy Trail / Turtle-Necked Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)