Sorolla. Un jardín para pintar. Museo Sorolla. 7 julio 2018 - 20 enero 2019
La fascinación de Joaquín Sorolla (Valencia, 1863 - Madrid, 1923) por la naturaleza se manifestó especialmente en su gusto por los jardines, sobre todo los andaluces, como los jardines del Alcázar de Sevilla o los de la Alhambra de Granada, que pintó en numerosas ocasiones.
Sorolla: Behind every painting is a story
Dr Aoife Brady, co-curator of Sorolla: Spanish Master of Light at the National Gallery of Ireland, shares the story behind the artist's paintings of the Alcázar gardens.
The exhibition runs until 3 November 2019. Friends of the Gallery and children go free.
ART OF SOROLLA
Beautiful works of art by the Spanish artist Sorolla(1863-1923).Born in Valencia, he excelled in landscapes and portraits.
Art Reproduction (Sorolla y Bastida - Lighthouse Walk at Biarritz) Hand-Painted Oil Painting
Hand-Painted Painting Reproduction with Oil on Canvas
Performer: Art Reproductions Studio
Painting Title: Lighthouse Walk at Biarritz, 1906
Artist: Joaquin Sorolla y Bastida
Art Movement: Realism/Impressionism
Location: Boston Museum of Fine Arts, USA
You can order museum-quality hand-painted reproduction of Lighthouse Walk at Biarritz at the following URL:
Your Painting Reproduction will be painted by the same artist from the video.
You can see other paintings by Joaquin Sorolla y Bastida at the following gallery:
SPANISH ART - Arte Español: Joaquin Sorolla Bastida
Joaquín Sorolla y Bastida 1863 --1923) was a Spanish painter born in Valencia, Spain. He excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of people and the landscape under the sunlight of his native land. In 1888, Sorolla married Clotilde García del Castillo, whom he had first met in 1879. His first striking success was achieved with Another Marguerite (1892), which was awarded a gold medal at the National Exhibition in Madrid, then first prize at the Chicago International Exhibition, where it was acquired and subsequently donated to the Washington University Museum in St. Louis, Missouri. Although formal portraiture was not Sorolla's genre of preference, because it tended to restrict his creative appetites and could reflect his lack of interest in his subjects nut the acceptance of portrait commissions proved profitable, and the portrayal of his family was irresistible. A series of portraits produced in the United States in 1909, was capped by the Portrait of Mr. Taft, President of the United States, painted at the White House, and suggestive of convivial sessions between painter and president. The appearance of sunlight could be counted to rouse his interest, and it was outdoors where he found his ideal portrait settings. Thus, not only did his daughter pose standing in a sun-dappled landscape for María en La Granja (1907). The conceit reaches its high point in My Wife and Daughters in the Garden (1910), in which the idea of traditional portraiture gives way to the sheer fluid delight of a painting constructed with thick passages of color, Sorolla's love of family and merging sunlight. Early in 1911, Sorolla visited the United States for a second time, and exhibited 152 new paintings at the Saint Louis Art Museum and 161 at the Art Institute of Chicago. Later that year Sorolla met Archie Huntington in Paris and signed a contract to paint a series of oils about life in Spain. These 14 magnificent murals, installed to this day in the Hispanic Society of America building in Manhattan, range from 12 to 14 feet in height, and total 227 feet in length. The major commission of his career, it would dominate the later years of Sorolla's life. The painting Provinces of Spain despite the immensity of the canvases, Sorolla painted all but one outdoors, and travelled to the specific places to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site models posed in local costume. Each mural celebrated the landscape and culture of its region, panoramas composed of throngs of laborers and locals. By 1917 he was, by his own admission, exhausted. He completed the final panel by July 1919. Sorolla suffered a stroke in 1920, while painting a portrait in his garden in Madrid. Paralyzed for over three years, he died on 10 August 1923. The Sorolla Room, housing the oils Provinces of Spain at the Hispanic Society of America, opened to the public in 1926. The room closed for remodeling in 2008, and the murals toured museums in Spain for the first time. The Sorolla Room reopened in 2010, with the murals on permanent display. After his death, Sorolla's widow, Clotilde García del Castillo, left many of his paintings to the Spanish people. Many of his works were exhibited around the world. A new exhibition titled Sorolla & America explores Sorolla's unique relationship with the United States in the early twentieth century. This summer the exhibition opened at the San Diego Museum of Art, California.
Sorolla. Visión de España
Exposición organizada por Bancaja con obra de la Hispanic Society of America y la colaboración del MNAC. Tras el espectacular éxito de la muestra en Valencia, Sevilla, Málaga y Bilbao, Bancaja presenta en Barcelona Sorolla. Visión de España. La exposición estará en el Museu Nacional d'Art de Catalunya (MNAC) del 20 de febrero al 3 de mayo de 2009.
Gallery tour with audio description (Sorolla Museum, Madrid)
Joaquin Sorolla 華金索．羅拉 (1863-1923) Impressionism Spanish
tonykwk39@gmail.com
Joaquin Sorolla Born in Valencia in 1863, he began his artistic studies in 1877 with sculptor Cayetano Capuz and later studied at the Fine Arts Academy in San Carlos. From a young age he was interested in open-air painting, with which he tried to capture Mediterranean lighting, both in the farmlands of Valencia and on the beach, just as the French Impressionists did. He finished his education in Paris and Rome. After returning to Spain in 1890, he settled in Madrid and began a trajectory marked by success, awards and important positions. Among his preferred subjects are Levantine waterfront scenes, always with human presence and expressed with an absolute prominence of light. He died in Madrid in 1923.
華金索．羅拉出生於瓦倫西亞在1863年，他開始了他的藝術研究，於1877年與雕塑家卡耶塔諾Capuz，後來就讀於美術學院在San Carlos。從小他感興趣的是露天的畫，與他試圖捕捉地中海照明，無論是在瓦倫西亞的農田和在海灘上，就如同法國印象派一樣。他在巴黎和羅馬完成他的教育。在1890年回到西班牙之後，他在馬德里定居，並開始以成功，獎勵和重要崗位標誌著一個軌跡。在他最喜歡的科目是地中海東部海濱的場景，總是與人的存在和光的絕對突出表現。他在馬德里於1923年去世。
Sorolla vídeo
La Academia de Bellas Artes de Santa Cecilia en homenaje, al pintor Joaquín Sorolla y Bastida, en el 150 aniversario de su nacimiento.
Montaje: Gondiazar
Sorolla. Tierra adentro
Si algo identifica la pintura de Joaquín Sorolla (Valencia, 1863 - Madrid, 1923) es su trabajo al aire libre y en plena naturaleza, no sólo a la orilla del mar, sino también en paisajes interiores. Así lo muestra la exposición 'Sorolla tierra adentro', que, comisariada por Carmen Pena, reúne 35 pinturas pertenecientes al museo madrileño que lleva su nombre.
RETIPLUS in MUSEUM SOROLLA (Madrid)
Low Vision Persons with reduced field of vision (tunnel vision) are not able to see full size paintings in museums. RETIPLUS with Smartglasses EPSON MOVERIO shows an extended field of view that makes posible to get spacial view and the context.
SALA SOROLLA DEL MUSEO DE BELLAS ARTES DE VALENCIA
Sorolla: Spanish Master of Light by Gabriele Finaldi with Javier Barón Thaidigsmann
Sorolla: Spanish Master of Light; Gabriele Finaldi with Javier Barón Thaidigsmann, Véronique Gérard Powell, Christopher Riopelle, and Oliver Tostmann; With contributions by Aoife Brady, Julien Domercq, Akemi Herráez Vossbrink, Sarah Herring, Rosalind McKever, and Brendan Rooney; National Gallery London
Conhecendo a Casa de *Joaquín Sorolla VLOGTOUR/MUSEUS - SUBTITLES in SPANISH, ENGLISH, GERMAN
Sorolla and America
During a single month in 1909, more than 150,000 people flocked to see the portraits, genre scenes, and sun-filled beachscapes of Joaquín Sorolla y Bastida (1863-1923); he was the most popular Spanish artist in the world until the arrival of Pablo Picasso. Sorolla and America brings together more than 100 works of art that will explore for the first time this artist's unique relationship with early 20th-century America, examining his immense popularity, as well as his associations with contemporaries and collectors.
Sorolla. El color del mar
CaixaForum Barcelona abre sus puertas a la exposición 'Sorolla. El color del mar', que, a través de obras dedicadas al que fue el tema favorito y más popular de su pintura, indaga en la mirada del pintor y su forma particular de pintar del natural y de utilizar el color.
Fiesta y Color en el Museo Sorolla
El gran encargo para decorar la Biblioteca de la Hispanic Society llevó a Sorolla a recorrer todo el país, en busca de lo auténtico y más pintoresco del carácter español, que entonces se buscaba entre las gentes del ámbito rural, las que mantenían aún intactas las costumbres y tradiciones ancestrales.
Recorremos parte de la exposición acompañados por su Comisaria, Covadonga Pitarch. Reportaje grabado el 9 de diciembre de 2013, en Madrid.
Durante estos viajes o excursiones que tenían como finalidad encontrar la inspiración fidedigna para sus grandes cuadros, adquirió una pequeña, pero muy interesante, coleción de indumentaria y joyería popular, que ahora se completa con la generosa donación de las colecciones de la Familia Pons-Sorolla.
A esto se suman los grandes cuadros de tipos que pintaría, principalmente con una itnención documental. Los paisajes, de Castilla, Ávila, El Roncal, Valencia o Jeréz y las fotografías que fue adquiriendo y coleccionando durante todo este proceso creativo.
Todo este material se expone conjuntamente por primera vez en nuestro país.
La exposición se divide en cuatro ámbitos: Castilla, Valencia, Valles Pirenaicos y Andalucía.
Rare masterpieces of Spanish painter Maíno on display in UK
Two masterpieces by Spanish painter Fray Juan Bautista Maíno are now on display in the National Gallery in London. The curator explains why these paintings are significant in the European art history.
Bailar sorolla
Bailar sorolla
Tesis | Un Sorolla recatalogado
Cuando Antonio González García, profesor titular jubilado de la Facultad de Bellas Artes de la Universidad de Sevilla, vio por primera vez este cuadro de Joaquín Sorolla lo tuvo claro: no era el Cap Martí de Jávea, como estaba catalogado, sino el Peñón del Cuervo de Málaga. Su profunda investigación en este asunto unió a su ojo profesional de docente de fotografía, le dieron la razón. Tanto, que el Museo re-catalogó el cuadro y ahora son tres las obras que Sorolla pintó en Málaga. Su teoría se sostiene en cinco puntos que, más de un siglo después, siguen a la vista de todos aquellos que quieran contemplar el lugar pintado...
Programa: Tesis | Emisión: 28/10/17