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Canadian Army Newsreel No. 56
56.1 Leave Men Arrive in Canada
Soldiers disembark at an eastern Canadian port in time for Christmas 1944; the Legion and the Red Cross give them food and coffee at the dock; Montreal Military District No.4 band leads a group of soldiers to the trains; families greet the veterans; Toronto gets 22.5 inches of snow; snowploughs; soldiers shovel snow.
56.2 Ghent Presentation
3rd Division receives the Ghent medal of honour; Flanders Castle ceremonial parade; pipe band leads the way to the Hotel de Ville near the Cathedral; Cameron Highlanders of Ottawa reviewed by the town Burgermeister Van der Steigen; Brigadier Todd presents 3rd Division colours.
56.3 Air Zoot-Suit Beats Blackouts
A new flying suit is tested in a centrifuge at Royal Canadian Air Force (RCAF) labs in Ottawa; soldier with electrodes on his head and body rides in the centrifuge twice, once without the suit where he passes out and once while wearing the suit, which allows him to withstand greater G-forces; the inventor, William R. Franks.
56.4 All Quiet on the Holland Front
At the Maas River, 1st Canadian Army near s’Hertogenbosch; winter cold; test shots on German position; reconnaissance units probe enemy positions; icebreakers; Royal Canadian Engineers clear ice from dock.
56.5 Canadians Drive to Senio River
Artillery fire; Munio Canal crossed; a dead German and equipment; Northern Italy; Bagnacavallo in ruins, having been captured on December 21, 1944; cathedral tower has lookout; maintenance of equipment; Mrs. Caposi, a local doctor.
To order the complete six DVD set of The Canadian Army Newsreels, please call 1 800 250-3030.
Pantera: Cowboys From Hell @ Le Spectrum - Montreal, QC, Canada (March 8, 1993)
Rita Gorr Alceste Divinités du Styx La Voix de son Maitre FALP 615
Rita Gorr - Alceste - Divinités du Styx - La Voix de son Maitre FALP 615
Rita Gorr (18 February 1926 – 22 January 2012) was a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (Lohengrin) and Amneris (Aida), two of her greatest roles.
Gorr was born Marguerite Geirnaert into a working-class family in the industrial town of Zelzate, near Ghent, Belgium. After leaving school she worked as a nurse, where the family who employed her discovered her singing and paid for her first lessons. After vocal studies in Ghent with Vina Bovy, and in Brussels with Jeanne Pacquot d'Assy and Germaine Hoerner, she won first prize at the vocal competition of Verviers in 1946, and made her professional debut at Antwerp as Fricka in Die Walküre the same year. She became a member of the Opera of Strasbourg from 1949 to 1952. She won another first prize at the vocal competition of Lausanne in 1952. That year she made her Paris debuts at the Opéra-Comique as Charlotte in Werther on 6 March 1952, and at the Paris Opéra on 31 October as Magdalena in Die Meistersinger von Nürnberg; further roles in Paris included Dalila in Samson and Delilah, Venus in Tannhäuser, Mère Marie in the French premiere of Dialogues of the Carmelites (later in her career she sang Madame de Croissy), Carmen, Geneviève in Pelléas et Mélisande, Amneris in Aida, Eboli in Don Carlos and Marguerite in La damnation de Faust.
Her career then became international in scope, with debuts at Bayreuth in 1958, the Royal Opera House in 1959, La Scala in 1960, the Metropolitan Opera on October 17, 1962 as Amneris. In four seasons at the Met, she sang Santuzza in Cavalleria rusticana, Eboli in Don Carlos, Azucena in Il trovatore, and Dalila. She was a versatile artist, singing with equal success the French, Italian and German repertories. She enjoyed a very long career singing well into her 60s and 70s and her last role was as the Countess in Tchaikovsky's The Queen of Spades which she performed in the summer of 2007 in Ghent and Antwerp.
Gorr believed that 'trouser-roles' did not suit her; she did however sing Lel in The Snow Maiden in 1955 in concert and Octavian in 1958.
Although mainly active on stage, Gorr also sang occasionally in the concert hall, in works by Schumann, Duparc and Wagner; she recorded Mahler lieder.
Gorr can be heard in two of her greatest roles on recordings, Ortrud in Lohengrin, opposite Sándor Kónya and Lucine Amara, under Erich Leinsdorf in 1965, as well as a 1959 version from Bayreuth conducted by Lovro von Matačić, and Amneris in Aida, opposite Leontyne Price and Jon Vickers, under Georg Solti. Other recorded roles include Dalila, Margared and Fricka, the latter at Bayreuth under Hans Knappertsbusch. She also recorded excerpts from Orphée et Eurydice (Orphée), Hérodiade (title role) and La damnation de Faust, as well as recitals on Pathé. Gorr can be heard in one of her rarest roles, in an excerpt from Cherubini's Medea (recorded in French) with the Orchestre du Theatre National de l'Opera under George Pretre on ASTX 130502 Pathe-Marconi, while she can be heard in excerpts from two of her Wagner roles, Isolde and Elisabeth, under André Cluytens on Testament SBT1256.
In her later life Gorr made her home in Dénia, Spain.[3] Oresko describes her as giving the impression of regal grandeur and control by the solidness of her vocal production and a unique gift for instinctive authority
Source : Wikipedia
Should Licence Plates For Bikes Be The Law? | GCN Show Ep. 253
On the GCN show this week we discuss registering bikes, some old motor doping rumours resurface, and a we've got a round up of the Urban Cycling World Championships.
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Should bikes have number plates? This very contentious issue was brought up after a survey in the UK found 59% of respondents were in favour of bikes needing number plates. Let us know what you think in the comments below
The organisers of Ghent Wevelgem presented New Zealand cyclists Jack Bauer and Sam Bewley with a cobble from the kemmelberg mounted on a piece of wood from a WW1 trench. This was to commemorate the efforts of the New Zealand Cyclist Corps in defending the area around the Kemmelberg.
Phil Gaimon, Matt and Si’s “directeur sportif” for the Taiwan KOM challenge has reignited the rumours that Fabian Cancellara raced with a hidden motor.
Movistar manager Eusebio Unzué has called for grand tours to allow for rider substitutions in the case of tiredness or injury
In tech of the week this week, you can now ride bikes on the water!
Last weekend marked the first ever UCI Urban world championships, with riders competing in trials, BMX, and MTB Eliminator. Do you think it’s a good thing the UCI is branching out? Or is it all a bit weird?
A broken rear mech on the final lap scuppered Van Der Poel’s chances for a fourth Superprestige victory of the season in Gavere. While Ellen Van Looy won the women’s event in a tight sprint over Nikki Brammeier.
Wattage Bazooka went to Matt Glaetzer, who was the first rider to go under a minute for a kilometre time trial at sea level, recording a 59.970 at the Manchester World Cup.
There’s a very questionable frame repair on Hack/Bodge, a great catch on caption of the week, and some backwards fixie riding in extreme corner.
If you'd like to contribute captions and video info in your language, here's the link ????
Watch more on GCN...
Top 10 inspirational quotes ????
Factor Aston Martin One-77 ????
Photos: © Bettiniphoto / & ©Tim De Waele /
Music: Viper Creek Club - Because I Know (Instrumental)
Jonas Elander - Afternoon Swing 3
About GCN:
The Global Cycling Network puts you in the centre of the action: from the iconic climbs of Alpe D’Huez and Mont Ventoux to the cobbles of Flanders, everywhere there is road or pavé, world-class racing and pro riders, we will be there bringing you action, analysis and unparalleled access every week, every month, and every year. We show you how to be a better cyclist with our bike maintenance videos, tips for improving your cycling, cycling top tens, and not forgetting the weekly GCN Show. Join us on YouTube’s biggest and best cycling channel to get closer to the action and improve your riding!
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BOMBTRACK AT THE 3 PEAKS CYCLOCROSS
The toughest cyclocross race in the world. Staged in the Yorkshire Dales National Park since 1961 the Three Peaks is a grandparent to every adventure race that’s come after. The first off-road event of its kind, it follows in the muddy footsteps and tyre tracks of a 14-year-old Yorkshire schoolboy who first completed the arduous route by bicycle in 1959. Since then the course and event have expanded to become the largest and most feared cyclocross in the UK.
Climbing the eponymous summits of Ingleborough, Whernside, and Pen-y-Ghent, some of these are so steep even the winner will struggle to jog up. Often beset by bleak weather the event is inseparable from the beautiful yet harsh landscape of the Yorkshire Dales. Scrabbling up misty summits or racing downwards beside the epic Ribblehead Viaduct, the conditions and terrain are as responsible for the character of the race as the attitude of its hundreds of competitors.
With gradients so severe that those taking part will need the skills of a fell runner, as well as the talents of a bike racer, only standard issue cyclocross bikes using drop handlebars and thin tyres are allowed. Normally closed to riders, the route is opened just once a year for an event that’s remained largely unchanged over the course of its long existence.
Bombtrack rider Clem Shovel now has his own history with the race. Last year saw him returning for the sixth time in search of a sub-four hour ride, and a coveted first class categorisation. Like thousands before him, the Three Peaks has captured his imagination and monopolised his ambitions like no other race.
“The trail is beautiful” he explains. “It’s hilly, it’s savage, and it’s absolutely natural. That’s why it’s unique.” Now well acquainted with the agony of spending over an hour shouldering the bike up muddy hillsides and steep flagstone paths, Bombtrack’s latest film documents his ongoing love affair with the race and his most recent attempt to crack the four-hour limit. “It’s hard because it’s made to be hard,” says Clem.
About Clem Shovel:
We first met Clem at the European Singlespeed CX Championships in Mons-en-Pévèle back in 2015, not far from his home in Lille, northern France. Home to races like Paris-Roubaix and the Ardennes Classics as well as being close by the Tour of Flanders, it was instead the area’s rougher routes that drew Clem’s young eyes.
Now an accomplished ultra-racer with strong finishes at the Transcontinental Race, Highland Trail 550, Tuscany Trail, Trans Germany, and French Divide, he’s been instrumental in the design of our long-distance Audax rage. Making it look easy, none of these efforts seems to have lined Clem’s baby-faced features. Perhaps older than you’d expect, he balances life as a father and husband with his riding.
Along with his gang, the Malteni Gravel Bootleggers, Clem is also responsible for organising a 270km ultra-cyclocross that starts and finishes at the Brunehaut brewery in Rongy, Belgium. A regular competitor at Gogo Hellcross and the Singlespeed CX European Championships, he’s now ridden the Three Peaks six times and plans to be back for a seventh attempt in 2019.
Find out more about the event:
We accompanied Clem for his last two appearances in 2017 and 2018.
Rider: Clem Shovel (
Bike: Hook 2 (
Filming: Chris Prescott ( Nils Amelinkx (
Production: Hendrik Thul (
Thumbnail Photo: Iain Francis for
Graphical elements: Marko Sajn (
Words: Joseph Delphes (
Music: Cambrian Explosion „Looming Eye”.
Cambrian Explosion appears courtesy of copyright control. “Looming Eye“ is taken from the longplayer “The Moon”. For more great music and information visit and give them a follow at and
Fifty Foot Combo at Speedfest 2009
Fifty Foot Combo is a energetic Garage / Indie / Surf band from Gent, Belgium. 28 november 2009 they played at Speedfest Eindhoven.
Netsky Intro @ laundry day 2010
number 1 dj belgium
Rita Gorr Cavalleria Rusticana Voi lo sapete Samson et Dalila Printemps qui commence
Rita Gorr - Cavalleria Rusticana Voi lo sapete - Samson et Dalila Printemps qui commence -Amour viens aider - enregistré ca 1959
Rita Gorr (18 February 1926 – 22 January 2012) was a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (Lohengrin) and Amneris (Aida), two of her greatest roles.
Gorr was born Marguerite Geirnaert into a working-class family in the industrial town of Zelzate, near Ghent, Belgium. After leaving school she worked as a nurse, where the family who employed her discovered her singing and paid for her first lessons. After vocal studies in Ghent with Vina Bovy, and in Brussels with Jeanne Pacquot d'Assy and Germaine Hoerner, she won first prize at the vocal competition of Verviers in 1946, and made her professional debut at Antwerp as Fricka in Die Walküre the same year. She became a member of the Opera of Strasbourg from 1949 to 1952. She won another first prize at the vocal competition of Lausanne in 1952. That year she made her Paris debuts at the Opéra-Comique as Charlotte in Werther on 6 March 1952, and at the Paris Opéra on 31 October as Magdalena in Die Meistersinger von Nürnberg; further roles in Paris included Dalila in Samson and Delilah, Venus in Tannhäuser, Mère Marie in the French premiere of Dialogues of the Carmelites (later in her career she sang Madame de Croissy), Carmen, Geneviève in Pelléas et Mélisande, Amneris in Aida, Eboli in Don Carlos and Marguerite in La damnation de Faust.
Her career then became international in scope, with debuts at Bayreuth in 1958, the Royal Opera House in 1959, La Scala in 1960, the Metropolitan Opera on October 17, 1962 as Amneris. In four seasons at the Met, she sang Santuzza in Cavalleria rusticana, Eboli in Don Carlos, Azucena in Il trovatore, and Dalila. She was a versatile artist, singing with equal success the French, Italian and German repertories. She enjoyed a very long career singing well into her 60s and 70s and her last role was as the Countess in Tchaikovsky's The Queen of Spades which she performed in the summer of 2007 in Ghent and Antwerp.
Gorr believed that 'trouser-roles' did not suit her; she did however sing Lel in The Snow Maiden in 1955 in concert and Octavian in 1958.
Although mainly active on stage, Gorr also sang occasionally in the concert hall, in works by Schumann, Duparc and Wagner; she recorded Mahler lieder.
Gorr can be heard in two of her greatest roles on recordings, Ortrud in Lohengrin, opposite Sándor Kónya and Lucine Amara, under Erich Leinsdorf in 1965, as well as a 1959 version from Bayreuth conducted by Lovro von Matačić, and Amneris in Aida, opposite Leontyne Price and Jon Vickers, under Georg Solti. Other recorded roles include Dalila, Margared and Fricka, the latter at Bayreuth under Hans Knappertsbusch. She also recorded excerpts from Orphée et Eurydice (Orphée), Hérodiade (title role) and La damnation de Faust, as well as recitals on Pathé. Gorr can be heard in one of her rarest roles, in an excerpt from Cherubini's Medea (recorded in French) with the Orchestre du Theatre National de l'Opera under George Pretre on ASTX 130502 Pathe-Marconi, while she can be heard in excerpts from two of her Wagner roles, Isolde and Elisabeth, under André Cluytens on Testament SBT1256.
In her later life Gorr made her home in Dénia, Spain.[3] Oresko describes her as giving the impression of regal grandeur and control by the solidness of her vocal production and a unique gift for instinctive authority
Source : Wikipedia
Sample Submission Nematology
Learn how to submit a Nematology sample for identification. Florida Department of Agriculture and Consumer Services, Division of Plant Industry.
Sample Submission Form:
Helpline: 1-888-397-1517
International Helpline: (352) 395-4600
Dan Palmer of Death By Stereo jams his ASG - Artist Series Guitar
We love hanging with this dude and his sweet mustache. Check out Dan Palmer of Death By Stereo as he messes around on his Skull and Bolts ASG.
Artist Series Guitar
Rita Gorr Cavalleria Rusticana Voi lo sapete La Voix de son Maitre FALP 615
Rita Gorr - Cavalleria Rusticana - Voi lo sapete - La Voix de son Maitre FALP 615
Rita Gorr (18 February 1926 – 22 January 2012) was a Belgian operatic mezzo-soprano. She possessed a large, rich-toned voice and was an intense singing-actress, especially in dramatic roles such as Ortrud (Lohengrin) and Amneris (Aida), two of her greatest roles.
Gorr was born Marguerite Geirnaert into a working-class family in the industrial town of Zelzate, near Ghent, Belgium. After leaving school she worked as a nurse, where the family who employed her discovered her singing and paid for her first lessons. After vocal studies in Ghent with Vina Bovy, and in Brussels with Jeanne Pacquot d'Assy and Germaine Hoerner, she won first prize at the vocal competition of Verviers in 1946, and made her professional debut at Antwerp as Fricka in Die Walküre the same year. She became a member of the Opera of Strasbourg from 1949 to 1952. She won another first prize at the vocal competition of Lausanne in 1952. That year she made her Paris debuts at the Opéra-Comique as Charlotte in Werther on 6 March 1952, and at the Paris Opéra on 31 October as Magdalena in Die Meistersinger von Nürnberg; further roles in Paris included Dalila in Samson and Delilah, Venus in Tannhäuser, Mère Marie in the French premiere of Dialogues of the Carmelites (later in her career she sang Madame de Croissy), Carmen, Geneviève in Pelléas et Mélisande, Amneris in Aida, Eboli in Don Carlos and Marguerite in La damnation de Faust.
Her career then became international in scope, with debuts at Bayreuth in 1958, the Royal Opera House in 1959, La Scala in 1960, the Metropolitan Opera on October 17, 1962 as Amneris. In four seasons at the Met, she sang Santuzza in Cavalleria rusticana, Eboli in Don Carlos, Azucena in Il trovatore, and Dalila. She was a versatile artist, singing with equal success the French, Italian and German repertories. She enjoyed a very long career singing well into her 60s and 70s and her last role was as the Countess in Tchaikovsky's The Queen of Spades which she performed in the summer of 2007 in Ghent and Antwerp.
Gorr believed that 'trouser-roles' did not suit her; she did however sing Lel in The Snow Maiden in 1955 in concert and Octavian in 1958.
Although mainly active on stage, Gorr also sang occasionally in the concert hall, in works by Schumann, Duparc and Wagner; she recorded Mahler lieder.
Source: Wikipedia
Student Webinar: The Greatest Treasure Hunt in History: The Story of the Monuments Men
Best-selling author Robert Edsel presents his new book for young readers, The Greatest Treasure Hunt in History: The Story of the Monuments Men. Don’t miss this opportunity for your students to connect with the true story of how American and British volunteers found themselves in a desperate race against time to locate and save the many priceless treasures and works of art stolen by Adolf Hitler and the Nazis during World War II. Examine Monuments Men artifacts and themes from the book with a Museum curator and educator.
Appropriate for grades 7–12 or ages 12 and older.
Thinking Fellers Union Local #282 – Cistern (Live)
Well-wishing ditch-digging hands
Dirt comes from staunch comedians
Spades, hoes turn over ground
Bedrock competes with thwarting clowns
Well'll be dry
Big mush muddy mess
Quicksand can beat you at your best
Why so shy?
Holding clowns fast underwater, drowned
Still holding smiles inside the cistern
Beaming in sacrifice
Glub glub, ha ha
Laughing throats fail under surface, choke
Too deep to breathe
Live in Ghent, Belgium (1994)