Lawrence, KS
Travel just 40 miles west of Kansas City on I-70 and you'll find a town, Lawrence, ranked by the National Trust for Historic Preservation as one of the Dozen Most Distinctive Destinations in 2000, touting it as one of the most well-preserved and unique communities in the United States. Nestled amidst the rolling hills of Northeast Kansas, this college town of more than 80,000 is home to the University of Kansas and Haskell Indian Nations University.
Founded in 1854 by the New England Emigrant Aid Society in an effort to keep the territory free from slavery, Lawrence is said to be one of the only U.S. cities founded strictly for political reasons. During the Civil War, Lawrence was home to many Abolitionists and Free Staters. It was a town representative of anti-slavery sentiments, making it the target of several attacks by pro-slavery bushwhackers. On August 21, 1863, the infamous Quantrill's Raid resulted in the deaths of more than 150 unarmed Lawrence men and boys and nearly destroyed the young city in what has become by historians as one of the worst atrocities of the Civil War. As a result, Lawrence has evolved into a melting pot of ideas and styles, artists and scholars, past and present.
Meander along Massachusetts Street and you'll soon see why Mass. Street has been called one of America's most authentic main streets. The five-block downtown district is lined with century-old buildings, eclectic boutiques, tempting sidewalk cafes, curious antique shops and a multitude of art galleries and studios. Live music plays along the street every night of the week, from folk to jazz, rock to blues and everything in between.
On KU's scenic 950-acre campus, you will find a treasure trove of things to do and see. At the KU Natural History Museum, you will see nationally recognized exhibits, including Comanche, the only U.S. Army survivor of the Battle of Little Big Horn. Benton, Chihuly, Curry, Monet, Rossetti and Wood are a few of the artists featured at the Spencer Museum of Art. With a 23-foot stained glass American flag as a backdrop, follow the path of Bob Dole from a modest home in Russell to his role as U.S. Senate Majority Leader and presidential candidate at the Dole Institute of Politics. Then spend your evening watching award-winning artists from all corners of the globe perform on stage at the Lied Center of Kansas.
Take a visual tour of Lawrence's hot spots, read more about its fiery history, peruse the extensive events calendar and soak in a little of its ambiance at visitlawrence.com. While you're there, don't forget to book your hotel reservations online so you can experience The Art of a City.
Authentic, Enchanting, Alluring, Appealing.
Contact the Lawrence Visitor Information Center at (785) 865-4499, 1-888-529-5267, or e-mail visinfo@visitlawrence.com.
List 8 Tourist Attractions in Lawrence, Kansas | Travel to United States
Here, 8 Top Tourist Attractions in Lawrence, United States..
There's Clinton State Park, University of Kansas Natural History Museum, Booth Family Hall of Athletics, DeBruce Center, Spencer Museum of Art, Watkins Museum of History, Prairie Park Nature Center, Burcham Park and more...
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TOP 25 Things to do in Lawrence KS | Places to Visit
BOOKING HOTEL IN LAWRENCE - KANSAS:
Best things to do in Lawrence - Kansas (KS) - video of best places to visit in Lawrence KS, listing all best attractions or what to do in Lawrence, the 6th largest city in Kansas State, located in the northeastern sector.
Lawrence has so many places to visit for tourist. One of main attractions in Lawrence KS is Massachusetts Street. This is street is something for everyone that visited here. One of the best places to shop and dining in Lawrence.
One of main attractions in Lawrence KS is Biodiversity Institute & Natural History Museum, a natural history museum. Family or kids will enjoy to visit here.
Grinter Farm also be recommended best places to visit in Lawrence, especially when its blooming with sunflowers. You also can visit Clinton State Park for outdoor or watersport activities such as walk with your kids, kayaking or canoeing on the lake.
Other things to do list in Lawrence KS is visiting museums (Booth Family Hall of Athletics, Spencer Museum of Art, Robert J. Dole Institute of Politics, Watkins Museum of History, Freedom's Frontier National Heritage Area, Wakarusa River Valley Heritage Museum, etc), visiting visitor centers, point of interest or landmarks of Lawrence (Lawrence Visitor Center, Lied Center Lobby, Prairie Park Nature Center, etc) or visit the historical or architectural building (Old West Lawrence, Hobbs Park Memorial, Fire Station No. 4, etc).
Last, don't forget to visit other attractions in Lawrence such as University of Kansas, Lawrence Public Library, South Park, Rock Chalk Park, Phoenix Gallery, Indoor Aquatic Center, Potter Lake, DeBruce Center and Washington Creek Lavender.
Thats all about things to do in Lawrence KS, feel enjoy to doing all activities in the best places on this list.
Top 15. Best Tourist Attractions & Things to Do in Lawrence, Kansas
Top 15. Best Tourist Attractions & Things to Do in Lawrence, Kansas: Massachusetts Street, Booth Family Hall of Athletics, Biodiversity Institute & Natural History Museum, Lawrence Public Library, The Douglas County Courthouse, Robert J. Dole Institute of Politics, Spencer Museum of Art, Lawrence Visitor Center, Clinton State Park, Prairie Park Nature Center, Watkins Museum of History, Old West Lawrence and Baptist Church, South Park, Plymouth Church in Lawrence, Strong Hall on the KU Campus
American Flag Desecrated At University Of Kansas In The Name Of Art
The SPENCER MUSEUM of ART at
THE UNIVERSITY OF KANSAS
1301 MISSISSIPPI ST
LAWRENCE, KS 66045
Decided to fly an American flag that was turned into an art project by Josephine Meckseper. Meckseper poured black paint on the flag and said it represented division in our country and was hoping to unite people.
To say the least this was an outrage and it was an outrage that the University allowed this to happen. It also makes me disgusted to think that Universities such as this receive taxpayers money in order to help fund them.
American Flag Desecrated At University Of Kansas In The Name Of Art
The Man Who Draws His Own Money: The Value of Currencies Around the World (1999)
James Stephen George Boggs (born 1955) is an American artist, best known for his hand-drawn, one-sided depictions of U.S. banknotes (known as Boggs notes) and his various Boggs bills he draws for use in his performances. About the book:
He spends his Boggs notes only for their face value. If he draws a $100 bill, he exchanges it for $100 worth of goods. He then sells any change he gets, the receipt, and sometimes the goods he purchased as his artwork. If an art collector wants a Boggs note, he must track it down himself. Boggs will tell a collector where he spent the note, but he does not sell them directly.[1] His works are held in the collection of the Art Institute of Chicago,[2] the MOMA in New York, the Smithsonian Institution, Washington, D.C., Babson College, Wellesley, Massachusetts, the Norton Museum of Art, West Palm Beach, Florida, the Tampa Museum of Art, Tampa, Florida, the Spencer Museum of Art, Lawrence, Kansas, and the British Museum, London, England, to name but a few. Boggs and his work are chronicled in Boggs: A Comedy of Values, by Lawrence Weschler, published by the University of Chicago Press.
Boggs (Steven Litzner before being adopted) was born in Woodbury, New Jersey, U.S., in 1955. Any person who gets a Boggs note can usually sell it for much more than its face value: a $10 Boggs note may be worth more than $1000. Any person who knows about Boggs is likely to accept a Boggs note; for this reason, Boggs prefers to spend his art with people who are unfamiliar with his work. He likes people to make a conscious choice to accept art instead of money, believing or knowing how much money his art is actually worth spoils it. He views these transactions as a type of performance art, but the authorities often view them with suspicion. Boggs aims to have his audience question and investigate just what it is that makes money valuable in the first place. He steadfastly denies that he is a counterfeiter or forger, maintaining that a good-faith transaction between informed parties is certainly not fraud, even if the item transacted happens to resemble negotiable currency.
Recently, Boggs has moved on beyond his hand-drawn works and embraced digital technology, creating his latest works on the computer. These works resemble paper money in fundamental ways but add subtle twists. One of his better-known works is a series of bills done for the Florida United Numismatists' annual convention. Denominations from $1 to $50 (and perhaps higher) feature designs taken from the reverse sides of contemporary U.S. currency, modified slightly through the changing of captions (notably, The United States of America is changed to Florida United Numismatists and the denomination wording is occasionally replaced by the acronym FUN) and visual details (the mirroring of Monticello on the $2, the Supreme Court building, as opposed to the U.S. Treasury, on the $10 and an alternate angle for the White House on the $20). They were printed in bright orange on one side and featured Boggs's autograph and thumbprint on the other. The total run was several hundred and they command a modest premium but not as much as his older, hand-drawn works.
Other money art that he has designed include the mural All the World's a Stage, roughly based on a Bank of England Series D 20-pound note and featuring Shakespearean themes, as well as banknote-sized creations that depict Boggs's ideas as to what U.S. currency should look like. A $100 featuring Harriet Tubman is one known example.
Other money artists include
William Harnett
John F. Peto
Tim Prusmack
John Haberle, who made trompe-l’œil paintings of U.S. currency in the 1880s
Otis Kaye, who made both paintings similar to Harnett, and also actual-size pen-and-ink drawings from the 1920s to the 1950s
Emanuel Ninger (Jim the Penman), who drew counterfeit notes by hand, with the intent to defraud, in the 1880s
Genpei Akasegawa
Additional contemporary money artists include Stephen Barnwell (ANTARCTICA Dream-Dollars), Franck Medina (State of Kamberra), Cedric Mnich (Gordon Gekko's) and SilentBill (Dimensions of Money, Extra Value Money, Hyperinflation AKA Zimbadboy).
Channeled Visions: Women, Esotericism and Modern Art
Popular esoteric movements of the 19th and early 20th centuries, such as Spiritualism and Theosophy, provided a number of women artists with new avenues of creative expression. This lecture will focus on their attempts to chart new spiritual territories utilizing innovative visual strategies. Some of the artists to be examined are the British medium Georgiana Houghton, Swiss healer Emma Kunz, Swedish Theosophist Hilma af Klint, and the American visionary Agnes Pelton.
About the Speaker:
Susan Aberth (B.A., University of California, Los Angeles; M.A., Institute of Fine Arts, New York University; Ph.D., The Graduate Center, CUNY) is an Associate Professor in the Art History Program at Bard College. Her specialties include Latin American Art, Surrealism, Outsider Art and Esotericism and she is particularly interested in women surrealists working in the Americas. In addition to her 2004 book Leonora Carrington: Surrealism, Alchemy and Art (Lund Humphries and Turner in Spanish), she has contributed essays to Surrealism, Occultism and Politics: In Search of the Marvelous (Routledge Press, 2018), Leonora Carrington: Cuentos Mágicos, (Museo de Arte Moderno & INBA, Mexico City, 2018); Unpacking: The Marciano Collection (Delmonico Books, Prestel, 2017), and Leonora Carrington and the international avant-garde (Manchester University Press, 2017) as well as articles in Abraxas: International Journal of Esoteric Studies, Black Mirror (London), and Journal of Surrealism of the Americas. She is currently working on a book that explores the role of trance mediums in the formation of modern art, particularly in the United States (working title: Channeled Visions: Mediums and Modern Art).
Agnes Pelton: Desert Transcendentalist
On view through September 8, 2019 at Phoenix Art Museum.
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Thumbnail Image Credit: Agnes Pelton, Day, 1935, oil on canvas, Gift of The Melody S. Robidoux Foundation.
Introduction to the Exhibition: America Collects Eighteenth-Century French Painting
Introduction to the Exhibition: America Collects Eighteenth-Century French Painting
Reflections on the First Fifty Years of the Peabody Museum, 1866–1916
Curtis Hinsley, Regents’ Professor Emeritus of History and Comparative Cultural Studies, Northern Arizona University
The Peabody Museum was founded at a time of epistemological and political turmoil, seven years after the publication of Darwin’s On the Origin of Species and one year after the end of the Civil War. The chaotic decades following the war proved to be an era of unprecedented economic opportunity, but also a time of corruption, disillusionment, and oppression. In the world of instruction, museums held the promise of teaching not only scientific facts, but proper values as well; a museum of anthropology might serve a vital moral function in the emerging society. As Peabody director Frederic Putnam wrote in 1891: “Many an indifferent idler straggling into a well-arranged museum goes forth with new ideas and fresh interests” to enrich “an otherwise aimless and weary life.” In this lecture Curtis Hinsley will consider the hopes and intentions of the Peabody Museum in its early years.
Presented as part of the Peabody Museum of Archaeology & Ethnology's 150th anniversary.
Wyeth Lecture in American Art: Minstrelsy Uncorked: Thomas Eakins' Empathetic Realism
Richard J. Powell focuses on Thomas Eakins (1844–1916) as uniquely empathetic among the many 19th-century artists who depicted African American performance and entertainment.
Austin Yip: Violin Concerto No. 1 Generation (Patrick Yim, violin; Fanny Ma, conductor; HKFWO)
Austin Yip: Violin Concerto No. 1: Generation (Patrick Yim, violin; Fanny Ma, conductor; HKFWO), Jockey Club Auditorium, Hong Kong Polytechnic University, Kowloon, Hong Kong, May 2019
This work was co-commissioned by Patrick Yim and the Hong Kong Festival Wind Orchestra.
As a composer and multimedia artist, Austin Yip’s works investigate on the relationship between literature and sound, as well as the meaning of connotation and denotation through musical and visual means. Recent works include “Koto” (2019), a chamber theatre work inspired by Yasunari Kawabata’s novel of the same title; “City Beats” (2019), a work for harpsichord, electronics and video that challenges musical connotation; “Miles Upon Miles” (2018), a work for amplified violin and electronics that juxtaposes violin and Xinjiang Uyghur Muqam; “Project ‘Ballet de la nuit’: Eurydice” (2017), an hour-long electroacoustic work that investigates on the 17th century’s cross-casting tradition; and “Metamorphosis” (2016), an orchestral work that portrays Kafka’s novel musically.
Frequently presented at musical festivals, Yip’s works have been performed worldwide, examples include the ISCM World New Music Days (Beijing 2018, Sydney 2010), New York City Electroacoustic Music Festival (2018), Seoul International Computer Music Festival (2018), Asian Composers League Conference and Festival (Japan 2010/2017, Vietnam 2016, Singapore 2014), World Saxophone Congress (France 2015, Scotland 2012), Intimacy of Creativity (2012) and many more.
Yip is the recipient of CASH Golden Sail Music Award, Chou’s Annual Composition Commission Award, James Kitagawa Memorial Music Scholarship, Regents’ and Chancellor’s Scholarship, Henry Holbrook Scholarship, James King Scholarship, Eisner Prize, Milton C. Witzel Memorial Prize, University Postgraduate Fellowship, Rayson Huang Scholarship and CASH Best Commissioned Piece Award.
Yip’s works are published by Donemus (Netherlands), ABRSM (UK), BabelScores (France), Ablaze Records (US), Navona Records (US), Hugo Production and Hong Kong Composers Guild.
Honolulu-born violinist Patrick T.S. Yim has performed as soloist, recitalist, chamber musician, and orchestral violinist throughout the world, including performances in Carnegie Hall and David Geffen Hall (New York), Seoul Arts Center, Harpa Concert Hall (Reykjavík), Hong Kong City Hall, Severance Hall (Cleveland), Orchestra Hall (Chicago), Teatro alla Scala (Milan), and the Musikverein (Vienna).
He made his solo debut with the Honolulu Symphony after winning the Honolulu Symphony Concerto Competition. In recent years, he has performed concerti of Bach, Brahms, Bruch, Mozart, and Lalo. He has performed in the violin sections of the Hawaii Symphony and The Cleveland Orchestra, among others. He joined The Cleveland Orchestra on tours to New York City, Chicago, Bloomington, Iowa City, Miami, and major cities in Europe, including Paris, Milan, Brussels, Luxembourg, Cologne, Munich, and Vienna.
Yim has performed chamber music with members of the Juilliard, Emerson, St. Lawrence, Pacifica, and Ying Quartets, musicians from The Cleveland Orchestra and New York Philharmonic, and principal players from the Shanghai Symphony and Hong Kong Philharmonic. He has also performed at festivals in Canada (Banff and Toronto Summer Music Festival), China, the Czech Republic, Denmark, Germany, Iceland, South Korea, and throughout the United States, including a recent performance in Carnegie Hall with members of the Emerson Quartet.
Yim has commissioned more than a dozen works and performed the works around the world at world-class museum galleries (Hong Kong Museum of History and the National Museum of Denmark), concert halls (Seoul Arts Center; Sheung Wan Civic Center and Tai Kwun Center for Heritage and Arts in Hong Kong; Goethe Institut in Kolkata, India; Arts Rotunda at the American University of Sharjah, UAE; Bactria Cultural Centre in Dushanbe, Tajikistan; Grusin Hall at the University of Colorado, Boulder), and as part of international music festivals (2018 Seoul International Computer Music Festival, the 2018 New York City Electroacoustic Music Festival, the 2019 Flatirons Chamber Music Festival (Boulder, CO, USA), the 2019 Sulzbach-Rosenberg International Music Festival (Germany) and the New Music for Strings Festival (Reykjavik, Iceland).)
Yim has taught violin and chamber music and presented lectures at the Royal Academy of Music in Aarhus, the University of Colorado at Boulder, Stony Brook University, the Cleveland Institute of Music Preparatory Department, the Interlochen Summer Arts Camp, the Flatirons Chamber Music Festival, the Rushmore Music Festival, and the Sulzbach-Rosenberg International Music Festival (Germany). He has taught masterclasses and workshops in the United States, Germany, Denmark, Iceland, India, Hong Kong, Taiwan, and mainland China.
Rena Detrixhe and Kahlil Irving - Third Thursday Visiting Artists’ Presentation
The views expressed in these presentations are not sponsored nor endorsed by JCCC. Artists are fully and solely responsible for the content of their presentation.
Nerman Museum programs include artists’ lectures at exhibition openings, Third Thursday Visiting Artists’ Presentations, and Noon at the Nerman gallery talks.
Rena Detrixhe 00:17
Kahlil Robert Irving 27:19
For more information on this and other happenings at the college, visit
Video of Interview with Alan and Nathan Osmond about Olive Osmond
Commencement 2019: HGSE Presentation of Diplomas and Certificates 2019
On Thursday, May 30, HGSE diplomas and certificates were awarded to all graduates on stage in Radcliffe Yard.
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Since its founding in 1920, the Harvard Graduate School of Education has been training leaders to transform education in the United States and around the globe. Today, our faculty, students, and alumni are studying and solving the most critical challenges facing education: student assessment, the achievement gap, urban education, and teacher shortages, to name just a few. Our work is shaping how people teach, learn, and lead in schools and colleges as well as in after-school programs, high-tech companies, and international organizations. The HGSE community is pushing the frontiers of education, and the effects of our entrepreneurship are improving the world.
91st Academy Awards (2019 Oscars) FULL SHOW
#oscars2019 #fullshow #nohost
Casey At The Dentist Russell Hunting
Casey At The Dentist Russell Hunting
Hunting, Russell (8 May 1864 - 20 February 1943)
Born in West Roxbury, Massachusetts, he eventually became more important to the industry as a businessman than performer. As a young man he was a dramatic actor in the Boston Theater Company. Fred W. Gaisberg writes on page 8 of The Music Goes Round (New York: Macmillan, 1942), Russell Hunting at the age of 21 had been a member of the Edwin Booth Company...For nine years he was a member of the Boston Museum Stock Company and was for three years its stage manager. After this he acted as stage manager in Meyer Lutz's extravaganza 'Faust Up To Date,' playing the role of Mephistopheles. During his spare time he earned thousands of dollars recording his inimitable Irish scenes from life...
Edward B. Marks writes on page 104 in They All Sang (Viking Press, 1935) that Hunting had been the Mephistopheles in the Black Crook company at Niblo's Garden.
In the early 1890s enjoyed success with cylinders of Michael Casey Irish comedy skits, for which he frequently assumed multiple parts and supplied various sound effects. Titles include Michael Casey at the Telephone, Casey at the Klondike Gold Mines, Casey Exhibiting His Panorama, Casey Joins the Masons, Casey as the Dude in a Street Car, and Casey at Denny Murphy's Wake.
In 1896, Hunting operated a phonograph business with Charles M. Carlson at 45 Clinton Place in Manhatten. An issue of Antique Phonograph Monthly (Volume V, Number 10) reports that on June 24, 1896, vice detective Anthony Comstock visited the shop and inquired after specific titles. The next day he obtained a warrant for Hunting's arrest due to the sale of cylinders containing questionable material.
From late 1895 to late 1897 he made over a dozen Berliners, including Casey as Judge (612) and Casey as Chairman of Mugwump Club (615).
Michael Casey Taking the Census, cut for various companies, was among the most popular in the series. Edison's National Phonograph Company had James H. White (called Jim White on records) cover it in 1902, years after Hunting had introduced it. Soon after Hunting left the United States in 1898 to work in England, other artists--Joseph Gannon, Jim White, John Kaiser, George Graham--recorded Casey skits.
In 1897 advertisements cited Hunting as manager of the Universal Phonograph Company in New York City (he was succeeded by Mitchell Marks). The company had a recording studio at 21 East 20th Street, near its parent firm, Joseph W. Stern and Company, at 45 East 20th Street. The publisher started the cylinder company in hopes that records would create hits of songs owned by the publishing company.
In late 1896 Hunting founded the trade journal The Phonoscope, which called itself the only journal in the world published in the interest of Talking Machines, Picture Projecting and Animating Devices, and Scientific and Amusement Inventions appertaining to Sound & Sight. The publication lasted until December 1899, but Hunting edited only the first couple dozen issues, his last being October 1898. Emil Imandt succeeded him as editor.
Jim Walsh wrote in the November 1981 issue of Hobbies, Near the end of the 19th century, Hunting got into trouble which caused him to leave America hurriedly and take up residence in England. Walsh told Quentin Riggs that Hunting and Steve Porter made or distributed films featuring naked women. Whether Hunting had to flee the U. S. for this reason is impossible to verify. Porter also left the U. S. for a few years, but he left in 1901.
Hunting worked in England for years. By February 1899 he was making records there, performing Casey monologues, scenes from Shakespeare plays, and popular songs. In London, he became director of the Edison Bell Consolidated Phonograph Co., Ltd. In late 1904 he founded, with Louis Sterling, the Sterling Record Company, Ltd. (Sterling was managing director, Hunting the manager of the recording department), which by April 1905 was renamed the Russell Hunting Record Company, Ltd. Notwithstanding the name change, the company's products were called Sterling records.
By May 1908 Sterling and Hunting had sold their interest in the cylinder company, which subsequently failed in late 1908, and by October Hunting was chief recording director of Pathé Freres Compagnie, a firmed established two decades earlier in Paris by brothers Charles and Emile Pathé. Hunting made the rounds in visiting Pathé studios in Paris, London, Milan, Brussels, Amsterdam, St. Petersburg, and other cities.
Gurus, Women, and Yoga: The Spiritual World of Hindu Universalism
In the annual Hindu View of Life lecture, Ruth Harris examines how Vivekananda conveyed the meaning of “guru-bakhti” to his female disciples, and the spiritual lens through which he sought to mold them in a male spiritual milieu.
Ruth Harris is Professor of Modern History at the University of Oxford and Senior Research Fellow at All Souls’ College. She has published widely in the history of religion, science, women’s history, French history, and more recently, global history.
The lecture took place at the Center for the Studies for World Religions on September 23, 2019.
Learn more about Harvard Divinity School and its mission to illuminate, engage, and serve at
High School Quiz Show | Belmont vs. Needham (1007)
North meets South!
Belmont High School and Needham High School Square off in a battle of wits to advance to the Quarter-Finals! Who will move on and go for the trophy in this exciting season 10 match?
Toss-up Round: 2:20
Meet the Teams: 10:06
Head-to-Head: 12:00
Category Round: 14:18
Lightning Round: 23:13
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San Francisco State Honors Convocation
Honors Convocation is an annual celebration where undergraduate students are recognized for their distinguished academic achievements.
Video #1: How to Find Arrowheads Indian Artifacts On Rivers & Streams What You Need THE BASICS
A group of items you will need to TEAR IT UP Artifact/Arrowhead hunting on rivers. This will be the 1st video in a several video series to TEACH you how to find at least 5x's as many Artifacts. The next video will show the technique's involved in the field. Using this technique I have NEVER went looking for Artifacts and not found something nice----EVER.