Jordan Peterson on the play Faust by Goethe
a short tribute from Leipzig, Germany from steemit.com/@felix.herrmann
taken from this video:
Message to the school shooters: past, present and future
03.03.2018
„Eine bunte Drehung“ für die LEIPZIG REGION
Begebt euch auf eine fantastische Raum-Zeit-Reise durch die LEIPZIG REGION: Vier Touristen fotografieren sich vor der berühmten Mephisto-Faust-Statue in der Mädler-Passage in Leipzig. Plötzlich materialisiert sich die Mephisto-Figur und verführt die Gruppe zu einer abenteuerlichen Reise durch die Erlebnismöglichkeiten in der Leipzig Region.
Zur Tourismusregion als Dachmarke zählen die Leipziger City, das Sächsische Burgenland, das Sächsische Heideland und das Leipziger Neuseenland. #leipzigregion
Erfahrt mehr über die unglaubliche Vielfalt von Stadt und Region:
leipzig.region.travel
Eine Produktion der Leipziger Agentur LUMALENSCAPE
Leipzig: Auerbachs Keller - Tragödie Faust von Johann Wolfgang Goethe. plays the tragedy
In Auerbachs Keller spielt die Tragödie Faust von Johann Wolfgang Goethe. In Auerbach's Keller plays the tragedy Faust by Johann Wolfgang Goethe.
Mephisto verzaubert die Studenten. Mephisto enchants the students.
Die 1808 veröffentlichte Tragödie greift die Geschichte des historischen Doktor Faustus auf.
The tragedy, published in 1808, shows on the history of the historic Doctor Faustus.
Faust gilt als das bedeutendste Werk der deutschen Literatur.
Faust is the greatest work of German literature.
Auerbachs Keller liegt in der Mädler-Passage.
Auerbachs Keller is in the Mädler-Passage.
Leipzig´s schönste Sehenswürdigkeiten und Führung durch die Moritzbastei #230
Leipzig Sehenswürdigkeiten und die Führung durch die Moritzbastei. Wir besuchen Leipzig bei Tag und Nacht und nehmen euch u.a. mit zu einer Führung durch die Moritzbastei. Auch kommen wir vorbei an der Nikolaikirche Leipzig, Thomaskirche, Mädlerpassage, Hansahaus, Klangbrunnen, Brauhaus an der Thomaskirche, Bronzestatue - Faust und Mephisto, Auerbachs Keller, Mephisto-Bar, Altes Rathaus und die Alte Börse.
Wir zeigen euch also einen Großteil der Sehenswürdigkeiten von Leipzig. Viel Spaß!
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www.auerbachs-keller-leipzig.de
Seit 1525 gibt es den Auerbachs Keller in der Mädler-Passage im Herzen der Leipziger Altstadt. Seinen Namen verdankt er dem Mediziner und Stadtrat Dr. Heinrich Stromer, der den historischen Keller nach seinem Geburtsort Auerbach in der Oberpfalz benannt hat. In den Jahren von 1765 bis 1768 studiert der junge Johann Wolfgang von Goethe in Leipzig und hört bei seinen Besuchen im Auerbachs Keller von der Sage des berühmten Schwarzkünstlers Dr. Johannes Faustus. Inspiriert von der Atmosphäre und den alten Bildern zur Legende, setzt Goethe dem berühmtesten Keller Leipzigs mit seinem „Faust ein Denkmal (Szene im Auerbachs Keller). Seither strömen täglich Gäste aus aller Welt in den Auerbachs Keller um die Historie und das ganz spezielle Ambiente bei hochwertigen Speisen auf sich wirken zu lassen.
Liszt - Faust Symphony | Piano (Third Movement - Mephistopheles and Chorus Mysticus)
Rehearsing the final movement Mephistopheles of Liszt - Faust Symphony (Eine Faust-Symphonie in drei Charakterbildern) on my piano with an orchestra in the background :) This is the second variant of the ending with the Chorus Mysticus
Although it is difficult .. I find this way very useful and fun to practise and learn a piece :) That is why I decided to share it with you :) There are some differences between the original orchestral score and the one transcribed for two pianos by Liszt himself ( small mismatches from time to time :)) Hope you like it and enjoy! :)
- You can support the channel by buying me a coffee here :) :
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Liszt/Horowitz - Hungarian Rhapsody No. 2:
More Liszt Videos here:
Chopin - Etude Op. 10, No. 1:
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If you like the video consider subscribing for my channel to keep up with my latest work! :) Thanks for watching!
A Faust Symphony in three character pictures (German: Eine Faust-Symphonie in drei Charakterbildern), S.108, or simply the Faust Symphony, was written by Hungarian composer Franz Liszt and was inspired by Johann Wolfgang von Goethe's drama, Faust. The symphony was premiered in Weimar on September 5, 1857, for the inauguration of the Goethe–Schiller Monument there.
The first clue as to the work's structure is in Liszt's title: A Faust Symphony in Three Character Sketches after Goethe: (1) Faust, (2) Gretchen, (3) Mephistopheles. Liszt does not attempt to tell the story of Goethe's drama. Rather, he creates musical portraits of the three main protagonists. By doing so, though this symphony is a multi-movement work and employs a male chorus in its final moments, Liszt adopts the same aesthetic position as in his symphonic poems. The work is approximately seventy-five minutes in duration.
Some critics suggest that, like Gretchen, Mephistopheles can be seen as an abstraction—in this case, one of the destructive aspects of Faust's character, with Faust mocking his humanity by taking on Mephistopheles' character. Regardless of which interpretation a listener chooses, since Mephistopheles, Satan, the Spirit of Negation, is not capable of creating his own themes, he takes all of Faust's themes from the first movement and mutilates them into ironic and diabolical distortions. Here Liszt's mastery of thematic metamorphosis shows itself in its full power – therefore we may understand this movement as a modified recapitulation of the first one. The music is pushed to the very verge of atonality by use of high chromaticism, rhythmic leaps and fantastic scherzo-like sections. A modified version of Faust's second and third themes then creates an infernal fugue. Mephistopheles is, however, powerless when faced with Gretchen's innocence, so her theme remains intact. It even pushes the Spirit of Negation away towards the end of the work.
Liszt's original version of 1854 ended with a last fleeting reference to Gretchen and an optimistic peroration in C major, based on the most majestic of themes from the opening movement. Some critics suggest this conclusion remains within the persona of Faust and his imagination. When Liszt rethought the piece three years later, he added a 'chorus mysticus', tranquil and positive. The male chorus sings the words from Goethe's Faust.
#Liszt #FaustSymphony #Piano
Leipzig Auerbachs Keller Part 2
Here is my part 2 video! Follow me on my adventure to discover the Leipzig Auerbachs Keller! It is a must see holiday icon in Leipzig.
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Frontale Faust (Hoodtape 3)
Provided to YouTube by Alpha Music Empire/WM Germany
Frontale Faust (Hoodtape 3) · Kollegah
Monument
℗ 2018 Alpha Music Empire GmbH
Lyricist: Felix Blume
Composer: Kai Engelmann
Composer: Phillip Herwig
Auto-generated by YouTube.
Restaurant Großer Keller/ www.auerbachs-keller-leipzig.de
Im Großen Keller, welcher zusammen mit der Mädler-Passage 1912/14 erbaut worden ist, finden bis zu 500 Gäste Platz. Hier werden vorrangig Gerichte der klassisch regionalen Küche serviert, eine Auswahl an internationalen Speisen vervollständigt das Angebot. Die beiden mit dem Großen Keller verbundenen Salons „Helena und „Anton Mädler bieten dem Gast ein persönliches und romantisches Ambiente. Der Große Keller beherbergt außerdem unseren Souvenirladen, der für jeden Geldbeutel das Richtige bereithält.
Liszt - Faust Symphony | Piano (Second Movement - Gretchen)
Rehearsing the Second movement Gretchen of Liszt - Faust Symphony (Eine Faust-Symphonie in drei Charakterbildern) on my piano with an orchestra in the background :)
Although it is difficult .. I find this way very useful and fun to practise and learn a piece :) That is why I decided to share it with you :) There are some differences between the original orchestral score and the one transcribed for two pianos by Liszt himself ( small mismatches from time to time :)) 3rd movement coming in the next few days :)
- You can support the channel by buying me a coffee here :) :
PayPal:
Patreon:
Liszt/Horowitz - Hungarian Rhapsody No. 2:
More Liszt Videos here:
Chopin - Etude Op. 10, No. 1:
Instagram:
Facebook:
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If you like the video consider subscribing for my channel to keep up with my latest work! :) Thanks for watching!
A Faust Symphony in three character pictures (German: Eine Faust-Symphonie in drei Charakterbildern), S.108, or simply the Faust Symphony, was written by Hungarian composer Franz Liszt and was inspired by Johann Wolfgang von Goethe's drama, Faust. The symphony was premiered in Weimar on September 5, 1857, for the inauguration of the Goethe–Schiller Monument there.
The first clue as to the work's structure is in Liszt's title: A Faust Symphony in Three Character Sketches after Goethe: (1) Faust, (2) Gretchen, (3) Mephistopheles. Liszt does not attempt to tell the story of Goethe's drama. Rather, he creates musical portraits of the three main protagonists. By doing so, though this symphony is a multi-movement work and employs a male chorus in its final moments, Liszt adopts the same aesthetic position as in his symphonic poems. The work is approximately seventy-five minutes in duration.
This second slow movement is in the key of A♭ major. Following the introduction on the flutes and clarinets, we are given the pure oboe's melody figurated by the viola's tender decorations, which expresses Gretchen's virginal innocence. A dialogue between clarinet and violins describes her naively plucking the petals of a flower, in a game of 'he loves me, he loves me not'. She is obsessed by Faust, and therefore we may hear Faust's themes being introduced progressively into the music, until his and Gretchen's themes form a passionate love duet. This draws the second movement to a peaceful and short recapitulation.
An alternative interpretation of the Gretchen movement is that, as Lawrence Kramer writes, What we have been calling Gretchen's music is really Faust's. The entire Gretchen movement could be seen as representing her from the perspective of Faust. Consequently, the listener really learns more about Faust than about Gretchen. In Goethe's drama, she is a complex heroine. In Liszt's symphony, she is innocent and one-dimensional—a simplification that could arguably exist exclusively in Faust's imagination. The listener becomes aware of this masquerade when the Gretchen mask Faust is wearing slips with the appearance of the Faustian themes in bars 44 through 51 and bar 111 to the end of the movement.
#Liszt #FaustSymphony #Piano
NAVI vs EG - The Leipzig Major (ВЛОГ)
Первый день группового этапа Leipzig Major закончился для NAVI победой в матче против EG! Перед сражением мы поговорили с игроками, тренером и аналитиком об итогах буткемпа, обсудили соперников в группе и настрой коллектива. Также в конце влога 9pasha кратко оценит встречу Рождённых Побеждать с Evil Geniuses.
NAVI kicked off the Leipzig Major with a win against EG! In this video, we talk to the players, coach, and analyst about the bootcamp, group opponents and the team's mindset coming into the game, and get a quick post-match recap from 9pasha.
Соскучился по Dota 2? Утоли свою жажду — поддержи NAVI на первом Мажоре этого года! А Monster позаботиться, чтобы твоей энергии хватило на весь турнир! Вперёд, NAVI!
Did you miss Dota 2? Scratch the itch and support NAVI at the first Major of this year! Monster will help you to maintain your energy for the whole tournament! Go NAVI!
Follow us:
NAVI DOTA2 roster:
Vladyslav Crystallize Krystanek
Idan MagicaL Vardanian
Pavel 9pasha Khvastunov
Bakyt W_Zayac Emilzhanov
Illias illias Ganeev
Production Music courtesy of Epidemic Sound
epidemicsound.com
NAVI vs EG - The Leipzig Major (ВЛОГ)
#NaviVlog #NaviDota2 #Dota2
Liszt - Faust Symphony | Piano (First Movement - Faust)
Rehearsing the Liszt - Faust Symphony (Eine Faust-Symphonie in drei Charakterbildern) on my piano with an orchestra in the background :) Although it is difficult .. I find this way very useful and fun to practise and learn a piece :) That is why i decided to share it with you :) There are some differences between the original orchestral score and the one transcribed for two pianos by Liszt himself ( small mismatches from time to time :)) Also recorded the 2nd and 3rd movements which i will upload in the next days :)
- You can support the channel by buying me a coffee here :) :
PayPal:
Patreon:
Liszt/Horowitz - Hungarian Rhapsody No. 2:
More Liszt Videos here:
Chopin - Etude Op. 10, No. 1:
Instagram:
Facebook:
Twitter:
If you like the video consider subscribing for my channel to keep up with my latest work! :) Thanks for watching!
A Faust Symphony in three character pictures (German: Eine Faust-Symphonie in drei Charakterbildern), S.108, or simply the Faust Symphony, was written by Hungarian composer Franz Liszt and was inspired by Johann Wolfgang von Goethe's drama, Faust. The symphony was premiered in Weimar on September 5, 1857, for the inauguration of the Goethe–Schiller Monument there.
The first clue as to the work's structure is in Liszt's title: A Faust Symphony in Three Character Sketches after Goethe: (1) Faust, (2) Gretchen, (3) Mephistopheles. Liszt does not attempt to tell the story of Goethe's drama. Rather, he creates musical portraits of the three main protagonists. By doing so, though this symphony is a multi-movement work and employs a male chorus in its final moments, Liszt adopts the same aesthetic position as in his symphonic poems. The work is approximately seventy-five minutes in duration.
The large-scale first movement (usually lasting around 30 minutes) is a very loose sonata-form with a short central development and a protracted recapitulation. One might say that this movement represents the very synthesis of the whole symphony, since many of its themes and motives appear throughout the score in various guises, a process of thematic transformation which Liszt mastered to the highest level during his Weimar years. The basic key of the symphony (C minor) is already rather blurred by the opening theme made up of augmented triads and containing all twelve notes of the chromatic scale consecutively (this is the first published use of a twelve-tone row, other than a simple chromatic scale, in any music). This theme evokes the gloomy Faust, a dreamer, in everlasting search for truth and knowledge. Next follows the so-called 'Nostalgia' theme introduced by the oboe. At the end of a slow crescendo, there appears a violent Allegro agitato ed appassionato theme, depicting Faust's insatiable appetite for the pleasures of life – this theme establishes a gingery C minor threatened with collapse under the weight of highly chromatic elements. A melody of the oboe and clarinet represents the hero's 'painful delights'. The last theme is pentatonic and resolute. From all these elements Liszt weaves a musical structure of power and grandeur, in which some critics recognise the composer's self-portrait.
#Liszt #FaustSymphony #Piano
Asche - Halt dein Bastardmaul
Asche/Aschkobar
Marx - Eisenstein - Das Kapital Part 3 (2008)
With English Subtitles
Mozart - Concerto Don Giovanni - 9. Act II - Scene III - ...
Wolfgang Amadeus Mozart - Mozart - Concerto Don Giovanni - 9. Act II - Scene III - Cemetry (performed by unknown)
Wolfgang Amadeus Mozart (German: [?v?lf?a? ama?deus ?mo?tsa?t], English see fn.; 27 January 1756 -- 5 December 1791), baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that posterity will not see such a talent again in 100 years.
NAVI DOTA 2: Выходной на The Leipzig Major
Перед плей-офф The Leipzig Major у наших ребят было два дня отдыха. В новом влоге из Германии мы погрузим вас в атмосферу как чемпионата, так и страны: вас ждут прогулки по городу и история о том, чем обернулся выбор техники, а также ламповое общение с игроками и не только!
Our new vlog from Germany covers two days off ahead of the Leipzig Major playoffs as we go out for a walk around the city to soak up its atmosphere, try to get some shopping done, and have a chat with the players and other personalities.
Соскучился по Dota 2? Утоли свою жажду — поддержи NAVI на первом Мажоре этого года! А Monster позаботиться, чтобы твоей энергии хватило на весь турнир! Вперёд, NAVI!
Did you miss Dota 2? Scratch the itch and support NAVI at the first Major of this year! Monster will help you to maintain your energy for the whole tournament! Go NAVI!
Follow us:
NAVI DOTA2 roster:
Vladyslav Crystallize Krystanek
Idan MagicaL Vardanian
Pavel 9pasha Khvastunov
Bakyt W_Zayac Emilzhanov
Illias illias Ganeev
Production Music courtesy of Epidemic Sound
epidemicsound.com
NAVI DOTA 2: Выходной на The Leipzig Major
#NaviVlog #NaviDota2 #Dota2