東大寺 転害門 奈良 / Todai-ji Temple Tegaimon Gate Nara / 도다이지 나라
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Todaiji Temple, Nara Japan. Храм Тодайдзи, Нара Япония.
“The origins of Tōdai-ji lie in a temple called Kinshō-ji which was founded in 728 for the repose of the spirit of Crown Prince Motoi, son of Emperor Shōmu (r. 724-749). In 741 when the Emperor issued his edict ordering the construction of a national system of monasteries (Kinkōmyō-ji) known as the Kokubun-ji, Kinshō-ji was elevated in status. In 743 Emperor Shōmu issued his proclamation for the erection of a Great Buddha Image and when the capital was returned to Heijō (Nara) construction of the colossal image of Vairocana was begun on the grounds of the Kinkōmyō-ji and was completed in 749. Construction of the Great Buddha Hall took place concurrently and the image was dedicated in 752 with a lavish consecration ceremony. Subsequently the Office for the Construction of Tōdai-ji supervised the building of the West and East Pagodas, the Lecture Hall and Monks’ Quarters to complete the temple complex.
Because Tōdai-ji was the chief temple in the Kokubun-ji system, it was a center for rituals for the peace of the nation and the prosperity of the people; it also functioned, however, as a center for the training of scholar monks who studied Buddhist doctrine.
In 855 the head of the Great Buddha fell off in a major earthquake. The image was quickly restored. In subsequent years fires and lightning destroyed the Lecture Hall, the Monks’ Quarters and the West Pagoda. In 1180 more than half of the compound including the Great Buddha Hall was destroyed in the fire that resulted from the attack on the Nara temples by Taira no Shigehira. In the next year restoration of the temple was begun by the monk Chōgen (1121-1206) and in 1185 the Great Buddha was consecrated. In the following year the Province of Suō (Yamaguchi Prefecture) was designated to provide income for the reconstruction of Tōdai-ji and the pace of the work increased. Ten years later the Great Buddha Hall was completed. As the temple was reconstructed scholastic activities which had been stagnant were also revived and during the Kamakura period (1185-1333) the temple trained many scholar-monks.
In 1567, however, the temple burned again during a skirmish between the Miyoshi and Matsunaga clans, and the only structures not burned were the Nigatsu-dō, Hokke-dō, Great South Gate, Tegai-mon Gate, Shōsō-in and the Bell Tower. Because the country was at war, restoration was extremely difficult and the only repairs that could be made were to cover the head of the Great Buddha with copper sheathing. Finally in the mid-Edo period the monk Kōkei (1648-1705) petitioned the shogunal government for permission to solicit donations throughout the land and to seek the assistance of some powerful warlords and thus a proper restoration was finally begun. As a result of these efforts, the present Great Buddha was consecrated in 1692 and the Great Buddha Hall was dedicated In 1709.
After the start of the Meiji period in 1868 edicts legislating the separation of Shinto and Buddhist religious establishments and the confiscation of temple lands threatened the existence of Tōdai-ji. Nevertheless, the temple managed to carry out major repairs to the Great Buddha Hall at the start of this century and again in the 1970s and has striven to preserve the extensive compound with all its structures. Tōdai-ji today preserves many precious cultural treasures from the temple’s past, yet it also is a treasure house of traditional Buddhist rituals such as the Shuni-e held at the Nigatsu-dō. Many people from throughout Japan and the world visit the temple to worship and pay their respects every year.”
奈良散策 Stroll around Nara
0:09 萬林堂（Manrindō）
0:35 転害門（Tegaimon Gate）
1:35 東大寺（Tōdaiji-Temple）
3:51 春日大社（Kasuga-Taisha Shrine）
13:14 興福寺（Kōfukuji-Temple）
17:11 近鉄奈良駅（Kintetsu Nara Station）
route(
世界遺產奈良東大寺中門入堂篇 Todaiji Temple , Nara (Japan)
東大寺的起源可以回朔到728年,聖武天皇為了供養其皇太子而建造了金鐘寺.741年聖武天皇基於護國信仰下令建造國分寺時,把金鐘寺作為大和國分寺而改名為金光明寺.745年開始鑄造奈良大佛,再度改名為東大寺.奈良大佛於752年完工,789年完成大佛殿極講堂等伽藍.
Nara Temples & The Tōdai-ji Daibutsuden
Day 6 - Nara: Owl Café Wata Wata, Nara Park, Todai-Ji Temple.
Todaiji Temple tegaimon～daibutsuden～nandaimon 【東大寺 転害門～大仏殿～南大門】
東大寺 転害門、奈良時代から残っている数少ない遺構だそうです。
転害門から大仏殿、南大門と朝から散歩がてら行って来ました。
Nihonto - Yamato Tegai Kanesada 大和手掻包定 - 1441-1444 (嘉吉 Kakitsu) - 74567 - Tachi - Sword - 刀
THE YAMATO SUE-TEGAI SCHOOL
by Fred Weissberg 02/06
The first generation Kanenaga is known to be the founder of the Yamato Tegai School of sword making. This school got its name from the fact that its workshop was built in front of the gate Tegai-mon belonging to the Todaiji Temple in Nara. The Tegai School was founded by the smith, Kanenaga who worked around 1288-1293. The smiths of this school all used the same character for kane in their works. Some of the other smiths were Kanekiyo, Kanetsugu , Kanetoshi, and Kanemitsu. Some of the later smiths such as Kaneuji moved to Mino.
Of the smiths of this school, the first generation Kanenagaleft a fair number of signed examples of his work. Most have been greatly shortened with the two characters being found at the bottom of the nakago. The name Kanenaga was also used by succeeding generations of smiths.The works of the first generation Kanenaga are known to be the best that the Tegai School produced.
Toward the end of the Nanbokucho period, the school ceased to be active. With the beginning of the Muromachi period, however, it revived and began to once again prosper. This was the start of what is known as the Sue-Tegai School.
The workmanship of the Sue-Tegai School is difficult to distinguish from that of other Yamato Schools of the period. It might be said that swords made by the Sue-Tegai smiths show features generally common to late Yamato swords. Here are the basic characteristics of the Sue-Tegai School:
SUGATA:The shape of Sue Tegai works is what we have come to know as typical Yamato for the period. They are shinogi-zukuri and irori mune.The shinogi is high with a wide shinogi-haba . Shinogi-zukuri and shobu-zukuri shapes are found in wakizashi. In tanto, there is a narrow mihaba, a shortened nagasa, and a slightly rounded fukura. The sugata looks sharp. The kasane is thick, in spite of narrow mihaba.
HAMON:The temper line is narrow and tight. The hamon consists of nioi with some nie, but with little activity. O-midare, is seen on occasion.
BOSHI:Yakizume becomes rare compared with older Tegai blades. The standard ko-maru boshi is most common. The kaeri becomes longer than in older Tegai blades.
HADA:The fine ko-mokume ji-hada is mixed with masame-hada. There is little or no ji-nie present. The jigane is a bit hard and whitish in color.
NAKAGO:While, most of the surviving works are o-suriage with the original nakago lost, there are surviving examples with a mei, but they are rare.
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Nihonto - Yamato Tegai Kanesada 大和手掻包定 - 1441-1444 (嘉吉 Kakitsu) - 74567 - Tachi - Sword - 刀
동대사, 일본여행, Travel to Japan, 아시아여행, Asia travel, Korea Tour TV
동대사
남도 7대사의 하나이다. 745년에 쇼무 왕의 발원으로 로벤이 창건하였다.
본존은 비로자나불로 앉은 키 16m, 얼굴 길이가 5m나 되어 속칭 나라 대불(大佛)이라고 한다.
일본 삼계단의 하나로서 중요시되고, 헤이안시대를 통하여 고후쿠지와 더불어 일본 불교계의 지도적 위치에 있었다.
사역이 넓어 당우가 흩어져 있지만, 중심인 대불전, 즉 금당은 에도시대에 재건된 것으로서 높이 47.5m나 되는 세계 최대의 목조건물이다.
[네이버 지식백과] 도다이지동대사 (두산백과)
東大寺 南大門 奈良 世界遺産/ Todai-ji Temple Nandaimon Gate Nara World Heritage/ 도다이지 나라
東大寺南大門
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일본 나라의 동대사(東大寺-도다이지)
세계 최대의 목조 절인 동대사(東大寺-도다이지)입니다.
지난 일본 여행당시 잠시 들리며 입장료 500엔이 조금은 아까워 들어가보지 않은 것이
일본여행의 최대 실수 였던 것 같습니다. (들어가 볼껄.. ㅜㅜ)
우리나라에는 통일신라의 민정문서가 이 동대사의 정창원이라는 곳에서 발견되어
당신의 세금과 마을등 행정에 대한 연구가 활발하게 되는 계기가 되었죠.
(참고로 정창원은 보관소로 이 동대사에서 조금 떨어져 있습니다... )
동대사에 대해서는 구글링 하시면 금방 아실 수 있으니..
자세한 설명은 하지 않도록 하겠습니다.
Nihonto - Yamato Tegai 大和手掻 - 1394-1428 (應永 Oei) - 30 - Katana - Sword - 刀
THE YAMATO SUE-TEGAI SCHOOL
by Fred Weissberg 02/06
The first generation Kanenaga is known to be the founder of the Yamato Tegai School of sword making. This school got its name from the fact that its workshop was built in front of the gate Tegai-mon belonging to the Todaiji Temple in Nara. The Tegai School was founded by the smith, Kanenaga who worked around 1288-1293. The smiths of this school all used the same character for kane in their works. Some of the other smiths were Kanekiyo, Kanetsugu , Kanetoshi, and Kanemitsu. Some of the later smiths such as Kaneuji moved to Mino.
Of the smiths of this school, the first generation Kanenagaleft a fair number of signed examples of his work. Most have been greatly shortened with the two characters being found at the bottom of the nakago. The name Kanenaga was also used by succeeding generations of smiths.The works of the first generation Kanenaga are known to be the best that the Tegai School produced.
Toward the end of the Nanbokucho period, the school ceased to be active. With the beginning of the Muromachi period, however, it revived and began to once again prosper. This was the start of what is known as the Sue-Tegai School.
The workmanship of the Sue-Tegai School is difficult to distinguish from that of other Yamato Schools of the period. It might be said that swords made by the Sue-Tegai smiths show features generally common to late Yamato swords. Here are the basic characteristics of the Sue-Tegai School:
SUGATA:The shape of Sue Tegai works is what we have come to know as typical Yamato for the period. They are shinogi-zukuri and irori mune.The shinogi is high with a wide shinogi-haba . Shinogi-zukuri and shobu-zukuri shapes are found in wakizashi. In tanto, there is a narrow mihaba, a shortened nagasa, and a slightly rounded fukura. The sugata looks sharp. The kasane is thick, in spite of narrow mihaba.
HAMON:The temper line is narrow and tight. The hamon consists of nioi with some nie, but with little activity. O-midare, is seen on occasion.
BOSHI:Yakizume becomes rare compared with older Tegai blades. The standard ko-maru boshi is most common. The kaeri becomes longer than in older Tegai blades.
HADA:The fine ko-mokume ji-hada is mixed with masame-hada. There is little or no ji-nie present. The jigane is a bit hard and whitish in color.
NAKAGO:While, most of the surviving works are o-suriage with the original nakago lost, there are surviving examples with a mei, but they are rare.
10110110 - 01000010 - 00000010
Nihonto - Yamato Tegai Kanetsugu 大和手掻包次 - 1394-1428 (應永 Oei) - 6192 - Wakizashi - Sword - 刀
THE YAMATO SUE-TEGAI SCHOOL
The first generation Kanenaga is known to be the founder of the Yamato Tegai School of sword making. This school got its name from the fact that its workshop was built in front of the gate Tegai-mon belonging to the Todaiji Temple in Nara. The Tegai School was founded by the smith, Kanenaga who worked around 1288-1293. The smiths of this school all used the same character for kane in their works. Some of the other smiths were Kanekiyo, Kanetsugu , Kanetoshi, and Kanemitsu. Some of the later smiths such as Kaneuji moved to Mino.
Of the smiths of this school, the first generation Kanenagaleft a fair number of signed examples of his work. Most have been greatly shortened with the two characters being found at the bottom of the nakago. The name Kanenaga was also used by succeeding generations of smiths.The works of the first generation Kanenaga are known to be the best that the Tegai School produced.
Toward the end of the Nanbokucho period, the school ceased to be active. With the beginning of the Muromachi period, however, it revived and began to once again prosper. This was the start of what is known as the Sue-Tegai School.
The workmanship of the Sue-Tegai School is difficult to distinguish from that of other Yamato Schools of the period. It might be said that swords made by the Sue-Tegai smiths show features generally common to late Yamato swords. Here are the basic characteristics of the Sue-Tegai School:
SUGATA:The shape of Sue Tegai works is what we have come to know as typical Yamato for the period. They are shinogi-zukuri and irori mune.The shinogi is high with a wide shinogi-haba . Shinogi-zukuri and shobu-zukuri shapes are found in wakizashi. In tanto, there is a narrow mihaba, a shortened nagasa, and a slightly rounded fukura. The sugata looks sharp. The kasane is thick, in spite of narrow mihaba.
HAMON:The temper line is narrow and tight. The hamon consists of nioi with some nie, but with little activity. O-midare, is seen on occasion.
BOSHI:Yakizume becomes rare compared with older Tegai blades. The standard ko-maru boshi is most common. The kaeri becomes longer than in older Tegai blades.
HADA:The fine ko-mokume ji-hada is mixed with masame-hada. There is little or no ji-nie present. The jigane is a bit hard and whitish in color.
NAKAGO:While, most of the surviving works are o-suriage with the original nakago lost, there are surviving examples with a mei, but they are rare.
by Fred Weissberg 02/06
Supporting images:
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Nihonto - Yamato Tegai Kanetsugu 大和手掻包次 - 1394-1428 (應永 Oei) - 6192 - Wakizashi - Sword - 刀
向日神社 京都 / Mukou Shrine Kyoto
向日神社
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奈良 Nara
Camera：CANON iVIS HF M43
0:00 なか卯大和郡山店 Nakau
Map
0:39 転害門(てがいもん) Tegaimon Gate
0:54 大仏池 Daibutsu Pond
1:28 東大寺 Todai-ji Temple
4:09 氷室神社 Himuro-Jinja Shrine
7:21 興福寺 Kofuku-ji Temple
8:09 猿沢池 Sarusawa Pond
12:01 近鉄奈良駅 Kintetsu Nara Station
Map
16:09 くら寿司アクロスプラザ橿原店 Kura-Sushi
Map
Todai-ji ; Eastern Great Temple,Great Buddha Hall (daibutsuden), a National Treasure
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東大寺 奈良 世界遺産/ Todai-ji Temple Nara World Heritage/ 도다이지 나라
東大寺
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東大寺 戒壇堂 奈良 世界遺産/ Todai-ji Temple Kaidan-do Nara World Heritage
東大寺戒壇堂
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토다이지(東大寺)&나라공원(奈良公園)
경북외국어대학교 해외문화탐방